Harmony in Chopin /:
Chopin's oeuvre holds a secure place in the repertoire, beloved by audiences, performers, and aesthetes. In Harmony in Chopin, David Damschroder offers a new way to examine and understand Chopin's compositional style, integrating Schenkerian structural analyses with an innovative perspecti...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York ; Cambridge :
Cambridge University Press,
2015.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Chopin's oeuvre holds a secure place in the repertoire, beloved by audiences, performers, and aesthetes. In Harmony in Chopin, David Damschroder offers a new way to examine and understand Chopin's compositional style, integrating Schenkerian structural analyses with an innovative perspective on harmony and further developing ideas and methods put forward in his earlier books Thinking about Harmony, Harmony in Schubert, and Harmony in Haydn and Mozart. Reinvigorating and enhancing some of the central components of analytical practice, this study explores notions such as assertion, chordal evolution (surge), collision, dominant emulation, unfurling, and wobble through analyses of all forty-three Mazurkas Chopin published during his lifetime. Damschroder also integrates analyses of eight major works by Chopin with detailed commentary on the contrasting perspectives of other prominent Chopin analysts. This provocative and richly detailed book will help transform readers' own analytical approaches. |
Beschreibung: | 1 online resource (1 volume) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781316374962 1316374963 9781316258095 1316258092 |
Internformat
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520 | |a Chopin's oeuvre holds a secure place in the repertoire, beloved by audiences, performers, and aesthetes. In Harmony in Chopin, David Damschroder offers a new way to examine and understand Chopin's compositional style, integrating Schenkerian structural analyses with an innovative perspective on harmony and further developing ideas and methods put forward in his earlier books Thinking about Harmony, Harmony in Schubert, and Harmony in Haydn and Mozart. Reinvigorating and enhancing some of the central components of analytical practice, this study explores notions such as assertion, chordal evolution (surge), collision, dominant emulation, unfurling, and wobble through analyses of all forty-three Mazurkas Chopin published during his lifetime. Damschroder also integrates analyses of eight major works by Chopin with detailed commentary on the contrasting perspectives of other prominent Chopin analysts. This provocative and richly detailed book will help transform readers' own analytical approaches. | ||
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author | Damschroder, David |
author_GND | http://id.loc.gov/authorities/names/n89126148 |
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author_sort | Damschroder, David |
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contents | Methodological orientation : the mazurkas. The architecture of a tonic pillar : twenty-seven regular tonic pillars from the mazurkas ; Between the tonic pillars : tonal trajectories in twenty-seven mazurkas ; Irregular pillars in the mazurkas : alternatives to the perfect authentic cadence -- Masterpieces. Etude in C minor, op. 10, no. 12 in response to Graham H. Phipps ; Nocturne in C♯ minor (op. 27, no. 1) in response to Felix Salzer ; Preludes in E major and E minor (op. 28, nos. 9 and 4) in response to Fred Lerdahl ; Prelude in G minor (op. 28, no. 22) in response to Alison Hood ; Prelude in C♯ minor (op. 45) in response to Jean-Jacques Eigeldinger and to Charles J. Smith ; Ballade in F minor (op. 52) in response to Edward Laufer ; Barcarolle in F♯ major (op. 60) in response to John Rink. |
ctrlnum | (OCoLC)910935562 |
dewey-full | 786.2092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 786 - Keyboard & other instruments |
dewey-raw | 786.2092 |
dewey-search | 786.2092 |
dewey-sort | 3786.2092 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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spelling | Damschroder, David, author. http://id.loc.gov/authorities/names/n89126148 Harmony in Chopin / David Damschroder, the University of Minnesota. New York ; Cambridge : Cambridge University Press, 2015. ©2015 1 online resource (1 volume) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Methodological orientation : the mazurkas. The architecture of a tonic pillar : twenty-seven regular tonic pillars from the mazurkas ; Between the tonic pillars : tonal trajectories in twenty-seven mazurkas ; Irregular pillars in the mazurkas : alternatives to the perfect authentic cadence -- Masterpieces. Etude in C minor, op. 10, no. 12 in response to Graham H. Phipps ; Nocturne in C♯ minor (op. 27, no. 1) in response to Felix Salzer ; Preludes in E major and E minor (op. 28, nos. 9 and 4) in response to Fred Lerdahl ; Prelude in G minor (op. 28, no. 22) in response to Alison Hood ; Prelude in C♯ minor (op. 45) in response to Jean-Jacques Eigeldinger and to Charles J. Smith ; Ballade in F minor (op. 52) in response to Edward Laufer ; Barcarolle in F♯ major (op. 60) in response to John Rink. Print version record. Chopin's oeuvre holds a secure place in the repertoire, beloved by audiences, performers, and aesthetes. In Harmony in Chopin, David Damschroder offers a new way to examine and understand Chopin's compositional style, integrating Schenkerian structural analyses with an innovative perspective on harmony and further developing ideas and methods put forward in his earlier books Thinking about Harmony, Harmony in Schubert, and Harmony in Haydn and Mozart. Reinvigorating and enhancing some of the central components of analytical practice, this study explores notions such as assertion, chordal evolution (surge), collision, dominant emulation, unfurling, and wobble through analyses of all forty-three Mazurkas Chopin published during his lifetime. Damschroder also integrates analyses of eight major works by Chopin with detailed commentary on the contrasting perspectives of other prominent Chopin analysts. This provocative and richly detailed book will help transform readers' own analytical approaches. Chopin, Frédéric, 1810-1849 Criticism and interpretation. Chopin, Frédéric, 1810-1849 fast https://id.oclc.org/worldcat/entity/E39PBJfCD7RmFkf98RKC8byTpP Harmony. http://id.loc.gov/authorities/subjects/sh85058963 Harmonie. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Harmony fast Electronic books. Criticism, interpretation, etc. fast has work: Harmony in Chopin (Text) https://id.oclc.org/worldcat/entity/E39PCH83vBkWGpJTQdFtfD7JXd https://id.oclc.org/worldcat/ontology/hasWork Print version: Damschroder, David. Harmony in Chopin 9781107108578 (DLC) 2014046686 (OCoLC)898029307 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=996415 Volltext |
spellingShingle | Damschroder, David Harmony in Chopin / Methodological orientation : the mazurkas. The architecture of a tonic pillar : twenty-seven regular tonic pillars from the mazurkas ; Between the tonic pillars : tonal trajectories in twenty-seven mazurkas ; Irregular pillars in the mazurkas : alternatives to the perfect authentic cadence -- Masterpieces. Etude in C minor, op. 10, no. 12 in response to Graham H. Phipps ; Nocturne in C♯ minor (op. 27, no. 1) in response to Felix Salzer ; Preludes in E major and E minor (op. 28, nos. 9 and 4) in response to Fred Lerdahl ; Prelude in G minor (op. 28, no. 22) in response to Alison Hood ; Prelude in C♯ minor (op. 45) in response to Jean-Jacques Eigeldinger and to Charles J. Smith ; Ballade in F minor (op. 52) in response to Edward Laufer ; Barcarolle in F♯ major (op. 60) in response to John Rink. Chopin, Frédéric, 1810-1849 Criticism and interpretation. Chopin, Frédéric, 1810-1849 fast https://id.oclc.org/worldcat/entity/E39PBJfCD7RmFkf98RKC8byTpP Harmony. http://id.loc.gov/authorities/subjects/sh85058963 Harmonie. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Harmony fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85058963 |
title | Harmony in Chopin / |
title_auth | Harmony in Chopin / |
title_exact_search | Harmony in Chopin / |
title_full | Harmony in Chopin / David Damschroder, the University of Minnesota. |
title_fullStr | Harmony in Chopin / David Damschroder, the University of Minnesota. |
title_full_unstemmed | Harmony in Chopin / David Damschroder, the University of Minnesota. |
title_short | Harmony in Chopin / |
title_sort | harmony in chopin |
topic | Chopin, Frédéric, 1810-1849 Criticism and interpretation. Chopin, Frédéric, 1810-1849 fast https://id.oclc.org/worldcat/entity/E39PBJfCD7RmFkf98RKC8byTpP Harmony. http://id.loc.gov/authorities/subjects/sh85058963 Harmonie. MUSIC Musical Instruments Piano & Keyboard. bisacsh MUSIC Printed Music Percussion. bisacsh Harmony fast |
topic_facet | Chopin, Frédéric, 1810-1849 Criticism and interpretation. Chopin, Frédéric, 1810-1849 Harmony. Harmonie. MUSIC Musical Instruments Piano & Keyboard. MUSIC Printed Music Percussion. Harmony Electronic books. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=996415 |
work_keys_str_mv | AT damschroderdavid harmonyinchopin |