A Truffaut notebook /:
"François Truffaut (1932-1984) ranks among the greatest film directors and has had a worldwide impact on filmmaking as a screenwriter, producer, film critic, and founding member of the French New Wave. His most celebrated films include The 400 Blows, Shoot the Piano Player, Jules and Jim, Day...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal ; Kingston :
McGill-Queen's University Press,
2015.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "François Truffaut (1932-1984) ranks among the greatest film directors and has had a worldwide impact on filmmaking as a screenwriter, producer, film critic, and founding member of the French New Wave. His most celebrated films include The 400 Blows, Shoot the Piano Player, Jules and Jim, Day for Night and The Last Metro. A Truffaut Notebook is a lively and eclectic introduction to the life and work of this major cinematic figure. In entries as brief as a page, as well as in full length essays, it examines topics such as Truffaut's mentors, the autobiographical nature of his films, his place in the film tradition, his film criticism, his reputation, his relationships with other directors, and the formal and thematic coherence of his body of work. Sam Solecki also argues for Truffaut's continuing wide appeal and relevance by examining his influence on filmmakers like Woody Allen, Noah Baumbach, Alexander Payne, Patrice Leconte, and Jean-Pierre Jeunet, and on writers such as Julian Barnes, Ann Beattie, and Salman Rushdie. Because the book returns regularly to the author's shifting responses to Truffaut's work over the last fifty years, it also offers an autobiographical meditation on his own lifelong fascination with film. Consisting of over eighty short entries and essays, as well as provocative lists, dreams, and quizzes, A Truffaut Notebook is an original and exciting text and a model of passionate engagement with cinema."-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780773597983 0773597980 9780773597990 0773597999 0773546243 9780773546240 |
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| 100 | 1 | |a Solecki, Sam, |d 1946- |e author. | |
| 245 | 1 | 2 | |a A Truffaut notebook / |c Sam Solecki. |
| 263 | |a 1511 | ||
| 264 | 1 | |a Montreal ; |a Kingston : |b McGill-Queen's University Press, |c 2015. | |
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "François Truffaut (1932-1984) ranks among the greatest film directors and has had a worldwide impact on filmmaking as a screenwriter, producer, film critic, and founding member of the French New Wave. His most celebrated films include The 400 Blows, Shoot the Piano Player, Jules and Jim, Day for Night and The Last Metro. A Truffaut Notebook is a lively and eclectic introduction to the life and work of this major cinematic figure. In entries as brief as a page, as well as in full length essays, it examines topics such as Truffaut's mentors, the autobiographical nature of his films, his place in the film tradition, his film criticism, his reputation, his relationships with other directors, and the formal and thematic coherence of his body of work. Sam Solecki also argues for Truffaut's continuing wide appeal and relevance by examining his influence on filmmakers like Woody Allen, Noah Baumbach, Alexander Payne, Patrice Leconte, and Jean-Pierre Jeunet, and on writers such as Julian Barnes, Ann Beattie, and Salman Rushdie. Because the book returns regularly to the author's shifting responses to Truffaut's work over the last fifty years, it also offers an autobiographical meditation on his own lifelong fascination with film. Consisting of over eighty short entries and essays, as well as provocative lists, dreams, and quizzes, A Truffaut Notebook is an original and exciting text and a model of passionate engagement with cinema."-- |c Provided by publisher. | ||
| 505 | 0 | |a Cover -- Half title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- The Films of François Truffaut -- Chronology -- Why Truffaut? -- In His Own Words I -- Roland Lévy and Roland Truffaut -- Early Films: François and Sam -- The Godfather: André Bazin (1918-1958) -- 1 January 1954: "A Certain Tendency in French Cinema" -- The Mischief Makers (1957): Some Boys and a Girl on a Bicycle -- Films Truffaut Didn't Make I -- Some Titles for The 400 Blows (1959) -- Making Films Together: A Letter to the Cast and Crew of The Last Metro (21 January 1980) -- The 400 Blows: A Life on Film -- Jean-Pierre Léaud with Truffaut, Jean-Luc Godard, and Bernardo Bertolucci -- Robert Lachenay (1930-2005): The Best Friend and the Ancillary Life -- Sacha Guitry (1885-1957): Le Roman d'un tricheur and The 400 Blows -- Shoot the Piano Player (1960): All You Need Is Love -- Shoot the Piano Player and a Debt to the Past -- Truffaut's Breathless and Jean-Luc Godard's -- A Posthumous Questionnaire (January 2015) -- Truffaut in His Letters -- Jules and Jim (1961): When We Speak of Freedom and Love and Death -- Eric Rohmer's La Collectionneuse (1967) and Jules and Jim -- Julian Barnes's Talking It Over (1991) and Jules and Jim -- Salman Rushdie's The Ground beneath Her Feet (1999) and Jules and Jim -- Truffaut in and out of His Time -- Carlos Saura on The Soft Skin (1964), Obliquely -- The Auteur and the Empty Room -- Meeting Jeanne Moreau in Venice -- Truffaut Looks back to Godard: Fahrenheit 451 (1966) and Alphaville (1965) -- Fahrenheit 451 and Truffaut's English -- The Bride Wore Black (1967) -- Jacques Demy, Catherine Deneuve, Françoise Dorléac, and Truffaut -- Stolen Kisses (1968): A Debt to Marcel Proust or Anatole France -- David Thomson's Mississippi Mermaid (1969) -- Fahrenheit 451 (1966), Week-end (1967), The Wild Child (1969): A Dialogue? | |
| 505 | 8 | |a Maurice Pialat's Wild Child: L'Enfance nue (1968) -- Woody Allen's Deconstructing Harry (1997) and Antoine Doinel -- Patrice Leconte's The Girl on the Bridge (1999) -- "François, My Boy" and "Mr Hitchcock" -- Truffaut's Typewriters -- The Ending of Two English Girls (1971) -- Two English Girls, Agora (2009), and Seeing Red on the Screen -- Truffaut, Godard, and Timbres -- Truffaut's Afterlife: The Diving Bell and the Butterfly (2007) -- Johnny Guitar (1954): Bad Faith in Truffaut and David Thomson -- A Title Quiz -- Creativity and Accidents -- Day for Night (1973): The Family Movie -- Day for Night, Wes Anderson, and American Express -- 8 1/2 (1963), Day for Night (1973), Stardust Memories (1980), Nine (2009) -- Pauline Kael, Wim Wenders, and Truffaut -- Truffaut, Adam Zagajewski, and the Fate of Spirit -- Truffaut in The Squid and the Whale (2005) -- Truffaut and Paul Léautaud (1872-1956) -- Montmartre and "Certification" -- The Story of Adèle H. (1975): Truffaut's Feminism -- Truffaut and Deneuve in The Story of Adèle H. -- A Dream: The Story of Adèle H. and Elle -- Small Change (1976) and Renoir's The River (1951) -- An Aged Man Is But a Paltry Thing -- Ingmar Bergman, Cavaleur -- Fame: Daphne Moon, Niles Crane, and a Truffaut Film -- The Man Who Loved Women (1977): Truffaut and Don Juan -- João César Monteiro's A Comédia de Deus (1995): The Man Who Loved Girls -- Leslie Caron -- Suzanne Schiffman (1929-2001) -- Trufard and Godfaut: Resemblances -- Balthus (1908-2001) -- Film Names: Who Remembers Michel Poiccard and Patricia Franchini? -- The Green Room (1978): The Man Who Loved One Woman -- A Short History of "Dummies": Luis Buñuel, Truffaut, and Oskar Kokoschka -- The Sentence that Sticks -- Pauline Kael's Farewell to Truffaut and Godard -- Paul Schrader's Tears -- The Last Metro (1980): François Truffaut-Lévy -- Subtitles and Voices. | |
| 505 | 8 | |a Roberto Rossellini (1906-1977): The Italian Godfather -- The Woman Next Door (1981): "Neither with you nor without you" -- Fanny Marguerite Judith Ardant -- François and Sam: Some Favourite Films -- A Godard Dream (26 June 2011) -- Le Journal d'Alphonse: A Doinel Sequel -- In His Own Words II -- Truffaut's Afterlife: Amélie (2001) -- Antoine de Baecque's Two In the Wave (2010) -- Unfinished Business: Films Truffaut Didn't Make II -- The Grave in Montmartre -- Last Words -- Notes -- Bibliography -- Index. | |
| 600 | 1 | 0 | |a Truffaut, François |x Criticism and interpretation. |
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| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| author | Solecki, Sam, 1946- |
| author_facet | Solecki, Sam, 1946- |
| author_role | aut |
| author_sort | Solecki, Sam, 1946- |
| author_variant | s s ss |
| building | Verbundindex |
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| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
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| contents | Cover -- Half title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- The Films of François Truffaut -- Chronology -- Why Truffaut? -- In His Own Words I -- Roland Lévy and Roland Truffaut -- Early Films: François and Sam -- The Godfather: André Bazin (1918-1958) -- 1 January 1954: "A Certain Tendency in French Cinema" -- The Mischief Makers (1957): Some Boys and a Girl on a Bicycle -- Films Truffaut Didn't Make I -- Some Titles for The 400 Blows (1959) -- Making Films Together: A Letter to the Cast and Crew of The Last Metro (21 January 1980) -- The 400 Blows: A Life on Film -- Jean-Pierre Léaud with Truffaut, Jean-Luc Godard, and Bernardo Bertolucci -- Robert Lachenay (1930-2005): The Best Friend and the Ancillary Life -- Sacha Guitry (1885-1957): Le Roman d'un tricheur and The 400 Blows -- Shoot the Piano Player (1960): All You Need Is Love -- Shoot the Piano Player and a Debt to the Past -- Truffaut's Breathless and Jean-Luc Godard's -- A Posthumous Questionnaire (January 2015) -- Truffaut in His Letters -- Jules and Jim (1961): When We Speak of Freedom and Love and Death -- Eric Rohmer's La Collectionneuse (1967) and Jules and Jim -- Julian Barnes's Talking It Over (1991) and Jules and Jim -- Salman Rushdie's The Ground beneath Her Feet (1999) and Jules and Jim -- Truffaut in and out of His Time -- Carlos Saura on The Soft Skin (1964), Obliquely -- The Auteur and the Empty Room -- Meeting Jeanne Moreau in Venice -- Truffaut Looks back to Godard: Fahrenheit 451 (1966) and Alphaville (1965) -- Fahrenheit 451 and Truffaut's English -- The Bride Wore Black (1967) -- Jacques Demy, Catherine Deneuve, Françoise Dorléac, and Truffaut -- Stolen Kisses (1968): A Debt to Marcel Proust or Anatole France -- David Thomson's Mississippi Mermaid (1969) -- Fahrenheit 451 (1966), Week-end (1967), The Wild Child (1969): A Dialogue? Maurice Pialat's Wild Child: L'Enfance nue (1968) -- Woody Allen's Deconstructing Harry (1997) and Antoine Doinel -- Patrice Leconte's The Girl on the Bridge (1999) -- "François, My Boy" and "Mr Hitchcock" -- Truffaut's Typewriters -- The Ending of Two English Girls (1971) -- Two English Girls, Agora (2009), and Seeing Red on the Screen -- Truffaut, Godard, and Timbres -- Truffaut's Afterlife: The Diving Bell and the Butterfly (2007) -- Johnny Guitar (1954): Bad Faith in Truffaut and David Thomson -- A Title Quiz -- Creativity and Accidents -- Day for Night (1973): The Family Movie -- Day for Night, Wes Anderson, and American Express -- 8 1/2 (1963), Day for Night (1973), Stardust Memories (1980), Nine (2009) -- Pauline Kael, Wim Wenders, and Truffaut -- Truffaut, Adam Zagajewski, and the Fate of Spirit -- Truffaut in The Squid and the Whale (2005) -- Truffaut and Paul Léautaud (1872-1956) -- Montmartre and "Certification" -- The Story of Adèle H. (1975): Truffaut's Feminism -- Truffaut and Deneuve in The Story of Adèle H. -- A Dream: The Story of Adèle H. and Elle -- Small Change (1976) and Renoir's The River (1951) -- An Aged Man Is But a Paltry Thing -- Ingmar Bergman, Cavaleur -- Fame: Daphne Moon, Niles Crane, and a Truffaut Film -- The Man Who Loved Women (1977): Truffaut and Don Juan -- João César Monteiro's A Comédia de Deus (1995): The Man Who Loved Girls -- Leslie Caron -- Suzanne Schiffman (1929-2001) -- Trufard and Godfaut: Resemblances -- Balthus (1908-2001) -- Film Names: Who Remembers Michel Poiccard and Patricia Franchini? -- The Green Room (1978): The Man Who Loved One Woman -- A Short History of "Dummies": Luis Buñuel, Truffaut, and Oskar Kokoschka -- The Sentence that Sticks -- Pauline Kael's Farewell to Truffaut and Godard -- Paul Schrader's Tears -- The Last Metro (1980): François Truffaut-Lévy -- Subtitles and Voices. Roberto Rossellini (1906-1977): The Italian Godfather -- The Woman Next Door (1981): "Neither with you nor without you" -- Fanny Marguerite Judith Ardant -- François and Sam: Some Favourite Films -- A Godard Dream (26 June 2011) -- Le Journal d'Alphonse: A Doinel Sequel -- In His Own Words II -- Truffaut's Afterlife: Amélie (2001) -- Antoine de Baecque's Two In the Wave (2010) -- Unfinished Business: Films Truffaut Didn't Make II -- The Grave in Montmartre -- Last Words -- Notes -- Bibliography -- Index. |
| ctrlnum | (OCoLC)910775417 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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tag="245" ind1="1" ind2="2"><subfield code="a">A Truffaut notebook /</subfield><subfield code="c">Sam Solecki.</subfield></datafield><datafield tag="263" ind1=" " ind2=" "><subfield code="a">1511</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Montreal ;</subfield><subfield code="a">Kingston :</subfield><subfield code="b">McGill-Queen's University Press,</subfield><subfield code="c">2015.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"François Truffaut (1932-1984) ranks among the greatest film directors and has had a worldwide impact on filmmaking as a screenwriter, producer, film critic, and founding member of the French New Wave. His most celebrated films include The 400 Blows, Shoot the Piano Player, Jules and Jim, Day for Night and The Last Metro. A Truffaut Notebook is a lively and eclectic introduction to the life and work of this major cinematic figure. In entries as brief as a page, as well as in full length essays, it examines topics such as Truffaut's mentors, the autobiographical nature of his films, his place in the film tradition, his film criticism, his reputation, his relationships with other directors, and the formal and thematic coherence of his body of work. Sam Solecki also argues for Truffaut's continuing wide appeal and relevance by examining his influence on filmmakers like Woody Allen, Noah Baumbach, Alexander Payne, Patrice Leconte, and Jean-Pierre Jeunet, and on writers such as Julian Barnes, Ann Beattie, and Salman Rushdie. 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(1975): Truffaut's Feminism -- Truffaut and Deneuve in The Story of Adèle H. -- A Dream: The Story of Adèle H. and Elle -- Small Change (1976) and Renoir's The River (1951) -- An Aged Man Is But a Paltry Thing -- Ingmar Bergman, Cavaleur -- Fame: Daphne Moon, Niles Crane, and a Truffaut Film -- The Man Who Loved Women (1977): Truffaut and Don Juan -- João César Monteiro's A Comédia de Deus (1995): The Man Who Loved Girls -- Leslie Caron -- Suzanne Schiffman (1929-2001) -- Trufard and Godfaut: Resemblances -- Balthus (1908-2001) -- Film Names: Who Remembers Michel Poiccard and Patricia Franchini? -- The Green Room (1978): The Man Who Loved One Woman -- A Short History of "Dummies": Luis Buñuel, Truffaut, and Oskar Kokoschka -- The Sentence that Sticks -- Pauline Kael's Farewell to Truffaut and Godard -- Paul Schrader's Tears -- The Last Metro (1980): François Truffaut-Lévy -- Subtitles and Voices.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Roberto Rossellini (1906-1977): The Italian Godfather -- The Woman Next Door (1981): "Neither with you nor without you" -- Fanny Marguerite Judith Ardant -- François and Sam: Some Favourite Films -- A Godard Dream (26 June 2011) -- Le Journal d'Alphonse: A Doinel Sequel -- In His Own Words II -- Truffaut's Afterlife: Amélie (2001) -- Antoine de Baecque's Two In the Wave (2010) -- Unfinished Business: Films Truffaut Didn't Make II -- The Grave in Montmartre -- Last Words -- Notes -- Bibliography -- Index.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Truffaut, François</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Truffaut, François</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJvXkkJ6JxmKP8JPp6ptrq</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="655" ind1=" " ind2="0"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">A Truffaut notebook (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGJpjx4cDXyVXCJrGd6Myd</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="1" ind2=" "><subfield code="a">Solecki, Sam, 1946-</subfield><subfield code="t">Truffaut notebook./.</subfield><subfield code="d">Montreal ; 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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn910775417 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:38Z |
| institution | BVB |
| isbn | 9780773597983 0773597980 9780773597990 0773597999 0773546243 9780773546240 |
| language | English |
| oclc_num | 910775417 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | McGill-Queen's University Press, |
| record_format | marc |
| spelling | Solecki, Sam, 1946- author. A Truffaut notebook / Sam Solecki. 1511 Montreal ; Kingston : McGill-Queen's University Press, 2015. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "François Truffaut (1932-1984) ranks among the greatest film directors and has had a worldwide impact on filmmaking as a screenwriter, producer, film critic, and founding member of the French New Wave. His most celebrated films include The 400 Blows, Shoot the Piano Player, Jules and Jim, Day for Night and The Last Metro. A Truffaut Notebook is a lively and eclectic introduction to the life and work of this major cinematic figure. In entries as brief as a page, as well as in full length essays, it examines topics such as Truffaut's mentors, the autobiographical nature of his films, his place in the film tradition, his film criticism, his reputation, his relationships with other directors, and the formal and thematic coherence of his body of work. Sam Solecki also argues for Truffaut's continuing wide appeal and relevance by examining his influence on filmmakers like Woody Allen, Noah Baumbach, Alexander Payne, Patrice Leconte, and Jean-Pierre Jeunet, and on writers such as Julian Barnes, Ann Beattie, and Salman Rushdie. Because the book returns regularly to the author's shifting responses to Truffaut's work over the last fifty years, it also offers an autobiographical meditation on his own lifelong fascination with film. Consisting of over eighty short entries and essays, as well as provocative lists, dreams, and quizzes, A Truffaut Notebook is an original and exciting text and a model of passionate engagement with cinema."-- Provided by publisher. Cover -- Half title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- The Films of François Truffaut -- Chronology -- Why Truffaut? -- In His Own Words I -- Roland Lévy and Roland Truffaut -- Early Films: François and Sam -- The Godfather: André Bazin (1918-1958) -- 1 January 1954: "A Certain Tendency in French Cinema" -- The Mischief Makers (1957): Some Boys and a Girl on a Bicycle -- Films Truffaut Didn't Make I -- Some Titles for The 400 Blows (1959) -- Making Films Together: A Letter to the Cast and Crew of The Last Metro (21 January 1980) -- The 400 Blows: A Life on Film -- Jean-Pierre Léaud with Truffaut, Jean-Luc Godard, and Bernardo Bertolucci -- Robert Lachenay (1930-2005): The Best Friend and the Ancillary Life -- Sacha Guitry (1885-1957): Le Roman d'un tricheur and The 400 Blows -- Shoot the Piano Player (1960): All You Need Is Love -- Shoot the Piano Player and a Debt to the Past -- Truffaut's Breathless and Jean-Luc Godard's -- A Posthumous Questionnaire (January 2015) -- Truffaut in His Letters -- Jules and Jim (1961): When We Speak of Freedom and Love and Death -- Eric Rohmer's La Collectionneuse (1967) and Jules and Jim -- Julian Barnes's Talking It Over (1991) and Jules and Jim -- Salman Rushdie's The Ground beneath Her Feet (1999) and Jules and Jim -- Truffaut in and out of His Time -- Carlos Saura on The Soft Skin (1964), Obliquely -- The Auteur and the Empty Room -- Meeting Jeanne Moreau in Venice -- Truffaut Looks back to Godard: Fahrenheit 451 (1966) and Alphaville (1965) -- Fahrenheit 451 and Truffaut's English -- The Bride Wore Black (1967) -- Jacques Demy, Catherine Deneuve, Françoise Dorléac, and Truffaut -- Stolen Kisses (1968): A Debt to Marcel Proust or Anatole France -- David Thomson's Mississippi Mermaid (1969) -- Fahrenheit 451 (1966), Week-end (1967), The Wild Child (1969): A Dialogue? Maurice Pialat's Wild Child: L'Enfance nue (1968) -- Woody Allen's Deconstructing Harry (1997) and Antoine Doinel -- Patrice Leconte's The Girl on the Bridge (1999) -- "François, My Boy" and "Mr Hitchcock" -- Truffaut's Typewriters -- The Ending of Two English Girls (1971) -- Two English Girls, Agora (2009), and Seeing Red on the Screen -- Truffaut, Godard, and Timbres -- Truffaut's Afterlife: The Diving Bell and the Butterfly (2007) -- Johnny Guitar (1954): Bad Faith in Truffaut and David Thomson -- A Title Quiz -- Creativity and Accidents -- Day for Night (1973): The Family Movie -- Day for Night, Wes Anderson, and American Express -- 8 1/2 (1963), Day for Night (1973), Stardust Memories (1980), Nine (2009) -- Pauline Kael, Wim Wenders, and Truffaut -- Truffaut, Adam Zagajewski, and the Fate of Spirit -- Truffaut in The Squid and the Whale (2005) -- Truffaut and Paul Léautaud (1872-1956) -- Montmartre and "Certification" -- The Story of Adèle H. (1975): Truffaut's Feminism -- Truffaut and Deneuve in The Story of Adèle H. -- A Dream: The Story of Adèle H. and Elle -- Small Change (1976) and Renoir's The River (1951) -- An Aged Man Is But a Paltry Thing -- Ingmar Bergman, Cavaleur -- Fame: Daphne Moon, Niles Crane, and a Truffaut Film -- The Man Who Loved Women (1977): Truffaut and Don Juan -- João César Monteiro's A Comédia de Deus (1995): The Man Who Loved Girls -- Leslie Caron -- Suzanne Schiffman (1929-2001) -- Trufard and Godfaut: Resemblances -- Balthus (1908-2001) -- Film Names: Who Remembers Michel Poiccard and Patricia Franchini? -- The Green Room (1978): The Man Who Loved One Woman -- A Short History of "Dummies": Luis Buñuel, Truffaut, and Oskar Kokoschka -- The Sentence that Sticks -- Pauline Kael's Farewell to Truffaut and Godard -- Paul Schrader's Tears -- The Last Metro (1980): François Truffaut-Lévy -- Subtitles and Voices. Roberto Rossellini (1906-1977): The Italian Godfather -- The Woman Next Door (1981): "Neither with you nor without you" -- Fanny Marguerite Judith Ardant -- François and Sam: Some Favourite Films -- A Godard Dream (26 June 2011) -- Le Journal d'Alphonse: A Doinel Sequel -- In His Own Words II -- Truffaut's Afterlife: Amélie (2001) -- Antoine de Baecque's Two In the Wave (2010) -- Unfinished Business: Films Truffaut Didn't Make II -- The Grave in Montmartre -- Last Words -- Notes -- Bibliography -- Index. Truffaut, François Criticism and interpretation. Truffaut, François fast https://id.oclc.org/worldcat/entity/E39PBJvXkkJ6JxmKP8JPp6ptrq PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Electronic books. Criticism, interpretation, etc. fast has work: A Truffaut notebook (Text) https://id.oclc.org/worldcat/entity/E39PCGJpjx4cDXyVXCJrGd6Myd https://id.oclc.org/worldcat/ontology/hasWork Solecki, Sam, 1946- Truffaut notebook./. Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2015] ©2015 (CaOONL)2015904023X (OCoLC)908628823 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1072389 Volltext |
| spellingShingle | Solecki, Sam, 1946- A Truffaut notebook / Cover -- Half title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- The Films of François Truffaut -- Chronology -- Why Truffaut? -- In His Own Words I -- Roland Lévy and Roland Truffaut -- Early Films: François and Sam -- The Godfather: André Bazin (1918-1958) -- 1 January 1954: "A Certain Tendency in French Cinema" -- The Mischief Makers (1957): Some Boys and a Girl on a Bicycle -- Films Truffaut Didn't Make I -- Some Titles for The 400 Blows (1959) -- Making Films Together: A Letter to the Cast and Crew of The Last Metro (21 January 1980) -- The 400 Blows: A Life on Film -- Jean-Pierre Léaud with Truffaut, Jean-Luc Godard, and Bernardo Bertolucci -- Robert Lachenay (1930-2005): The Best Friend and the Ancillary Life -- Sacha Guitry (1885-1957): Le Roman d'un tricheur and The 400 Blows -- Shoot the Piano Player (1960): All You Need Is Love -- Shoot the Piano Player and a Debt to the Past -- Truffaut's Breathless and Jean-Luc Godard's -- A Posthumous Questionnaire (January 2015) -- Truffaut in His Letters -- Jules and Jim (1961): When We Speak of Freedom and Love and Death -- Eric Rohmer's La Collectionneuse (1967) and Jules and Jim -- Julian Barnes's Talking It Over (1991) and Jules and Jim -- Salman Rushdie's The Ground beneath Her Feet (1999) and Jules and Jim -- Truffaut in and out of His Time -- Carlos Saura on The Soft Skin (1964), Obliquely -- The Auteur and the Empty Room -- Meeting Jeanne Moreau in Venice -- Truffaut Looks back to Godard: Fahrenheit 451 (1966) and Alphaville (1965) -- Fahrenheit 451 and Truffaut's English -- The Bride Wore Black (1967) -- Jacques Demy, Catherine Deneuve, Françoise Dorléac, and Truffaut -- Stolen Kisses (1968): A Debt to Marcel Proust or Anatole France -- David Thomson's Mississippi Mermaid (1969) -- Fahrenheit 451 (1966), Week-end (1967), The Wild Child (1969): A Dialogue? Maurice Pialat's Wild Child: L'Enfance nue (1968) -- Woody Allen's Deconstructing Harry (1997) and Antoine Doinel -- Patrice Leconte's The Girl on the Bridge (1999) -- "François, My Boy" and "Mr Hitchcock" -- Truffaut's Typewriters -- The Ending of Two English Girls (1971) -- Two English Girls, Agora (2009), and Seeing Red on the Screen -- Truffaut, Godard, and Timbres -- Truffaut's Afterlife: The Diving Bell and the Butterfly (2007) -- Johnny Guitar (1954): Bad Faith in Truffaut and David Thomson -- A Title Quiz -- Creativity and Accidents -- Day for Night (1973): The Family Movie -- Day for Night, Wes Anderson, and American Express -- 8 1/2 (1963), Day for Night (1973), Stardust Memories (1980), Nine (2009) -- Pauline Kael, Wim Wenders, and Truffaut -- Truffaut, Adam Zagajewski, and the Fate of Spirit -- Truffaut in The Squid and the Whale (2005) -- Truffaut and Paul Léautaud (1872-1956) -- Montmartre and "Certification" -- The Story of Adèle H. (1975): Truffaut's Feminism -- Truffaut and Deneuve in The Story of Adèle H. -- A Dream: The Story of Adèle H. and Elle -- Small Change (1976) and Renoir's The River (1951) -- An Aged Man Is But a Paltry Thing -- Ingmar Bergman, Cavaleur -- Fame: Daphne Moon, Niles Crane, and a Truffaut Film -- The Man Who Loved Women (1977): Truffaut and Don Juan -- João César Monteiro's A Comédia de Deus (1995): The Man Who Loved Girls -- Leslie Caron -- Suzanne Schiffman (1929-2001) -- Trufard and Godfaut: Resemblances -- Balthus (1908-2001) -- Film Names: Who Remembers Michel Poiccard and Patricia Franchini? -- The Green Room (1978): The Man Who Loved One Woman -- A Short History of "Dummies": Luis Buñuel, Truffaut, and Oskar Kokoschka -- The Sentence that Sticks -- Pauline Kael's Farewell to Truffaut and Godard -- Paul Schrader's Tears -- The Last Metro (1980): François Truffaut-Lévy -- Subtitles and Voices. Roberto Rossellini (1906-1977): The Italian Godfather -- The Woman Next Door (1981): "Neither with you nor without you" -- Fanny Marguerite Judith Ardant -- François and Sam: Some Favourite Films -- A Godard Dream (26 June 2011) -- Le Journal d'Alphonse: A Doinel Sequel -- In His Own Words II -- Truffaut's Afterlife: Amélie (2001) -- Antoine de Baecque's Two In the Wave (2010) -- Unfinished Business: Films Truffaut Didn't Make II -- The Grave in Montmartre -- Last Words -- Notes -- Bibliography -- Index. Truffaut, François Criticism and interpretation. Truffaut, François fast https://id.oclc.org/worldcat/entity/E39PBJvXkkJ6JxmKP8JPp6ptrq PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh |
| title | A Truffaut notebook / |
| title_auth | A Truffaut notebook / |
| title_exact_search | A Truffaut notebook / |
| title_full | A Truffaut notebook / Sam Solecki. |
| title_fullStr | A Truffaut notebook / Sam Solecki. |
| title_full_unstemmed | A Truffaut notebook / Sam Solecki. |
| title_short | A Truffaut notebook / |
| title_sort | truffaut notebook |
| topic | Truffaut, François Criticism and interpretation. Truffaut, François fast https://id.oclc.org/worldcat/entity/E39PBJvXkkJ6JxmKP8JPp6ptrq PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh |
| topic_facet | Truffaut, François Criticism and interpretation. Truffaut, François PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Electronic books. Criticism, interpretation, etc. |
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| work_keys_str_mv | AT soleckisam atruffautnotebook AT soleckisam truffautnotebook |