International noir /:
Examines the influence of film noir on visual narrative and technique in global cinematic traditions. Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's in...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2014]
|
Schriftenreihe: | Traditions in world cinema.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Examines the influence of film noir on visual narrative and technique in global cinematic traditions. Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and Indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing. Key Features. Examines noir's influence on film narrative and technique in several different national cinemas Covers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinema Includes chapters on neo-noir and post-noir films |
Beschreibung: | 1 online resource (xv, 272 pages) : illustrations (black and white) |
Bibliographie: | Includes bibliographical references, filmography and index. |
ISBN: | 9781474406437 1474406432 9780748691111 0748691111 |
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505 | 0 | 0 | |t Introduction : the noir impulse / |r Homer B. Pettey -- |t British noir / |r Jim Leach -- |t French noir 1947-79 : from grunge-noir to noir-hilism / |r Susan Hayward -- |t French neo-noir : an aesthetic for the policier / |r Maureen Turim -- |t Early Japanese noir / |r Homer B. Pettey -- |t The gunman and the gun : Japanese film noir since the late 1950s / |r David Desser -- |t Darker than dark : film noir in its Asian contexts / |r Stephen Teo -- |t Nordic noir and neo-noir : the human criminal / |r Andrew Nestingen -- |t Indian film noir / |r Corey K. Creekmur -- |t The new sincerity of neo-noir / |r R. Barton :Palmer -- |t Post-noir : getting back to business / |r Mark Bould. |
520 | |a Examines the influence of film noir on visual narrative and technique in global cinematic traditions. Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and Indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing. Key Features. Examines noir's influence on film narrative and technique in several different national cinemas Covers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinema Includes chapters on neo-noir and post-noir films | ||
650 | 0 | |a Film noir |x History and criticism. | |
650 | 0 | |a Film noir |x Influence. | |
650 | 6 | |a Films noirs |x Histoire et critique. | |
650 | 6 | |a Films noirs |x Influence. | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
650 | 7 | |a Film noir |2 fast | |
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655 | 0 | |a Electronic books. | |
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700 | 1 | |a Pettey, Homer B., |e editor. | |
700 | 1 | |a Palmer, R. Barton, |d 1946- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PBJmTjwFf3hhvftRfD6RVG3 |0 http://id.loc.gov/authorities/names/n83059978 | |
758 | |i has work: |a International noir (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFtFjRT3mRDPgTD4G6QF83 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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830 | 0 | |a Traditions in world cinema. |0 http://id.loc.gov/authorities/names/no2005058764 | |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author2 | Pettey, Homer B. Palmer, R. Barton, 1946- |
author2_role | edt edt |
author2_variant | h b p hb hbp r b p rb rbp |
author_GND | http://id.loc.gov/authorities/names/n83059978 |
author_additional | Homer B. Pettey -- Jim Leach -- Susan Hayward -- Maureen Turim -- David Desser -- Stephen Teo -- Andrew Nestingen -- Corey K. Creekmur -- R. Barton :Palmer -- Mark Bould. |
author_facet | Pettey, Homer B. Palmer, R. Barton, 1946- |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.F54 I58 2014 |
callnumber-search | PN1995.9.F54 I58 2014 |
callnumber-sort | PN 41995.9 F54 I58 42014 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction : the noir impulse / British noir / French noir 1947-79 : from grunge-noir to noir-hilism / French neo-noir : an aesthetic for the policier / Early Japanese noir / The gunman and the gun : Japanese film noir since the late 1950s / Darker than dark : film noir in its Asian contexts / Nordic noir and neo-noir : the human criminal / Indian film noir / The new sincerity of neo-noir / Post-noir : getting back to business / |
ctrlnum | (OCoLC)910605851 |
dewey-full | 791.43655 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43655 |
dewey-search | 791.43655 |
dewey-sort | 3791.43655 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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genre | Electronic books. Criticism, interpretation, etc. fast |
genre_facet | Electronic books. Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn910605851 |
illustrated | Illustrated |
indexdate | 2024-10-25T16:22:38Z |
institution | BVB |
isbn | 9781474406437 1474406432 9780748691111 0748691111 |
language | English |
oclc_num | 910605851 |
open_access_boolean | |
owner | MAIN |
owner_facet | MAIN |
physical | 1 online resource (xv, 272 pages) : illustrations (black and white) |
psigel | ZDB-4-EBA |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Edinburgh University Press, |
record_format | marc |
series | Traditions in world cinema. |
series2 | Traditions in world cinema |
spelling | International noir / edited by Homer B. Pettey and R. Barton Palmer. Edinburgh : Edinburgh University Press, [2014] ©2014 1 online resource (xv, 272 pages) : illustrations (black and white) text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier data file Traditions in world cinema Includes bibliographical references, filmography and index. Print version record. Introduction : the noir impulse / Homer B. Pettey -- British noir / Jim Leach -- French noir 1947-79 : from grunge-noir to noir-hilism / Susan Hayward -- French neo-noir : an aesthetic for the policier / Maureen Turim -- Early Japanese noir / Homer B. Pettey -- The gunman and the gun : Japanese film noir since the late 1950s / David Desser -- Darker than dark : film noir in its Asian contexts / Stephen Teo -- Nordic noir and neo-noir : the human criminal / Andrew Nestingen -- Indian film noir / Corey K. Creekmur -- The new sincerity of neo-noir / R. Barton :Palmer -- Post-noir : getting back to business / Mark Bould. Examines the influence of film noir on visual narrative and technique in global cinematic traditions. Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and Indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing. Key Features. Examines noir's influence on film narrative and technique in several different national cinemas Covers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinema Includes chapters on neo-noir and post-noir films Film noir History and criticism. Film noir Influence. Films noirs Histoire et critique. Films noirs Influence. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Film noir fast Film noir gnd http://d-nb.info/gnd/4116435-0 Electronic books. Criticism, interpretation, etc. fast Pettey, Homer B., editor. Palmer, R. Barton, 1946- editor. https://id.oclc.org/worldcat/entity/E39PBJmTjwFf3hhvftRfD6RVG3 http://id.loc.gov/authorities/names/n83059978 has work: International noir (Text) https://id.oclc.org/worldcat/entity/E39PCFtFjRT3mRDPgTD4G6QF83 https://id.oclc.org/worldcat/ontology/hasWork Print version: International noir. Edinburgh : Edinburgh University Press, [2014] 9780748691104 0748691103 (DLC) 2014501804 (OCoLC)879603450 Traditions in world cinema. http://id.loc.gov/authorities/names/no2005058764 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1139996 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1139996 Volltext |
spellingShingle | International noir / Traditions in world cinema. Introduction : the noir impulse / British noir / French noir 1947-79 : from grunge-noir to noir-hilism / French neo-noir : an aesthetic for the policier / Early Japanese noir / The gunman and the gun : Japanese film noir since the late 1950s / Darker than dark : film noir in its Asian contexts / Nordic noir and neo-noir : the human criminal / Indian film noir / The new sincerity of neo-noir / Post-noir : getting back to business / Film noir History and criticism. Film noir Influence. Films noirs Histoire et critique. Films noirs Influence. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Film noir fast Film noir gnd http://d-nb.info/gnd/4116435-0 |
subject_GND | http://d-nb.info/gnd/4116435-0 |
title | International noir / |
title_alt | Introduction : the noir impulse / British noir / French noir 1947-79 : from grunge-noir to noir-hilism / French neo-noir : an aesthetic for the policier / Early Japanese noir / The gunman and the gun : Japanese film noir since the late 1950s / Darker than dark : film noir in its Asian contexts / Nordic noir and neo-noir : the human criminal / Indian film noir / The new sincerity of neo-noir / Post-noir : getting back to business / |
title_auth | International noir / |
title_exact_search | International noir / |
title_full | International noir / edited by Homer B. Pettey and R. Barton Palmer. |
title_fullStr | International noir / edited by Homer B. Pettey and R. Barton Palmer. |
title_full_unstemmed | International noir / edited by Homer B. Pettey and R. Barton Palmer. |
title_short | International noir / |
title_sort | international noir |
topic | Film noir History and criticism. Film noir Influence. Films noirs Histoire et critique. Films noirs Influence. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Film noir fast Film noir gnd http://d-nb.info/gnd/4116435-0 |
topic_facet | Film noir History and criticism. Film noir Influence. Films noirs Histoire et critique. Films noirs Influence. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Reference. Film noir Electronic books. Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1139996 |
work_keys_str_mv | AT petteyhomerb internationalnoir AT palmerrbarton internationalnoir |