Art, agency and living presence :: from the animated image to the excessive object /
Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. This book is a contribution towards an understanding of such responses, by drawing on ancient rhetoric and the theories of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Boston :
De Gruyter,
[2015]
|
| Schriftenreihe: | Studien aus dem Warburg-Haus ;
Bd. 16. Reihe Kunst und Wirkmacht. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. This book is a contribution towards an understanding of such responses, by drawing on ancient rhetoric and the theories of Aby Warburg and Alfred Gell, and by retracing the history of attempts to understand - or even excite - such response. |
| Beschreibung: | 1 online resource (292 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9783110345568 3110345560 9783110345575 3110345579 |
Internformat
MARC
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| 100 | 1 | |a Eck, Caroline van, |e author. | |
| 245 | 1 | 0 | |a Art, agency and living presence : |b from the animated image to the excessive object / |c Caroline van Eck. |
| 264 | 1 | |a Boston : |b De Gruyter, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (292 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Studien aus dem Warburg-Haus ; |v Band 16 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgements; Introduction; Rhetoric; Agency; Experience and memory; The animated image: a growing field; The structure of this book; Part One; Enargeia; Enargeia, ekphrasis and phantasia; Phantasia; Phantasia, memory and living presence; The early modern afterlife of ekphras; Agency; Art and agency; The experience of living presence; Living presence as agency and experie; Animacy; 'Laocoon I am'; Bellini's Brera Pietà; Bernini's Medusa; Memory; Simulacra in the chambers of memory; Perception, memory and emotion; Memory is not an art gallery, but a s. | |
| 505 | 8 | |a Ekphrasis as imaginative recollectionConclusion; Part Two; François Lemée on the Monument of Lou; A new way of considering idolatry; The living presence of statues: a que; Living presence and idolatry; How to control the undesirable agency; Conclusion; 1 Fetishism; Persuasive figuration as the foundat; Fetishism; 'Les rapports intimes des statues av; 'Le ministre le plus docile des volo; Conclusion; Aesthetic Ambivalence; Pygmalion's dream; Petrifying statue lovers; Goethe's gallery of art lovers; Art fetishism; Kant's epistemological barrier again; Conclusion; Part Three. | |
| 505 | 8 | |a Framing, Staging and Acting Living PLiving presence and a visual history; Santa Maria del Priorato: anachronis; 'Killing art to write its history'; 'Glorious visions of the past'; 'The presence of reality instead of; Conclusion; The Afterlife of Art; Aby Warburg on the lives of art work; Pathosformel and Nachleben; The life of art as an artistic issue; The agency of lifelikeness; Mnemosyne: Nachleben as an issue in; Representation; Mnemosyne, Nachleben, and historical; Conclusion; Epilogue: From the Animated Image to; 'The appearance of the soul'; Changing appreciations of viewers at. | |
| 505 | 8 | |a An anthropological turnExcessive and transitional objects; Homo animans and homo repraesentans; Notes; Bibliography; List of Illustrations; Index. | |
| 520 | |a Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. This book is a contribution towards an understanding of such responses, by drawing on ancient rhetoric and the theories of Aby Warburg and Alfred Gell, and by retracing the history of attempts to understand - or even excite - such response. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Art |x Psychological aspects. | |
| 650 | 0 | |a Art appreciation. |0 http://id.loc.gov/authorities/subjects/sh85007980 | |
| 650 | 0 | |a Art and society. |0 http://id.loc.gov/authorities/subjects/sh85007975 | |
| 650 | 6 | |a Art |x Appréciation. | |
| 650 | 6 | |a Art et société. | |
| 650 | 6 | |a Art |x Aspect psychologique. | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Art and society |2 fast | |
| 650 | 7 | |a Art appreciation |2 fast | |
| 650 | 7 | |a Art |x Psychological aspects |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Eck, Caroline van. |t Art, agency and living presence : from the animated image to the excessive object. |d Boston : De Gruyter, [2015] |k Studien aus dem Warburg-Haus ; Band 16 |z 9783110345414 |
| 830 | 0 | |a Studien aus dem Warburg-Haus ; |v Bd. 16. |0 http://id.loc.gov/authorities/names/nr99022537 | |
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Datensatz im Suchindex
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|---|---|
| _version_ | 1816882313340911616 |
| adam_text | |
| any_adam_object | |
| author | Eck, Caroline van |
| author_facet | Eck, Caroline van |
| author_role | aut |
| author_sort | Eck, Caroline van |
| author_variant | c v e cv cve |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N71 |
| callnumber-raw | N71 .E25 2015eb |
| callnumber-search | N71 .E25 2015eb |
| callnumber-sort | N 271 E25 42015EB |
| callnumber-subject | N - Visual Arts |
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| contents | Acknowledgements; Introduction; Rhetoric; Agency; Experience and memory; The animated image: a growing field; The structure of this book; Part One; Enargeia; Enargeia, ekphrasis and phantasia; Phantasia; Phantasia, memory and living presence; The early modern afterlife of ekphras; Agency; Art and agency; The experience of living presence; Living presence as agency and experie; Animacy; 'Laocoon I am'; Bellini's Brera Pietà; Bernini's Medusa; Memory; Simulacra in the chambers of memory; Perception, memory and emotion; Memory is not an art gallery, but a s. Ekphrasis as imaginative recollectionConclusion; Part Two; François Lemée on the Monument of Lou; A new way of considering idolatry; The living presence of statues: a que; Living presence and idolatry; How to control the undesirable agency; Conclusion; 1 Fetishism; Persuasive figuration as the foundat; Fetishism; 'Les rapports intimes des statues av; 'Le ministre le plus docile des volo; Conclusion; Aesthetic Ambivalence; Pygmalion's dream; Petrifying statue lovers; Goethe's gallery of art lovers; Art fetishism; Kant's epistemological barrier again; Conclusion; Part Three. Framing, Staging and Acting Living PLiving presence and a visual history; Santa Maria del Priorato: anachronis; 'Killing art to write its history'; 'Glorious visions of the past'; 'The presence of reality instead of; Conclusion; The Afterlife of Art; Aby Warburg on the lives of art work; Pathosformel and Nachleben; The life of art as an artistic issue; The agency of lifelikeness; Mnemosyne: Nachleben as an issue in; Representation; Mnemosyne, Nachleben, and historical; Conclusion; Epilogue: From the Animated Image to; 'The appearance of the soul'; Changing appreciations of viewers at. An anthropological turnExcessive and transitional objects; Homo animans and homo repraesentans; Notes; Bibliography; List of Illustrations; Index. |
| ctrlnum | (OCoLC)909907886 |
| dewey-full | 701/.15 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701/.15 |
| dewey-search | 701/.15 |
| dewey-sort | 3701 215 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn909907886 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:38Z |
| institution | BVB |
| isbn | 9783110345568 3110345560 9783110345575 3110345579 |
| language | English |
| oclc_num | 909907886 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (292 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | De Gruyter, |
| record_format | marc |
| series | Studien aus dem Warburg-Haus ; Reihe Kunst und Wirkmacht. |
| series2 | Studien aus dem Warburg-Haus ; |
| spelling | Eck, Caroline van, author. Art, agency and living presence : from the animated image to the excessive object / Caroline van Eck. Boston : De Gruyter, [2015] ©2015 1 online resource (292 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Studien aus dem Warburg-Haus ; Band 16 Includes bibliographical references and index. Print version record. Acknowledgements; Introduction; Rhetoric; Agency; Experience and memory; The animated image: a growing field; The structure of this book; Part One; Enargeia; Enargeia, ekphrasis and phantasia; Phantasia; Phantasia, memory and living presence; The early modern afterlife of ekphras; Agency; Art and agency; The experience of living presence; Living presence as agency and experie; Animacy; 'Laocoon I am'; Bellini's Brera Pietà; Bernini's Medusa; Memory; Simulacra in the chambers of memory; Perception, memory and emotion; Memory is not an art gallery, but a s. Ekphrasis as imaginative recollectionConclusion; Part Two; François Lemée on the Monument of Lou; A new way of considering idolatry; The living presence of statues: a que; Living presence and idolatry; How to control the undesirable agency; Conclusion; 1 Fetishism; Persuasive figuration as the foundat; Fetishism; 'Les rapports intimes des statues av; 'Le ministre le plus docile des volo; Conclusion; Aesthetic Ambivalence; Pygmalion's dream; Petrifying statue lovers; Goethe's gallery of art lovers; Art fetishism; Kant's epistemological barrier again; Conclusion; Part Three. Framing, Staging and Acting Living PLiving presence and a visual history; Santa Maria del Priorato: anachronis; 'Killing art to write its history'; 'Glorious visions of the past'; 'The presence of reality instead of; Conclusion; The Afterlife of Art; Aby Warburg on the lives of art work; Pathosformel and Nachleben; The life of art as an artistic issue; The agency of lifelikeness; Mnemosyne: Nachleben as an issue in; Representation; Mnemosyne, Nachleben, and historical; Conclusion; Epilogue: From the Animated Image to; 'The appearance of the soul'; Changing appreciations of viewers at. An anthropological turnExcessive and transitional objects; Homo animans and homo repraesentans; Notes; Bibliography; List of Illustrations; Index. Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. This book is a contribution towards an understanding of such responses, by drawing on ancient rhetoric and the theories of Aby Warburg and Alfred Gell, and by retracing the history of attempts to understand - or even excite - such response. English. Art Psychological aspects. Art appreciation. http://id.loc.gov/authorities/subjects/sh85007980 Art and society. http://id.loc.gov/authorities/subjects/sh85007975 Art Appréciation. Art et société. Art Aspect psychologique. ART General. bisacsh Art and society fast Art appreciation fast Art Psychological aspects fast Print version: Eck, Caroline van. Art, agency and living presence : from the animated image to the excessive object. Boston : De Gruyter, [2015] Studien aus dem Warburg-Haus ; Band 16 9783110345414 Studien aus dem Warburg-Haus ; Bd. 16. http://id.loc.gov/authorities/names/nr99022537 Reihe Kunst und Wirkmacht. http://id.loc.gov/authorities/names/no2013009119 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=984207 Volltext |
| spellingShingle | Eck, Caroline van Art, agency and living presence : from the animated image to the excessive object / Studien aus dem Warburg-Haus ; Reihe Kunst und Wirkmacht. Acknowledgements; Introduction; Rhetoric; Agency; Experience and memory; The animated image: a growing field; The structure of this book; Part One; Enargeia; Enargeia, ekphrasis and phantasia; Phantasia; Phantasia, memory and living presence; The early modern afterlife of ekphras; Agency; Art and agency; The experience of living presence; Living presence as agency and experie; Animacy; 'Laocoon I am'; Bellini's Brera Pietà; Bernini's Medusa; Memory; Simulacra in the chambers of memory; Perception, memory and emotion; Memory is not an art gallery, but a s. Ekphrasis as imaginative recollectionConclusion; Part Two; François Lemée on the Monument of Lou; A new way of considering idolatry; The living presence of statues: a que; Living presence and idolatry; How to control the undesirable agency; Conclusion; 1 Fetishism; Persuasive figuration as the foundat; Fetishism; 'Les rapports intimes des statues av; 'Le ministre le plus docile des volo; Conclusion; Aesthetic Ambivalence; Pygmalion's dream; Petrifying statue lovers; Goethe's gallery of art lovers; Art fetishism; Kant's epistemological barrier again; Conclusion; Part Three. Framing, Staging and Acting Living PLiving presence and a visual history; Santa Maria del Priorato: anachronis; 'Killing art to write its history'; 'Glorious visions of the past'; 'The presence of reality instead of; Conclusion; The Afterlife of Art; Aby Warburg on the lives of art work; Pathosformel and Nachleben; The life of art as an artistic issue; The agency of lifelikeness; Mnemosyne: Nachleben as an issue in; Representation; Mnemosyne, Nachleben, and historical; Conclusion; Epilogue: From the Animated Image to; 'The appearance of the soul'; Changing appreciations of viewers at. An anthropological turnExcessive and transitional objects; Homo animans and homo repraesentans; Notes; Bibliography; List of Illustrations; Index. Art Psychological aspects. Art appreciation. http://id.loc.gov/authorities/subjects/sh85007980 Art and society. http://id.loc.gov/authorities/subjects/sh85007975 Art Appréciation. Art et société. Art Aspect psychologique. ART General. bisacsh Art and society fast Art appreciation fast Art Psychological aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007980 http://id.loc.gov/authorities/subjects/sh85007975 |
| title | Art, agency and living presence : from the animated image to the excessive object / |
| title_auth | Art, agency and living presence : from the animated image to the excessive object / |
| title_exact_search | Art, agency and living presence : from the animated image to the excessive object / |
| title_full | Art, agency and living presence : from the animated image to the excessive object / Caroline van Eck. |
| title_fullStr | Art, agency and living presence : from the animated image to the excessive object / Caroline van Eck. |
| title_full_unstemmed | Art, agency and living presence : from the animated image to the excessive object / Caroline van Eck. |
| title_short | Art, agency and living presence : |
| title_sort | art agency and living presence from the animated image to the excessive object |
| title_sub | from the animated image to the excessive object / |
| topic | Art Psychological aspects. Art appreciation. http://id.loc.gov/authorities/subjects/sh85007980 Art and society. http://id.loc.gov/authorities/subjects/sh85007975 Art Appréciation. Art et société. Art Aspect psychologique. ART General. bisacsh Art and society fast Art appreciation fast Art Psychological aspects fast |
| topic_facet | Art Psychological aspects. Art appreciation. Art and society. Art Appréciation. Art et société. Art Aspect psychologique. ART General. Art and society Art appreciation Art Psychological aspects |
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