What I say :: innovative poetry by black writers in America /
What I Say: Innovative Poetry by Black Writers in America is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain' t Gone, cove...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Tuscaloosa :
The University of Alabama Press,
2014.
|
| Schriftenreihe: | Modern and contemporary poetics.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | What I Say: Innovative Poetry by Black Writers in America is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain' t Gone, covers the period from the end of World War II to the mid-1970s. In What I Say, editors Aldon Lynn Nielsen and Lauri Ramey have assembled a comprehensive and dynamic collection that brings this pivotal work up to the present day. The elder poets in this collection, such as Nathaniel Mackey, C.S. Giscombe, W. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9780817388003 0817388001 |
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| 245 | 0 | 0 | |a What I say : |b innovative poetry by black writers in America / |c edited by Aldon Lynn Nielsen and Lauri Ramey. |
| 264 | 1 | |a Tuscaloosa : |b The University of Alabama Press, |c 2014. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Modern & Contemporary Poetics | |
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Preface; Acknowledgments; Introduction. Making Book: Winners, Losers, Poetry, Anthologies, and the Color Line -- C.S. Giscombe; Will Alexander; Apprenticeship; The Neutralized Sore of the Unshackled Bear; Concerning Forms which Hold Heidegger in Judgment; Ron Allen; (Untitled); Merchant of the Open Grid; boss napalm; Pimp Chain Radiator; T.J. Anderson III; Better Git It in Yo' Soul; Al-Hadiqa Street Mirage; At a Column of Crutches, Basilique de Ste-Anne-de-Beaupre; Tisa Bryant; from Tzimmes; Pia Deas; from Cargo; C.S. Giscombe; Where I Lost It; from Look Ahead-Look South. | |
| 505 | 8 | |a (Very recent past)(The 70s-UltraSuede); (The distant past-B.W.I.); from Blue Hole, Flood Waters, Little Miami River; from At Large (1981); from The Northernmost Road; from Five Dreams; Mnemonic Geography; Afro-Prairie; Three Dreams; Renee Gladman; from Not Right Now; from No Through Street; from Tour; from Radicals Plan; Duriel E. Harris; Lazarus Minor; Phaneric Display No. 2: The Meta; Phaneric Display No. 3: Slumber Party Cabaret in E minor; Monday; Harmony Holiday; Gone by Then; Spectacular Brooding; Erica Hunt; After All; Verse; Afterword; The Voice of No; Personal; Starting with A. | |
| 505 | 8 | |a Object AuthorityKim D. Hunter; crazy for your tongues; jo mama at de crossroads; didn't yo mama invent the pay toilet; we don't need hell; Geoffrey Jacques; Saturday Night Fish Fry; Well You Needn't; The Wonderful Fantasies of the Colonized; The Culture of the Copy; One Year Later; Night Language: listening to Jayne Cortez; Notice; Douglas Kearney; Atomic Buckdance; Swimchant for Nigger Mer-Folk (An Aquaboogie Set in Lapis); The Chitlin Circuit; John Keene; Ionisation; Color; Self; Survey; Nathaniel Mackey; Dogon Eclipse; Black Snake Visitation; Ghede Poem; Song of the Andoumboulou: 6. | |
| 505 | 8 | |a Song of the Andoumboulou: 4Song of the Andoumboulou: 12; Irritable Mystic; Alphabet of Ahtt; Song of the Andoumboulou: 23; Song of the Andoumboulou: 24; Song of the Andoumboulou: 31; Lag Anthem; Song of the Andoumboulou: 40; Dread Lakes Aperture; Dawn Lundy Martin; A Bleeding: An Autobiographical Tale; Telling Tales; Mark McMorris; Diode; Seven Days; from Of Baths and Systems; Inscriptions on the Whale Flank; Dialegomai (Suite); from Black Pieces III (The Horses of Plato & Achilles); Reef: Shadow of Green; Tracie Morris; SuReal; Why I Won't Wear a Tattoo; Apology to Pangea; Fred Moten. | |
| 505 | 8 | |a Bessie SmithHenry Dumas; Murray Jackson; William Parker; Modern Language Day; We Live After a River; Harryette Mullen; Bête Noir; from Trimmings; from S*PeRM**K*T; from Muse and Drudge; Denigration; Free Radicals; The Lunar Lutheran; Ted Joans at the Café Bizarre; Zen Acorn; Mendi Lewis Obadike; Determined Invisibility; What I Had to Have; Gassed; Open; G.E. Patterson; Hesitation Step; As If That Alone; Julie Ezelle Patton; When the Saints Go; Revelation; Notes for Some (Nominally) Awake; Claudia Rankine; from Residual in the Hour; from Hunger to the Table; from Hunger to the Table. | |
| 520 | |a What I Say: Innovative Poetry by Black Writers in America is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain' t Gone, covers the period from the end of World War II to the mid-1970s. In What I Say, editors Aldon Lynn Nielsen and Lauri Ramey have assembled a comprehensive and dynamic collection that brings this pivotal work up to the present day. The elder poets in this collection, such as Nathaniel Mackey, C.S. Giscombe, W. | ||
| 650 | 0 | |a American poetry |x African American authors. |0 http://id.loc.gov/authorities/subjects/sh85004389 | |
| 650 | 0 | |a American poetry |y 20th century. |0 http://id.loc.gov/authorities/subjects/sh85004387 | |
| 650 | 0 | |a African Americans |v Poetry. | |
| 650 | 0 | |a Poetics. |0 http://id.loc.gov/authorities/subjects/sh85103703 | |
| 650 | 0 | |a Literature |x Philosophy. |0 http://id.loc.gov/authorities/subjects/sh85077524 | |
| 650 | 6 | |a Poésie américaine |x Auteurs noirs américains. | |
| 650 | 6 | |a Poésie américaine |y 20e siècle. | |
| 650 | 6 | |a Noirs américains |v Poésie. | |
| 650 | 6 | |a Poétique. | |
| 650 | 7 | |a LITERARY CRITICISM |x Poetry. |2 bisacsh | |
| 650 | 7 | |a Literature |x Philosophy |2 fast | |
| 650 | 7 | |a African Americans |2 fast | |
| 650 | 7 | |a American poetry |2 fast | |
| 650 | 7 | |a American poetry |x African American authors |2 fast | |
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| 700 | 1 | |a Nielsen, Aldon Lynn, |e editor. | |
| 700 | 1 | |a Ramey, Lauri, |e editor. | |
| 758 | |i has work: |a What I say (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFJPC8pQ6gtdpqpvVmy9j3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn908447944 |
|---|---|
| _version_ | 1816882311864516608 |
| adam_text | |
| any_adam_object | |
| author2 | Nielsen, Aldon Lynn Ramey, Lauri |
| author2_role | edt edt |
| author2_variant | a l n al aln l r lr |
| author_facet | Nielsen, Aldon Lynn Ramey, Lauri |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PS591 |
| callnumber-raw | PS591.N4 W46 2014eb |
| callnumber-search | PS591.N4 W46 2014eb |
| callnumber-sort | PS 3591 N4 W46 42014EB |
| callnumber-subject | PS - American Literature |
| collection | ZDB-4-EBA |
| contents | Preface; Acknowledgments; Introduction. Making Book: Winners, Losers, Poetry, Anthologies, and the Color Line -- C.S. Giscombe; Will Alexander; Apprenticeship; The Neutralized Sore of the Unshackled Bear; Concerning Forms which Hold Heidegger in Judgment; Ron Allen; (Untitled); Merchant of the Open Grid; boss napalm; Pimp Chain Radiator; T.J. Anderson III; Better Git It in Yo' Soul; Al-Hadiqa Street Mirage; At a Column of Crutches, Basilique de Ste-Anne-de-Beaupre; Tisa Bryant; from Tzimmes; Pia Deas; from Cargo; C.S. Giscombe; Where I Lost It; from Look Ahead-Look South. (Very recent past)(The 70s-UltraSuede); (The distant past-B.W.I.); from Blue Hole, Flood Waters, Little Miami River; from At Large (1981); from The Northernmost Road; from Five Dreams; Mnemonic Geography; Afro-Prairie; Three Dreams; Renee Gladman; from Not Right Now; from No Through Street; from Tour; from Radicals Plan; Duriel E. Harris; Lazarus Minor; Phaneric Display No. 2: The Meta; Phaneric Display No. 3: Slumber Party Cabaret in E minor; Monday; Harmony Holiday; Gone by Then; Spectacular Brooding; Erica Hunt; After All; Verse; Afterword; The Voice of No; Personal; Starting with A. Object AuthorityKim D. Hunter; crazy for your tongues; jo mama at de crossroads; didn't yo mama invent the pay toilet; we don't need hell; Geoffrey Jacques; Saturday Night Fish Fry; Well You Needn't; The Wonderful Fantasies of the Colonized; The Culture of the Copy; One Year Later; Night Language: listening to Jayne Cortez; Notice; Douglas Kearney; Atomic Buckdance; Swimchant for Nigger Mer-Folk (An Aquaboogie Set in Lapis); The Chitlin Circuit; John Keene; Ionisation; Color; Self; Survey; Nathaniel Mackey; Dogon Eclipse; Black Snake Visitation; Ghede Poem; Song of the Andoumboulou: 6. Song of the Andoumboulou: 4Song of the Andoumboulou: 12; Irritable Mystic; Alphabet of Ahtt; Song of the Andoumboulou: 23; Song of the Andoumboulou: 24; Song of the Andoumboulou: 31; Lag Anthem; Song of the Andoumboulou: 40; Dread Lakes Aperture; Dawn Lundy Martin; A Bleeding: An Autobiographical Tale; Telling Tales; Mark McMorris; Diode; Seven Days; from Of Baths and Systems; Inscriptions on the Whale Flank; Dialegomai (Suite); from Black Pieces III (The Horses of Plato & Achilles); Reef: Shadow of Green; Tracie Morris; SuReal; Why I Won't Wear a Tattoo; Apology to Pangea; Fred Moten. Bessie SmithHenry Dumas; Murray Jackson; William Parker; Modern Language Day; We Live After a River; Harryette Mullen; Bête Noir; from Trimmings; from S*PeRM**K*T; from Muse and Drudge; Denigration; Free Radicals; The Lunar Lutheran; Ted Joans at the Café Bizarre; Zen Acorn; Mendi Lewis Obadike; Determined Invisibility; What I Had to Have; Gassed; Open; G.E. Patterson; Hesitation Step; As If That Alone; Julie Ezelle Patton; When the Saints Go; Revelation; Notes for Some (Nominally) Awake; Claudia Rankine; from Residual in the Hour; from Hunger to the Table; from Hunger to the Table. |
| ctrlnum | (OCoLC)908447944 |
| dewey-full | 811/.5080896073 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
| dewey-raw | 811/.5080896073 |
| dewey-search | 811/.5080896073 |
| dewey-sort | 3811 105080896073 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| genre | Poetry fast |
| genre_facet | Poetry |
| id | ZDB-4-EBA-ocn908447944 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:36Z |
| institution | BVB |
| isbn | 9780817388003 0817388001 |
| language | English |
| oclc_num | 908447944 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | The University of Alabama Press, |
| record_format | marc |
| series | Modern and contemporary poetics. |
| series2 | Modern & Contemporary Poetics |
| spelling | What I say : innovative poetry by black writers in America / edited by Aldon Lynn Nielsen and Lauri Ramey. Tuscaloosa : The University of Alabama Press, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Modern & Contemporary Poetics Includes bibliographical references. Print version record. Preface; Acknowledgments; Introduction. Making Book: Winners, Losers, Poetry, Anthologies, and the Color Line -- C.S. Giscombe; Will Alexander; Apprenticeship; The Neutralized Sore of the Unshackled Bear; Concerning Forms which Hold Heidegger in Judgment; Ron Allen; (Untitled); Merchant of the Open Grid; boss napalm; Pimp Chain Radiator; T.J. Anderson III; Better Git It in Yo' Soul; Al-Hadiqa Street Mirage; At a Column of Crutches, Basilique de Ste-Anne-de-Beaupre; Tisa Bryant; from Tzimmes; Pia Deas; from Cargo; C.S. Giscombe; Where I Lost It; from Look Ahead-Look South. (Very recent past)(The 70s-UltraSuede); (The distant past-B.W.I.); from Blue Hole, Flood Waters, Little Miami River; from At Large (1981); from The Northernmost Road; from Five Dreams; Mnemonic Geography; Afro-Prairie; Three Dreams; Renee Gladman; from Not Right Now; from No Through Street; from Tour; from Radicals Plan; Duriel E. Harris; Lazarus Minor; Phaneric Display No. 2: The Meta; Phaneric Display No. 3: Slumber Party Cabaret in E minor; Monday; Harmony Holiday; Gone by Then; Spectacular Brooding; Erica Hunt; After All; Verse; Afterword; The Voice of No; Personal; Starting with A. Object AuthorityKim D. Hunter; crazy for your tongues; jo mama at de crossroads; didn't yo mama invent the pay toilet; we don't need hell; Geoffrey Jacques; Saturday Night Fish Fry; Well You Needn't; The Wonderful Fantasies of the Colonized; The Culture of the Copy; One Year Later; Night Language: listening to Jayne Cortez; Notice; Douglas Kearney; Atomic Buckdance; Swimchant for Nigger Mer-Folk (An Aquaboogie Set in Lapis); The Chitlin Circuit; John Keene; Ionisation; Color; Self; Survey; Nathaniel Mackey; Dogon Eclipse; Black Snake Visitation; Ghede Poem; Song of the Andoumboulou: 6. Song of the Andoumboulou: 4Song of the Andoumboulou: 12; Irritable Mystic; Alphabet of Ahtt; Song of the Andoumboulou: 23; Song of the Andoumboulou: 24; Song of the Andoumboulou: 31; Lag Anthem; Song of the Andoumboulou: 40; Dread Lakes Aperture; Dawn Lundy Martin; A Bleeding: An Autobiographical Tale; Telling Tales; Mark McMorris; Diode; Seven Days; from Of Baths and Systems; Inscriptions on the Whale Flank; Dialegomai (Suite); from Black Pieces III (The Horses of Plato & Achilles); Reef: Shadow of Green; Tracie Morris; SuReal; Why I Won't Wear a Tattoo; Apology to Pangea; Fred Moten. Bessie SmithHenry Dumas; Murray Jackson; William Parker; Modern Language Day; We Live After a River; Harryette Mullen; Bête Noir; from Trimmings; from S*PeRM**K*T; from Muse and Drudge; Denigration; Free Radicals; The Lunar Lutheran; Ted Joans at the Café Bizarre; Zen Acorn; Mendi Lewis Obadike; Determined Invisibility; What I Had to Have; Gassed; Open; G.E. Patterson; Hesitation Step; As If That Alone; Julie Ezelle Patton; When the Saints Go; Revelation; Notes for Some (Nominally) Awake; Claudia Rankine; from Residual in the Hour; from Hunger to the Table; from Hunger to the Table. What I Say: Innovative Poetry by Black Writers in America is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain' t Gone, covers the period from the end of World War II to the mid-1970s. In What I Say, editors Aldon Lynn Nielsen and Lauri Ramey have assembled a comprehensive and dynamic collection that brings this pivotal work up to the present day. The elder poets in this collection, such as Nathaniel Mackey, C.S. Giscombe, W. American poetry African American authors. http://id.loc.gov/authorities/subjects/sh85004389 American poetry 20th century. http://id.loc.gov/authorities/subjects/sh85004387 African Americans Poetry. Poetics. http://id.loc.gov/authorities/subjects/sh85103703 Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Poésie américaine Auteurs noirs américains. Poésie américaine 20e siècle. Noirs américains Poésie. Poétique. LITERARY CRITICISM Poetry. bisacsh Literature Philosophy fast African Americans fast American poetry fast American poetry African American authors fast Poetics fast 1900-1999 fast Poetry fast Nielsen, Aldon Lynn, editor. Ramey, Lauri, editor. has work: What I say (Text) https://id.oclc.org/worldcat/entity/E39PCFJPC8pQ6gtdpqpvVmy9j3 https://id.oclc.org/worldcat/ontology/hasWork Print version: What I say 9780817358006 (DLC) 2014021616 (OCoLC)889941135 Modern and contemporary poetics. http://id.loc.gov/authorities/names/n98048650 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=986375 Volltext |
| spellingShingle | What I say : innovative poetry by black writers in America / Modern and contemporary poetics. Preface; Acknowledgments; Introduction. Making Book: Winners, Losers, Poetry, Anthologies, and the Color Line -- C.S. Giscombe; Will Alexander; Apprenticeship; The Neutralized Sore of the Unshackled Bear; Concerning Forms which Hold Heidegger in Judgment; Ron Allen; (Untitled); Merchant of the Open Grid; boss napalm; Pimp Chain Radiator; T.J. Anderson III; Better Git It in Yo' Soul; Al-Hadiqa Street Mirage; At a Column of Crutches, Basilique de Ste-Anne-de-Beaupre; Tisa Bryant; from Tzimmes; Pia Deas; from Cargo; C.S. Giscombe; Where I Lost It; from Look Ahead-Look South. (Very recent past)(The 70s-UltraSuede); (The distant past-B.W.I.); from Blue Hole, Flood Waters, Little Miami River; from At Large (1981); from The Northernmost Road; from Five Dreams; Mnemonic Geography; Afro-Prairie; Three Dreams; Renee Gladman; from Not Right Now; from No Through Street; from Tour; from Radicals Plan; Duriel E. Harris; Lazarus Minor; Phaneric Display No. 2: The Meta; Phaneric Display No. 3: Slumber Party Cabaret in E minor; Monday; Harmony Holiday; Gone by Then; Spectacular Brooding; Erica Hunt; After All; Verse; Afterword; The Voice of No; Personal; Starting with A. Object AuthorityKim D. Hunter; crazy for your tongues; jo mama at de crossroads; didn't yo mama invent the pay toilet; we don't need hell; Geoffrey Jacques; Saturday Night Fish Fry; Well You Needn't; The Wonderful Fantasies of the Colonized; The Culture of the Copy; One Year Later; Night Language: listening to Jayne Cortez; Notice; Douglas Kearney; Atomic Buckdance; Swimchant for Nigger Mer-Folk (An Aquaboogie Set in Lapis); The Chitlin Circuit; John Keene; Ionisation; Color; Self; Survey; Nathaniel Mackey; Dogon Eclipse; Black Snake Visitation; Ghede Poem; Song of the Andoumboulou: 6. Song of the Andoumboulou: 4Song of the Andoumboulou: 12; Irritable Mystic; Alphabet of Ahtt; Song of the Andoumboulou: 23; Song of the Andoumboulou: 24; Song of the Andoumboulou: 31; Lag Anthem; Song of the Andoumboulou: 40; Dread Lakes Aperture; Dawn Lundy Martin; A Bleeding: An Autobiographical Tale; Telling Tales; Mark McMorris; Diode; Seven Days; from Of Baths and Systems; Inscriptions on the Whale Flank; Dialegomai (Suite); from Black Pieces III (The Horses of Plato & Achilles); Reef: Shadow of Green; Tracie Morris; SuReal; Why I Won't Wear a Tattoo; Apology to Pangea; Fred Moten. Bessie SmithHenry Dumas; Murray Jackson; William Parker; Modern Language Day; We Live After a River; Harryette Mullen; Bête Noir; from Trimmings; from S*PeRM**K*T; from Muse and Drudge; Denigration; Free Radicals; The Lunar Lutheran; Ted Joans at the Café Bizarre; Zen Acorn; Mendi Lewis Obadike; Determined Invisibility; What I Had to Have; Gassed; Open; G.E. Patterson; Hesitation Step; As If That Alone; Julie Ezelle Patton; When the Saints Go; Revelation; Notes for Some (Nominally) Awake; Claudia Rankine; from Residual in the Hour; from Hunger to the Table; from Hunger to the Table. American poetry African American authors. http://id.loc.gov/authorities/subjects/sh85004389 American poetry 20th century. http://id.loc.gov/authorities/subjects/sh85004387 African Americans Poetry. Poetics. http://id.loc.gov/authorities/subjects/sh85103703 Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Poésie américaine Auteurs noirs américains. Poésie américaine 20e siècle. Noirs américains Poésie. Poétique. LITERARY CRITICISM Poetry. bisacsh Literature Philosophy fast African Americans fast American poetry fast American poetry African American authors fast Poetics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85004389 http://id.loc.gov/authorities/subjects/sh85004387 http://id.loc.gov/authorities/subjects/sh85103703 http://id.loc.gov/authorities/subjects/sh85077524 |
| title | What I say : innovative poetry by black writers in America / |
| title_auth | What I say : innovative poetry by black writers in America / |
| title_exact_search | What I say : innovative poetry by black writers in America / |
| title_full | What I say : innovative poetry by black writers in America / edited by Aldon Lynn Nielsen and Lauri Ramey. |
| title_fullStr | What I say : innovative poetry by black writers in America / edited by Aldon Lynn Nielsen and Lauri Ramey. |
| title_full_unstemmed | What I say : innovative poetry by black writers in America / edited by Aldon Lynn Nielsen and Lauri Ramey. |
| title_short | What I say : |
| title_sort | what i say innovative poetry by black writers in america |
| title_sub | innovative poetry by black writers in America / |
| topic | American poetry African American authors. http://id.loc.gov/authorities/subjects/sh85004389 American poetry 20th century. http://id.loc.gov/authorities/subjects/sh85004387 African Americans Poetry. Poetics. http://id.loc.gov/authorities/subjects/sh85103703 Literature Philosophy. http://id.loc.gov/authorities/subjects/sh85077524 Poésie américaine Auteurs noirs américains. Poésie américaine 20e siècle. Noirs américains Poésie. Poétique. LITERARY CRITICISM Poetry. bisacsh Literature Philosophy fast African Americans fast American poetry fast American poetry African American authors fast Poetics fast |
| topic_facet | American poetry African American authors. American poetry 20th century. African Americans Poetry. Poetics. Literature Philosophy. Poésie américaine Auteurs noirs américains. Poésie américaine 20e siècle. Noirs américains Poésie. Poétique. LITERARY CRITICISM Poetry. Literature Philosophy African Americans American poetry American poetry African American authors Poetics Poetry |
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| work_keys_str_mv | AT nielsenaldonlynn whatisayinnovativepoetrybyblackwritersinamerica AT rameylauri whatisayinnovativepoetrybyblackwritersinamerica |