SoulStirrers :: Black Art and the Neo-Ancestral Impulse /
In SoulStirrers, H. Ike Okafor-Newsum describes the birth and development of an artistic movement in Cincinnati, Ohio, identified with the Neo-Ancestral impulse. The Neo-Ancestral impulse emerges as an extension of the Harlem Renaissance, the Negritude Movement, and the Black Arts Movement, all of w...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Jackson :
University Press of Mississippi,
2016.
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Online-Zugang: | Volltext |
Zusammenfassung: | In SoulStirrers, H. Ike Okafor-Newsum describes the birth and development of an artistic movement in Cincinnati, Ohio, identified with the Neo-Ancestral impulse. The Neo-Ancestral impulse emerges as an extension of the Harlem Renaissance, the Negritude Movement, and the Black Arts Movement, all of which sought to re-represent the'primitive'and'savage'black and African in new terms. Central to the dominant racial framework has always been the conception that the black subject was not only inferior, but indeed incapable of producing art. The Neo-Ancestral impulse posed a challenge to both existing form and content. Like its intellectual antecedents, the movement did not separate art from life and raised a central question, one that the'soul stirrers'of Cincinnati are engaging in their artistic productions. Okafor-Newsum defines collapsing of the sacred and the profane as a central tendency of African aesthetics, transformed and rearticulated here in the Americas. In this volume, the artistic productions ask readers to consider the role of those creating and viewing this art by attempting to shift the way in which we view the ordinary. The works of these artists, therefore, are not only about the survival of African-derived cultural forms, though such remains a central effect of them. These extraordinary pieces, installations, and movements consistently refer to the cultural reality of the Americas and the need for political and intellectual transformation. They constitute important intellectual interventions that serve as indispensable elements in the redefinition and reinterpretation of our society. Featuring numerous color illustrations and profiles of artists, this volume reveals exciting trends in African American art and in the African diaspora more broadly. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781626746343 1626746346 9781626746381 1626746389 9781626746350 1626746354 |
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245 | 1 | 0 | |a SoulStirrers : |b Black Art and the Neo-Ancestral Impulse / |c Ike Okafor-Newsum (Horace Newsum) ; Foreword by Demetrius L. Eudell ; Introduction by John W. Roberts. |
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505 | 0 | |a Foreword: the Counterpoetics of the Neo-Ancestral impulse -- Acts of memory: an introductory comment -- How I became a neo-ancestralist: African American art and artists in Cincinnati -- The neo-ancestral impluse in Cincinnati -- The neo-ancestralist aesthetic -- Neo-ancestralist art as counterhegemonic expression -- Bloods: the neo-ancestral impluse in African American art -- Conclusion. | |
520 | |a In SoulStirrers, H. Ike Okafor-Newsum describes the birth and development of an artistic movement in Cincinnati, Ohio, identified with the Neo-Ancestral impulse. The Neo-Ancestral impulse emerges as an extension of the Harlem Renaissance, the Negritude Movement, and the Black Arts Movement, all of which sought to re-represent the'primitive'and'savage'black and African in new terms. Central to the dominant racial framework has always been the conception that the black subject was not only inferior, but indeed incapable of producing art. The Neo-Ancestral impulse posed a challenge to both existing form and content. Like its intellectual antecedents, the movement did not separate art from life and raised a central question, one that the'soul stirrers'of Cincinnati are engaging in their artistic productions. Okafor-Newsum defines collapsing of the sacred and the profane as a central tendency of African aesthetics, transformed and rearticulated here in the Americas. In this volume, the artistic productions ask readers to consider the role of those creating and viewing this art by attempting to shift the way in which we view the ordinary. The works of these artists, therefore, are not only about the survival of African-derived cultural forms, though such remains a central effect of them. These extraordinary pieces, installations, and movements consistently refer to the cultural reality of the Americas and the need for political and intellectual transformation. They constitute important intellectual interventions that serve as indispensable elements in the redefinition and reinterpretation of our society. Featuring numerous color illustrations and profiles of artists, this volume reveals exciting trends in African American art and in the African diaspora more broadly. | ||
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700 | 1 | |a Roberts, John W. |q (John Willie), |d 1949- |e writer of introduction. |0 http://id.loc.gov/authorities/names/n86850487 | |
776 | 0 | 8 | |i Print version: |a Newsum, H. E., 1951- author. |t SoulStirrers |d Jackson : University Press of Mississippi, 2016 |z 9781628462258 |w (DLC) 2015011845 |
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author | Newsum, H. E., 1951- |
author_GND | http://id.loc.gov/authorities/names/n84208944 http://id.loc.gov/authorities/names/n86850487 |
author_facet | Newsum, H. E., 1951- |
author_role | aut |
author_sort | Newsum, H. E., 1951- |
author_variant | h e n he hen |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | N6512 |
callnumber-raw | N6512.5.N33 |
callnumber-search | N6512.5.N33 |
callnumber-sort | N 46512.5 N33 |
callnumber-subject | N - Visual Arts |
collection | ZDB-4-EBA |
contents | Foreword: the Counterpoetics of the Neo-Ancestral impulse -- Acts of memory: an introductory comment -- How I became a neo-ancestralist: African American art and artists in Cincinnati -- The neo-ancestral impluse in Cincinnati -- The neo-ancestralist aesthetic -- Neo-ancestralist art as counterhegemonic expression -- Bloods: the neo-ancestral impluse in African American art -- Conclusion. |
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discipline | Kunstgeschichte |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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spelling | Newsum, H. E., 1951- author. http://id.loc.gov/authorities/names/n84208944 SoulStirrers : Black Art and the Neo-Ancestral Impulse / Ike Okafor-Newsum (Horace Newsum) ; Foreword by Demetrius L. Eudell ; Introduction by John W. Roberts. Jackson : University Press of Mississippi, 2016. 1 online resource text rdacontent computer rdamedia online resource rdacarrier Includes bibliographical references and index. Description based on print version record and CIP data provided by publisher. Foreword: the Counterpoetics of the Neo-Ancestral impulse -- Acts of memory: an introductory comment -- How I became a neo-ancestralist: African American art and artists in Cincinnati -- The neo-ancestral impluse in Cincinnati -- The neo-ancestralist aesthetic -- Neo-ancestralist art as counterhegemonic expression -- Bloods: the neo-ancestral impluse in African American art -- Conclusion. In SoulStirrers, H. Ike Okafor-Newsum describes the birth and development of an artistic movement in Cincinnati, Ohio, identified with the Neo-Ancestral impulse. The Neo-Ancestral impulse emerges as an extension of the Harlem Renaissance, the Negritude Movement, and the Black Arts Movement, all of which sought to re-represent the'primitive'and'savage'black and African in new terms. Central to the dominant racial framework has always been the conception that the black subject was not only inferior, but indeed incapable of producing art. The Neo-Ancestral impulse posed a challenge to both existing form and content. Like its intellectual antecedents, the movement did not separate art from life and raised a central question, one that the'soul stirrers'of Cincinnati are engaging in their artistic productions. Okafor-Newsum defines collapsing of the sacred and the profane as a central tendency of African aesthetics, transformed and rearticulated here in the Americas. In this volume, the artistic productions ask readers to consider the role of those creating and viewing this art by attempting to shift the way in which we view the ordinary. The works of these artists, therefore, are not only about the survival of African-derived cultural forms, though such remains a central effect of them. These extraordinary pieces, installations, and movements consistently refer to the cultural reality of the Americas and the need for political and intellectual transformation. They constitute important intellectual interventions that serve as indispensable elements in the redefinition and reinterpretation of our society. Featuring numerous color illustrations and profiles of artists, this volume reveals exciting trends in African American art and in the African diaspora more broadly. Neo-Ancestralist Artist Group. http://id.loc.gov/authorities/subjects/sh2015000883 African American art 20th century Themes, motives. Art noir américain 20e siècle Thèmes, motifs. ART Performance. bisacsh ART Reference. bisacsh Neo-Ancestralist Artist Group fast 1900-1999 fast Eudell, Demetrius Lynn, writer of foreword. Roberts, John W. (John Willie), 1949- writer of introduction. http://id.loc.gov/authorities/names/n86850487 Print version: Newsum, H. E., 1951- author. SoulStirrers Jackson : University Press of Mississippi, 2016 9781628462258 (DLC) 2015011845 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1174738 Volltext |
spellingShingle | Newsum, H. E., 1951- SoulStirrers : Black Art and the Neo-Ancestral Impulse / Foreword: the Counterpoetics of the Neo-Ancestral impulse -- Acts of memory: an introductory comment -- How I became a neo-ancestralist: African American art and artists in Cincinnati -- The neo-ancestral impluse in Cincinnati -- The neo-ancestralist aesthetic -- Neo-ancestralist art as counterhegemonic expression -- Bloods: the neo-ancestral impluse in African American art -- Conclusion. Neo-Ancestralist Artist Group. http://id.loc.gov/authorities/subjects/sh2015000883 African American art 20th century Themes, motives. Art noir américain 20e siècle Thèmes, motifs. ART Performance. bisacsh ART Reference. bisacsh Neo-Ancestralist Artist Group fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh2015000883 |
title | SoulStirrers : Black Art and the Neo-Ancestral Impulse / |
title_auth | SoulStirrers : Black Art and the Neo-Ancestral Impulse / |
title_exact_search | SoulStirrers : Black Art and the Neo-Ancestral Impulse / |
title_full | SoulStirrers : Black Art and the Neo-Ancestral Impulse / Ike Okafor-Newsum (Horace Newsum) ; Foreword by Demetrius L. Eudell ; Introduction by John W. Roberts. |
title_fullStr | SoulStirrers : Black Art and the Neo-Ancestral Impulse / Ike Okafor-Newsum (Horace Newsum) ; Foreword by Demetrius L. Eudell ; Introduction by John W. Roberts. |
title_full_unstemmed | SoulStirrers : Black Art and the Neo-Ancestral Impulse / Ike Okafor-Newsum (Horace Newsum) ; Foreword by Demetrius L. Eudell ; Introduction by John W. Roberts. |
title_short | SoulStirrers : |
title_sort | soulstirrers black art and the neo ancestral impulse |
title_sub | Black Art and the Neo-Ancestral Impulse / |
topic | Neo-Ancestralist Artist Group. http://id.loc.gov/authorities/subjects/sh2015000883 African American art 20th century Themes, motives. Art noir américain 20e siècle Thèmes, motifs. ART Performance. bisacsh ART Reference. bisacsh Neo-Ancestralist Artist Group fast |
topic_facet | Neo-Ancestralist Artist Group. African American art 20th century Themes, motives. Art noir américain 20e siècle Thèmes, motifs. ART Performance. ART Reference. Neo-Ancestralist Artist Group |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1174738 |
work_keys_str_mv | AT newsumhe soulstirrersblackartandtheneoancestralimpulse AT eudelldemetriuslynn soulstirrersblackartandtheneoancestralimpulse AT robertsjohnw soulstirrersblackartandtheneoancestralimpulse |