Back in no time :: the Brion Gysin reader /
Brion Gysin (1916-1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the "cut-up" technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Middletown, Conn. :
Wesleyan University Press,
©2001.
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| Online-Zugang: | Volltext |
| Zusammenfassung: | Brion Gysin (1916-1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the "cut-up" technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as "getting poetry back off the page and into performance." Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughsʹ novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including "Poem of Poems," "The Pipes of Pan," and "A Quick Trip to Alamut."--Publisher description. |
| Beschreibung: | 1 online resource (xiv, 354 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (page 349). Discography: page 351. |
| ISBN: | 9780819576163 0819576166 |
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| 245 | 1 | 0 | |a Back in no time : |b the Brion Gysin reader / |c edited by Jason Weiss. |
| 264 | 1 | |a Middletown, Conn. : |b Wesleyan University Press, |c ©2001. | |
| 300 | |a 1 online resource (xiv, 354 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (page 349). | ||
| 504 | |a Discography: page 351. | ||
| 505 | 0 | |a Introduction ---- I. The Secret Look ---- II. From a Lost Novel. 1. Recollections of a Lost Seascape --- 2. Time and Grother Griphen ---- III. A Master -- A Long Goodnight (excerpts) ---- IV. Potipharʹs Wife ---- V. Early Cut-Up Experiments. 1. First Cut-Ups --- 2. Minutes to Go --- 3. Cut Me Up -- Brion Gysin ---- VI. Permutation Poems. 1. I Am That I Am --- 2. Junk Is No Good Baby --- 3. Kick That Habit Man --- 4. No Poets Donʹt Own Words --- 5. I Donʹt Work You Dig --- 6. This Is Sam Francis ---- VII. Brion Gysin Let the Mice In ---- VIII. The Poem of Poems ---- IX. Dreamachine ---- X. Unpublished Notes on Painting ---- XI. The Pipes of Pan ---- XII. About the Cut-Ups. 1. Cut-Ups: A Project for Disastrous Success --- 2. Cut-Ups Self-Explained ---- XIII. Am I the One? ---- XIV. Janicot ---- XV. The Process (excerpts) ---- XVI. The Naked Lunch Screenplay (excerpts) ---- XVII. A Quick Trip to Alamut ---- XVIII. Fire: Words by Day -- Images by Night ---- XIX. Psacré Psilocybin and Magic Mushrooms ---- XX. Not by Me ---- XXI. Songs. 1. Nowhere Street (score by Steve Lacy) --- 2. Somebody Special (score by Steve Lacy) --- 3. Clementeena Soopstar --- 4. Dreams (score by Steve Lacy) --- 5. Gay Paree Bop --- 6. Sham Pain --- 7. Stop Smoking ---- XXII. Hamriʹs Hands ---- XXIII. Snapshots from the Family Album (excerpts) ---- XXIV. An Ecomium for Allen Ginsberg ---- XXV. Calligraffiti of Fire ---- XXVI. The Sculpted Line ---- XXVII. The Last Museum. 1. The Door --- 2. Hotel Bardo --- 3. Back Jacket Copy --- 4. The Last Museum (excerpts) --- 5. Drawings for The Last Museum by Keith Haring. | |
| 520 | |a Brion Gysin (1916-1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the "cut-up" technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as "getting poetry back off the page and into performance." Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughsʹ novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including "Poem of Poems," "The Pipes of Pan," and "A Quick Trip to Alamut."--Publisher description. | ||
| 588 | 0 | |a Print version record. | |
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| adam_text | |
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| author | Gysin, Brion |
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| author_GND | http://id.loc.gov/authorities/names/n91029269 |
| author_facet | Gysin, Brion Weiss, Jason, 1955- |
| author_role | |
| author_sort | Gysin, Brion |
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| callnumber-first | P - Language and Literature |
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| contents | Introduction ---- I. The Secret Look ---- II. From a Lost Novel. 1. Recollections of a Lost Seascape --- 2. Time and Grother Griphen ---- III. A Master -- A Long Goodnight (excerpts) ---- IV. Potipharʹs Wife ---- V. Early Cut-Up Experiments. 1. First Cut-Ups --- 2. Minutes to Go --- 3. Cut Me Up -- Brion Gysin ---- VI. Permutation Poems. 1. I Am That I Am --- 2. Junk Is No Good Baby --- 3. Kick That Habit Man --- 4. No Poets Donʹt Own Words --- 5. I Donʹt Work You Dig --- 6. This Is Sam Francis ---- VII. Brion Gysin Let the Mice In ---- VIII. The Poem of Poems ---- IX. Dreamachine ---- X. Unpublished Notes on Painting ---- XI. The Pipes of Pan ---- XII. About the Cut-Ups. 1. Cut-Ups: A Project for Disastrous Success --- 2. Cut-Ups Self-Explained ---- XIII. Am I the One? ---- XIV. Janicot ---- XV. The Process (excerpts) ---- XVI. The Naked Lunch Screenplay (excerpts) ---- XVII. A Quick Trip to Alamut ---- XVIII. Fire: Words by Day -- Images by Night ---- XIX. Psacré Psilocybin and Magic Mushrooms ---- XX. Not by Me ---- XXI. Songs. 1. Nowhere Street (score by Steve Lacy) --- 2. Somebody Special (score by Steve Lacy) --- 3. Clementeena Soopstar --- 4. Dreams (score by Steve Lacy) --- 5. Gay Paree Bop --- 6. Sham Pain --- 7. Stop Smoking ---- XXII. Hamriʹs Hands ---- XXIII. Snapshots from the Family Album (excerpts) ---- XXIV. An Ecomium for Allen Ginsberg ---- XXV. Calligraffiti of Fire ---- XXVI. The Sculpted Line ---- XXVII. The Last Museum. 1. The Door --- 2. Hotel Bardo --- 3. Back Jacket Copy --- 4. The Last Museum (excerpts) --- 5. Drawings for The Last Museum by Keith Haring. |
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| dewey-ones | 818 - American miscellaneous writings |
| dewey-raw | 818/.5409 |
| dewey-search | 818/.5409 |
| dewey-sort | 3818 45409 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
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| id | ZDB-4-EBA-ocn908192962 |
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| indexdate | 2024-11-27T13:26:36Z |
| institution | BVB |
| isbn | 9780819576163 0819576166 |
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| publisher | Wesleyan University Press, |
| record_format | marc |
| spelling | Gysin, Brion. Back in no time : the Brion Gysin reader / edited by Jason Weiss. Middletown, Conn. : Wesleyan University Press, ©2001. 1 online resource (xiv, 354 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (page 349). Discography: page 351. Introduction ---- I. The Secret Look ---- II. From a Lost Novel. 1. Recollections of a Lost Seascape --- 2. Time and Grother Griphen ---- III. A Master -- A Long Goodnight (excerpts) ---- IV. Potipharʹs Wife ---- V. Early Cut-Up Experiments. 1. First Cut-Ups --- 2. Minutes to Go --- 3. Cut Me Up -- Brion Gysin ---- VI. Permutation Poems. 1. I Am That I Am --- 2. Junk Is No Good Baby --- 3. Kick That Habit Man --- 4. No Poets Donʹt Own Words --- 5. I Donʹt Work You Dig --- 6. This Is Sam Francis ---- VII. Brion Gysin Let the Mice In ---- VIII. The Poem of Poems ---- IX. Dreamachine ---- X. Unpublished Notes on Painting ---- XI. The Pipes of Pan ---- XII. About the Cut-Ups. 1. Cut-Ups: A Project for Disastrous Success --- 2. Cut-Ups Self-Explained ---- XIII. Am I the One? ---- XIV. Janicot ---- XV. The Process (excerpts) ---- XVI. The Naked Lunch Screenplay (excerpts) ---- XVII. A Quick Trip to Alamut ---- XVIII. Fire: Words by Day -- Images by Night ---- XIX. Psacré Psilocybin and Magic Mushrooms ---- XX. Not by Me ---- XXI. Songs. 1. Nowhere Street (score by Steve Lacy) --- 2. Somebody Special (score by Steve Lacy) --- 3. Clementeena Soopstar --- 4. Dreams (score by Steve Lacy) --- 5. Gay Paree Bop --- 6. Sham Pain --- 7. Stop Smoking ---- XXII. Hamriʹs Hands ---- XXIII. Snapshots from the Family Album (excerpts) ---- XXIV. An Ecomium for Allen Ginsberg ---- XXV. Calligraffiti of Fire ---- XXVI. The Sculpted Line ---- XXVII. The Last Museum. 1. The Door --- 2. Hotel Bardo --- 3. Back Jacket Copy --- 4. The Last Museum (excerpts) --- 5. Drawings for The Last Museum by Keith Haring. Brion Gysin (1916-1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the "cut-up" technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as "getting poetry back off the page and into performance." Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughsʹ novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including "Poem of Poems," "The Pipes of Pan," and "A Quick Trip to Alamut."--Publisher description. Print version record. Gysin, Brion Criticism and interpretation. Gysin, Brion fast https://id.oclc.org/worldcat/entity/E39PBJcWxvFpRKFYbv73kHjKVC LITERARY CRITICISM American General. bisacsh Criticism, interpretation, etc. fast Weiss, Jason, 1955- https://id.oclc.org/worldcat/entity/E39PCjFf3T7yVbRbj6hRBXfW9P http://id.loc.gov/authorities/names/n91029269 has work: Back in No Time (Text) https://id.oclc.org/worldcat/entity/E39PCFFpDCYf8yPQmt4hgRrMGd https://id.oclc.org/worldcat/ontology/hasWork Print version: Gysin, Brion. Back in no time 0819565296 (DLC) 2001026976 (OCoLC)47240191 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=980135 Volltext |
| spellingShingle | Gysin, Brion Back in no time : the Brion Gysin reader / Introduction ---- I. The Secret Look ---- II. From a Lost Novel. 1. Recollections of a Lost Seascape --- 2. Time and Grother Griphen ---- III. A Master -- A Long Goodnight (excerpts) ---- IV. Potipharʹs Wife ---- V. Early Cut-Up Experiments. 1. First Cut-Ups --- 2. Minutes to Go --- 3. Cut Me Up -- Brion Gysin ---- VI. Permutation Poems. 1. I Am That I Am --- 2. Junk Is No Good Baby --- 3. Kick That Habit Man --- 4. No Poets Donʹt Own Words --- 5. I Donʹt Work You Dig --- 6. This Is Sam Francis ---- VII. Brion Gysin Let the Mice In ---- VIII. The Poem of Poems ---- IX. Dreamachine ---- X. Unpublished Notes on Painting ---- XI. The Pipes of Pan ---- XII. About the Cut-Ups. 1. Cut-Ups: A Project for Disastrous Success --- 2. Cut-Ups Self-Explained ---- XIII. Am I the One? ---- XIV. Janicot ---- XV. The Process (excerpts) ---- XVI. The Naked Lunch Screenplay (excerpts) ---- XVII. A Quick Trip to Alamut ---- XVIII. Fire: Words by Day -- Images by Night ---- XIX. Psacré Psilocybin and Magic Mushrooms ---- XX. Not by Me ---- XXI. Songs. 1. Nowhere Street (score by Steve Lacy) --- 2. Somebody Special (score by Steve Lacy) --- 3. Clementeena Soopstar --- 4. Dreams (score by Steve Lacy) --- 5. Gay Paree Bop --- 6. Sham Pain --- 7. Stop Smoking ---- XXII. Hamriʹs Hands ---- XXIII. Snapshots from the Family Album (excerpts) ---- XXIV. An Ecomium for Allen Ginsberg ---- XXV. Calligraffiti of Fire ---- XXVI. The Sculpted Line ---- XXVII. The Last Museum. 1. The Door --- 2. Hotel Bardo --- 3. Back Jacket Copy --- 4. The Last Museum (excerpts) --- 5. Drawings for The Last Museum by Keith Haring. Gysin, Brion. Gysin, Brion Criticism and interpretation. Gysin, Brion fast https://id.oclc.org/worldcat/entity/E39PBJcWxvFpRKFYbv73kHjKVC LITERARY CRITICISM American General. bisacsh |
| title | Back in no time : the Brion Gysin reader / |
| title_auth | Back in no time : the Brion Gysin reader / |
| title_exact_search | Back in no time : the Brion Gysin reader / |
| title_full | Back in no time : the Brion Gysin reader / edited by Jason Weiss. |
| title_fullStr | Back in no time : the Brion Gysin reader / edited by Jason Weiss. |
| title_full_unstemmed | Back in no time : the Brion Gysin reader / edited by Jason Weiss. |
| title_short | Back in no time : |
| title_sort | back in no time the brion gysin reader |
| title_sub | the Brion Gysin reader / |
| topic | Gysin, Brion. Gysin, Brion Criticism and interpretation. Gysin, Brion fast https://id.oclc.org/worldcat/entity/E39PBJcWxvFpRKFYbv73kHjKVC LITERARY CRITICISM American General. bisacsh |
| topic_facet | Gysin, Brion. Gysin, Brion Criticism and interpretation. Gysin, Brion LITERARY CRITICISM American General. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=980135 |
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