What is a cadence? :: Theoretical and analytical perspectives on cadences in the classical repertoire /
The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account...
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| Weitere Verfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leuven, Belgium :
Leuven Univerisity Press,
[2015]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these essays challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the essays are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers |
| Beschreibung: | 1 online resource (346 pages) : illustrations, music |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789461661739 9461661738 |
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| 520 | |a The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these essays challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the essays are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers | ||
| 505 | 0 | |a Introduction: What Is a Cadence? Nine perspectives / Markus Neuwirth and Pieter Bergé -- Harmony and Cadence in Gjerdingen's "Prinner" / William E. Caplin -- Beyond 'Harmony': The Cadence in the Partitura Tradition / Felix Diergarten -- The Half Cadence and Related Analytic Fictions / Poundie Burstein -- Fuggir la Cadenza, or The Art of Avoiding Cadential Closure: Physiognomy and Functions of Deceptive Cadences in the Classical Repertoire / Markus Neuwirth -- The Mystery of the Cadential Six-Four / Danuta Mirka -- The Mozartean Half Cadence / Nathan John Martin and Julie Pedneault-Deslauriers -- "Hauptruhepuncte des Geistes": Punctuation Schemas and the Late-Eighteenth-Century Sonata / Vasili Byros -- The Perception of Cadential Closure / David Sears -- Towards a Syntax of the Classical Cadence / Martin Rohrmeier and Markus Neuwirth. | |
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| contents | Introduction: What Is a Cadence? Nine perspectives / Markus Neuwirth and Pieter Bergé -- Harmony and Cadence in Gjerdingen's "Prinner" / William E. Caplin -- Beyond 'Harmony': The Cadence in the Partitura Tradition / Felix Diergarten -- The Half Cadence and Related Analytic Fictions / Poundie Burstein -- Fuggir la Cadenza, or The Art of Avoiding Cadential Closure: Physiognomy and Functions of Deceptive Cadences in the Classical Repertoire / Markus Neuwirth -- The Mystery of the Cadential Six-Four / Danuta Mirka -- The Mozartean Half Cadence / Nathan John Martin and Julie Pedneault-Deslauriers -- "Hauptruhepuncte des Geistes": Punctuation Schemas and the Late-Eighteenth-Century Sonata / Vasili Byros -- The Perception of Cadential Closure / David Sears -- Towards a Syntax of the Classical Cadence / Martin Rohrmeier and Markus Neuwirth. |
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| indexdate | 2024-11-27T13:26:35Z |
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| spelling | What is a cadence? : Theoretical and analytical perspectives on cadences in the classical repertoire / Markus Neuwirth and Pieter Bergé (eds). Leuven, Belgium : Leuven Univerisity Press, [2015] 1 online resource (346 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Online resource; title from e-book title screen (JSTOR platform, viewed September 15, 2015). The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these essays challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the essays are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers Introduction: What Is a Cadence? Nine perspectives / Markus Neuwirth and Pieter Bergé -- Harmony and Cadence in Gjerdingen's "Prinner" / William E. Caplin -- Beyond 'Harmony': The Cadence in the Partitura Tradition / Felix Diergarten -- The Half Cadence and Related Analytic Fictions / Poundie Burstein -- Fuggir la Cadenza, or The Art of Avoiding Cadential Closure: Physiognomy and Functions of Deceptive Cadences in the Classical Repertoire / Markus Neuwirth -- The Mystery of the Cadential Six-Four / Danuta Mirka -- The Mozartean Half Cadence / Nathan John Martin and Julie Pedneault-Deslauriers -- "Hauptruhepuncte des Geistes": Punctuation Schemas and the Late-Eighteenth-Century Sonata / Vasili Byros -- The Perception of Cadential Closure / David Sears -- Towards a Syntax of the Classical Cadence / Martin Rohrmeier and Markus Neuwirth. English. Cadences (Music) History and criticism. http://id.loc.gov/authorities/subjects/sh85018624 Cadences (Musique) Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Cadences (Music) fast Criticism, interpretation, etc. fast Bergé, Pieter, editor. http://id.loc.gov/authorities/names/no2002101120 Neuwirth, Markus, 1982- editor. https://id.oclc.org/worldcat/entity/E39PCjDfjY9mtMkrcpB8tH4C8K http://id.loc.gov/authorities/names/no2009076372 has work: What Is a cadence? (Text) https://id.oclc.org/worldcat/entity/E39PCFwTPrcWXfWxC8HVPPKhf3 https://id.oclc.org/worldcat/ontology/hasWork Print version: 9789462700154 (OCoLC)895621839 Print version: 9789462700154 (OCoLC)918304119 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=980660 Volltext |
| spellingShingle | What is a cadence? : Theoretical and analytical perspectives on cadences in the classical repertoire / Introduction: What Is a Cadence? Nine perspectives / Markus Neuwirth and Pieter Bergé -- Harmony and Cadence in Gjerdingen's "Prinner" / William E. Caplin -- Beyond 'Harmony': The Cadence in the Partitura Tradition / Felix Diergarten -- The Half Cadence and Related Analytic Fictions / Poundie Burstein -- Fuggir la Cadenza, or The Art of Avoiding Cadential Closure: Physiognomy and Functions of Deceptive Cadences in the Classical Repertoire / Markus Neuwirth -- The Mystery of the Cadential Six-Four / Danuta Mirka -- The Mozartean Half Cadence / Nathan John Martin and Julie Pedneault-Deslauriers -- "Hauptruhepuncte des Geistes": Punctuation Schemas and the Late-Eighteenth-Century Sonata / Vasili Byros -- The Perception of Cadential Closure / David Sears -- Towards a Syntax of the Classical Cadence / Martin Rohrmeier and Markus Neuwirth. Cadences (Music) History and criticism. http://id.loc.gov/authorities/subjects/sh85018624 Cadences (Musique) Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Cadences (Music) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85018624 |
| title | What is a cadence? : Theoretical and analytical perspectives on cadences in the classical repertoire / |
| title_auth | What is a cadence? : Theoretical and analytical perspectives on cadences in the classical repertoire / |
| title_exact_search | What is a cadence? : Theoretical and analytical perspectives on cadences in the classical repertoire / |
| title_full | What is a cadence? : Theoretical and analytical perspectives on cadences in the classical repertoire / Markus Neuwirth and Pieter Bergé (eds). |
| title_fullStr | What is a cadence? : Theoretical and analytical perspectives on cadences in the classical repertoire / Markus Neuwirth and Pieter Bergé (eds). |
| title_full_unstemmed | What is a cadence? : Theoretical and analytical perspectives on cadences in the classical repertoire / Markus Neuwirth and Pieter Bergé (eds). |
| title_short | What is a cadence? : |
| title_sort | what is a cadence theoretical and analytical perspectives on cadences in the classical repertoire |
| title_sub | Theoretical and analytical perspectives on cadences in the classical repertoire / |
| topic | Cadences (Music) History and criticism. http://id.loc.gov/authorities/subjects/sh85018624 Cadences (Musique) Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Cadences (Music) fast |
| topic_facet | Cadences (Music) History and criticism. Cadences (Musique) Histoire et critique. MUSIC Instruction & Study Theory. Cadences (Music) Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=980660 |
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