Lautréamont, subject to interpretation /:
Since the 1874 publication in Belgium of the first posthumous edition of Les Chants de Maldoror, the enigmatic work has served as an inspiration for the poetic and creative liberation of countless twentieth-century writers and artists. Little is known, however, about the book¿́¿s elusive French auth...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Rodopi,
2015.
|
| Schriftenreihe: | Faux titre.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Since the 1874 publication in Belgium of the first posthumous edition of Les Chants de Maldoror, the enigmatic work has served as an inspiration for the poetic and creative liberation of countless twentieth-century writers and artists. Little is known, however, about the book¿́¿s elusive French author Isidore Ducasse, known as le comte de Lautre¿¿amont, and his abbreviated life (1846-1870). In the absence of an original manuscript, Lautre¿¿amont¿́¿s readers have over time altered his poetry for personal, political, and aesthetic reasons. Symbolist literary journals, first editions of his work, surrealist illustrated editions, and the prestigious Ple¿¿iade edition (1970 and 2009), reveal how varying editions of Lautre¿¿amont¿́¿s work have in turn contributed to his legend. In Lautre¿¿amont, Subject to Interpretation, Andrea S. Thomas carefully explores these editions of this so-called poe¿¿te maudit to show how impassioned readers can shape not only the reception of works, but the works themselves. |
| Beschreibung: | 1 online resource (251 pages) : illustrations |
| ISBN: | 9401212074 9789401212076 |
Internformat
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| 245 | 1 | 0 | |a Lautréamont, subject to interpretation / |c Andrea S. Thomas. |
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| 300 | |a 1 online resource (251 pages) : |b illustrations | ||
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| 505 | 0 | |a Lautréamont, Subject to Interpretation; Copyright; Table of Contents; List of Illustrations; Acknowledgements; Introduction; Lautréamontage: Imaginary Portraits of Lautréamont; I -- FIN DE SIÈCLE; Chapter 1: Outsiders at the Fin de Siècle; Chapter 2: Perish then Publish: Partial Truth in the 1890 Edition of Maldoror; II -- SURREALISM; Chapter 3: Investing in Lautréamont, 1920; Chapter 4: The Edition as Exhibition: A SurrealistRetrospective, 1938; III -- POST-STRUCTURALISM; Chapter 5: Lautréamont in the Bibliothèque de la Pléiade; Chapter 6: Lautréamont Reincarnated. | |
| 505 | 8 | |a Conclusion: John Cage and the Chants de Maldoror:Pulvérisés par l'assistance mêmeBibliography; Index. | |
| 520 | |a Since the 1874 publication in Belgium of the first posthumous edition of Les Chants de Maldoror, the enigmatic work has served as an inspiration for the poetic and creative liberation of countless twentieth-century writers and artists. Little is known, however, about the book¿́¿s elusive French author Isidore Ducasse, known as le comte de Lautre¿¿amont, and his abbreviated life (1846-1870). In the absence of an original manuscript, Lautre¿¿amont¿́¿s readers have over time altered his poetry for personal, political, and aesthetic reasons. Symbolist literary journals, first editions of his work, surrealist illustrated editions, and the prestigious Ple¿¿iade edition (1970 and 2009), reveal how varying editions of Lautre¿¿amont¿́¿s work have in turn contributed to his legend. In Lautre¿¿amont, Subject to Interpretation, Andrea S. Thomas carefully explores these editions of this so-called poe¿¿te maudit to show how impassioned readers can shape not only the reception of works, but the works themselves. | ||
| 600 | 1 | 0 | |a Lautréamont, |c comte de, |d 1846-1870 |x Criticism and interpretation. |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| DE-BY-FWS_katkey | ZDB-4-EBA-ocn908019186 |
|---|---|
| _version_ | 1816882310568476672 |
| adam_text | |
| any_adam_object | |
| author | Thomas, Andrea S. |
| author_facet | Thomas, Andrea S. |
| author_role | |
| author_sort | Thomas, Andrea S. |
| author_variant | a s t as ast |
| building | Verbundindex |
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| callnumber-first | P - Language and Literature |
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| callnumber-search | PQ2605 |
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| callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
| collection | ZDB-4-EBA |
| contents | Lautréamont, Subject to Interpretation; Copyright; Table of Contents; List of Illustrations; Acknowledgements; Introduction; Lautréamontage: Imaginary Portraits of Lautréamont; I -- FIN DE SIÈCLE; Chapter 1: Outsiders at the Fin de Siècle; Chapter 2: Perish then Publish: Partial Truth in the 1890 Edition of Maldoror; II -- SURREALISM; Chapter 3: Investing in Lautréamont, 1920; Chapter 4: The Edition as Exhibition: A SurrealistRetrospective, 1938; III -- POST-STRUCTURALISM; Chapter 5: Lautréamont in the Bibliothèque de la Pléiade; Chapter 6: Lautréamont Reincarnated. Conclusion: John Cage and the Chants de Maldoror:Pulvérisés par l'assistance mêmeBibliography; Index. |
| ctrlnum | (OCoLC)908019186 |
| dewey-full | 809 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809 |
| dewey-search | 809 |
| dewey-sort | 3809 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn908019186 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:35Z |
| institution | BVB |
| isbn | 9401212074 9789401212076 |
| language | English |
| oclc_num | 908019186 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (251 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
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| publisher | Rodopi, |
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| series | Faux titre. |
| series2 | Faux Titre |
| spelling | Thomas, Andrea S. Lautréamont, subject to interpretation / Andrea S. Thomas. Amsterdam : Rodopi, 2015. 1 online resource (251 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Faux Titre Print version record. Lautréamont, Subject to Interpretation; Copyright; Table of Contents; List of Illustrations; Acknowledgements; Introduction; Lautréamontage: Imaginary Portraits of Lautréamont; I -- FIN DE SIÈCLE; Chapter 1: Outsiders at the Fin de Siècle; Chapter 2: Perish then Publish: Partial Truth in the 1890 Edition of Maldoror; II -- SURREALISM; Chapter 3: Investing in Lautréamont, 1920; Chapter 4: The Edition as Exhibition: A SurrealistRetrospective, 1938; III -- POST-STRUCTURALISM; Chapter 5: Lautréamont in the Bibliothèque de la Pléiade; Chapter 6: Lautréamont Reincarnated. Conclusion: John Cage and the Chants de Maldoror:Pulvérisés par l'assistance mêmeBibliography; Index. Since the 1874 publication in Belgium of the first posthumous edition of Les Chants de Maldoror, the enigmatic work has served as an inspiration for the poetic and creative liberation of countless twentieth-century writers and artists. Little is known, however, about the book¿́¿s elusive French author Isidore Ducasse, known as le comte de Lautre¿¿amont, and his abbreviated life (1846-1870). In the absence of an original manuscript, Lautre¿¿amont¿́¿s readers have over time altered his poetry for personal, political, and aesthetic reasons. Symbolist literary journals, first editions of his work, surrealist illustrated editions, and the prestigious Ple¿¿iade edition (1970 and 2009), reveal how varying editions of Lautre¿¿amont¿́¿s work have in turn contributed to his legend. In Lautre¿¿amont, Subject to Interpretation, Andrea S. Thomas carefully explores these editions of this so-called poe¿¿te maudit to show how impassioned readers can shape not only the reception of works, but the works themselves. Lautréamont, comte de, 1846-1870 Criticism and interpretation. Lautréamont, comte de, 1846-1870 fast https://id.oclc.org/worldcat/entity/E39PBJfMmYy3Rbj9WqppB8rpfq BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh Criticism, interpretation, etc. fast Print version: Thomas, Andrea S. Lautréamont, Subject to Interpretation. Leiden : BRILL, ©2015 9789042039254 Faux titre. http://id.loc.gov/authorities/names/n42036085 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=910107 Volltext |
| spellingShingle | Thomas, Andrea S. Lautréamont, subject to interpretation / Faux titre. Lautréamont, Subject to Interpretation; Copyright; Table of Contents; List of Illustrations; Acknowledgements; Introduction; Lautréamontage: Imaginary Portraits of Lautréamont; I -- FIN DE SIÈCLE; Chapter 1: Outsiders at the Fin de Siècle; Chapter 2: Perish then Publish: Partial Truth in the 1890 Edition of Maldoror; II -- SURREALISM; Chapter 3: Investing in Lautréamont, 1920; Chapter 4: The Edition as Exhibition: A SurrealistRetrospective, 1938; III -- POST-STRUCTURALISM; Chapter 5: Lautréamont in the Bibliothèque de la Pléiade; Chapter 6: Lautréamont Reincarnated. Conclusion: John Cage and the Chants de Maldoror:Pulvérisés par l'assistance mêmeBibliography; Index. Lautréamont, comte de, 1846-1870 Criticism and interpretation. Lautréamont, comte de, 1846-1870 fast https://id.oclc.org/worldcat/entity/E39PBJfMmYy3Rbj9WqppB8rpfq BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh |
| title | Lautréamont, subject to interpretation / |
| title_auth | Lautréamont, subject to interpretation / |
| title_exact_search | Lautréamont, subject to interpretation / |
| title_full | Lautréamont, subject to interpretation / Andrea S. Thomas. |
| title_fullStr | Lautréamont, subject to interpretation / Andrea S. Thomas. |
| title_full_unstemmed | Lautréamont, subject to interpretation / Andrea S. Thomas. |
| title_short | Lautréamont, subject to interpretation / |
| title_sort | lautreamont subject to interpretation |
| topic | Lautréamont, comte de, 1846-1870 Criticism and interpretation. Lautréamont, comte de, 1846-1870 fast https://id.oclc.org/worldcat/entity/E39PBJfMmYy3Rbj9WqppB8rpfq BIOGRAPHY & AUTOBIOGRAPHY Literary. bisacsh |
| topic_facet | Lautréamont, comte de, 1846-1870 Criticism and interpretation. Lautréamont, comte de, 1846-1870 BIOGRAPHY & AUTOBIOGRAPHY Literary. Criticism, interpretation, etc. |
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