Godard between identity and difference /:
This book reads a series of Godard films as interventions in contemporary debate about the language of difference. Godard has something he wants both to preserve (singularity) and destroy (visual and aural totalitarianism). How is it possible to speak about the Other? How is it possible for the Othe...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York :
Continuum,
2008.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | This book reads a series of Godard films as interventions in contemporary debate about the language of difference. Godard has something he wants both to preserve (singularity) and destroy (visual and aural totalitarianism). How is it possible to speak about the Other? How is it possible for the Other to speak? Does all speaking about or by the Other render that speaking common, thereby rendering what is different identical? These questions gather together a number of issues that cross and intersect disciplinary boundaries: signification, representation, ethics, politics, and so on. The problematics with which Drabinski is concerned begin in the debate between Levinas and Derrida, then later in dialogue with Blanchot and Irigaray. To this extent, Godard is particularly well-suited as an interlocutor. Godard's work, especially in the 1970s, is itself a self-conscious form of philosophy. His films theorize themselves, produce a reflexive sound-image language, and so in many ways match the very essence of philosophy: thought thinking thought. Still, the medium of sound and image complicates any rendering of Godard's work as philosophy. Godard produces a philosophically significant cinematic language, rather than simply narrating or representing philosophical ideas in the medium of film. And this language must be taken seriously in the context of the problem of difference. For, if difference is concerned with signification as such, then the visual and aural retain equal rights with writing (and all questions obtaining therein). Indeed, if part of the problem of speaking about or by the Other is how such speaking traffics in inscription, then cinematic language is certainly an important - and authentically complex - intervention in that problem. The nature of the debate in this project - how the language of alterity is possible or impossible - immediately breaks disciplinary borders between philosophy, literary theory, film studies, and cultural studies. What it means to engage with film in this context, however, is complicated. To wit, there are two standard treatments of film in philosophy. Film is typically either an example of a philosophical position or philosophy is used to interpret motifs, characters, plot lines, etc. In neither case is film engaged as a form of philosophizing itself, that is, as a language engaged with philosophical problematics. It is articulating exactly this engagement that this book takes as its primary task. The aim of the project is to read Godard's work as primary texts, with all the attention due the idiosyncratic language of those texts. Framed by the debate about difference and signification, these primary texts register and resonate as transformative interventions. The overarching argument of the book is that Godard's conception and practice of cinematic language opens new, important possibilities for thinking about radical alterity. |
Beschreibung: | 1 online resource (xiii, 159 pages) |
Bibliographie: | Includes bibliographical references (pages 147-151) and index. |
ISBN: | 9781628928761 162892876X 9781441158482 1441158480 |
Internformat
MARC
LEADER | 00000cam a2200000 a 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn906118023 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr un||||uuuua | ||
008 | 150403s2008 nyu ob 001 0deng d | ||
010 | |z 2008018737 | ||
040 | |a UTBLW |b eng |e pn |c UTBLW |d OCLCO |d OCLCF |d OCLCO |d OCLCQ |d N$T |d YDX |d ORZ |d NLE |d IGB |d AGLDB |d CN8ML |d SNK |d INTCL |d MHW |d BTN |d AUW |d OCLCQ |d VTS |d OCLCQ |d OCLCO |d N$T |d D6H |d G3B |d S8I |d S8J |d S9I |d STF |d UKAHL |d OCLCQ |d OCLCO |d OCL |d UKSSU |d BLOOM |d LDP |d OCLCO |d OCLCA |d OCL |d OCLCQ |d INARC |d OCLCO |d OCLCL |d OCLCQ | ||
015 | |a GBB859207 |2 bnb | ||
019 | |a 1028051492 |a 1030234722 |a 1030637021 |a 1033573594 |a 1033684866 |a 1049849331 |a 1050109795 |a 1100706259 |a 1119033542 |a 1154844459 |a 1154923598 |a 1156904741 |a 1162446190 |a 1192527273 |a 1250593194 |a 1257363896 |a 1299425636 |a 1299454265 |a 1300537477 |a 1391520114 | ||
020 | |a 9781628928761 |q (electronic bk.) | ||
020 | |a 162892876X |q (electronic bk.) | ||
020 | |a 9781441158482 |q (electronic bk.) | ||
020 | |a 1441158480 |q (electronic bk.) | ||
020 | |z 9780826428066 |q (hardback) | ||
020 | |z 9781441114846 |q (paperback) | ||
020 | |z 0826428061 (hbk. : alk. paper) | ||
024 | 7 | |a 10.5040/9781628928761 |2 doi | |
035 | |a (OCoLC)906118023 |z (OCoLC)1028051492 |z (OCoLC)1030234722 |z (OCoLC)1030637021 |z (OCoLC)1033573594 |z (OCoLC)1033684866 |z (OCoLC)1049849331 |z (OCoLC)1050109795 |z (OCoLC)1100706259 |z (OCoLC)1119033542 |z (OCoLC)1154844459 |z (OCoLC)1154923598 |z (OCoLC)1156904741 |z (OCoLC)1162446190 |z (OCoLC)1192527273 |z (OCoLC)1250593194 |z (OCoLC)1257363896 |z (OCoLC)1299425636 |z (OCoLC)1299454265 |z (OCoLC)1300537477 |z (OCoLC)1391520114 | ||
037 | |a 9781441158482 |b CodeMantra | ||
043 | |a e-fr--- | ||
050 | 4 | |a PN1998.3.G63 |b D73 2008 | |
072 | 7 | |a PER |x 009000 |2 bisacsh | |
082 | 7 | |a 791.4302/33092 |2 22 | |
049 | |a MAIN | ||
100 | 1 | |a Drabinski, John E., |d 1968- |0 http://id.loc.gov/authorities/names/n00094869 | |
245 | 1 | 0 | |a Godard between identity and difference / |c John E. Drabinski. |
260 | |a New York : |b Continuum, |c 2008. | ||
300 | |a 1 online resource (xiii, 159 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
504 | |a Includes bibliographical references (pages 147-151) and index. | ||
533 | |a Electronic reproduction. |b London : |c Bloomsbury Publishing, |d 2014. |n Available via World Wide Web. |n Access limited by licensing agreement. |5 OrPS | ||
505 | 0 | |a 1. About the Other -- 2. Separation and Death: Location in Ici et ailleurs -- 3. The Fate of the Image in Comment ca va? -- 4. The Unassimilable Body of Numero Deux -- 5. Spectator, Montage, and Violence | |
520 | 8 | |a This book reads a series of Godard films as interventions in contemporary debate about the language of difference. Godard has something he wants both to preserve (singularity) and destroy (visual and aural totalitarianism). How is it possible to speak about the Other? How is it possible for the Other to speak? Does all speaking about or by the Other render that speaking common, thereby rendering what is different identical? These questions gather together a number of issues that cross and intersect disciplinary boundaries: signification, representation, ethics, politics, and so on. The problematics with which Drabinski is concerned begin in the debate between Levinas and Derrida, then later in dialogue with Blanchot and Irigaray. To this extent, Godard is particularly well-suited as an interlocutor. Godard's work, especially in the 1970s, is itself a self-conscious form of philosophy. His films theorize themselves, produce a reflexive sound-image language, and so in many ways match the very essence of philosophy: thought thinking thought. Still, the medium of sound and image complicates any rendering of Godard's work as philosophy. Godard produces a philosophically significant cinematic language, rather than simply narrating or representing philosophical ideas in the medium of film. And this language must be taken seriously in the context of the problem of difference. For, if difference is concerned with signification as such, then the visual and aural retain equal rights with writing (and all questions obtaining therein). Indeed, if part of the problem of speaking about or by the Other is how such speaking traffics in inscription, then cinematic language is certainly an important - and authentically complex - intervention in that problem. The nature of the debate in this project - how the language of alterity is possible or impossible - immediately breaks disciplinary borders between philosophy, literary theory, film studies, and cultural studies. What it means to engage with film in this context, however, is complicated. To wit, there are two standard treatments of film in philosophy. Film is typically either an example of a philosophical position or philosophy is used to interpret motifs, characters, plot lines, etc. In neither case is film engaged as a form of philosophizing itself, that is, as a language engaged with philosophical problematics. It is articulating exactly this engagement that this book takes as its primary task. The aim of the project is to read Godard's work as primary texts, with all the attention due the idiosyncratic language of those texts. Framed by the debate about difference and signification, these primary texts register and resonate as transformative interventions. The overarching argument of the book is that Godard's conception and practice of cinematic language opens new, important possibilities for thinking about radical alterity. | |
532 | 1 | |a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily | |
546 | |a English. | ||
600 | 1 | 0 | |a Godard, Jean-Luc, |d 1930-2022 |x Criticism and interpretation. |
600 | 1 | 7 | |a Godard, Jean-Luc, |d 1930-2022 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvRXHYWjFKvvJKWgBhyh3 |
650 | 0 | |a Motion picture producers and directors |z France |v Biography. | |
650 | 6 | |a Producteurs et réalisateurs de cinéma |z France |v Biographies. | |
650 | 7 | |a Western philosophy, from c 1900. |2 bicssc | |
650 | 7 | |a Film theory & criticism. |2 bicssc | |
650 | 7 | |a Individual film directors, film-makers. |2 bicssc | |
650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
650 | 7 | |a Motion picture producers and directors |2 fast | |
651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
650 | 7 | |a Film. |2 hilcc | |
650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc | |
655 | 7 | |a Biographies |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
758 | |i has work: |a Godard between identity and difference (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGdMDtvT4PCkBR8PKWHfRq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |w (DLC) 2008018737 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1729779 |3 Volltext |
938 | |a Askews and Holts Library Services |b ASKH |n AH25157625 | ||
938 | |a EBSCOhost |b EBSC |n 1729779 | ||
938 | |a YBP Library Services |b YANK |n 15214437 | ||
938 | |a Bloomsbury Publishing |b BLOO |n bpp09258376 | ||
938 | |a Internet Archive |b INAR |n godardbetweenide0000drab | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn906118023 |
---|---|
_version_ | 1816882310013779968 |
adam_text | |
any_adam_object | |
author | Drabinski, John E., 1968- |
author_GND | http://id.loc.gov/authorities/names/n00094869 |
author_facet | Drabinski, John E., 1968- |
author_role | |
author_sort | Drabinski, John E., 1968- |
author_variant | j e d je jed |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1998 |
callnumber-raw | PN1998.3.G63 D73 2008 |
callnumber-search | PN1998.3.G63 D73 2008 |
callnumber-sort | PN 41998.3 G63 D73 42008 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | 1. About the Other -- 2. Separation and Death: Location in Ici et ailleurs -- 3. The Fate of the Image in Comment ca va? -- 4. The Unassimilable Body of Numero Deux -- 5. Spectator, Montage, and Violence |
ctrlnum | (OCoLC)906118023 |
dewey-full | 791.4302/33092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302/33092 |
dewey-search | 791.4302/33092 |
dewey-sort | 3791.4302 533092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07397cam a2200757 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn906118023</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr un||||uuuua</controlfield><controlfield tag="008">150403s2008 nyu ob 001 0deng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 2008018737</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">UTBLW</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">UTBLW</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">ORZ</subfield><subfield code="d">NLE</subfield><subfield code="d">IGB</subfield><subfield code="d">AGLDB</subfield><subfield code="d">CN8ML</subfield><subfield code="d">SNK</subfield><subfield code="d">INTCL</subfield><subfield code="d">MHW</subfield><subfield code="d">BTN</subfield><subfield code="d">AUW</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VTS</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">N$T</subfield><subfield code="d">D6H</subfield><subfield code="d">G3B</subfield><subfield code="d">S8I</subfield><subfield code="d">S8J</subfield><subfield code="d">S9I</subfield><subfield code="d">STF</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">UKSSU</subfield><subfield code="d">BLOOM</subfield><subfield code="d">LDP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INARC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB859207</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1028051492</subfield><subfield code="a">1030234722</subfield><subfield code="a">1030637021</subfield><subfield code="a">1033573594</subfield><subfield code="a">1033684866</subfield><subfield code="a">1049849331</subfield><subfield code="a">1050109795</subfield><subfield code="a">1100706259</subfield><subfield code="a">1119033542</subfield><subfield code="a">1154844459</subfield><subfield code="a">1154923598</subfield><subfield code="a">1156904741</subfield><subfield code="a">1162446190</subfield><subfield code="a">1192527273</subfield><subfield code="a">1250593194</subfield><subfield code="a">1257363896</subfield><subfield code="a">1299425636</subfield><subfield code="a">1299454265</subfield><subfield code="a">1300537477</subfield><subfield code="a">1391520114</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781628928761</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">162892876X</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781441158482</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1441158480</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780826428066</subfield><subfield code="q">(hardback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781441114846</subfield><subfield code="q">(paperback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0826428061 (hbk. : alk. paper)</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9781628928761</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)906118023</subfield><subfield code="z">(OCoLC)1028051492</subfield><subfield code="z">(OCoLC)1030234722</subfield><subfield code="z">(OCoLC)1030637021</subfield><subfield code="z">(OCoLC)1033573594</subfield><subfield code="z">(OCoLC)1033684866</subfield><subfield code="z">(OCoLC)1049849331</subfield><subfield code="z">(OCoLC)1050109795</subfield><subfield code="z">(OCoLC)1100706259</subfield><subfield code="z">(OCoLC)1119033542</subfield><subfield code="z">(OCoLC)1154844459</subfield><subfield code="z">(OCoLC)1154923598</subfield><subfield code="z">(OCoLC)1156904741</subfield><subfield code="z">(OCoLC)1162446190</subfield><subfield code="z">(OCoLC)1192527273</subfield><subfield code="z">(OCoLC)1250593194</subfield><subfield code="z">(OCoLC)1257363896</subfield><subfield code="z">(OCoLC)1299425636</subfield><subfield code="z">(OCoLC)1299454265</subfield><subfield code="z">(OCoLC)1300537477</subfield><subfield code="z">(OCoLC)1391520114</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9781441158482</subfield><subfield code="b">CodeMantra</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-fr---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1998.3.G63</subfield><subfield code="b">D73 2008</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.4302/33092</subfield><subfield code="2">22</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Drabinski, John E.,</subfield><subfield code="d">1968-</subfield><subfield code="0">http://id.loc.gov/authorities/names/n00094869</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Godard between identity and difference /</subfield><subfield code="c">John E. Drabinski.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">New York :</subfield><subfield code="b">Continuum,</subfield><subfield code="c">2008.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xiii, 159 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 147-151) and index.</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction.</subfield><subfield code="b">London :</subfield><subfield code="c">Bloomsbury Publishing,</subfield><subfield code="d">2014.</subfield><subfield code="n">Available via World Wide Web.</subfield><subfield code="n">Access limited by licensing agreement.</subfield><subfield code="5">OrPS</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">1. About the Other -- 2. Separation and Death: Location in Ici et ailleurs -- 3. The Fate of the Image in Comment ca va? -- 4. The Unassimilable Body of Numero Deux -- 5. Spectator, Montage, and Violence</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">This book reads a series of Godard films as interventions in contemporary debate about the language of difference. Godard has something he wants both to preserve (singularity) and destroy (visual and aural totalitarianism). How is it possible to speak about the Other? How is it possible for the Other to speak? Does all speaking about or by the Other render that speaking common, thereby rendering what is different identical? These questions gather together a number of issues that cross and intersect disciplinary boundaries: signification, representation, ethics, politics, and so on. The problematics with which Drabinski is concerned begin in the debate between Levinas and Derrida, then later in dialogue with Blanchot and Irigaray. To this extent, Godard is particularly well-suited as an interlocutor. Godard's work, especially in the 1970s, is itself a self-conscious form of philosophy. His films theorize themselves, produce a reflexive sound-image language, and so in many ways match the very essence of philosophy: thought thinking thought. Still, the medium of sound and image complicates any rendering of Godard's work as philosophy. Godard produces a philosophically significant cinematic language, rather than simply narrating or representing philosophical ideas in the medium of film. And this language must be taken seriously in the context of the problem of difference. For, if difference is concerned with signification as such, then the visual and aural retain equal rights with writing (and all questions obtaining therein). Indeed, if part of the problem of speaking about or by the Other is how such speaking traffics in inscription, then cinematic language is certainly an important - and authentically complex - intervention in that problem. The nature of the debate in this project - how the language of alterity is possible or impossible - immediately breaks disciplinary borders between philosophy, literary theory, film studies, and cultural studies. What it means to engage with film in this context, however, is complicated. To wit, there are two standard treatments of film in philosophy. Film is typically either an example of a philosophical position or philosophy is used to interpret motifs, characters, plot lines, etc. In neither case is film engaged as a form of philosophizing itself, that is, as a language engaged with philosophical problematics. It is articulating exactly this engagement that this book takes as its primary task. The aim of the project is to read Godard's work as primary texts, with all the attention due the idiosyncratic language of those texts. Framed by the debate about difference and signification, these primary texts register and resonate as transformative interventions. The overarching argument of the book is that Godard's conception and practice of cinematic language opens new, important possibilities for thinking about radical alterity.</subfield></datafield><datafield tag="532" ind1="1" ind2=" "><subfield code="a">Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Godard, Jean-Luc,</subfield><subfield code="d">1930-2022</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Godard, Jean-Luc,</subfield><subfield code="d">1930-2022</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJvRXHYWjFKvvJKWgBhyh3</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture producers and directors</subfield><subfield code="z">France</subfield><subfield code="v">Biography.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Producteurs et réalisateurs de cinéma</subfield><subfield code="z">France</subfield><subfield code="v">Biographies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Western philosophy, from c 1900.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film theory & criticism.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Individual film directors, film-makers.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture producers and directors</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">France</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music, Dance, Drama & Film.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Biographies</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Godard between identity and difference (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGdMDtvT4PCkBR8PKWHfRq</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="w">(DLC) 2008018737</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1729779</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH25157625</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1729779</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15214437</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Bloomsbury Publishing</subfield><subfield code="b">BLOO</subfield><subfield code="n">bpp09258376</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">godardbetweenide0000drab</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | Biographies fast Criticism, interpretation, etc. fast |
genre_facet | Biographies Criticism, interpretation, etc. |
geographic | France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP |
geographic_facet | France |
id | ZDB-4-EBA-ocn906118023 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:26:34Z |
institution | BVB |
isbn | 9781628928761 162892876X 9781441158482 1441158480 |
language | English |
oclc_num | 906118023 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xiii, 159 pages) |
psigel | ZDB-4-EBA |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Continuum, |
record_format | marc |
spelling | Drabinski, John E., 1968- http://id.loc.gov/authorities/names/n00094869 Godard between identity and difference / John E. Drabinski. New York : Continuum, 2008. 1 online resource (xiii, 159 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 147-151) and index. Electronic reproduction. London : Bloomsbury Publishing, 2014. Available via World Wide Web. Access limited by licensing agreement. OrPS 1. About the Other -- 2. Separation and Death: Location in Ici et ailleurs -- 3. The Fate of the Image in Comment ca va? -- 4. The Unassimilable Body of Numero Deux -- 5. Spectator, Montage, and Violence This book reads a series of Godard films as interventions in contemporary debate about the language of difference. Godard has something he wants both to preserve (singularity) and destroy (visual and aural totalitarianism). How is it possible to speak about the Other? How is it possible for the Other to speak? Does all speaking about or by the Other render that speaking common, thereby rendering what is different identical? These questions gather together a number of issues that cross and intersect disciplinary boundaries: signification, representation, ethics, politics, and so on. The problematics with which Drabinski is concerned begin in the debate between Levinas and Derrida, then later in dialogue with Blanchot and Irigaray. To this extent, Godard is particularly well-suited as an interlocutor. Godard's work, especially in the 1970s, is itself a self-conscious form of philosophy. His films theorize themselves, produce a reflexive sound-image language, and so in many ways match the very essence of philosophy: thought thinking thought. Still, the medium of sound and image complicates any rendering of Godard's work as philosophy. Godard produces a philosophically significant cinematic language, rather than simply narrating or representing philosophical ideas in the medium of film. And this language must be taken seriously in the context of the problem of difference. For, if difference is concerned with signification as such, then the visual and aural retain equal rights with writing (and all questions obtaining therein). Indeed, if part of the problem of speaking about or by the Other is how such speaking traffics in inscription, then cinematic language is certainly an important - and authentically complex - intervention in that problem. The nature of the debate in this project - how the language of alterity is possible or impossible - immediately breaks disciplinary borders between philosophy, literary theory, film studies, and cultural studies. What it means to engage with film in this context, however, is complicated. To wit, there are two standard treatments of film in philosophy. Film is typically either an example of a philosophical position or philosophy is used to interpret motifs, characters, plot lines, etc. In neither case is film engaged as a form of philosophizing itself, that is, as a language engaged with philosophical problematics. It is articulating exactly this engagement that this book takes as its primary task. The aim of the project is to read Godard's work as primary texts, with all the attention due the idiosyncratic language of those texts. Framed by the debate about difference and signification, these primary texts register and resonate as transformative interventions. The overarching argument of the book is that Godard's conception and practice of cinematic language opens new, important possibilities for thinking about radical alterity. Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily English. Godard, Jean-Luc, 1930-2022 Criticism and interpretation. Godard, Jean-Luc, 1930-2022 fast https://id.oclc.org/worldcat/entity/E39PBJvRXHYWjFKvvJKWgBhyh3 Motion picture producers and directors France Biography. Producteurs et réalisateurs de cinéma France Biographies. Western philosophy, from c 1900. bicssc Film theory & criticism. bicssc Individual film directors, film-makers. bicssc PERFORMING ARTS Reference. bisacsh Motion picture producers and directors fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Film. hilcc Music, Dance, Drama & Film. hilcc Biographies fast Criticism, interpretation, etc. fast has work: Godard between identity and difference (Text) https://id.oclc.org/worldcat/entity/E39PCGdMDtvT4PCkBR8PKWHfRq https://id.oclc.org/worldcat/ontology/hasWork Print version: (DLC) 2008018737 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1729779 Volltext |
spellingShingle | Drabinski, John E., 1968- Godard between identity and difference / 1. About the Other -- 2. Separation and Death: Location in Ici et ailleurs -- 3. The Fate of the Image in Comment ca va? -- 4. The Unassimilable Body of Numero Deux -- 5. Spectator, Montage, and Violence Godard, Jean-Luc, 1930-2022 Criticism and interpretation. Godard, Jean-Luc, 1930-2022 fast https://id.oclc.org/worldcat/entity/E39PBJvRXHYWjFKvvJKWgBhyh3 Motion picture producers and directors France Biography. Producteurs et réalisateurs de cinéma France Biographies. Western philosophy, from c 1900. bicssc Film theory & criticism. bicssc Individual film directors, film-makers. bicssc PERFORMING ARTS Reference. bisacsh Motion picture producers and directors fast Film. hilcc Music, Dance, Drama & Film. hilcc |
title | Godard between identity and difference / |
title_auth | Godard between identity and difference / |
title_exact_search | Godard between identity and difference / |
title_full | Godard between identity and difference / John E. Drabinski. |
title_fullStr | Godard between identity and difference / John E. Drabinski. |
title_full_unstemmed | Godard between identity and difference / John E. Drabinski. |
title_short | Godard between identity and difference / |
title_sort | godard between identity and difference |
topic | Godard, Jean-Luc, 1930-2022 Criticism and interpretation. Godard, Jean-Luc, 1930-2022 fast https://id.oclc.org/worldcat/entity/E39PBJvRXHYWjFKvvJKWgBhyh3 Motion picture producers and directors France Biography. Producteurs et réalisateurs de cinéma France Biographies. Western philosophy, from c 1900. bicssc Film theory & criticism. bicssc Individual film directors, film-makers. bicssc PERFORMING ARTS Reference. bisacsh Motion picture producers and directors fast Film. hilcc Music, Dance, Drama & Film. hilcc |
topic_facet | Godard, Jean-Luc, 1930-2022 Criticism and interpretation. Godard, Jean-Luc, 1930-2022 Motion picture producers and directors France Biography. Producteurs et réalisateurs de cinéma France Biographies. Western philosophy, from c 1900. Film theory & criticism. Individual film directors, film-makers. PERFORMING ARTS Reference. Motion picture producers and directors France Film. Music, Dance, Drama & Film. Biographies Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1729779 |
work_keys_str_mv | AT drabinskijohne godardbetweenidentityanddifference |