Shakespeare's living art /:
In this, her last book, Rosalie L. Colie suggests that by linking "forms"--Verse forms, devices, motives, themes, conventions, genres-to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he i...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, New Jersey :
Princeton University Press,
1974.
|
| Schriftenreihe: | Princeton legacy library.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In this, her last book, Rosalie L. Colie suggests that by linking "forms"--Verse forms, devices, motives, themes, conventions, genres-to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has chosen for study topics which connect Shakespeare with the long and rich continental Renaissance, in the hope that in the future Shakespeare might be, like Dante and Cervantes, an essential author in a comparatist's education. Usually a single topic dealing with some formal aspect of a play-the use of stereotypes to create a character highly original in stage practice, or the various manipulations of a mode (the pastoral, for example) rich in potentialities-is used to try to see in what particular ways Shakespeare shaped works that are still unique. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | Includes index. |
| Beschreibung: | 1 online resource (382 pages) |
| ISBN: | 9781400867875 1400867878 |
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| 505 | 0 | 0 | |t Frontmatter -- |t Preface -- |t Note -- |t Contents -- |t Introduction -- |t 1. Criticism and the Analysis of Craft: Love's Labour's Lost and the Sonnets -- |t 2. Mel and Sal: Some Problems in Sonnet-Theory -- |t 3. Othello and the Problematics of Love -- |t 4. Antony and Cleopatra: The Significance of Style -- |t 5. Hamlet: Reflections on an Anatomy of Melancholy -- |t 6. Perspectives on Pastoral: Romance, Comic and Tragic -- |t 7. "Nature's Above Art in that Respect": Limits of the Pastoral Pattern -- |t 8. Forms and Their Meanings: "Monumental Mock'ry" -- |t Epilogue -- |t Index -- |t Backmatter |
| 520 | |a In this, her last book, Rosalie L. Colie suggests that by linking "forms"--Verse forms, devices, motives, themes, conventions, genres-to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has chosen for study topics which connect Shakespeare with the long and rich continental Renaissance, in the hope that in the future Shakespeare might be, like Dante and Cervantes, an essential author in a comparatist's education. Usually a single topic dealing with some formal aspect of a play-the use of stereotypes to create a character highly original in stage practice, or the various manipulations of a mode (the pastoral, for example) rich in potentialities-is used to try to see in what particular ways Shakespeare shaped works that are still unique. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
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| contents | Frontmatter -- Preface -- Note -- Contents -- Introduction -- 1. Criticism and the Analysis of Craft: Love's Labour's Lost and the Sonnets -- 2. Mel and Sal: Some Problems in Sonnet-Theory -- 3. Othello and the Problematics of Love -- 4. Antony and Cleopatra: The Significance of Style -- 5. Hamlet: Reflections on an Anatomy of Melancholy -- 6. Perspectives on Pastoral: Romance, Comic and Tragic -- 7. "Nature's Above Art in that Respect": Limits of the Pastoral Pattern -- 8. Forms and Their Meanings: "Monumental Mock'ry" -- Epilogue -- Index -- Backmatter |
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| indexdate | 2024-11-27T13:26:32Z |
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| series | Princeton legacy library. |
| series2 | Princeton Legacy Library |
| spelling | Colie, Rosalie Littell, author. Shakespeare's living art / Rosalie L. Colie. Princeton, New Jersey : Princeton University Press, 1974. ©1974 1 online resource (382 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Princeton Legacy Library Includes index. Print version record. Frontmatter -- Preface -- Note -- Contents -- Introduction -- 1. Criticism and the Analysis of Craft: Love's Labour's Lost and the Sonnets -- 2. Mel and Sal: Some Problems in Sonnet-Theory -- 3. Othello and the Problematics of Love -- 4. Antony and Cleopatra: The Significance of Style -- 5. Hamlet: Reflections on an Anatomy of Melancholy -- 6. Perspectives on Pastoral: Romance, Comic and Tragic -- 7. "Nature's Above Art in that Respect": Limits of the Pastoral Pattern -- 8. Forms and Their Meanings: "Monumental Mock'ry" -- Epilogue -- Index -- Backmatter In this, her last book, Rosalie L. Colie suggests that by linking "forms"--Verse forms, devices, motives, themes, conventions, genres-to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has chosen for study topics which connect Shakespeare with the long and rich continental Renaissance, in the hope that in the future Shakespeare might be, like Dante and Cervantes, an essential author in a comparatist's education. Usually a single topic dealing with some formal aspect of a play-the use of stereotypes to create a character highly original in stage practice, or the various manipulations of a mode (the pastoral, for example) rich in potentialities-is used to try to see in what particular ways Shakespeare shaped works that are still unique. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd LITERARY CRITICISM Shakespeare. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh Criticism, interpretation, etc. fast has work: Shakespeare's living art [by] Rosalie L. Colie (Text) https://id.oclc.org/worldcat/entity/E39PCYPYRQdkG3YpkXqRDByBKd https://id.oclc.org/worldcat/ontology/hasWork Print version: Colie, Rosalie Littell. Shakespeare's living art. Princeton, New Jersey : Princeton University Press, ©1974 ix, 370 pages Princeton legacy library. 9780691618616 Princeton legacy library. http://id.loc.gov/authorities/names/no2014116408 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=946679 Volltext |
| spellingShingle | Colie, Rosalie Littell Shakespeare's living art / Princeton legacy library. Frontmatter -- Preface -- Note -- Contents -- Introduction -- 1. Criticism and the Analysis of Craft: Love's Labour's Lost and the Sonnets -- 2. Mel and Sal: Some Problems in Sonnet-Theory -- 3. Othello and the Problematics of Love -- 4. Antony and Cleopatra: The Significance of Style -- 5. Hamlet: Reflections on an Anatomy of Melancholy -- 6. Perspectives on Pastoral: Romance, Comic and Tragic -- 7. "Nature's Above Art in that Respect": Limits of the Pastoral Pattern -- 8. Forms and Their Meanings: "Monumental Mock'ry" -- Epilogue -- Index -- Backmatter Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd LITERARY CRITICISM Shakespeare. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120926 |
| title | Shakespeare's living art / |
| title_alt | Frontmatter -- Preface -- Note -- Contents -- Introduction -- 1. Criticism and the Analysis of Craft: Love's Labour's Lost and the Sonnets -- 2. Mel and Sal: Some Problems in Sonnet-Theory -- 3. Othello and the Problematics of Love -- 4. Antony and Cleopatra: The Significance of Style -- 5. Hamlet: Reflections on an Anatomy of Melancholy -- 6. Perspectives on Pastoral: Romance, Comic and Tragic -- 7. "Nature's Above Art in that Respect": Limits of the Pastoral Pattern -- 8. Forms and Their Meanings: "Monumental Mock'ry" -- Epilogue -- Index -- Backmatter |
| title_auth | Shakespeare's living art / |
| title_exact_search | Shakespeare's living art / |
| title_full | Shakespeare's living art / Rosalie L. Colie. |
| title_fullStr | Shakespeare's living art / Rosalie L. Colie. |
| title_full_unstemmed | Shakespeare's living art / Rosalie L. Colie. |
| title_short | Shakespeare's living art / |
| title_sort | shakespeare s living art |
| topic | Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd LITERARY CRITICISM Shakespeare. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh |
| topic_facet | Shakespeare, William, 1564-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 LITERARY CRITICISM Shakespeare. DRAMA English, Irish, Scottish, Welsh. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=946679 |
| work_keys_str_mv | AT colierosalielittell shakespeareslivingart |