Verfügbarkeit: Opera in the development of German critical thought /

Opera in the development of German critical thought /:

Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to...

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Bibliographische Detailangaben
1. Verfasser:	Flaherty, Gloria, 1938-1992 (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Princeton, New Jersey : Princeton University Press, 1978.
Schriftenreihe:	Princeton legacy library.
Schlagworte:	1700-1799 Opera > Germany > 18th century. MUSIC > Genres & Styles > Opera. MUSIC > Instruction & Study > Voice. MUSIC > Lyrics. MUSIC > Printed Music > Vocal. Intellectual life Opera Germany > Intellectual life. Allemagne > Vie intellectuelle. Germany
Online-Zugang:	DE-862 DE-863
Zusammenfassung:	Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to show how, from its very inception and through most of its history, opera was related not only to the revival of ancient drama and the evolution of modern theater, but also to the development of modern critical thought. The author provides a comprehensive treatment of the writings both for and aga.
Beschreibung:	1 online resource (396 pages)
Bibliographie:	Includes bibliographical references and index.
ISBN:	9781400868360 140086836X

Internformat

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520			\|a Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to show how, from its very inception and through most of its history, opera was related not only to the revival of ancient drama and the evolution of modern theater, but also to the development of modern critical thought. The author provides a comprehensive treatment of the writings both for and aga.
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Datensatz im Suchindex

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author	Flaherty, Gloria, 1938-1992
author_GND	http://id.loc.gov/authorities/names/n78024333
author_facet	Flaherty, Gloria, 1938-1992
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author_sort	Flaherty, Gloria, 1938-1992
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callnumber-first	M - Music
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collection	ZDB-4-EBA
contents	Frontmatter -- CONTENTS -- PREFACE -- INTRODUCTION -- ONE: ANCIENT OR MODERN -- TWO: RULE BY PRECEDENT OR BY CODE -- THREE: CONTINUITY IN CHANGE -- FOUR: COLLISION AND CONCESSION -- FIVE: TRADITION, TRANSFORMATION, AND TRANSITION -- SIX: INTERACTION IN BERLIN AT MID-CENTURY -- SEVEN: LESSING'S CONSOLIDATION -- EIGHT. ASSERTION OF CULTURAL IDENTITY -- NINE: CULMINATION AND CONTINUATION: WIELAND -- EPILOGUE -- NOTES -- BIBLIOGRAPHY -- INDEX -- Backmatter
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discipline	Musikwissenschaft
era	1700-1799 fast
era_facet	1700-1799
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spelling	Flaherty, Gloria, 1938-1992, author. https://id.oclc.org/worldcat/entity/E39PCjxkf46Jbf4Q8v94WpwxKq http://id.loc.gov/authorities/names/n78024333 Opera in the development of German critical thought / Gloria Flaherty. Princeton, New Jersey : Princeton University Press, 1978. ©1978 1 online resource (396 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Princeton Legacy Library Includes bibliographical references and index. Print version record. Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to show how, from its very inception and through most of its history, opera was related not only to the revival of ancient drama and the evolution of modern theater, but also to the development of modern critical thought. The author provides a comprehensive treatment of the writings both for and aga. Frontmatter -- CONTENTS -- PREFACE -- INTRODUCTION -- ONE: ANCIENT OR MODERN -- TWO: RULE BY PRECEDENT OR BY CODE -- THREE: CONTINUITY IN CHANGE -- FOUR: COLLISION AND CONCESSION -- FIVE: TRADITION, TRANSFORMATION, AND TRANSITION -- SIX: INTERACTION IN BERLIN AT MID-CENTURY -- SEVEN: LESSING'S CONSOLIDATION -- EIGHT. ASSERTION OF CULTURAL IDENTITY -- NINE: CULMINATION AND CONTINUATION: WIELAND -- EPILOGUE -- NOTES -- BIBLIOGRAPHY -- INDEX -- Backmatter Opera Germany 18th century. Germany Intellectual life. http://id.loc.gov/authorities/subjects/sh85054607 Allemagne Vie intellectuelle. MUSIC Genres & Styles Opera. bisacsh MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Intellectual life fast Opera fast Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd 1700-1799 fast Print version: Flaherty, Gloria, 1938- Opera in the development of German critical thought. Princeton, New Jersey : Princeton University Press, ©1978 xi, 382 pages Princeton legacy library. 9780691601274 Princeton legacy library. http://id.loc.gov/authorities/names/no2014116408
spellingShingle	Flaherty, Gloria, 1938-1992 Opera in the development of German critical thought / Princeton legacy library. Frontmatter -- CONTENTS -- PREFACE -- INTRODUCTION -- ONE: ANCIENT OR MODERN -- TWO: RULE BY PRECEDENT OR BY CODE -- THREE: CONTINUITY IN CHANGE -- FOUR: COLLISION AND CONCESSION -- FIVE: TRADITION, TRANSFORMATION, AND TRANSITION -- SIX: INTERACTION IN BERLIN AT MID-CENTURY -- SEVEN: LESSING'S CONSOLIDATION -- EIGHT. ASSERTION OF CULTURAL IDENTITY -- NINE: CULMINATION AND CONTINUATION: WIELAND -- EPILOGUE -- NOTES -- BIBLIOGRAPHY -- INDEX -- Backmatter Opera Germany 18th century. MUSIC Genres & Styles Opera. bisacsh MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Intellectual life fast Opera fast
subject_GND	http://id.loc.gov/authorities/subjects/sh85054607
title	Opera in the development of German critical thought /
title_alt	Frontmatter -- CONTENTS -- PREFACE -- INTRODUCTION -- ONE: ANCIENT OR MODERN -- TWO: RULE BY PRECEDENT OR BY CODE -- THREE: CONTINUITY IN CHANGE -- FOUR: COLLISION AND CONCESSION -- FIVE: TRADITION, TRANSFORMATION, AND TRANSITION -- SIX: INTERACTION IN BERLIN AT MID-CENTURY -- SEVEN: LESSING'S CONSOLIDATION -- EIGHT. ASSERTION OF CULTURAL IDENTITY -- NINE: CULMINATION AND CONTINUATION: WIELAND -- EPILOGUE -- NOTES -- BIBLIOGRAPHY -- INDEX -- Backmatter
title_auth	Opera in the development of German critical thought /
title_exact_search	Opera in the development of German critical thought /
title_full	Opera in the development of German critical thought / Gloria Flaherty.
title_fullStr	Opera in the development of German critical thought / Gloria Flaherty.
title_full_unstemmed	Opera in the development of German critical thought / Gloria Flaherty.
title_short	Opera in the development of German critical thought /
title_sort	opera in the development of german critical thought
topic	Opera Germany 18th century. MUSIC Genres & Styles Opera. bisacsh MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Intellectual life fast Opera fast
topic_facet	Opera Germany 18th century. Germany Intellectual life. Allemagne Vie intellectuelle. MUSIC Genres & Styles Opera. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Intellectual life Opera Germany
work_keys_str_mv	AT flahertygloria operainthedevelopmentofgermancriticalthought

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