The monstrous new art :: divided forms in the late medieval motet /
Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Cambridge University Press,
2014.
|
| Schriftenreihe: | Music in context.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger forms of motets with the broad sacred and secular themes of their texts, Zayaruznaya shows how monstrous or hybrid exempla are musically sculpted by rhythmic and textural means. These divisive musical procedures point to the contradictory aspects not only of explicitly monstrous bodies, but of such apparently unified entities as the body politic, the courtly lady, and the Holy Trinity. Zayaruznaya casts a new light on medieval modes of musical representation, with profound implications for broader disciplinary narratives about the history of text-music relations, the emergence of musical unity, and the ontology of the musical work. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781316203941 1316203948 9781139626293 1139626299 |
Internformat
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| 520 | |a Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger forms of motets with the broad sacred and secular themes of their texts, Zayaruznaya shows how monstrous or hybrid exempla are musically sculpted by rhythmic and textural means. These divisive musical procedures point to the contradictory aspects not only of explicitly monstrous bodies, but of such apparently unified entities as the body politic, the courtly lady, and the Holy Trinity. Zayaruznaya casts a new light on medieval modes of musical representation, with profound implications for broader disciplinary narratives about the history of text-music relations, the emergence of musical unity, and the ontology of the musical work. | ||
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| contents | Songs alive -- How (not) to write a motet : the exemplary In virtute/Decens -- Motet visions of an apocalyptic statue -- Interlude : Nebuchadnezzar's dream -- Ars nova and division. |
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| spelling | Zayaruznaya, Anna, author. The monstrous new art : divided forms in the late medieval motet / Anna Zayaruznaya, Yale University. New York : Cambridge University Press, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Music in context Includes bibliographical references and index. Songs alive -- How (not) to write a motet : the exemplary In virtute/Decens -- Motet visions of an apocalyptic statue -- Interlude : Nebuchadnezzar's dream -- Ars nova and division. Print version record. Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger forms of motets with the broad sacred and secular themes of their texts, Zayaruznaya shows how monstrous or hybrid exempla are musically sculpted by rhythmic and textural means. These divisive musical procedures point to the contradictory aspects not only of explicitly monstrous bodies, but of such apparently unified entities as the body politic, the courtly lady, and the Holy Trinity. Zayaruznaya casts a new light on medieval modes of musical representation, with profound implications for broader disciplinary narratives about the history of text-music relations, the emergence of musical unity, and the ontology of the musical work. Vitry, Philippe de, 1291-1361. Motets. Guillaume, de Machaut, approximately 1300-1377. Motets. Motets France 500-1400 History and criticism. Motets France 500-1400 Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Motets fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP 500-1400 fast Criticism, interpretation, etc. fast Print version: Zayaruznaya, Anna. Monstrous new art 9781107039667 (DLC) 2014029904 (OCoLC)885983643 Music in context. http://id.loc.gov/authorities/names/no2012101704 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=961338 Volltext |
| spellingShingle | Zayaruznaya, Anna The monstrous new art : divided forms in the late medieval motet / Music in context. Songs alive -- How (not) to write a motet : the exemplary In virtute/Decens -- Motet visions of an apocalyptic statue -- Interlude : Nebuchadnezzar's dream -- Ars nova and division. Vitry, Philippe de, 1291-1361. Motets. Guillaume, de Machaut, approximately 1300-1377. Motets. Motets France 500-1400 History and criticism. Motets France 500-1400 Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Motets fast |
| title | The monstrous new art : divided forms in the late medieval motet / |
| title_auth | The monstrous new art : divided forms in the late medieval motet / |
| title_exact_search | The monstrous new art : divided forms in the late medieval motet / |
| title_full | The monstrous new art : divided forms in the late medieval motet / Anna Zayaruznaya, Yale University. |
| title_fullStr | The monstrous new art : divided forms in the late medieval motet / Anna Zayaruznaya, Yale University. |
| title_full_unstemmed | The monstrous new art : divided forms in the late medieval motet / Anna Zayaruznaya, Yale University. |
| title_short | The monstrous new art : |
| title_sort | monstrous new art divided forms in the late medieval motet |
| title_sub | divided forms in the late medieval motet / |
| topic | Vitry, Philippe de, 1291-1361. Motets. Guillaume, de Machaut, approximately 1300-1377. Motets. Motets France 500-1400 History and criticism. Motets France 500-1400 Histoire et critique. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Motets fast |
| topic_facet | Vitry, Philippe de, 1291-1361. Motets. Guillaume, de Machaut, approximately 1300-1377. Motets. Motets France 500-1400 History and criticism. Motets France 500-1400 Histoire et critique. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Motets France Criticism, interpretation, etc. |
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