Firstlight :: from the Renaissance to Romanticism in Europe and the Pacific /
The chapters of this book discuss in differing ways the transition in the second millennium of the Common Era from the Renaissance, through Enlightenment and subsequently, Romanticism, with a focus in Europe and the Pacific from the fifteenth to the nineteenth centuries. The book highlights salient...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York :
Nova Science Publishers, Inc.,
[2015]
|
Schriftenreihe: | Focus on civilizations and cultures.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | The chapters of this book discuss in differing ways the transition in the second millennium of the Common Era from the Renaissance, through Enlightenment and subsequently, Romanticism, with a focus in Europe and the Pacific from the fifteenth to the nineteenth centuries. The book highlights salient features of each movement, using examples from the lives and works of critical exponents of each - artists, poets, playwrights, philosophers, engineers, navigators, and explorers. The aim has been to impart knowledge of each period, describe characteristics of the way in which the three movements tr. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781634820301 1634820304 |
Internformat
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245 | 1 | 0 | |a Firstlight : |b from the Renaissance to Romanticism in Europe and the Pacific / |c Luke Strongman. |
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505 | 0 | |a FIRSTLIGHT: FROM THE RENAISSANCE TO ROMANTICISM IN EUROPE AND THE PACIFIC; FIRSTLIGHT: FROM THE RENAISSANCE TO ROMANTICISM IN EUROPE AND THE PACIFIC; Library of Congress Cataloging-in-Publication Data; CONTENTS; PREFACE; INTRODUCTION; Chapter 1: ""LIBERALIS" -- RENAISSANCE HUMANISM; MACHIAVELLI AND STATECRAFT; MONTAIGNE AND HUMANISM; RENAISSANCE VERSE; Chapter 2: ""TO FURNISH THEE TO BELMONT" -WILLIAM SHAKESPEARE"S "THE MERCHANT OF VENICE"; Chapter 3: ""L"UOMO UNIVERSALE" -- LEONARDO DA VINCI"S"VITRUVIAN MAN"; Chapter 4: ""LINEARIS" -- RENAISSANCE LINEAR PERSPECTIVE; ARCHITECTURE AND THE FRAME. | |
505 | 8 | |a MASACCIO"S TRINITYLINEAR PERSPECTIVE; THE HYPERBOLIC CURVE; VANISHING POINTS; DESCRIPTIVE GEOMETRY; Chapter 5: DEUS EX MACHINE -- GOETHE"S "FAUST: A TRAGEDY"; LAYERS AND SURFACES; THE PART WHICH WAS ABSOLUTE; TO BECOME FULLY HUMAN; THE SPIRIT THAT DENIES; Chapter 6: THE MAN "WITH ROMAN IDEAS" -NAPOLEONIC PORTRAITURE; Chapter 7: ""LIKE A PICTURE" -- ENLIGHTENMENT AND THE AESTHETIC APPRECIATION OF NATURE IN BRITAIN; Chapter 8: ""THE PENSIVE WAND"RER IN THEIR SHADES" -THE EVANGELISTS, MUNGO PARK AND THE SLAVE WRITERS; MUNGO PARK AND THE SOURCE OF THE NIGER RIVER; THE SLAVE WRITINGS. | |
505 | 8 | |a Chapter 9: ""THE MOST VALUABLE CARGO ..."-EARLY COLONIAL CHRISTIAN ENCOUNTERS IN NEW ZEALANDCAPTAIN JAMES COOK RN; REYNOLD"S OMAI AND THE "NOBLE SAVAGE"; WILLIAM HODGES AND THE REPRESENTATION OF THE "NOBLE SAVAGE"; Chapter 10: ""THE DOLPHIN AND THE SEXTANT" -TRADITIONAL KNOWLEDGE AND MODERNITY IN POLYNESIAN NAVIGATION; Chapter 11: ""LONESOME SPIRIT OF THE SOUTH POLE" -CAPTAIN COOK"S VOYAGES AND COLERIDGE"S "THE RIME OF THE ANCIENT MARINER"; Chapter 12: XANADU -- SYMBOLISM AND IMAGINATION IN SAMUEL TAYLOR COLERIDGE"S "KUBLA KAHN"; OPIUM INDUCED IMAGINATION. | |
505 | 8 | |a Coleridge"s "kubla kahn" and orientalismcoleridge"s childhood landscape; the royal pavilion and "kubla kahn"; conclusion; references; index. | |
520 | |a The chapters of this book discuss in differing ways the transition in the second millennium of the Common Era from the Renaissance, through Enlightenment and subsequently, Romanticism, with a focus in Europe and the Pacific from the fifteenth to the nineteenth centuries. The book highlights salient features of each movement, using examples from the lives and works of critical exponents of each - artists, poets, playwrights, philosophers, engineers, navigators, and explorers. The aim has been to impart knowledge of each period, describe characteristics of the way in which the three movements tr. | ||
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adam_text | |
any_adam_object | |
author | Strongman, Luke |
author_facet | Strongman, Luke |
author_role | aut |
author_sort | Strongman, Luke |
author_variant | l s ls |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | B - Philosophy, Psychology, Religion |
callnumber-label | B791 |
callnumber-raw | B791 |
callnumber-search | B791 |
callnumber-sort | B 3791 |
callnumber-subject | B - Philosophy |
collection | ZDB-4-EBA |
contents | FIRSTLIGHT: FROM THE RENAISSANCE TO ROMANTICISM IN EUROPE AND THE PACIFIC; FIRSTLIGHT: FROM THE RENAISSANCE TO ROMANTICISM IN EUROPE AND THE PACIFIC; Library of Congress Cataloging-in-Publication Data; CONTENTS; PREFACE; INTRODUCTION; Chapter 1: ""LIBERALIS" -- RENAISSANCE HUMANISM; MACHIAVELLI AND STATECRAFT; MONTAIGNE AND HUMANISM; RENAISSANCE VERSE; Chapter 2: ""TO FURNISH THEE TO BELMONT" -WILLIAM SHAKESPEARE"S "THE MERCHANT OF VENICE"; Chapter 3: ""L"UOMO UNIVERSALE" -- LEONARDO DA VINCI"S"VITRUVIAN MAN"; Chapter 4: ""LINEARIS" -- RENAISSANCE LINEAR PERSPECTIVE; ARCHITECTURE AND THE FRAME. MASACCIO"S TRINITYLINEAR PERSPECTIVE; THE HYPERBOLIC CURVE; VANISHING POINTS; DESCRIPTIVE GEOMETRY; Chapter 5: DEUS EX MACHINE -- GOETHE"S "FAUST: A TRAGEDY"; LAYERS AND SURFACES; THE PART WHICH WAS ABSOLUTE; TO BECOME FULLY HUMAN; THE SPIRIT THAT DENIES; Chapter 6: THE MAN "WITH ROMAN IDEAS" -NAPOLEONIC PORTRAITURE; Chapter 7: ""LIKE A PICTURE" -- ENLIGHTENMENT AND THE AESTHETIC APPRECIATION OF NATURE IN BRITAIN; Chapter 8: ""THE PENSIVE WAND"RER IN THEIR SHADES" -THE EVANGELISTS, MUNGO PARK AND THE SLAVE WRITERS; MUNGO PARK AND THE SOURCE OF THE NIGER RIVER; THE SLAVE WRITINGS. Chapter 9: ""THE MOST VALUABLE CARGO ..."-EARLY COLONIAL CHRISTIAN ENCOUNTERS IN NEW ZEALANDCAPTAIN JAMES COOK RN; REYNOLD"S OMAI AND THE "NOBLE SAVAGE"; WILLIAM HODGES AND THE REPRESENTATION OF THE "NOBLE SAVAGE"; Chapter 10: ""THE DOLPHIN AND THE SEXTANT" -TRADITIONAL KNOWLEDGE AND MODERNITY IN POLYNESIAN NAVIGATION; Chapter 11: ""LONESOME SPIRIT OF THE SOUTH POLE" -CAPTAIN COOK"S VOYAGES AND COLERIDGE"S "THE RIME OF THE ANCIENT MARINER"; Chapter 12: XANADU -- SYMBOLISM AND IMAGINATION IN SAMUEL TAYLOR COLERIDGE"S "KUBLA KAHN"; OPIUM INDUCED IMAGINATION. Coleridge"s "kubla kahn" and orientalismcoleridge"s childhood landscape; the royal pavilion and "kubla kahn"; conclusion; references; index. |
ctrlnum | (OCoLC)905224091 |
dewey-full | 190.903 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 190 - Modern western philosophy |
dewey-raw | 190.903 |
dewey-search | 190.903 |
dewey-sort | 3190.903 |
dewey-tens | 190 - Modern western philosophy |
discipline | Philosophie |
format | Electronic eBook |
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genre | History fast |
genre_facet | History |
id | ZDB-4-EBA-ocn905224091 |
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indexdate | 2024-11-27T13:26:31Z |
institution | BVB |
isbn | 9781634820301 1634820304 |
language | English |
lccn | 2020685659 |
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series | Focus on civilizations and cultures. |
series2 | Focus on civilizations and cultures |
spelling | Strongman, Luke, author. Firstlight : from the Renaissance to Romanticism in Europe and the Pacific / Luke Strongman. New York : Nova Science Publishers, Inc., [2015] ©2015 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Focus on civilizations and cultures Includes bibliographical references and index. Online resource; title from PDF title page (EBSCO, viewed March 25 2015). FIRSTLIGHT: FROM THE RENAISSANCE TO ROMANTICISM IN EUROPE AND THE PACIFIC; FIRSTLIGHT: FROM THE RENAISSANCE TO ROMANTICISM IN EUROPE AND THE PACIFIC; Library of Congress Cataloging-in-Publication Data; CONTENTS; PREFACE; INTRODUCTION; Chapter 1: ""LIBERALIS" -- RENAISSANCE HUMANISM; MACHIAVELLI AND STATECRAFT; MONTAIGNE AND HUMANISM; RENAISSANCE VERSE; Chapter 2: ""TO FURNISH THEE TO BELMONT" -WILLIAM SHAKESPEARE"S "THE MERCHANT OF VENICE"; Chapter 3: ""L"UOMO UNIVERSALE" -- LEONARDO DA VINCI"S"VITRUVIAN MAN"; Chapter 4: ""LINEARIS" -- RENAISSANCE LINEAR PERSPECTIVE; ARCHITECTURE AND THE FRAME. MASACCIO"S TRINITYLINEAR PERSPECTIVE; THE HYPERBOLIC CURVE; VANISHING POINTS; DESCRIPTIVE GEOMETRY; Chapter 5: DEUS EX MACHINE -- GOETHE"S "FAUST: A TRAGEDY"; LAYERS AND SURFACES; THE PART WHICH WAS ABSOLUTE; TO BECOME FULLY HUMAN; THE SPIRIT THAT DENIES; Chapter 6: THE MAN "WITH ROMAN IDEAS" -NAPOLEONIC PORTRAITURE; Chapter 7: ""LIKE A PICTURE" -- ENLIGHTENMENT AND THE AESTHETIC APPRECIATION OF NATURE IN BRITAIN; Chapter 8: ""THE PENSIVE WAND"RER IN THEIR SHADES" -THE EVANGELISTS, MUNGO PARK AND THE SLAVE WRITERS; MUNGO PARK AND THE SOURCE OF THE NIGER RIVER; THE SLAVE WRITINGS. Chapter 9: ""THE MOST VALUABLE CARGO ..."-EARLY COLONIAL CHRISTIAN ENCOUNTERS IN NEW ZEALANDCAPTAIN JAMES COOK RN; REYNOLD"S OMAI AND THE "NOBLE SAVAGE"; WILLIAM HODGES AND THE REPRESENTATION OF THE "NOBLE SAVAGE"; Chapter 10: ""THE DOLPHIN AND THE SEXTANT" -TRADITIONAL KNOWLEDGE AND MODERNITY IN POLYNESIAN NAVIGATION; Chapter 11: ""LONESOME SPIRIT OF THE SOUTH POLE" -CAPTAIN COOK"S VOYAGES AND COLERIDGE"S "THE RIME OF THE ANCIENT MARINER"; Chapter 12: XANADU -- SYMBOLISM AND IMAGINATION IN SAMUEL TAYLOR COLERIDGE"S "KUBLA KAHN"; OPIUM INDUCED IMAGINATION. Coleridge"s "kubla kahn" and orientalismcoleridge"s childhood landscape; the royal pavilion and "kubla kahn"; conclusion; references; index. The chapters of this book discuss in differing ways the transition in the second millennium of the Common Era from the Renaissance, through Enlightenment and subsequently, Romanticism, with a focus in Europe and the Pacific from the fifteenth to the nineteenth centuries. The book highlights salient features of each movement, using examples from the lives and works of critical exponents of each - artists, poets, playwrights, philosophers, engineers, navigators, and explorers. The aim has been to impart knowledge of each period, describe characteristics of the way in which the three movements tr. Philosophy, Modern History. PHILOSOPHY History & Surveys General. bisacsh PHILOSOPHY History & Surveys Modern. bisacsh Philosophy, Modern fast History fast has work: Firstlight (Text) https://id.oclc.org/worldcat/entity/E39PCGXTWmqgwGWbggCgGhykwC https://id.oclc.org/worldcat/ontology/hasWork Print version: Strongman, Luke. Firstlight : From the Renaissance to Romanticism in Europe and the Pacific. Hauppauge : Nova Science Publishers, Inc., ©2015 9781634820158 Focus on civilizations and cultures. http://id.loc.gov/authorities/names/no2009101712 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=967907 Volltext |
spellingShingle | Strongman, Luke Firstlight : from the Renaissance to Romanticism in Europe and the Pacific / Focus on civilizations and cultures. FIRSTLIGHT: FROM THE RENAISSANCE TO ROMANTICISM IN EUROPE AND THE PACIFIC; FIRSTLIGHT: FROM THE RENAISSANCE TO ROMANTICISM IN EUROPE AND THE PACIFIC; Library of Congress Cataloging-in-Publication Data; CONTENTS; PREFACE; INTRODUCTION; Chapter 1: ""LIBERALIS" -- RENAISSANCE HUMANISM; MACHIAVELLI AND STATECRAFT; MONTAIGNE AND HUMANISM; RENAISSANCE VERSE; Chapter 2: ""TO FURNISH THEE TO BELMONT" -WILLIAM SHAKESPEARE"S "THE MERCHANT OF VENICE"; Chapter 3: ""L"UOMO UNIVERSALE" -- LEONARDO DA VINCI"S"VITRUVIAN MAN"; Chapter 4: ""LINEARIS" -- RENAISSANCE LINEAR PERSPECTIVE; ARCHITECTURE AND THE FRAME. MASACCIO"S TRINITYLINEAR PERSPECTIVE; THE HYPERBOLIC CURVE; VANISHING POINTS; DESCRIPTIVE GEOMETRY; Chapter 5: DEUS EX MACHINE -- GOETHE"S "FAUST: A TRAGEDY"; LAYERS AND SURFACES; THE PART WHICH WAS ABSOLUTE; TO BECOME FULLY HUMAN; THE SPIRIT THAT DENIES; Chapter 6: THE MAN "WITH ROMAN IDEAS" -NAPOLEONIC PORTRAITURE; Chapter 7: ""LIKE A PICTURE" -- ENLIGHTENMENT AND THE AESTHETIC APPRECIATION OF NATURE IN BRITAIN; Chapter 8: ""THE PENSIVE WAND"RER IN THEIR SHADES" -THE EVANGELISTS, MUNGO PARK AND THE SLAVE WRITERS; MUNGO PARK AND THE SOURCE OF THE NIGER RIVER; THE SLAVE WRITINGS. Chapter 9: ""THE MOST VALUABLE CARGO ..."-EARLY COLONIAL CHRISTIAN ENCOUNTERS IN NEW ZEALANDCAPTAIN JAMES COOK RN; REYNOLD"S OMAI AND THE "NOBLE SAVAGE"; WILLIAM HODGES AND THE REPRESENTATION OF THE "NOBLE SAVAGE"; Chapter 10: ""THE DOLPHIN AND THE SEXTANT" -TRADITIONAL KNOWLEDGE AND MODERNITY IN POLYNESIAN NAVIGATION; Chapter 11: ""LONESOME SPIRIT OF THE SOUTH POLE" -CAPTAIN COOK"S VOYAGES AND COLERIDGE"S "THE RIME OF THE ANCIENT MARINER"; Chapter 12: XANADU -- SYMBOLISM AND IMAGINATION IN SAMUEL TAYLOR COLERIDGE"S "KUBLA KAHN"; OPIUM INDUCED IMAGINATION. Coleridge"s "kubla kahn" and orientalismcoleridge"s childhood landscape; the royal pavilion and "kubla kahn"; conclusion; references; index. Philosophy, Modern History. PHILOSOPHY History & Surveys General. bisacsh PHILOSOPHY History & Surveys Modern. bisacsh Philosophy, Modern fast |
title | Firstlight : from the Renaissance to Romanticism in Europe and the Pacific / |
title_auth | Firstlight : from the Renaissance to Romanticism in Europe and the Pacific / |
title_exact_search | Firstlight : from the Renaissance to Romanticism in Europe and the Pacific / |
title_full | Firstlight : from the Renaissance to Romanticism in Europe and the Pacific / Luke Strongman. |
title_fullStr | Firstlight : from the Renaissance to Romanticism in Europe and the Pacific / Luke Strongman. |
title_full_unstemmed | Firstlight : from the Renaissance to Romanticism in Europe and the Pacific / Luke Strongman. |
title_short | Firstlight : |
title_sort | firstlight from the renaissance to romanticism in europe and the pacific |
title_sub | from the Renaissance to Romanticism in Europe and the Pacific / |
topic | Philosophy, Modern History. PHILOSOPHY History & Surveys General. bisacsh PHILOSOPHY History & Surveys Modern. bisacsh Philosophy, Modern fast |
topic_facet | Philosophy, Modern History. PHILOSOPHY History & Surveys General. PHILOSOPHY History & Surveys Modern. Philosophy, Modern History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=967907 |
work_keys_str_mv | AT strongmanluke firstlightfromtherenaissancetoromanticismineuropeandthepacific |