Photography and September 11th :: spectacle, memory, trauma /
"It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, wee...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury Academic,
2015.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, weeks and months that followed, this vast collection of photographs continued to circulate relentlessly. This book investigates the psychological impact of those photographs on a stunned American audience. Drawing on trauma theory, this book asks whether the prolonged exposure of audience to photographs was cathartic or damaging. It explores how first the collective memory of the event was established in the American psyche and then argues that through repetitive use of the most powerful pictures, the culture industry created a dangerously simple 9/11 metanarrative. At the same time, people began to reclaim and use photography to process their own feelings, most significantly in 'communities' of photographic memorial websites. Such exercises were widely perceived as democratic and an aid to recovery. This book interrogates that assumption, providing a new understanding of how audiences see and process news photography in times of crisis"-- "It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, weeks and months that followed, this vast collection of images continued to circulate relentlessly. This book investigates the psychological impact of those images on a stunned American audience. Drawing on trauma theory, this book asks whether the prolonged exposure of audience to images was cathartic or damaging. It explores how first the collective memory of the event was established in the American psyche and then argues that through repetitive use of the most powerful pictures, the culture industry created a dangerously simple 9/11 metanarrative. At the same time, people began to reclaim and use photography to process their own feelings, most significantly in 'communities' of photographic memorial websites. Such exercises were widely perceived as democratic and an aid to recovery. This book interrogates that assumption, providing a new understanding of how audiences see and process news photography in times of crisis"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781472528971 1472528972 9781472527790 1472527798 |
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| 245 | 1 | 0 | |a Photography and September 11th : |b spectacle, memory, trauma / |c Jennifer Good. |
| 264 | 1 | |a New York : |b Bloomsbury Academic, |c 2015. | |
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| 520 | |a "It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, weeks and months that followed, this vast collection of photographs continued to circulate relentlessly. This book investigates the psychological impact of those photographs on a stunned American audience. Drawing on trauma theory, this book asks whether the prolonged exposure of audience to photographs was cathartic or damaging. It explores how first the collective memory of the event was established in the American psyche and then argues that through repetitive use of the most powerful pictures, the culture industry created a dangerously simple 9/11 metanarrative. At the same time, people began to reclaim and use photography to process their own feelings, most significantly in 'communities' of photographic memorial websites. Such exercises were widely perceived as democratic and an aid to recovery. This book interrogates that assumption, providing a new understanding of how audiences see and process news photography in times of crisis"-- |c Provided by publisher | ||
| 520 | |a "It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, weeks and months that followed, this vast collection of images continued to circulate relentlessly. This book investigates the psychological impact of those images on a stunned American audience. Drawing on trauma theory, this book asks whether the prolonged exposure of audience to images was cathartic or damaging. It explores how first the collective memory of the event was established in the American psyche and then argues that through repetitive use of the most powerful pictures, the culture industry created a dangerously simple 9/11 metanarrative. At the same time, people began to reclaim and use photography to process their own feelings, most significantly in 'communities' of photographic memorial websites. Such exercises were widely perceived as democratic and an aid to recovery. This book interrogates that assumption, providing a new understanding of how audiences see and process news photography in times of crisis"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Contents; List of Illustrations; Acknowledgements; Preface: I was there; Introduction; 1 Spectacle and collective memory; 2 Forever seared: The trauma of photographic seeing; 3 Buildings made flesh: Notions of the uncanny and the real; 4 Reclaiming the imagery that haunted us: Recovery, community and remembrance; 5 The compulsion to repeat: Photography as a dead end; Conclusion: Beyond words; Notes; References; Index. | |
| 610 | 2 | 7 | |a World Trade Center (New York, N.Y. : 1970-2001) |2 fast |
| 650 | 0 | |a September 11 Terrorist Attacks, 2001 |v Pictorial works. | |
| 651 | 0 | |a New York (N.Y.) |v Pictorial works. | |
| 650 | 0 | |a World Trade Center (New York, N.Y.) |v Pictorial works. | |
| 650 | 0 | |a Terrorism |z New York (State) |z New York |v Pictorial works. | |
| 650 | 6 | |a Attentats du 11 septembre 2001, États-Unis |v Ouvrages illustrés. | |
| 650 | 6 | |a Terrorisme |z New York (État) |z New York |v Ouvrages illustrés. | |
| 650 | 7 | |a Photography & photographs. |2 bicssc | |
| 650 | 7 | |a PHOTOGRAPHY |x General. |2 bisacsh | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn905221768 |
|---|---|
| _version_ | 1816882306382561280 |
| adam_text | |
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| author | Good, Jennifer |
| author_facet | Good, Jennifer |
| author_role | |
| author_sort | Good, Jennifer |
| author_variant | j g jg |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | H - Social Science |
| callnumber-label | HV6432 |
| callnumber-raw | HV6432.7 .G657 2015eb |
| callnumber-search | HV6432.7 .G657 2015eb |
| callnumber-sort | HV 46432.7 G657 42015EB |
| callnumber-subject | HV - Social Pathology, Criminology |
| collection | ZDB-4-EBA |
| contents | Cover; Contents; List of Illustrations; Acknowledgements; Preface: I was there; Introduction; 1 Spectacle and collective memory; 2 Forever seared: The trauma of photographic seeing; 3 Buildings made flesh: Notions of the uncanny and the real; 4 Reclaiming the imagery that haunted us: Recovery, community and remembrance; 5 The compulsion to repeat: Photography as a dead end; Conclusion: Beyond words; Notes; References; Index. |
| ctrlnum | (OCoLC)905221768 |
| dewey-full | 974.7/1044 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 974 - Northeastern United States |
| dewey-raw | 974.7/1044 |
| dewey-search | 974.7/1044 |
| dewey-sort | 3974.7 41044 |
| dewey-tens | 970 - History of North America |
| discipline | Geschichte |
| format | Electronic eBook |
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| genre | illustrated books. aat Pictorial works fast Illustrated works. lcgft http://id.loc.gov/authorities/genreForms/gf2014026111 Ouvrages illustrés. rvmgf |
| genre_facet | illustrated books. Pictorial works Illustrated works. Ouvrages illustrés. |
| geographic | New York (N.Y.) Pictorial works. New York (State) New York fast https://id.oclc.org/worldcat/entity/E39QbtfRvQh7864Jh4rDGBFDWc |
| geographic_facet | New York (N.Y.) Pictorial works. New York (State) New York |
| id | ZDB-4-EBA-ocn905221768 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:31Z |
| institution | BVB |
| isbn | 9781472528971 1472528972 9781472527790 1472527798 |
| language | English |
| oclc_num | 905221768 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | Good, Jennifer. Photography and September 11th : spectacle, memory, trauma / Jennifer Good. New York : Bloomsbury Academic, 2015. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, weeks and months that followed, this vast collection of photographs continued to circulate relentlessly. This book investigates the psychological impact of those photographs on a stunned American audience. Drawing on trauma theory, this book asks whether the prolonged exposure of audience to photographs was cathartic or damaging. It explores how first the collective memory of the event was established in the American psyche and then argues that through repetitive use of the most powerful pictures, the culture industry created a dangerously simple 9/11 metanarrative. At the same time, people began to reclaim and use photography to process their own feelings, most significantly in 'communities' of photographic memorial websites. Such exercises were widely perceived as democratic and an aid to recovery. This book interrogates that assumption, providing a new understanding of how audiences see and process news photography in times of crisis"-- Provided by publisher "It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, weeks and months that followed, this vast collection of images continued to circulate relentlessly. This book investigates the psychological impact of those images on a stunned American audience. Drawing on trauma theory, this book asks whether the prolonged exposure of audience to images was cathartic or damaging. It explores how first the collective memory of the event was established in the American psyche and then argues that through repetitive use of the most powerful pictures, the culture industry created a dangerously simple 9/11 metanarrative. At the same time, people began to reclaim and use photography to process their own feelings, most significantly in 'communities' of photographic memorial websites. Such exercises were widely perceived as democratic and an aid to recovery. This book interrogates that assumption, providing a new understanding of how audiences see and process news photography in times of crisis"-- Provided by publisher Includes bibliographical references and index. Print version record. Cover; Contents; List of Illustrations; Acknowledgements; Preface: I was there; Introduction; 1 Spectacle and collective memory; 2 Forever seared: The trauma of photographic seeing; 3 Buildings made flesh: Notions of the uncanny and the real; 4 Reclaiming the imagery that haunted us: Recovery, community and remembrance; 5 The compulsion to repeat: Photography as a dead end; Conclusion: Beyond words; Notes; References; Index. World Trade Center (New York, N.Y. : 1970-2001) fast September 11 Terrorist Attacks, 2001 Pictorial works. New York (N.Y.) Pictorial works. World Trade Center (New York, N.Y.) Pictorial works. Terrorism New York (State) New York Pictorial works. Attentats du 11 septembre 2001, États-Unis Ouvrages illustrés. Terrorisme New York (État) New York Ouvrages illustrés. Photography & photographs. bicssc PHOTOGRAPHY General. bisacsh PHOTOGRAPHY Photojournalism. bisacsh HISTORY United States 21st Century. bisacsh PSYCHOLOGY Movements Psychoanalysis. bisacsh HISTORY United States State & Local General. bisacsh HISTORY United States State & Local Middle Atlantic (DC, DE, MD, NJ, NY, PA) bisacsh HISTORY United States State & Local New England (CT, MA, ME, NH, RI, VT) bisacsh Terrorism fast New York (State) New York fast https://id.oclc.org/worldcat/entity/E39QbtfRvQh7864Jh4rDGBFDWc September 11 Terrorist Attacks (2001) fast (OCoLC)fst01112794 https://id.oclc.org/worldcat/entity/E39Qhp4vBbhpXFv9XtDc43JFHK illustrated books. aat Pictorial works fast Illustrated works. lcgft http://id.loc.gov/authorities/genreForms/gf2014026111 Ouvrages illustrés. rvmgf has work: Photography and September 11th (Text) https://id.oclc.org/worldcat/entity/E39PCFCRYtjK3BwY7wDHBXRwcq https://id.oclc.org/worldcat/ontology/hasWork Print version: Good, Jennifer. Photography and September 11th 9781472533319 (DLC) 2014043583 (OCoLC)884299224 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=967261 Volltext |
| spellingShingle | Good, Jennifer Photography and September 11th : spectacle, memory, trauma / Cover; Contents; List of Illustrations; Acknowledgements; Preface: I was there; Introduction; 1 Spectacle and collective memory; 2 Forever seared: The trauma of photographic seeing; 3 Buildings made flesh: Notions of the uncanny and the real; 4 Reclaiming the imagery that haunted us: Recovery, community and remembrance; 5 The compulsion to repeat: Photography as a dead end; Conclusion: Beyond words; Notes; References; Index. World Trade Center (New York, N.Y. : 1970-2001) fast September 11 Terrorist Attacks, 2001 Pictorial works. World Trade Center (New York, N.Y.) Pictorial works. Terrorism New York (State) New York Pictorial works. Attentats du 11 septembre 2001, États-Unis Ouvrages illustrés. Terrorisme New York (État) New York Ouvrages illustrés. Photography & photographs. bicssc PHOTOGRAPHY General. bisacsh PHOTOGRAPHY Photojournalism. bisacsh HISTORY United States 21st Century. bisacsh PSYCHOLOGY Movements Psychoanalysis. bisacsh HISTORY United States State & Local General. bisacsh HISTORY United States State & Local Middle Atlantic (DC, DE, MD, NJ, NY, PA) bisacsh HISTORY United States State & Local New England (CT, MA, ME, NH, RI, VT) bisacsh Terrorism fast |
| subject_GND | (OCoLC)fst01112794 http://id.loc.gov/authorities/genreForms/gf2014026111 |
| title | Photography and September 11th : spectacle, memory, trauma / |
| title_auth | Photography and September 11th : spectacle, memory, trauma / |
| title_exact_search | Photography and September 11th : spectacle, memory, trauma / |
| title_full | Photography and September 11th : spectacle, memory, trauma / Jennifer Good. |
| title_fullStr | Photography and September 11th : spectacle, memory, trauma / Jennifer Good. |
| title_full_unstemmed | Photography and September 11th : spectacle, memory, trauma / Jennifer Good. |
| title_short | Photography and September 11th : |
| title_sort | photography and september 11th spectacle memory trauma |
| title_sub | spectacle, memory, trauma / |
| topic | World Trade Center (New York, N.Y. : 1970-2001) fast September 11 Terrorist Attacks, 2001 Pictorial works. World Trade Center (New York, N.Y.) Pictorial works. Terrorism New York (State) New York Pictorial works. Attentats du 11 septembre 2001, États-Unis Ouvrages illustrés. Terrorisme New York (État) New York Ouvrages illustrés. Photography & photographs. bicssc PHOTOGRAPHY General. bisacsh PHOTOGRAPHY Photojournalism. bisacsh HISTORY United States 21st Century. bisacsh PSYCHOLOGY Movements Psychoanalysis. bisacsh HISTORY United States State & Local General. bisacsh HISTORY United States State & Local Middle Atlantic (DC, DE, MD, NJ, NY, PA) bisacsh HISTORY United States State & Local New England (CT, MA, ME, NH, RI, VT) bisacsh Terrorism fast |
| topic_facet | World Trade Center (New York, N.Y. : 1970-2001) September 11 Terrorist Attacks, 2001 Pictorial works. New York (N.Y.) Pictorial works. World Trade Center (New York, N.Y.) Pictorial works. Terrorism New York (State) New York Pictorial works. Attentats du 11 septembre 2001, États-Unis Ouvrages illustrés. Terrorisme New York (État) New York Ouvrages illustrés. Photography & photographs. PHOTOGRAPHY General. PHOTOGRAPHY Photojournalism. HISTORY United States 21st Century. PSYCHOLOGY Movements Psychoanalysis. HISTORY United States State & Local General. HISTORY United States State & Local Middle Atlantic (DC, DE, MD, NJ, NY, PA) HISTORY United States State & Local New England (CT, MA, ME, NH, RI, VT) Terrorism New York (State) New York illustrated books. Pictorial works Illustrated works. Ouvrages illustrés. |
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| work_keys_str_mv | AT goodjennifer photographyandseptember11thspectaclememorytrauma |