Color and empathy :: essays on two aspects of film /
This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam, Netherlands :
Amsterdam University Press,
2014.
|
| Schriftenreihe: | Film culture in transition.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white and color, the emergence of bold color schemes in the 1950s, and empathetic viewer reactions to fictional characters, documentary subjects, animals, and architecture in film. |
| Beschreibung: | Includes indexes. |
| Beschreibung: | 1 online resource (270 pages) : illustrations (some color), photographs |
| Bibliographie: | Includes bibliographical references and indexes. |
| ISBN: | 9789048523269 9048523265 |
Internformat
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| 245 | 1 | 0 | |a Color and empathy : |b essays on two aspects of film / |c Christine N. Brinckmann ; cover design, Kok Korpershoek. |
| 264 | 1 | |a Amsterdam, Netherlands : |b Amsterdam University Press, |c 2014. | |
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| 500 | |a Includes indexes. | ||
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| 520 | |a This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white and color, the emergence of bold color schemes in the 1950s, and empathetic viewer reactions to fictional characters, documentary subjects, animals, and architecture in film. | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | 0 | |t Front matter -- |t Table of Contents -- |t Preface / |r Brinckman, Christine N. -- |t Cinematic Color as Likeness and as Artifact -- |t Chords of Color -- |t The Tension of Colors in Colorized Silent Films -- |t Structural Film, Structuring Color: Jenny Okun's Still Life -- |t Desert Fury: A Film Noir in Color -- |t The Work of the Camera: Beau travail -- |t Empathy with the Animal -- |t Motor Mimicry in Hitchcock -- |t Abstraction and Empathy in the Early German Avant-garde -- |t The Role of Empathy in Documentary Film: A Case Study -- |t Genre Conflict in Tracey Emin's Top Spot -- |t Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- |t Casta Diva: An Empathetic Reading -- |t Publication Data -- |t Index of Films -- |t Index of Subjects -- |t Film Culture in Transition |
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| 650 | 7 | |a Motion pictures |2 fast | |
| 653 | |a Film poetics. | ||
| 653 | |a colour in film. | ||
| 653 | |a documentary film. | ||
| 653 | |a historical stylistics. | ||
| 653 | |a viewer response. | ||
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| author | Brinckmann, Christine, 1937- |
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| contents | Front matter -- Table of Contents -- Preface / Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun's Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin's Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Electronic book. Electronic books. |
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| id | ZDB-4-EBA-ocn904379942 |
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| indexdate | 2024-11-27T13:26:30Z |
| institution | BVB |
| isbn | 9789048523269 9048523265 |
| language | English |
| oclc_num | 904379942 |
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| physical | 1 online resource (270 pages) : illustrations (some color), photographs |
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| publisher | Amsterdam University Press, |
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| series | Film culture in transition. |
| series2 | Film Culture in Transition |
| spelling | Brinckmann, Christine, 1937- author. Color and empathy : essays on two aspects of film / Christine N. Brinckmann ; cover design, Kok Korpershoek. Amsterdam, Netherlands : Amsterdam University Press, 2014. ©2014 1 online resource (270 pages) : illustrations (some color), photographs text txt rdacontent computer c rdamedia online resource cr rdacarrier Film Culture in Transition Includes indexes. Online resource; title from PDF title page (ebrary, viewed January 17, 2015). This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white and color, the emergence of bold color schemes in the 1950s, and empathetic viewer reactions to fictional characters, documentary subjects, animals, and architecture in film. Includes bibliographical references and indexes. Front matter -- Table of Contents -- Preface / Brinckman, Christine N. -- Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun's Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin's Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Cinéma. Film theory and criticism. bicssc ART General. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast Film poetics. colour in film. documentary film. historical stylistics. viewer response. Electronic book. Electronic books. Korpershoek, Kok, cover designer. has work: Color and empathy (Text) https://id.oclc.org/worldcat/entity/E39PCFyGcWKWyH3XDdY67gjV4q https://id.oclc.org/worldcat/ontology/hasWork Print version: Brinckmann, Christine, 1937- Color and empathy. Amsterdam : Amsterdam University Press, ©2014 9089646566 (OCoLC)871671003 Film culture in transition. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=928817 Volltext |
| spellingShingle | Brinckmann, Christine, 1937- Color and empathy : essays on two aspects of film / Film culture in transition. Front matter -- Table of Contents -- Preface / Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun's Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin's Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Cinéma. Film theory and criticism. bicssc ART General. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088084 |
| title | Color and empathy : essays on two aspects of film / |
| title_alt | Front matter -- Table of Contents -- Preface / Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun's Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin's Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition |
| title_auth | Color and empathy : essays on two aspects of film / |
| title_exact_search | Color and empathy : essays on two aspects of film / |
| title_full | Color and empathy : essays on two aspects of film / Christine N. Brinckmann ; cover design, Kok Korpershoek. |
| title_fullStr | Color and empathy : essays on two aspects of film / Christine N. Brinckmann ; cover design, Kok Korpershoek. |
| title_full_unstemmed | Color and empathy : essays on two aspects of film / Christine N. Brinckmann ; cover design, Kok Korpershoek. |
| title_short | Color and empathy : |
| title_sort | color and empathy essays on two aspects of film |
| title_sub | essays on two aspects of film / |
| topic | Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Cinéma. Film theory and criticism. bicssc ART General. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast |
| topic_facet | Motion pictures. Cinéma. Film theory and criticism. ART General. PERFORMING ARTS Reference. Motion pictures Electronic book. Electronic books. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=928817 |
| work_keys_str_mv | AT brinckmannchristine colorandempathyessaysontwoaspectsoffilm AT korpershoekkok colorandempathyessaysontwoaspectsoffilm |