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World's fairs, Italian style :: the great exhibitions in Turin and their narratives, 1860-1915 /

According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted...

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1. Verfasser:	Della Coletta, Cristina, 1962-
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Toronto, Ontario : University of Toronto Press, ©2006.
Schriftenreihe:	Toronto Italian studies.
Schlagworte:	Salgari, Emilio, > 1862-1911 > Criticism and interpretation. Gozzano, Guido, > 1883-1916 > Criticism and interpretation. Salgari, Emilio, > 1862-1911 > Critique et interprétation. Gozzano, Guido, > 1883-1916 > Critique et interprétation. Gozzano, Guido, > 1883-1916 Salgari, Emilio, > 1862-1911 Esposizione internazionale di Torino > (1911) Exposition universelle > (1911 : > Turin, Italie) Esposizione internazionale di Torino 1800-1999 Geschichte 1860-1915 Exhibitions > Italy > Turin > History > 19th century. Nationalism > Italy > History > 19th century. Nationalism > Italy > History > 20th century. Literature and society > Italy > History > 19th century. Literature and society > Italy > History > 20th century. Expositions internationales > Italie > Turin > Histoire > 19e siècle. Nationalisme > Italie > Histoire > 19e siècle. Nationalisme > Italie > Histoire > 20e siècle. Littérature et société > Italie > Histoire > 19e siècle. Littérature et société > Italie > Histoire > 20e siècle. Expositions > Italie > Turin > Histoire > 19e siècle. HISTORY > Europe > Italy. Exhibitions Literature and society Nationalism Ausstellung Italy Italy > Turin Turin Criticism, interpretation, etc. History
Online-Zugang:	Volltext
Zusammenfassung:	According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity.
Beschreibung:	1 online resource.
Format:	Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Bibliographie:	Includes bibliographical references and index.
ISBN:	9781442627307 1442627301

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245	1	0	\|a World's fairs, Italian style : \|b the great exhibitions in Turin and their narratives, 1860-1915 / \|c Cristina Della Coletta.
260			\|a Toronto, Ontario : \|b University of Toronto Press, \|c ©2006.
300			\|a 1 online resource.
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588	0		\|a Online resource; title from PDF title page (EBSCO, viewed May 14, 2015).
504			\|a Includes bibliographical references and index.
505	0		\|a ""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction The Spectacle of Inventing a Nation: Worldâ€?s Fairs and Their Narratives in Italy, 1860â€?1915""; ""1 Prologues to Worldâ€?s Fairs: National Expositions and Nation Building in Turin""; ""Turin, (Former) Capital of the Nineteenth Century""; ""National Exhibits, Collective Identity, and the Ideology of Progress""; ""Dreaming a Collective Dream: Civilization as Leisure""; ""Of Maps and Towers: A Stroll along the Fairgrounds""; ""Pro Aris et Foci: The King, the People, and the Nation""
505	8		\|a ""All the Cityâ€?s a Stage: The Exposition of Hegemonic Topographies in De Amicisâ€?s Torino 1880""""Exhibition Mania on Stage: The Ballet Excelsior""; ""2 Turin 1911: The â€?Fabulous Expositionâ€?""; ""Ephemeral Architecture and the Invention of a National Style""; ""Building Imperial Consensus: Italyâ€?s Quarta Sponda on the Po River""; ""Italy and the Imperial Paradigm""; ""Blazoned Pilots, Modern Media, and Vicarious Travels""; ""Polar Explorers, â€?Instant Books, â€? and the Politics of Travel""; ""3 Emilio Salgari: Writing Exposition Style""
505	8		\|a ""Salgariâ€?s Novels as Exposition Narratives""""Salgari and the Adventure-Tale Formula""; ""A Life Exposed: The Man, the Myth, and the Nation""; ""The Fall of a Crystal Palace: Le meraviglie del Duemila""; ""4 Guido Gozzanoâ€?s Imperial Ambiguities""; ""Reclaiming the Context: On Gozzano gazzettiere and the Archaeology of Verso la cuna del mondo""; ""The â€?Compendium of the Worldâ€?: Gozzanoâ€?s India as Worldâ€?s Fair Exhibit""; ""Of Mazes and Masks: India as Counter-Exposition""; ""Beyond the Exotic Surface: Gozzanoâ€?s Letters as Hermeneutical Objects""
505	8		\|a ""Historiography as Assemblage: Intertextual Montages in â€?Lâ€?Olocausto di Cawneporeâ€? and â€?Goa: â€La Douradaâ€?â€?""""Meddling with the Sex of Angels: Gozzanoâ€?s Readings of Albrecht DÃ?rerâ€?s Melancholia I""; ""Production for Profit and Creation for Pleasure: Beauty, Truth, and the Role of the Artist in the World of Universal Expositions""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""
506			\|3 Use copy \|f Restrictions unspecified \|2 star \|5 MiAaHDL
533			\|a Electronic reproduction. \|b [S.l.] : \|c HathiTrust Digital Library, \|d 2011. \|5 MiAaHDL
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583	1		\|a digitized \|c 2011 \|h HathiTrust Digital Library \|l committed to preserve \|2 pda \|5 MiAaHDL
520			\|a According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity.
600	1	0	\|a Salgari, Emilio, \|d 1862-1911 \|x Criticism and interpretation.
600	1	0	\|a Gozzano, Guido, \|d 1883-1916 \|x Criticism and interpretation.
611	2	0	\|a Esposizione internazionale di Torino \|d (1911) \|0 http://id.loc.gov/authorities/names/no99036402
600	1	6	\|a Salgari, Emilio, \|d 1862-1911 \|x Critique et interprétation.
600	1	6	\|a Gozzano, Guido, \|d 1883-1916 \|x Critique et interprétation.
611	2	6	\|a Exposition universelle \|d (1911 : \|c Turin, Italie)
600	1	7	\|a Gozzano, Guido, \|d 1883-1916 \|2 fast \|1 https://id.oclc.org/worldcat/entity/E39PBJy4jDBttmJgq4Q4vMwKVC
600	1	7	\|a Salgari, Emilio, \|d 1862-1911 \|2 fast \|1 https://id.oclc.org/worldcat/entity/E39PBJdMgkc7Qjfh7gRrYjdG73
611	2	7	\|a Esposizione internazionale di Torino \|2 fast
650		0	\|a Exhibitions \|z Italy \|z Turin \|x History \|y 19th century.
650		0	\|a Nationalism \|z Italy \|x History \|y 19th century.
650		0	\|a Nationalism \|z Italy \|x History \|y 20th century.
650		0	\|a Literature and society \|z Italy \|x History \|y 19th century.
650		0	\|a Literature and society \|z Italy \|x History \|y 20th century.
650		6	\|a Expositions internationales \|z Italie \|z Turin \|x Histoire \|y 19e siècle.
650		6	\|a Nationalisme \|z Italie \|x Histoire \|y 19e siècle.
650		6	\|a Nationalisme \|z Italie \|x Histoire \|y 20e siècle.
650		6	\|a Littérature et société \|z Italie \|x Histoire \|y 19e siècle.
650		6	\|a Littérature et société \|z Italie \|x Histoire \|y 20e siècle.
650		6	\|a Expositions \|z Italie \|z Turin \|x Histoire \|y 19e siècle.
650		7	\|a HISTORY \|z Europe \|z Italy. \|2 bisacsh
650		7	\|a Exhibitions \|2 fast
650		7	\|a Literature and society \|2 fast
650		7	\|a Nationalism \|2 fast
651		7	\|a Italy \|2 fast \|1 https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP
651		7	\|a Italy \|z Turin \|2 fast \|1 https://id.oclc.org/worldcat/entity/E39PBJhddTrcpx334ChfJyh8md
650		7	\|a Ausstellung \|2 gnd
651		7	\|a Turin \|2 gnd
648		7	\|a 1800-1999 \|2 fast
648		7	\|a Geschichte 1860-1915 \|2 swd
655		7	\|a Criticism, interpretation, etc. \|2 fast
655		7	\|a History \|2 fast
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776	0	8	\|i Print version: \|a Coletta, Cristina Della. \|t World's Fairs Italian-Style : The Great Expositions in Turin and their Narratives, 1860-1915. \|d Toronto : University of Toronto Press, ©2015 \|z 9780802091154
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contents	""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction The Spectacle of Inventing a Nation: Worldâ€?s Fairs and Their Narratives in Italy, 1860â€?1915""; ""1 Prologues to Worldâ€?s Fairs: National Expositions and Nation Building in Turin""; ""Turin, (Former) Capital of the Nineteenth Century""; ""National Exhibits, Collective Identity, and the Ideology of Progress""; ""Dreaming a Collective Dream: Civilization as Leisure""; ""Of Maps and Towers: A Stroll along the Fairgrounds""; ""Pro Aris et Foci: The King, the People, and the Nation"" ""All the Cityâ€?s a Stage: The Exposition of Hegemonic Topographies in De Amicisâ€?s Torino 1880""""Exhibition Mania on Stage: The Ballet Excelsior""; ""2 Turin 1911: The â€?Fabulous Expositionâ€?""; ""Ephemeral Architecture and the Invention of a National Style""; ""Building Imperial Consensus: Italyâ€?s Quarta Sponda on the Po River""; ""Italy and the Imperial Paradigm""; ""Blazoned Pilots, Modern Media, and Vicarious Travels""; ""Polar Explorers, â€?Instant Books, â€? and the Politics of Travel""; ""3 Emilio Salgari: Writing Exposition Style"" ""Salgariâ€?s Novels as Exposition Narratives""""Salgari and the Adventure-Tale Formula""; ""A Life Exposed: The Man, the Myth, and the Nation""; ""The Fall of a Crystal Palace: Le meraviglie del Duemila""; ""4 Guido Gozzanoâ€?s Imperial Ambiguities""; ""Reclaiming the Context: On Gozzano gazzettiere and the Archaeology of Verso la cuna del mondo""; ""The â€?Compendium of the Worldâ€?: Gozzanoâ€?s India as Worldâ€?s Fair Exhibit""; ""Of Mazes and Masks: India as Counter-Exposition""; ""Beyond the Exotic Surface: Gozzanoâ€?s Letters as Hermeneutical Objects"" ""Historiography as Assemblage: Intertextual Montages in â€?Lâ€?Olocausto di Cawneporeâ€? and â€?Goa: â€La Douradaâ€?â€?""""Meddling with the Sex of Angels: Gozzanoâ€?s Readings of Albrecht DÃ?rerâ€?s Melancholia I""; ""Production for Profit and Creation for Pleasure: Beauty, Truth, and the Role of the Artist in the World of Universal Expositions""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""
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Paradigm""; ""Blazoned Pilots, Modern Media, and Vicarious Travels""; ""Polar Explorers, â€?Instant Books, â€? and the Politics of Travel""; ""3 Emilio Salgari: Writing Exposition Style""</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">""Salgariâ€?s Novels as Exposition Narratives""""Salgari and the Adventure-Tale Formula""; ""A Life Exposed: The Man, the Myth, and the Nation""; ""The Fall of a Crystal Palace: Le meraviglie del Duemila""; ""4 Guido Gozzanoâ€?s Imperial Ambiguities""; ""Reclaiming the Context: On Gozzano gazzettiere and the Archaeology of Verso la cuna del mondo""; ""The â€?Compendium of the Worldâ€?: Gozzanoâ€?s India as Worldâ€?s Fair Exhibit""; ""Of Mazes and Masks: India as Counter-Exposition""; ""Beyond the Exotic Surface: Gozzanoâ€?s Letters as Hermeneutical Objects""</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">""Historiography as Assemblage: Intertextual Montages in â€?Lâ€?Olocausto di Cawneporeâ€? and â€?Goa: â€La Douradaâ€?â€?""""Meddling with the Sex of Angels: Gozzanoâ€?s Readings of Albrecht DÃ?rerâ€?s Melancholia I""; ""Production for Profit and Creation for Pleasure: Beauty, Truth, and the Role of the Artist in the World of Universal Expositions""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""</subfield></datafield><datafield tag="506" ind1=" " ind2=" "><subfield code="3">Use copy</subfield><subfield code="f">Restrictions unspecified</subfield><subfield code="2">star</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction.</subfield><subfield code="b">[S.l.] :</subfield><subfield code="c">HathiTrust Digital Library,</subfield><subfield code="d">2011.</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2011</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. 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spelling	Della Coletta, Cristina, 1962- https://id.oclc.org/worldcat/entity/E39PCjtWmJ4Bt3k7J9QtWYmV3P http://id.loc.gov/authorities/names/no93037121 World's fairs, Italian style : the great exhibitions in Turin and their narratives, 1860-1915 / Cristina Della Coletta. Toronto, Ontario : University of Toronto Press, ©2006. 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Toronto Italian studies Online resource; title from PDF title page (EBSCO, viewed May 14, 2015). Includes bibliographical references and index. ""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction The Spectacle of Inventing a Nation: Worldâ€?s Fairs and Their Narratives in Italy, 1860â€?1915""; ""1 Prologues to Worldâ€?s Fairs: National Expositions and Nation Building in Turin""; ""Turin, (Former) Capital of the Nineteenth Century""; ""National Exhibits, Collective Identity, and the Ideology of Progress""; ""Dreaming a Collective Dream: Civilization as Leisure""; ""Of Maps and Towers: A Stroll along the Fairgrounds""; ""Pro Aris et Foci: The King, the People, and the Nation"" ""All the Cityâ€?s a Stage: The Exposition of Hegemonic Topographies in De Amicisâ€?s Torino 1880""""Exhibition Mania on Stage: The Ballet Excelsior""; ""2 Turin 1911: The â€?Fabulous Expositionâ€?""; ""Ephemeral Architecture and the Invention of a National Style""; ""Building Imperial Consensus: Italyâ€?s Quarta Sponda on the Po River""; ""Italy and the Imperial Paradigm""; ""Blazoned Pilots, Modern Media, and Vicarious Travels""; ""Polar Explorers, â€?Instant Books, â€? and the Politics of Travel""; ""3 Emilio Salgari: Writing Exposition Style"" ""Salgariâ€?s Novels as Exposition Narratives""""Salgari and the Adventure-Tale Formula""; ""A Life Exposed: The Man, the Myth, and the Nation""; ""The Fall of a Crystal Palace: Le meraviglie del Duemila""; ""4 Guido Gozzanoâ€?s Imperial Ambiguities""; ""Reclaiming the Context: On Gozzano gazzettiere and the Archaeology of Verso la cuna del mondo""; ""The â€?Compendium of the Worldâ€?: Gozzanoâ€?s India as Worldâ€?s Fair Exhibit""; ""Of Mazes and Masks: India as Counter-Exposition""; ""Beyond the Exotic Surface: Gozzanoâ€?s Letters as Hermeneutical Objects"" ""Historiography as Assemblage: Intertextual Montages in â€?Lâ€?Olocausto di Cawneporeâ€? and â€?Goa: â€La Douradaâ€?â€?""""Meddling with the Sex of Angels: Gozzanoâ€?s Readings of Albrecht DÃ?rerâ€?s Melancholia I""; ""Production for Profit and Creation for Pleasure: Beauty, Truth, and the Role of the Artist in the World of Universal Expositions""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z"" Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2011. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2011 HathiTrust Digital Library committed to preserve pda MiAaHDL According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity. Salgari, Emilio, 1862-1911 Criticism and interpretation. Gozzano, Guido, 1883-1916 Criticism and interpretation. Esposizione internazionale di Torino (1911) http://id.loc.gov/authorities/names/no99036402 Salgari, Emilio, 1862-1911 Critique et interprétation. Gozzano, Guido, 1883-1916 Critique et interprétation. Exposition universelle (1911 : Turin, Italie) Gozzano, Guido, 1883-1916 fast https://id.oclc.org/worldcat/entity/E39PBJy4jDBttmJgq4Q4vMwKVC Salgari, Emilio, 1862-1911 fast https://id.oclc.org/worldcat/entity/E39PBJdMgkc7Qjfh7gRrYjdG73 Esposizione internazionale di Torino fast Exhibitions Italy Turin History 19th century. Nationalism Italy History 19th century. Nationalism Italy History 20th century. Literature and society Italy History 19th century. Literature and society Italy History 20th century. Expositions internationales Italie Turin Histoire 19e siècle. Nationalisme Italie Histoire 19e siècle. Nationalisme Italie Histoire 20e siècle. Littérature et société Italie Histoire 19e siècle. Littérature et société Italie Histoire 20e siècle. Expositions Italie Turin Histoire 19e siècle. HISTORY Europe Italy. bisacsh Exhibitions fast Literature and society fast Nationalism fast Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP Italy Turin fast https://id.oclc.org/worldcat/entity/E39PBJhddTrcpx334ChfJyh8md Ausstellung gnd Turin gnd 1800-1999 fast Geschichte 1860-1915 swd Criticism, interpretation, etc. fast History fast has work: World's fairs, Italian style (Text) https://id.oclc.org/worldcat/entity/E39PCGKTTW6QjGvqTWhHvXVQYK https://id.oclc.org/worldcat/ontology/hasWork Print version: Coletta, Cristina Della. World's Fairs Italian-Style : The Great Expositions in Turin and their Narratives, 1860-1915. Toronto : University of Toronto Press, ©2015 9780802091154 Toronto Italian studies. http://id.loc.gov/authorities/names/n95026425 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=933641 Volltext
spellingShingle	Della Coletta, Cristina, 1962- World's fairs, Italian style : the great exhibitions in Turin and their narratives, 1860-1915 / Toronto Italian studies. ""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction The Spectacle of Inventing a Nation: Worldâ€?s Fairs and Their Narratives in Italy, 1860â€?1915""; ""1 Prologues to Worldâ€?s Fairs: National Expositions and Nation Building in Turin""; ""Turin, (Former) Capital of the Nineteenth Century""; ""National Exhibits, Collective Identity, and the Ideology of Progress""; ""Dreaming a Collective Dream: Civilization as Leisure""; ""Of Maps and Towers: A Stroll along the Fairgrounds""; ""Pro Aris et Foci: The King, the People, and the Nation"" ""All the Cityâ€?s a Stage: The Exposition of Hegemonic Topographies in De Amicisâ€?s Torino 1880""""Exhibition Mania on Stage: The Ballet Excelsior""; ""2 Turin 1911: The â€?Fabulous Expositionâ€?""; ""Ephemeral Architecture and the Invention of a National Style""; ""Building Imperial Consensus: Italyâ€?s Quarta Sponda on the Po River""; ""Italy and the Imperial Paradigm""; ""Blazoned Pilots, Modern Media, and Vicarious Travels""; ""Polar Explorers, â€?Instant Books, â€? and the Politics of Travel""; ""3 Emilio Salgari: Writing Exposition Style"" ""Salgariâ€?s Novels as Exposition Narratives""""Salgari and the Adventure-Tale Formula""; ""A Life Exposed: The Man, the Myth, and the Nation""; ""The Fall of a Crystal Palace: Le meraviglie del Duemila""; ""4 Guido Gozzanoâ€?s Imperial Ambiguities""; ""Reclaiming the Context: On Gozzano gazzettiere and the Archaeology of Verso la cuna del mondo""; ""The â€?Compendium of the Worldâ€?: Gozzanoâ€?s India as Worldâ€?s Fair Exhibit""; ""Of Mazes and Masks: India as Counter-Exposition""; ""Beyond the Exotic Surface: Gozzanoâ€?s Letters as Hermeneutical Objects"" ""Historiography as Assemblage: Intertextual Montages in â€?Lâ€?Olocausto di Cawneporeâ€? and â€?Goa: â€La Douradaâ€?â€?""""Meddling with the Sex of Angels: Gozzanoâ€?s Readings of Albrecht DÃ?rerâ€?s Melancholia I""; ""Production for Profit and Creation for Pleasure: Beauty, Truth, and the Role of the Artist in the World of Universal Expositions""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z"" Salgari, Emilio, 1862-1911 Criticism and interpretation. Gozzano, Guido, 1883-1916 Criticism and interpretation. Esposizione internazionale di Torino (1911) http://id.loc.gov/authorities/names/no99036402 Salgari, Emilio, 1862-1911 Critique et interprétation. Gozzano, Guido, 1883-1916 Critique et interprétation. Exposition universelle (1911 : Turin, Italie) Gozzano, Guido, 1883-1916 fast https://id.oclc.org/worldcat/entity/E39PBJy4jDBttmJgq4Q4vMwKVC Salgari, Emilio, 1862-1911 fast https://id.oclc.org/worldcat/entity/E39PBJdMgkc7Qjfh7gRrYjdG73 Esposizione internazionale di Torino fast Exhibitions Italy Turin History 19th century. Nationalism Italy History 19th century. Nationalism Italy History 20th century. Literature and society Italy History 19th century. Literature and society Italy History 20th century. Expositions internationales Italie Turin Histoire 19e siècle. Nationalisme Italie Histoire 19e siècle. Nationalisme Italie Histoire 20e siècle. Littérature et société Italie Histoire 19e siècle. Littérature et société Italie Histoire 20e siècle. Expositions Italie Turin Histoire 19e siècle. HISTORY Europe Italy. bisacsh Exhibitions fast Literature and society fast Nationalism fast Ausstellung gnd
subject_GND	http://id.loc.gov/authorities/names/no99036402
title	World's fairs, Italian style : the great exhibitions in Turin and their narratives, 1860-1915 /
title_auth	World's fairs, Italian style : the great exhibitions in Turin and their narratives, 1860-1915 /
title_exact_search	World's fairs, Italian style : the great exhibitions in Turin and their narratives, 1860-1915 /
title_full	World's fairs, Italian style : the great exhibitions in Turin and their narratives, 1860-1915 / Cristina Della Coletta.
title_fullStr	World's fairs, Italian style : the great exhibitions in Turin and their narratives, 1860-1915 / Cristina Della Coletta.
title_full_unstemmed	World's fairs, Italian style : the great exhibitions in Turin and their narratives, 1860-1915 / Cristina Della Coletta.
title_short	World's fairs, Italian style :
title_sort	world s fairs italian style the great exhibitions in turin and their narratives 1860 1915
title_sub	the great exhibitions in Turin and their narratives, 1860-1915 /
topic	Salgari, Emilio, 1862-1911 Criticism and interpretation. Gozzano, Guido, 1883-1916 Criticism and interpretation. Esposizione internazionale di Torino (1911) http://id.loc.gov/authorities/names/no99036402 Salgari, Emilio, 1862-1911 Critique et interprétation. Gozzano, Guido, 1883-1916 Critique et interprétation. Exposition universelle (1911 : Turin, Italie) Gozzano, Guido, 1883-1916 fast https://id.oclc.org/worldcat/entity/E39PBJy4jDBttmJgq4Q4vMwKVC Salgari, Emilio, 1862-1911 fast https://id.oclc.org/worldcat/entity/E39PBJdMgkc7Qjfh7gRrYjdG73 Esposizione internazionale di Torino fast Exhibitions Italy Turin History 19th century. Nationalism Italy History 19th century. Nationalism Italy History 20th century. Literature and society Italy History 19th century. Literature and society Italy History 20th century. Expositions internationales Italie Turin Histoire 19e siècle. Nationalisme Italie Histoire 19e siècle. Nationalisme Italie Histoire 20e siècle. Littérature et société Italie Histoire 19e siècle. Littérature et société Italie Histoire 20e siècle. Expositions Italie Turin Histoire 19e siècle. HISTORY Europe Italy. bisacsh Exhibitions fast Literature and society fast Nationalism fast Ausstellung gnd
topic_facet	Salgari, Emilio, 1862-1911 Criticism and interpretation. Gozzano, Guido, 1883-1916 Criticism and interpretation. Esposizione internazionale di Torino (1911) Salgari, Emilio, 1862-1911 Critique et interprétation. Gozzano, Guido, 1883-1916 Critique et interprétation. Exposition universelle (1911 : Turin, Italie) Gozzano, Guido, 1883-1916 Salgari, Emilio, 1862-1911 Esposizione internazionale di Torino Exhibitions Italy Turin History 19th century. Nationalism Italy History 19th century. Nationalism Italy History 20th century. Literature and society Italy History 19th century. Literature and society Italy History 20th century. Expositions internationales Italie Turin Histoire 19e siècle. Nationalisme Italie Histoire 19e siècle. Nationalisme Italie Histoire 20e siècle. Littérature et société Italie Histoire 19e siècle. Littérature et société Italie Histoire 20e siècle. Expositions Italie Turin Histoire 19e siècle. HISTORY Europe Italy. Exhibitions Literature and society Nationalism Italy Italy Turin Ausstellung Turin Criticism, interpretation, etc. History
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=933641
work_keys_str_mv	AT dellacolettacristina worldsfairsitalianstylethegreatexhibitionsinturinandtheirnarratives18601915

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