The miracle of analogy, or, The history of photography.: Part 1 /
The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Stanford, California :
Stanford University Press,
[2015]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This principle obtains at every level of its being: a photograph analogizes its referent, the negative from which it is generated, every other print that is struck from that negative, and all of its digital "offspring." Photography is also unstoppably developmental, both at the level of the individual image and of medium. The photograph moves through time, in search of other "kin," some of which may be visual, but others of which may be literary, architectural, philosophical, or literary. Finally, photography develops with us, and in response to us. It assumes historically legible forms, but when we divest them of their saving power, as we always seem to do, it goes elsewhere. The present volume focuses on the nineteenth century and some of its contemporary progeny. It begins with the camera obscura, which morphed into chemical photography and lives on in digital form, and ends with Walter Benjamin. |
| Beschreibung: | Complete in two volumes. |
| Beschreibung: | 1 online resource : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780804794008 0804794006 |
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| 520 | |a The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This principle obtains at every level of its being: a photograph analogizes its referent, the negative from which it is generated, every other print that is struck from that negative, and all of its digital "offspring." Photography is also unstoppably developmental, both at the level of the individual image and of medium. The photograph moves through time, in search of other "kin," some of which may be visual, but others of which may be literary, architectural, philosophical, or literary. Finally, photography develops with us, and in response to us. It assumes historically legible forms, but when we divest them of their saving power, as we always seem to do, it goes elsewhere. The present volume focuses on the nineteenth century and some of its contemporary progeny. It begins with the camera obscura, which morphed into chemical photography and lives on in digital form, and ends with Walter Benjamin. |c Publisher | ||
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| contents | The second coming -- Unstoppable development -- Water in the camera -- A kind of republic -- Je vous -- Posthumous presence. |
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| spelling | Silverman, Kaja, author. The miracle of analogy, or, The history of photography. Part 1 / Kaja Silverman. Miracle of analogy History of photography. Part 1 Stanford, California : Stanford University Press, [2015] ©2015 1 online resource : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Complete in two volumes. Includes bibliographical references and index. The second coming -- Unstoppable development -- Water in the camera -- A kind of republic -- Je vous -- Posthumous presence. The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This principle obtains at every level of its being: a photograph analogizes its referent, the negative from which it is generated, every other print that is struck from that negative, and all of its digital "offspring." Photography is also unstoppably developmental, both at the level of the individual image and of medium. The photograph moves through time, in search of other "kin," some of which may be visual, but others of which may be literary, architectural, philosophical, or literary. Finally, photography develops with us, and in response to us. It assumes historically legible forms, but when we divest them of their saving power, as we always seem to do, it goes elsewhere. The present volume focuses on the nineteenth century and some of its contemporary progeny. It begins with the camera obscura, which morphed into chemical photography and lives on in digital form, and ends with Walter Benjamin. Publisher Online resource; title from PDF title page (EBSCO; viewed on March 2, 2015). Photography History. Photographie Histoire. COMPUTERS Digital Media Photography. bisacsh PHOTOGRAPHY Reference. bisacsh TECHNOLOGY & ENGINEERING Imaging Systems. bisacsh Photography fast History fast has work: Part 1 The miracle of analogy, or, The history of photography (Text) https://id.oclc.org/worldcat/entity/E39PCG88WwQFvFTx6JYV6fq9fy https://id.oclc.org/worldcat/ontology/hasWork Print version: Silverman, Kaja. Miracle of Analogy : or The History of Photography, Part 1. Redwood City : Stanford University Press, ©2015 9780804793278 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=933046 Volltext |
| spellingShingle | Silverman, Kaja The miracle of analogy, or, The history of photography. The second coming -- Unstoppable development -- Water in the camera -- A kind of republic -- Je vous -- Posthumous presence. Photography History. Photographie Histoire. COMPUTERS Digital Media Photography. bisacsh PHOTOGRAPHY Reference. bisacsh TECHNOLOGY & ENGINEERING Imaging Systems. bisacsh Photography fast |
| title | The miracle of analogy, or, The history of photography. |
| title_alt | Miracle of analogy History of photography. Part 1 |
| title_auth | The miracle of analogy, or, The history of photography. |
| title_exact_search | The miracle of analogy, or, The history of photography. |
| title_full | The miracle of analogy, or, The history of photography. Part 1 / Kaja Silverman. |
| title_fullStr | The miracle of analogy, or, The history of photography. Part 1 / Kaja Silverman. |
| title_full_unstemmed | The miracle of analogy, or, The history of photography. Part 1 / Kaja Silverman. |
| title_short | The miracle of analogy, or, The history of photography. |
| title_sort | miracle of analogy or the history of photography |
| topic | Photography History. Photographie Histoire. COMPUTERS Digital Media Photography. bisacsh PHOTOGRAPHY Reference. bisacsh TECHNOLOGY & ENGINEERING Imaging Systems. bisacsh Photography fast |
| topic_facet | Photography History. Photographie Histoire. COMPUTERS Digital Media Photography. PHOTOGRAPHY Reference. TECHNOLOGY & ENGINEERING Imaging Systems. Photography History |
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