Hollywood as historian :: American film in a cultural context /
Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lexington, Kentucky :
The University Press of Kentucky,
1983.
|
| Ausgabe: | Revised edition. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres. Hollywood As Historian tracks the interaction of Ame. |
| Beschreibung: | Includes index. |
| Beschreibung: | 1 online resource (299 pages) : illustrations, photographs |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780813148649 0813148642 |
Internformat
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| 245 | 0 | 0 | |a Hollywood as historian : |b American film in a cultural context / |c edited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others]. |
| 250 | |a Revised edition. | ||
| 264 | 1 | |a Lexington, Kentucky : |b The University Press of Kentucky, |c 1983. | |
| 264 | 4 | |c ©1983 | |
| 300 | |a 1 online resource (299 pages) : |b illustrations, photographs | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 500 | |a Includes index. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Title; Copyright; Contents; Acknowledgments; Foreword; Introduction; 1. Cultural History Written with Lightning: The Significance of The Birth of A Nation (1915); 2. Problems in Film History: How Fox Innovated Sound; 3. Ideology and Film Rhetoric: Three Documentaries of the New Deal Era (1936-1941); 4. Fighting Words: City Lights (1931), Modern Times (1936), and The Great Dictator (1940); 5. The Grapes of Wrath (1940): Thematic Emphasis through Visual Style; 6. History with Lightning: The Forgotten Film Wilson (1944); 7. The Negro Soldier (1944): Film Propaganda in Black and White. | |
| 505 | 8 | |a 8. The Snake Pit (1948): The Sexist Nature of Sanity9. Ambivalence as a Theme in On the Waterfront (1954): An Interdisciplinary Approach to Film Study; 10. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus; 11. A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966); 12. Apocalypse Now (1979): Joseph Conrad and the Television War; 13. Film, Television, and American Studies: A 1998 Update; Film Data and Purchase Sources ; Contributors ; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. | |
| 520 | |a Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres. Hollywood As Historian tracks the interaction of Ame. | ||
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| 650 | 6 | |a Cinéma et histoire. | |
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| 700 | 1 | |a Rollins, Peter C., |e editor. | |
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| author2 | Rollins, Peter C. Browne, Ray B. (Ray Broadus), 1922-2009 |
| author2_role | edt ctb |
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| author_GND | http://id.loc.gov/authorities/names/n79112395 |
| author_facet | Rollins, Peter C. Browne, Ray B. (Ray Broadus), 1922-2009 |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.H5 .H64 1983eb |
| callnumber-search | PN1995.9.H5 .H64 1983eb |
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| contents | Cover; Title; Copyright; Contents; Acknowledgments; Foreword; Introduction; 1. Cultural History Written with Lightning: The Significance of The Birth of A Nation (1915); 2. Problems in Film History: How Fox Innovated Sound; 3. Ideology and Film Rhetoric: Three Documentaries of the New Deal Era (1936-1941); 4. Fighting Words: City Lights (1931), Modern Times (1936), and The Great Dictator (1940); 5. The Grapes of Wrath (1940): Thematic Emphasis through Visual Style; 6. History with Lightning: The Forgotten Film Wilson (1944); 7. The Negro Soldier (1944): Film Propaganda in Black and White. 8. The Snake Pit (1948): The Sexist Nature of Sanity9. Ambivalence as a Theme in On the Waterfront (1954): An Interdisciplinary Approach to Film Study; 10. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus; 11. A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966); 12. Apocalypse Now (1979): Joseph Conrad and the Television War; 13. Film, Television, and American Studies: A 1998 Update; Film Data and Purchase Sources ; Contributors ; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. |
| ctrlnum | (OCoLC)903975087 |
| dewey-full | 791.43/09/09358 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/09/09358 |
| dewey-search | 791.43/09/09358 |
| dewey-sort | 3791.43 19 49358 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | Revised edition. |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:26:29Z |
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| publisher | The University Press of Kentucky, |
| record_format | marc |
| spelling | Hollywood as historian : American film in a cultural context / edited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others]. Revised edition. Lexington, Kentucky : The University Press of Kentucky, 1983. ©1983 1 online resource (299 pages) : illustrations, photographs text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes index. Print version record. Includes bibliographical references and index. Cover; Title; Copyright; Contents; Acknowledgments; Foreword; Introduction; 1. Cultural History Written with Lightning: The Significance of The Birth of A Nation (1915); 2. Problems in Film History: How Fox Innovated Sound; 3. Ideology and Film Rhetoric: Three Documentaries of the New Deal Era (1936-1941); 4. Fighting Words: City Lights (1931), Modern Times (1936), and The Great Dictator (1940); 5. The Grapes of Wrath (1940): Thematic Emphasis through Visual Style; 6. History with Lightning: The Forgotten Film Wilson (1944); 7. The Negro Soldier (1944): Film Propaganda in Black and White. 8. The Snake Pit (1948): The Sexist Nature of Sanity9. Ambivalence as a Theme in On the Waterfront (1954): An Interdisciplinary Approach to Film Study; 10. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus; 11. A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966); 12. Apocalypse Now (1979): Joseph Conrad and the Television War; 13. Film, Television, and American Studies: A 1998 Update; Film Data and Purchase Sources ; Contributors ; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. Motion picture images have influenced the American mind since the earliest days of film, and many thoughtful people are becoming ever more concerned about that influence, as about the pervasive influence of television. In eras of economic instability and international conflict, the film industry has not hesitated to use motion pictures for definite propaganda purposes. During less troubled times, the American citizen's ability to deal with political and social issues has been enhanced or thwarted by images absorbed in the nation's theatres. Hollywood As Historian tracks the interaction of Ame. Historical films United States History and criticism. Motion pictures and history. http://id.loc.gov/authorities/subjects/sh85088131 Motion picture plays, American History and criticism. Films historiques États-Unis Histoire et critique. Cinéma et histoire. Scénarios de cinéma américains Histoire et critique. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Historical films fast Motion picture plays, American fast Motion pictures and history fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast Rollins, Peter C., editor. Browne, Ray B. (Ray Broadus), 1922-2009, contributor. http://id.loc.gov/authorities/names/n79112395 has work: Hollywood as historian (Text) https://id.oclc.org/worldcat/entity/E39PCGmKf8MTF3BDYmjJ7BWFKd https://id.oclc.org/worldcat/ontology/hasWork Print version: Hollywood as historian : American film in a cultural context. Revised edition. Lexington, Kentucky : The University Press of Kentucky, ©1983 x, 288 pages 9780813101545 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=938051 Volltext |
| spellingShingle | Hollywood as historian : American film in a cultural context / Cover; Title; Copyright; Contents; Acknowledgments; Foreword; Introduction; 1. Cultural History Written with Lightning: The Significance of The Birth of A Nation (1915); 2. Problems in Film History: How Fox Innovated Sound; 3. Ideology and Film Rhetoric: Three Documentaries of the New Deal Era (1936-1941); 4. Fighting Words: City Lights (1931), Modern Times (1936), and The Great Dictator (1940); 5. The Grapes of Wrath (1940): Thematic Emphasis through Visual Style; 6. History with Lightning: The Forgotten Film Wilson (1944); 7. The Negro Soldier (1944): Film Propaganda in Black and White. 8. The Snake Pit (1948): The Sexist Nature of Sanity9. Ambivalence as a Theme in On the Waterfront (1954): An Interdisciplinary Approach to Film Study; 10. Dr. Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus; 11. A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966); 12. Apocalypse Now (1979): Joseph Conrad and the Television War; 13. Film, Television, and American Studies: A 1998 Update; Film Data and Purchase Sources ; Contributors ; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. Historical films United States History and criticism. Motion pictures and history. http://id.loc.gov/authorities/subjects/sh85088131 Motion picture plays, American History and criticism. Films historiques États-Unis Histoire et critique. Cinéma et histoire. Scénarios de cinéma américains Histoire et critique. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Historical films fast Motion picture plays, American fast Motion pictures and history fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088131 |
| title | Hollywood as historian : American film in a cultural context / |
| title_auth | Hollywood as historian : American film in a cultural context / |
| title_exact_search | Hollywood as historian : American film in a cultural context / |
| title_full | Hollywood as historian : American film in a cultural context / edited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others]. |
| title_fullStr | Hollywood as historian : American film in a cultural context / edited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others]. |
| title_full_unstemmed | Hollywood as historian : American film in a cultural context / edited by Peter C. Rollins ; contributors, Ray B. Browne [and thirteen others]. |
| title_short | Hollywood as historian : |
| title_sort | hollywood as historian american film in a cultural context |
| title_sub | American film in a cultural context / |
| topic | Historical films United States History and criticism. Motion pictures and history. http://id.loc.gov/authorities/subjects/sh85088131 Motion picture plays, American History and criticism. Films historiques États-Unis Histoire et critique. Cinéma et histoire. Scénarios de cinéma américains Histoire et critique. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video General. bisacsh Historical films fast Motion picture plays, American fast Motion pictures and history fast |
| topic_facet | Historical films United States History and criticism. Motion pictures and history. Motion picture plays, American History and criticism. Films historiques États-Unis Histoire et critique. Cinéma et histoire. Scénarios de cinéma américains Histoire et critique. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video General. Historical films Motion picture plays, American Motion pictures and history United States Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=938051 |
| work_keys_str_mv | AT rollinspeterc hollywoodashistorianamericanfilminaculturalcontext AT brownerayb hollywoodashistorianamericanfilminaculturalcontext |