Active Audience :: a New Materialistic Interpretation of a Key Concept of Cultural Studies.
Despite a number of retrospective works on cultural studies, to date no other book dedicates itself to the historical and theoretical examination of British cultural studies' engagement with the "active audience theory" of the Birmingham School and its legacies. However, this book is...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld :
Transcript,
2014.
|
| Schriftenreihe: | Cultural studies.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Despite a number of retrospective works on cultural studies, to date no other book dedicates itself to the historical and theoretical examination of British cultural studies' engagement with the "active audience theory" of the Birmingham School and its legacies. However, this book is no mere reconstruction of active audience theory as Huimin Jin develops new theoretical insights initially through a critical review of Stuart Hall's classical model of "encoding/decoding" and close readings of David Morley's groundbreaking ethnographic audience studies. Questioning the discourse model of the acti. |
| Beschreibung: | 1 online resource (181 pages) |
| ISBN: | 9783839418963 3839418968 |
Internformat
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| 505 | 0 | |a Cover Active Audience; Contents; Foreword; Acknowledgements; Preface; Introduction; Chapter One. The Audience as Discursive Subject; Chapter Two. Struggling out of the Iron House of Discourse; Chapter Three. Towards a New Materialistic Conception of Audiences; Coda: Chinese Examples; Appendix 1. Towards Global. Dialogism Transcending 'Cultural Imperialism' and Its Critics; 1. Globalization as a New Philosophy; 2. The 'Globality' Cultural Studies in the Era of Globalization; 3. The 'Postmodernity' Cultural Studies Doesn't Acknowledge 'Cultural Imperialism' | |
| 505 | 8 | |a 4. Where There Is the 'Modernity' Cultural Studies, There Is 'Cultural Imperialism'Conclusion: Towards Global Dialogism; Notes; References; Appendix 2. British Cultural Studies, Active Audiences and the Status of Cultural Theory. An Interview with Professor David Morley; References; Acknowledgements; About the Author; Index. | |
| 520 | |a Despite a number of retrospective works on cultural studies, to date no other book dedicates itself to the historical and theoretical examination of British cultural studies' engagement with the "active audience theory" of the Birmingham School and its legacies. However, this book is no mere reconstruction of active audience theory as Huimin Jin develops new theoretical insights initially through a critical review of Stuart Hall's classical model of "encoding/decoding" and close readings of David Morley's groundbreaking ethnographic audience studies. Questioning the discourse model of the acti. | ||
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| contents | Cover Active Audience; Contents; Foreword; Acknowledgements; Preface; Introduction; Chapter One. The Audience as Discursive Subject; Chapter Two. Struggling out of the Iron House of Discourse; Chapter Three. Towards a New Materialistic Conception of Audiences; Coda: Chinese Examples; Appendix 1. Towards Global. Dialogism Transcending 'Cultural Imperialism' and Its Critics; 1. Globalization as a New Philosophy; 2. The 'Globality' Cultural Studies in the Era of Globalization; 3. The 'Postmodernity' Cultural Studies Doesn't Acknowledge 'Cultural Imperialism' 4. Where There Is the 'Modernity' Cultural Studies, There Is 'Cultural Imperialism'Conclusion: Towards Global Dialogism; Notes; References; Appendix 2. British Cultural Studies, Active Audiences and the Status of Cultural Theory. An Interview with Professor David Morley; References; Acknowledgements; About the Author; Index. |
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| spelling | Jin, Huimin. Active Audience : a New Materialistic Interpretation of a Key Concept of Cultural Studies. Bielefeld : Transcript, 2014. 1 online resource (181 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Cultural Studies ; v. 41 Print version record. Cover Active Audience; Contents; Foreword; Acknowledgements; Preface; Introduction; Chapter One. The Audience as Discursive Subject; Chapter Two. Struggling out of the Iron House of Discourse; Chapter Three. Towards a New Materialistic Conception of Audiences; Coda: Chinese Examples; Appendix 1. Towards Global. Dialogism Transcending 'Cultural Imperialism' and Its Critics; 1. Globalization as a New Philosophy; 2. The 'Globality' Cultural Studies in the Era of Globalization; 3. The 'Postmodernity' Cultural Studies Doesn't Acknowledge 'Cultural Imperialism' 4. Where There Is the 'Modernity' Cultural Studies, There Is 'Cultural Imperialism'Conclusion: Towards Global Dialogism; Notes; References; Appendix 2. British Cultural Studies, Active Audiences and the Status of Cultural Theory. An Interview with Professor David Morley; References; Acknowledgements; About the Author; Index. Despite a number of retrospective works on cultural studies, to date no other book dedicates itself to the historical and theoretical examination of British cultural studies' engagement with the "active audience theory" of the Birmingham School and its legacies. However, this book is no mere reconstruction of active audience theory as Huimin Jin develops new theoretical insights initially through a critical review of Stuart Hall's classical model of "encoding/decoding" and close readings of David Morley's groundbreaking ethnographic audience studies. Questioning the discourse model of the acti. Audiences Philosophy. Culture Study and teaching Great Britain. Mass media Philosophy. Popular culture Philosophy. Culture Étude et enseignement Grande-Bretagne. Médias Philosophie. Culture populaire Philosophie. PSYCHOLOGY Social Psychology. bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Culture Study and teaching fast Mass media Philosophy fast Popular culture Philosophy fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP has work: Active audience (Text) https://id.oclc.org/worldcat/entity/E39PCFxVK43ypYMqpjpj49fqpP https://id.oclc.org/worldcat/ontology/hasWork Print version: Jin, Huimin. Active Audience : A New Materialistic Interpretation of a Key Concept of Cultural Studies. Bielefeld : transcript, ©2014 9783837618969 Cultural studies. http://id.loc.gov/authorities/names/n92007468 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=884011 Volltext |
| spellingShingle | Jin, Huimin Active Audience : a New Materialistic Interpretation of a Key Concept of Cultural Studies. Cultural studies. Cover Active Audience; Contents; Foreword; Acknowledgements; Preface; Introduction; Chapter One. The Audience as Discursive Subject; Chapter Two. Struggling out of the Iron House of Discourse; Chapter Three. Towards a New Materialistic Conception of Audiences; Coda: Chinese Examples; Appendix 1. Towards Global. Dialogism Transcending 'Cultural Imperialism' and Its Critics; 1. Globalization as a New Philosophy; 2. The 'Globality' Cultural Studies in the Era of Globalization; 3. The 'Postmodernity' Cultural Studies Doesn't Acknowledge 'Cultural Imperialism' 4. Where There Is the 'Modernity' Cultural Studies, There Is 'Cultural Imperialism'Conclusion: Towards Global Dialogism; Notes; References; Appendix 2. British Cultural Studies, Active Audiences and the Status of Cultural Theory. An Interview with Professor David Morley; References; Acknowledgements; About the Author; Index. Audiences Philosophy. Culture Study and teaching Great Britain. Mass media Philosophy. Popular culture Philosophy. Culture Étude et enseignement Grande-Bretagne. Médias Philosophie. Culture populaire Philosophie. PSYCHOLOGY Social Psychology. bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Culture Study and teaching fast Mass media Philosophy fast Popular culture Philosophy fast |
| title | Active Audience : a New Materialistic Interpretation of a Key Concept of Cultural Studies. |
| title_auth | Active Audience : a New Materialistic Interpretation of a Key Concept of Cultural Studies. |
| title_exact_search | Active Audience : a New Materialistic Interpretation of a Key Concept of Cultural Studies. |
| title_full | Active Audience : a New Materialistic Interpretation of a Key Concept of Cultural Studies. |
| title_fullStr | Active Audience : a New Materialistic Interpretation of a Key Concept of Cultural Studies. |
| title_full_unstemmed | Active Audience : a New Materialistic Interpretation of a Key Concept of Cultural Studies. |
| title_short | Active Audience : |
| title_sort | active audience a new materialistic interpretation of a key concept of cultural studies |
| title_sub | a New Materialistic Interpretation of a Key Concept of Cultural Studies. |
| topic | Audiences Philosophy. Culture Study and teaching Great Britain. Mass media Philosophy. Popular culture Philosophy. Culture Étude et enseignement Grande-Bretagne. Médias Philosophie. Culture populaire Philosophie. PSYCHOLOGY Social Psychology. bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Culture Study and teaching fast Mass media Philosophy fast Popular culture Philosophy fast |
| topic_facet | Audiences Philosophy. Culture Study and teaching Great Britain. Mass media Philosophy. Popular culture Philosophy. Culture Étude et enseignement Grande-Bretagne. Médias Philosophie. Culture populaire Philosophie. PSYCHOLOGY Social Psychology. SOCIAL SCIENCE / Popular Culture Culture Study and teaching Mass media Philosophy Popular culture Philosophy Great Britain |
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