The tragic myth :: Lorca and cante jondo /
With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would reme...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Lexington :
The University Press of Kentucky,
©1978.
|
Schriftenreihe: | Studies in Romance languages (Lexington, Ky.) ;
20. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would remember with affection years later. At a very early age he began to study piano, and during his adolescence, music and poetry competed for primacy among his interests. His first book was dedicated to his music teacher, who instilled in him a love for the world of art and creation. In part I of this study, Ed. |
Beschreibung: | 1 online resource (154 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780813157504 0813157501 |
Internformat
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245 | 1 | 4 | |a The tragic myth : |b Lorca and cante jondo / |c Edward F. Stanton. |
260 | |a Lexington : |b The University Press of Kentucky, |c ©1978. | ||
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490 | 1 | |a Studies in Romance languages ; |v 20 | |
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Cover; Title; Copyright; Contents; PROLOGUE; I. THEORY AND PRACTICE; 1. Theory: The Lectures; The Primitive A ndalusian Song; The Theory of Duende; 2. Practice: Granada, 1922; II. ECHOES AND MOTIFS; 3. Echoes: Space, Time, the Saeta, Visceral Suffering, Extremes; 4. Motifs and Themes; Pena negra; The Guitar; The Bull and Bullfighting; III. LORCA, CANTE JONDO, AND MYTH; 5. The Mythic Land: Andalusia; A Poetic Trajectory; Sea and Olive; A Lorcan Geography; Granada; Cordova; Seville; Malaga and Jerez de la Frontera; 6. The Mythic Man: The Gypsy; Animism and Religion; Innate Surrealism. | |
505 | 8 | |a 7. Myth and History: The SaetaA History of the Saeta; Poema de la saeta -- IV. THE TRAGIC MYTH; 8. Conclusion; NOTES; A SELECTED BIBLIOGRAPHY; INDEX. | |
520 | |a With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would remember with affection years later. At a very early age he began to study piano, and during his adolescence, music and poetry competed for primacy among his interests. His first book was dedicated to his music teacher, who instilled in him a love for the world of art and creation. In part I of this study, Ed. | ||
546 | |a English. | ||
600 | 1 | 0 | |a García Lorca, Federico, |d 1898-1936. |t Poema del cante jondo. |0 http://id.loc.gov/authorities/names/no2019158161 |
600 | 1 | 0 | |a García Lorca, Federico, |d 1898-1936 |x Criticism and interpretation. |
600 | 1 | 7 | |a García Lorca, Federico, |d 1898-1936 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJpv7mCWWwJtqkWr7hfKBP |
630 | 0 | 7 | |a Poema del cante jondo (García Lorca, Federico) |2 fast |
650 | 0 | |a Flamenco. |0 http://id.loc.gov/authorities/subjects/sh85048987 | |
650 | 6 | |a Flamenco. | |
650 | 7 | |a POETRY |x Continental European. |2 bisacsh | |
650 | 7 | |a LITERARY CRITICISM |x European |x Spanish & Portuguese. |2 bisacsh | |
650 | 7 | |a Flamenco |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
776 | 0 | 8 | |i Print version: |a Stanton, Edward F. |t Tragic Myth : Lorca and Cante Jondo. |d Lexington : The University Press of Kentucky, ©1978 |z 9780813113784 |
830 | 0 | |a Studies in Romance languages (Lexington, Ky.) ; |v 20. |0 http://id.loc.gov/authorities/names/n42023982 | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn900344720 |
---|---|
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adam_text | |
any_adam_object | |
author | Stanton, Edward F., 1942- |
author_GND | http://id.loc.gov/authorities/names/n78033746 |
author_facet | Stanton, Edward F., 1942- |
author_role | |
author_sort | Stanton, Edward F., 1942- |
author_variant | e f s ef efs |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PQ6613 |
callnumber-raw | PQ6613.A763 Z8857 1978 |
callnumber-search | PQ6613.A763 Z8857 1978 |
callnumber-sort | PQ 46613 A763 Z8857 41978 |
callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
collection | ZDB-4-EBA |
contents | Cover; Title; Copyright; Contents; PROLOGUE; I. THEORY AND PRACTICE; 1. Theory: The Lectures; The Primitive A ndalusian Song; The Theory of Duende; 2. Practice: Granada, 1922; II. ECHOES AND MOTIFS; 3. Echoes: Space, Time, the Saeta, Visceral Suffering, Extremes; 4. Motifs and Themes; Pena negra; The Guitar; The Bull and Bullfighting; III. LORCA, CANTE JONDO, AND MYTH; 5. The Mythic Land: Andalusia; A Poetic Trajectory; Sea and Olive; A Lorcan Geography; Granada; Cordova; Seville; Malaga and Jerez de la Frontera; 6. The Mythic Man: The Gypsy; Animism and Religion; Innate Surrealism. 7. Myth and History: The SaetaA History of the Saeta; Poema de la saeta -- IV. THE TRAGIC MYTH; 8. Conclusion; NOTES; A SELECTED BIBLIOGRAPHY; INDEX. |
ctrlnum | (OCoLC)900344720 |
dewey-full | 861/.6/2 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 861 - Spanish poetry |
dewey-raw | 861/.6/2 |
dewey-search | 861/.6/2 |
dewey-sort | 3861 16 12 |
dewey-tens | 860 - Spanish & Portuguese literatures |
discipline | Romanistik |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn900344720 |
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indexdate | 2024-11-27T13:26:25Z |
institution | BVB |
isbn | 9780813157504 0813157501 |
language | English |
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spelling | Stanton, Edward F., 1942- https://id.oclc.org/worldcat/entity/E39PBJppBDPXRxgmB8KfBcwgrq http://id.loc.gov/authorities/names/n78033746 The tragic myth : Lorca and cante jondo / Edward F. Stanton. Lexington : The University Press of Kentucky, ©1978. 1 online resource (154 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Studies in Romance languages ; 20 Includes bibliographical references and index. Print version record. Cover; Title; Copyright; Contents; PROLOGUE; I. THEORY AND PRACTICE; 1. Theory: The Lectures; The Primitive A ndalusian Song; The Theory of Duende; 2. Practice: Granada, 1922; II. ECHOES AND MOTIFS; 3. Echoes: Space, Time, the Saeta, Visceral Suffering, Extremes; 4. Motifs and Themes; Pena negra; The Guitar; The Bull and Bullfighting; III. LORCA, CANTE JONDO, AND MYTH; 5. The Mythic Land: Andalusia; A Poetic Trajectory; Sea and Olive; A Lorcan Geography; Granada; Cordova; Seville; Malaga and Jerez de la Frontera; 6. The Mythic Man: The Gypsy; Animism and Religion; Innate Surrealism. 7. Myth and History: The SaetaA History of the Saeta; Poema de la saeta -- IV. THE TRAGIC MYTH; 8. Conclusion; NOTES; A SELECTED BIBLIOGRAPHY; INDEX. With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would remember with affection years later. At a very early age he began to study piano, and during his adolescence, music and poetry competed for primacy among his interests. His first book was dedicated to his music teacher, who instilled in him a love for the world of art and creation. In part I of this study, Ed. English. García Lorca, Federico, 1898-1936. Poema del cante jondo. http://id.loc.gov/authorities/names/no2019158161 García Lorca, Federico, 1898-1936 Criticism and interpretation. García Lorca, Federico, 1898-1936 fast https://id.oclc.org/worldcat/entity/E39PBJpv7mCWWwJtqkWr7hfKBP Poema del cante jondo (García Lorca, Federico) fast Flamenco. http://id.loc.gov/authorities/subjects/sh85048987 Flamenco. POETRY Continental European. bisacsh LITERARY CRITICISM European Spanish & Portuguese. bisacsh Flamenco fast Criticism, interpretation, etc. fast Print version: Stanton, Edward F. Tragic Myth : Lorca and Cante Jondo. Lexington : The University Press of Kentucky, ©1978 9780813113784 Studies in Romance languages (Lexington, Ky.) ; 20. http://id.loc.gov/authorities/names/n42023982 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=938434 Volltext |
spellingShingle | Stanton, Edward F., 1942- The tragic myth : Lorca and cante jondo / Studies in Romance languages (Lexington, Ky.) ; Cover; Title; Copyright; Contents; PROLOGUE; I. THEORY AND PRACTICE; 1. Theory: The Lectures; The Primitive A ndalusian Song; The Theory of Duende; 2. Practice: Granada, 1922; II. ECHOES AND MOTIFS; 3. Echoes: Space, Time, the Saeta, Visceral Suffering, Extremes; 4. Motifs and Themes; Pena negra; The Guitar; The Bull and Bullfighting; III. LORCA, CANTE JONDO, AND MYTH; 5. The Mythic Land: Andalusia; A Poetic Trajectory; Sea and Olive; A Lorcan Geography; Granada; Cordova; Seville; Malaga and Jerez de la Frontera; 6. The Mythic Man: The Gypsy; Animism and Religion; Innate Surrealism. 7. Myth and History: The SaetaA History of the Saeta; Poema de la saeta -- IV. THE TRAGIC MYTH; 8. Conclusion; NOTES; A SELECTED BIBLIOGRAPHY; INDEX. García Lorca, Federico, 1898-1936. Poema del cante jondo. http://id.loc.gov/authorities/names/no2019158161 García Lorca, Federico, 1898-1936 Criticism and interpretation. García Lorca, Federico, 1898-1936 fast https://id.oclc.org/worldcat/entity/E39PBJpv7mCWWwJtqkWr7hfKBP Poema del cante jondo (García Lorca, Federico) fast Flamenco. http://id.loc.gov/authorities/subjects/sh85048987 Flamenco. POETRY Continental European. bisacsh LITERARY CRITICISM European Spanish & Portuguese. bisacsh Flamenco fast |
subject_GND | http://id.loc.gov/authorities/names/no2019158161 http://id.loc.gov/authorities/subjects/sh85048987 |
title | The tragic myth : Lorca and cante jondo / |
title_auth | The tragic myth : Lorca and cante jondo / |
title_exact_search | The tragic myth : Lorca and cante jondo / |
title_full | The tragic myth : Lorca and cante jondo / Edward F. Stanton. |
title_fullStr | The tragic myth : Lorca and cante jondo / Edward F. Stanton. |
title_full_unstemmed | The tragic myth : Lorca and cante jondo / Edward F. Stanton. |
title_short | The tragic myth : |
title_sort | tragic myth lorca and cante jondo |
title_sub | Lorca and cante jondo / |
topic | García Lorca, Federico, 1898-1936. Poema del cante jondo. http://id.loc.gov/authorities/names/no2019158161 García Lorca, Federico, 1898-1936 Criticism and interpretation. García Lorca, Federico, 1898-1936 fast https://id.oclc.org/worldcat/entity/E39PBJpv7mCWWwJtqkWr7hfKBP Poema del cante jondo (García Lorca, Federico) fast Flamenco. http://id.loc.gov/authorities/subjects/sh85048987 Flamenco. POETRY Continental European. bisacsh LITERARY CRITICISM European Spanish & Portuguese. bisacsh Flamenco fast |
topic_facet | García Lorca, Federico, 1898-1936. Poema del cante jondo. García Lorca, Federico, 1898-1936 Criticism and interpretation. García Lorca, Federico, 1898-1936 Poema del cante jondo (García Lorca, Federico) Flamenco. POETRY Continental European. LITERARY CRITICISM European Spanish & Portuguese. Flamenco Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=938434 |
work_keys_str_mv | AT stantonedwardf thetragicmythlorcaandcantejondo AT stantonedwardf tragicmythlorcaandcantejondo |