Documenting ourselves :: film, video, and culture /
Since Robert Flaherty's landmark film Nanook of the North (1922) arguments have raged over whether or not film records of people and traditions can ever be ""authentic."" And yet never before has a single volume combined documentary, ethnographic, and folkloristic filmmaking...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lexington, Ky. :
University Press of Kentucky,
[1998]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Since Robert Flaherty's landmark film Nanook of the North (1922) arguments have raged over whether or not film records of people and traditions can ever be ""authentic."" And yet never before has a single volume combined documentary, ethnographic, and folkloristic filmmaking to explore this controversy. What happens when we turn the camera on ourselves? This question has long plagued documentary filmmakers concerned with issues of reflexivity, subject participation, and self-consciousness. Documenting Ourselves includes interviews with filmmakers Les Blank, Pat Ferrero, Jorge Preloran, Bill F |
| Beschreibung: | 1 online resource (340 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780813157948 0813157943 0813131480 9780813131481 |
Internformat
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| 100 | 1 | |a Sherman, Sharon R. |0 http://id.loc.gov/authorities/names/no94023738 | |
| 245 | 1 | 0 | |a Documenting ourselves : |b film, video, and culture / |c Sharon R. Sherman. |
| 264 | 1 | |a Lexington, Ky. : |b University Press of Kentucky, |c [1998] | |
| 264 | 4 | |c ©1998 | |
| 300 | |a 1 online resource (340 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Foreword; Preface; 1. Folklore, Film, and Video: In the Beginning; The Early Documentary; Defining Documentary; Flaherty and the Romantic Documentary; City Symphonies; Vertov's Montage; Grierson and the British School: Films of Occupational Groups; Nationalism; Romanticism to Realism; Shifting Paradigms: Film and Folklore; Cinema Verite; Postverite: Documentary as an Art Form; Documentary Films as Expressions of the Self: Feminist, Minority, and Third World Films; The Documentary as Folk History. | |
| 505 | 8 | |a Defining the Ethnodocumentary: Documenting the OtherEthnographies on Celluloid: Event Films; The Narrated ""Story"": Ethnographic Romanticism; Sequence Filming of Events; Gardner's Interpretative Montage as Ethnographic Romanticism; Shared Anthropology: The Work of Jean Rouch; Reconstruction: The Netsilik Eskimo Series; Observational Cinema; Conveying the Cultural Point of View; Blended Voices; Culture Clash: The Global Village; Ethnography as Folklore; 2. The Folkloric Film: Definition and Methodology, Texts and Contexts; The Early Film Movement and Folklore; Re-creating Previous Models. | |
| 505 | 8 | |a A Methodology for Analyzing Intent, Content, and the SelfFilms Documenting Texts and Artifacts; Historic Reconstruction; Cultural Contexts: Films Emphasizing Communities and Regions; 3. Documentation: Interactional Events and Individual Portraits; Process and Event Films; Portraits of Artists and Performers; Films of Negotiation; Focus and Technique in Folklore Films; 4. A Search for Self: Filmmakers Reflecton Their Work; Choice of Subject; Revealing the Self; Training: A Process of Discovery; Collaboration and Compromise; 5. Projecting the Self: Filmic Technique and Construction. | |
| 505 | 8 | |a Editing TruthsSound Devices: The Filmmaker's Voice -- Tools of Choice; 6. Structure Shifts and Style: A Montage of Voices and Images; Ethical Problems and Negotiated Films; or, Is Everybody Happy?; Funding-For Love or Money or Both; Distribution, or, Getting It Out There; Film as Text, Film as Experience; Film: The Vehicle for Event and Performance; 7. Visions of Ourselves; Folklore Films and Documentary Modes; Video Reflections; Filmography; Notes; References; Index. | |
| 520 | |a Since Robert Flaherty's landmark film Nanook of the North (1922) arguments have raged over whether or not film records of people and traditions can ever be ""authentic."" And yet never before has a single volume combined documentary, ethnographic, and folkloristic filmmaking to explore this controversy. What happens when we turn the camera on ourselves? This question has long plagued documentary filmmakers concerned with issues of reflexivity, subject participation, and self-consciousness. Documenting Ourselves includes interviews with filmmakers Les Blank, Pat Ferrero, Jorge Preloran, Bill F | ||
| 546 | |a English. | ||
| 650 | 0 | |a Documentary films |x History and criticism. | |
| 650 | 0 | |a Folklore in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh91003427 | |
| 650 | 0 | |a Culture in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2006008250 | |
| 650 | 6 | |a Folklore au cinéma. | |
| 650 | 6 | |a Culture au cinéma. | |
| 650 | 6 | |a Documentaires |x Histoire et critique. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Journalism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Culture in motion pictures |2 fast | |
| 650 | 7 | |a Documentary films |2 fast | |
| 650 | 7 | |a Folklore in motion pictures |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Documenting ourselves (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGddKHPdgCbxDf6yR8rTHC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Sherman, Sharon R. |t Documenting Ourselves : Film, Video, and Culture. |d Lexington : The University Press of Kentucky, ©2015 |z 9780813109343 |
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| _version_ | 1816882300166602752 |
| adam_text | |
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| author | Sherman, Sharon R. |
| author_GND | http://id.loc.gov/authorities/names/no94023738 |
| author_facet | Sherman, Sharon R. |
| author_role | |
| author_sort | Sherman, Sharon R. |
| author_variant | s r s sr srs |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.D6 |
| callnumber-search | PN1995.9.D6 |
| callnumber-sort | PN 41995.9 D6 |
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| contents | Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Foreword; Preface; 1. Folklore, Film, and Video: In the Beginning; The Early Documentary; Defining Documentary; Flaherty and the Romantic Documentary; City Symphonies; Vertov's Montage; Grierson and the British School: Films of Occupational Groups; Nationalism; Romanticism to Realism; Shifting Paradigms: Film and Folklore; Cinema Verite; Postverite: Documentary as an Art Form; Documentary Films as Expressions of the Self: Feminist, Minority, and Third World Films; The Documentary as Folk History. Defining the Ethnodocumentary: Documenting the OtherEthnographies on Celluloid: Event Films; The Narrated ""Story"": Ethnographic Romanticism; Sequence Filming of Events; Gardner's Interpretative Montage as Ethnographic Romanticism; Shared Anthropology: The Work of Jean Rouch; Reconstruction: The Netsilik Eskimo Series; Observational Cinema; Conveying the Cultural Point of View; Blended Voices; Culture Clash: The Global Village; Ethnography as Folklore; 2. The Folkloric Film: Definition and Methodology, Texts and Contexts; The Early Film Movement and Folklore; Re-creating Previous Models. A Methodology for Analyzing Intent, Content, and the SelfFilms Documenting Texts and Artifacts; Historic Reconstruction; Cultural Contexts: Films Emphasizing Communities and Regions; 3. Documentation: Interactional Events and Individual Portraits; Process and Event Films; Portraits of Artists and Performers; Films of Negotiation; Focus and Technique in Folklore Films; 4. A Search for Self: Filmmakers Reflecton Their Work; Choice of Subject; Revealing the Self; Training: A Process of Discovery; Collaboration and Compromise; 5. Projecting the Self: Filmic Technique and Construction. Editing TruthsSound Devices: The Filmmaker's Voice -- Tools of Choice; 6. Structure Shifts and Style: A Montage of Voices and Images; Ethical Problems and Negotiated Films; or, Is Everybody Happy?; Funding-For Love or Money or Both; Distribution, or, Getting It Out There; Film as Text, Film as Experience; Film: The Vehicle for Event and Performance; 7. Visions of Ourselves; Folklore Films and Documentary Modes; Video Reflections; Filmography; Notes; References; Index. |
| ctrlnum | (OCoLC)900344526 |
| dewey-full | 070.1/8 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 070 - Documentary, educational, news media; journalism |
| dewey-raw | 070.1/8 |
| dewey-search | 070.1/8 |
| dewey-sort | 270.1 18 |
| dewey-tens | 070 - Documentary, educational, news media; journalism |
| discipline | Allgemeines |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:25Z |
| institution | BVB |
| isbn | 9780813157948 0813157943 0813131480 9780813131481 |
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| publisher | University Press of Kentucky, |
| record_format | marc |
| spelling | Sherman, Sharon R. http://id.loc.gov/authorities/names/no94023738 Documenting ourselves : film, video, and culture / Sharon R. Sherman. Lexington, Ky. : University Press of Kentucky, [1998] ©1998 1 online resource (340 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Foreword; Preface; 1. Folklore, Film, and Video: In the Beginning; The Early Documentary; Defining Documentary; Flaherty and the Romantic Documentary; City Symphonies; Vertov's Montage; Grierson and the British School: Films of Occupational Groups; Nationalism; Romanticism to Realism; Shifting Paradigms: Film and Folklore; Cinema Verite; Postverite: Documentary as an Art Form; Documentary Films as Expressions of the Self: Feminist, Minority, and Third World Films; The Documentary as Folk History. Defining the Ethnodocumentary: Documenting the OtherEthnographies on Celluloid: Event Films; The Narrated ""Story"": Ethnographic Romanticism; Sequence Filming of Events; Gardner's Interpretative Montage as Ethnographic Romanticism; Shared Anthropology: The Work of Jean Rouch; Reconstruction: The Netsilik Eskimo Series; Observational Cinema; Conveying the Cultural Point of View; Blended Voices; Culture Clash: The Global Village; Ethnography as Folklore; 2. The Folkloric Film: Definition and Methodology, Texts and Contexts; The Early Film Movement and Folklore; Re-creating Previous Models. A Methodology for Analyzing Intent, Content, and the SelfFilms Documenting Texts and Artifacts; Historic Reconstruction; Cultural Contexts: Films Emphasizing Communities and Regions; 3. Documentation: Interactional Events and Individual Portraits; Process and Event Films; Portraits of Artists and Performers; Films of Negotiation; Focus and Technique in Folklore Films; 4. A Search for Self: Filmmakers Reflecton Their Work; Choice of Subject; Revealing the Self; Training: A Process of Discovery; Collaboration and Compromise; 5. Projecting the Self: Filmic Technique and Construction. Editing TruthsSound Devices: The Filmmaker's Voice -- Tools of Choice; 6. Structure Shifts and Style: A Montage of Voices and Images; Ethical Problems and Negotiated Films; or, Is Everybody Happy?; Funding-For Love or Money or Both; Distribution, or, Getting It Out There; Film as Text, Film as Experience; Film: The Vehicle for Event and Performance; 7. Visions of Ourselves; Folklore Films and Documentary Modes; Video Reflections; Filmography; Notes; References; Index. Since Robert Flaherty's landmark film Nanook of the North (1922) arguments have raged over whether or not film records of people and traditions can ever be ""authentic."" And yet never before has a single volume combined documentary, ethnographic, and folkloristic filmmaking to explore this controversy. What happens when we turn the camera on ourselves? This question has long plagued documentary filmmakers concerned with issues of reflexivity, subject participation, and self-consciousness. Documenting Ourselves includes interviews with filmmakers Les Blank, Pat Ferrero, Jorge Preloran, Bill F English. Documentary films History and criticism. Folklore in motion pictures. http://id.loc.gov/authorities/subjects/sh91003427 Culture in motion pictures. http://id.loc.gov/authorities/subjects/sh2006008250 Folklore au cinéma. Culture au cinéma. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Culture in motion pictures fast Documentary films fast Folklore in motion pictures fast Criticism, interpretation, etc. fast has work: Documenting ourselves (Text) https://id.oclc.org/worldcat/entity/E39PCGddKHPdgCbxDf6yR8rTHC https://id.oclc.org/worldcat/ontology/hasWork Print version: Sherman, Sharon R. Documenting Ourselves : Film, Video, and Culture. Lexington : The University Press of Kentucky, ©2015 9780813109343 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=938258 Volltext |
| spellingShingle | Sherman, Sharon R. Documenting ourselves : film, video, and culture / Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Foreword; Preface; 1. Folklore, Film, and Video: In the Beginning; The Early Documentary; Defining Documentary; Flaherty and the Romantic Documentary; City Symphonies; Vertov's Montage; Grierson and the British School: Films of Occupational Groups; Nationalism; Romanticism to Realism; Shifting Paradigms: Film and Folklore; Cinema Verite; Postverite: Documentary as an Art Form; Documentary Films as Expressions of the Self: Feminist, Minority, and Third World Films; The Documentary as Folk History. Defining the Ethnodocumentary: Documenting the OtherEthnographies on Celluloid: Event Films; The Narrated ""Story"": Ethnographic Romanticism; Sequence Filming of Events; Gardner's Interpretative Montage as Ethnographic Romanticism; Shared Anthropology: The Work of Jean Rouch; Reconstruction: The Netsilik Eskimo Series; Observational Cinema; Conveying the Cultural Point of View; Blended Voices; Culture Clash: The Global Village; Ethnography as Folklore; 2. The Folkloric Film: Definition and Methodology, Texts and Contexts; The Early Film Movement and Folklore; Re-creating Previous Models. A Methodology for Analyzing Intent, Content, and the SelfFilms Documenting Texts and Artifacts; Historic Reconstruction; Cultural Contexts: Films Emphasizing Communities and Regions; 3. Documentation: Interactional Events and Individual Portraits; Process and Event Films; Portraits of Artists and Performers; Films of Negotiation; Focus and Technique in Folklore Films; 4. A Search for Self: Filmmakers Reflecton Their Work; Choice of Subject; Revealing the Self; Training: A Process of Discovery; Collaboration and Compromise; 5. Projecting the Self: Filmic Technique and Construction. Editing TruthsSound Devices: The Filmmaker's Voice -- Tools of Choice; 6. Structure Shifts and Style: A Montage of Voices and Images; Ethical Problems and Negotiated Films; or, Is Everybody Happy?; Funding-For Love or Money or Both; Distribution, or, Getting It Out There; Film as Text, Film as Experience; Film: The Vehicle for Event and Performance; 7. Visions of Ourselves; Folklore Films and Documentary Modes; Video Reflections; Filmography; Notes; References; Index. Documentary films History and criticism. Folklore in motion pictures. http://id.loc.gov/authorities/subjects/sh91003427 Culture in motion pictures. http://id.loc.gov/authorities/subjects/sh2006008250 Folklore au cinéma. Culture au cinéma. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Culture in motion pictures fast Documentary films fast Folklore in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh91003427 http://id.loc.gov/authorities/subjects/sh2006008250 |
| title | Documenting ourselves : film, video, and culture / |
| title_auth | Documenting ourselves : film, video, and culture / |
| title_exact_search | Documenting ourselves : film, video, and culture / |
| title_full | Documenting ourselves : film, video, and culture / Sharon R. Sherman. |
| title_fullStr | Documenting ourselves : film, video, and culture / Sharon R. Sherman. |
| title_full_unstemmed | Documenting ourselves : film, video, and culture / Sharon R. Sherman. |
| title_short | Documenting ourselves : |
| title_sort | documenting ourselves film video and culture |
| title_sub | film, video, and culture / |
| topic | Documentary films History and criticism. Folklore in motion pictures. http://id.loc.gov/authorities/subjects/sh91003427 Culture in motion pictures. http://id.loc.gov/authorities/subjects/sh2006008250 Folklore au cinéma. Culture au cinéma. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Culture in motion pictures fast Documentary films fast Folklore in motion pictures fast |
| topic_facet | Documentary films History and criticism. Folklore in motion pictures. Culture in motion pictures. Folklore au cinéma. Culture au cinéma. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. PERFORMING ARTS Film & Video History & Criticism. Culture in motion pictures Documentary films Folklore in motion pictures Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=938258 |
| work_keys_str_mv | AT shermansharonr documentingourselvesfilmvideoandculture |