Running with the Devil :: power, gender, and madness in heavy metal music /
A comprehensive musical, social, and cultural analysis of heavy metal music, with a new foreword and afterword.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Middletown, Connecticut :
Wesleyan University Press,
[2014]
|
| Schriftenreihe: | Music/culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | A comprehensive musical, social, and cultural analysis of heavy metal music, with a new foreword and afterword. Dismissed by critics and academics, condemned by parents and politicians, and fervently embraced by legions of fans, heavy metal music continues to attract and embody cultural conflicts that are central to society. In Running with the Devil, Robert Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power. This edition includes a new foreword by Harris M. Berger contextualizing the work and a new afterword by the author. -- Publisher description. |
| Beschreibung: | 1 online resource (xxviii, 230 pages, 12 unnumbered pages of plates) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 217-222), discography (pages 213-215) and index. |
| ISBN: | 9780819575159 0819575151 |
| Ähnliche Datensätze: | Previous edition: 1993. |
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| 245 | 1 | 0 | |a Running with the Devil : |b power, gender, and madness in heavy metal music / |c Robert Walser ; with a new afterword ; foreword by Harris M. Berger. |
| 264 | 1 | |a Middletown, Connecticut : |b Wesleyan University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (xxviii, 230 pages, 12 unnumbered pages of plates) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 217-222), discography (pages 213-215) and index. | ||
| 520 | |a A comprehensive musical, social, and cultural analysis of heavy metal music, with a new foreword and afterword. | ||
| 520 | |a Dismissed by critics and academics, condemned by parents and politicians, and fervently embraced by legions of fans, heavy metal music continues to attract and embody cultural conflicts that are central to society. In Running with the Devil, Robert Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power. This edition includes a new foreword by Harris M. Berger contextualizing the work and a new afterword by the author. -- Publisher description. | ||
| 580 | |a Previous edition: 1993. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Running with the Devil; Title; Copyright; Contents; Foreword to the 2014 Edition; Acknowledgments; Introduction; 1. Metallurgies: Genre, History, and the Construction of Heavy Metal; Genre and Commercial Mediation ; Casting Heavy Metal; Heavy Metal in the 1980s ; Headbangers; "Nasty, Brutish, and Short""? Rock Critics and Academics Evaluate Metal ; 2. Beyond the Vocals: Toward the Analysis of Popular Musical Discourses ; Genre and Discourse ; Musicological Analysis ; Writing about Music; Metal as Discourse; "Ruinin' with the Devil" ; Negotiationand Pleasure | |
| 505 | 8 | |a 3. Eruptions: Heavy Metal Appropriations of Classical Virtuosity Classical Prestige and Popular Meanings; Ritchie Blackmore and the Classical Roots of Metal ; Edward Van Halen and the New Virtuosity; Randy Rhoads: Metal Gets Serious; Yngwie Malmsteen: Metal Augmented and Diminished ; Popular Music as Cultural Dialogue; 4. Forging Masculinity: Heavy Metal Sounds and Images of Gender ; Behind the Screen: Listening to Gender; No Girls Allowed: Exscription in Heavy Metal ; The Kiss of Death: Misogyny and the Male Victim; Living on a Prayer: Romance | |
| 505 | 8 | |a Nothing but a Good Time? Androgyny as a Political Party"Real Men Don't Wear Makeup"" ; 5. Can I Play with Madness? Mysticism, Horror, and Postmodern Politics ; Professing Censorship: The PMRC and Its Academic Allies Attack ; Suicide Solutions ; Mysticism and Postmodernism in Heavy Metal; Horror and History; Guns N' Roses N' Marx N' Engels ; Afterword to the 2014 Edition; Appendix 1: Heavy Metal Canons; Appendix 2: Heavy Metal Questionnaire; Notes; Select Discography; Select Bibliography; Index; About the Authors | |
| 650 | 0 | |a Heavy metal (Music) |x History and criticism. | |
| 650 | 6 | |a Heavy metal (Musique) |x Histoire et critique. | |
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| 776 | 0 | 8 | |i Print version: |a Walser, Robert. |t Running with the Devil : Power, Gender, and Madness in Heavy Metal Music. |d Middletown : Wesleyan University Press, ©2014 |z 9780819575142 |
| 830 | 0 | |a Music/culture. |0 http://id.loc.gov/authorities/names/n92106208 | |
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| contents | Cover; Running with the Devil; Title; Copyright; Contents; Foreword to the 2014 Edition; Acknowledgments; Introduction; 1. Metallurgies: Genre, History, and the Construction of Heavy Metal; Genre and Commercial Mediation ; Casting Heavy Metal; Heavy Metal in the 1980s ; Headbangers; "Nasty, Brutish, and Short""? Rock Critics and Academics Evaluate Metal ; 2. Beyond the Vocals: Toward the Analysis of Popular Musical Discourses ; Genre and Discourse ; Musicological Analysis ; Writing about Music; Metal as Discourse; "Ruinin' with the Devil" ; Negotiationand Pleasure 3. Eruptions: Heavy Metal Appropriations of Classical Virtuosity Classical Prestige and Popular Meanings; Ritchie Blackmore and the Classical Roots of Metal ; Edward Van Halen and the New Virtuosity; Randy Rhoads: Metal Gets Serious; Yngwie Malmsteen: Metal Augmented and Diminished ; Popular Music as Cultural Dialogue; 4. Forging Masculinity: Heavy Metal Sounds and Images of Gender ; Behind the Screen: Listening to Gender; No Girls Allowed: Exscription in Heavy Metal ; The Kiss of Death: Misogyny and the Male Victim; Living on a Prayer: Romance Nothing but a Good Time? Androgyny as a Political Party"Real Men Don't Wear Makeup"" ; 5. Can I Play with Madness? Mysticism, Horror, and Postmodern Politics ; Professing Censorship: The PMRC and Its Academic Allies Attack ; Suicide Solutions ; Mysticism and Postmodernism in Heavy Metal; Horror and History; Guns N' Roses N' Marx N' Engels ; Afterword to the 2014 Edition; Appendix 1: Heavy Metal Canons; Appendix 2: Heavy Metal Questionnaire; Notes; Select Discography; Select Bibliography; Index; About the Authors |
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| discipline | Musikwissenschaft |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:25Z |
| institution | BVB |
| isbn | 9780819575159 0819575151 |
| language | English |
| oclc_num | 900223636 |
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| spelling | Walser, Robert., author. Running with the Devil : power, gender, and madness in heavy metal music / Robert Walser ; with a new afterword ; foreword by Harris M. Berger. Middletown, Connecticut : Wesleyan University Press, [2014] ©2014 1 online resource (xxviii, 230 pages, 12 unnumbered pages of plates) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Music/Culture Includes bibliographical references (pages 217-222), discography (pages 213-215) and index. A comprehensive musical, social, and cultural analysis of heavy metal music, with a new foreword and afterword. Dismissed by critics and academics, condemned by parents and politicians, and fervently embraced by legions of fans, heavy metal music continues to attract and embody cultural conflicts that are central to society. In Running with the Devil, Robert Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power. This edition includes a new foreword by Harris M. Berger contextualizing the work and a new afterword by the author. -- Publisher description. Previous edition: 1993. Print version record. Cover; Running with the Devil; Title; Copyright; Contents; Foreword to the 2014 Edition; Acknowledgments; Introduction; 1. Metallurgies: Genre, History, and the Construction of Heavy Metal; Genre and Commercial Mediation ; Casting Heavy Metal; Heavy Metal in the 1980s ; Headbangers; "Nasty, Brutish, and Short""? Rock Critics and Academics Evaluate Metal ; 2. Beyond the Vocals: Toward the Analysis of Popular Musical Discourses ; Genre and Discourse ; Musicological Analysis ; Writing about Music; Metal as Discourse; "Ruinin' with the Devil" ; Negotiationand Pleasure 3. Eruptions: Heavy Metal Appropriations of Classical Virtuosity Classical Prestige and Popular Meanings; Ritchie Blackmore and the Classical Roots of Metal ; Edward Van Halen and the New Virtuosity; Randy Rhoads: Metal Gets Serious; Yngwie Malmsteen: Metal Augmented and Diminished ; Popular Music as Cultural Dialogue; 4. Forging Masculinity: Heavy Metal Sounds and Images of Gender ; Behind the Screen: Listening to Gender; No Girls Allowed: Exscription in Heavy Metal ; The Kiss of Death: Misogyny and the Male Victim; Living on a Prayer: Romance Nothing but a Good Time? Androgyny as a Political Party"Real Men Don't Wear Makeup"" ; 5. Can I Play with Madness? Mysticism, Horror, and Postmodern Politics ; Professing Censorship: The PMRC and Its Academic Allies Attack ; Suicide Solutions ; Mysticism and Postmodernism in Heavy Metal; Horror and History; Guns N' Roses N' Marx N' Engels ; Afterword to the 2014 Edition; Appendix 1: Heavy Metal Canons; Appendix 2: Heavy Metal Questionnaire; Notes; Select Discography; Select Bibliography; Index; About the Authors Heavy metal (Music) History and criticism. Heavy metal (Musique) Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Heavy metal (Music) fast Electronic books. Criticism, interpretation, etc. fast Berger, Harris M., 1966- writer of foreword, writer of afterword. https://id.oclc.org/worldcat/entity/E39PBJqVWjTpJrgcb8BYpQCJDq Print version: Walser, Robert. Running with the Devil : Power, Gender, and Madness in Heavy Metal Music. Middletown : Wesleyan University Press, ©2014 9780819575142 Music/culture. http://id.loc.gov/authorities/names/n92106208 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=878656 Volltext |
| spellingShingle | Walser, Robert Running with the Devil : power, gender, and madness in heavy metal music / Music/culture. Cover; Running with the Devil; Title; Copyright; Contents; Foreword to the 2014 Edition; Acknowledgments; Introduction; 1. Metallurgies: Genre, History, and the Construction of Heavy Metal; Genre and Commercial Mediation ; Casting Heavy Metal; Heavy Metal in the 1980s ; Headbangers; "Nasty, Brutish, and Short""? Rock Critics and Academics Evaluate Metal ; 2. Beyond the Vocals: Toward the Analysis of Popular Musical Discourses ; Genre and Discourse ; Musicological Analysis ; Writing about Music; Metal as Discourse; "Ruinin' with the Devil" ; Negotiationand Pleasure 3. Eruptions: Heavy Metal Appropriations of Classical Virtuosity Classical Prestige and Popular Meanings; Ritchie Blackmore and the Classical Roots of Metal ; Edward Van Halen and the New Virtuosity; Randy Rhoads: Metal Gets Serious; Yngwie Malmsteen: Metal Augmented and Diminished ; Popular Music as Cultural Dialogue; 4. Forging Masculinity: Heavy Metal Sounds and Images of Gender ; Behind the Screen: Listening to Gender; No Girls Allowed: Exscription in Heavy Metal ; The Kiss of Death: Misogyny and the Male Victim; Living on a Prayer: Romance Nothing but a Good Time? Androgyny as a Political Party"Real Men Don't Wear Makeup"" ; 5. Can I Play with Madness? Mysticism, Horror, and Postmodern Politics ; Professing Censorship: The PMRC and Its Academic Allies Attack ; Suicide Solutions ; Mysticism and Postmodernism in Heavy Metal; Horror and History; Guns N' Roses N' Marx N' Engels ; Afterword to the 2014 Edition; Appendix 1: Heavy Metal Canons; Appendix 2: Heavy Metal Questionnaire; Notes; Select Discography; Select Bibliography; Index; About the Authors Heavy metal (Music) History and criticism. Heavy metal (Musique) Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Heavy metal (Music) fast |
| title | Running with the Devil : power, gender, and madness in heavy metal music / |
| title_auth | Running with the Devil : power, gender, and madness in heavy metal music / |
| title_exact_search | Running with the Devil : power, gender, and madness in heavy metal music / |
| title_full | Running with the Devil : power, gender, and madness in heavy metal music / Robert Walser ; with a new afterword ; foreword by Harris M. Berger. |
| title_fullStr | Running with the Devil : power, gender, and madness in heavy metal music / Robert Walser ; with a new afterword ; foreword by Harris M. Berger. |
| title_full_unstemmed | Running with the Devil : power, gender, and madness in heavy metal music / Robert Walser ; with a new afterword ; foreword by Harris M. Berger. |
| title_short | Running with the Devil : |
| title_sort | running with the devil power gender and madness in heavy metal music |
| title_sub | power, gender, and madness in heavy metal music / |
| topic | Heavy metal (Music) History and criticism. Heavy metal (Musique) Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Heavy metal (Music) fast |
| topic_facet | Heavy metal (Music) History and criticism. Heavy metal (Musique) Histoire et critique. MUSIC Instruction & Study Theory. Heavy metal (Music) Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=878656 |
| work_keys_str_mv | AT walserrobert runningwiththedevilpowergenderandmadnessinheavymetalmusic AT bergerharrism runningwiththedevilpowergenderandmadnessinheavymetalmusic |