Echoes of an invisible world :: Marsilio Ficino and Francesco Patrizi on cosmic order and music theory /
In Echoes of an invisible world Jacomien Prins offers an account of the transformation of the notion of Pythagorean world harmony during the Renaissance and the role of the Italian philosophers Marsilio Ficino (1433-1499) and Francesco Patrizi (1529-1597) in redefining the relationship between cosmi...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston :
Brill,
2014.
|
| Schriftenreihe: | Brill's studies in intellectual history ;
volume 234. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In Echoes of an invisible world Jacomien Prins offers an account of the transformation of the notion of Pythagorean world harmony during the Renaissance and the role of the Italian philosophers Marsilio Ficino (1433-1499) and Francesco Patrizi (1529-1597) in redefining the relationship between cosmic order and music theory. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789004281769 9004281762 |
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| 245 | 1 | 0 | |a Echoes of an invisible world : |b Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / |c by Jacomien Prins. |
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| 490 | 1 | |a Brill studies in intellectual history ; |v volume 234 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Preface; List of Figures, Music Examples, and Tables; Chapter 1 Introduction; 1.1 Nature and Scope of the Book; 1.2 The Tradition of the Harmony of the Spheres; 1.3 Status Quaestionis; 1.4 Methodology; 1.5 Structure of the Book; Part 1 Marsilio Ficino (1433-1499); Chapter 2 The Universe as a Musical Creation; 2.1 Introduction; 2.2 The Timaeus as a Source of Perennial Harmonic Wisdom; 2.2.1 Prisca Theologia; 2.2.2 A Hymn to the Creator of the Cosmos; 2.3 A Divine Geometrical Method for a Philosophy of Nature; 2.3.1 The Divine Composer-Architect as First Cause of the Universe. | |
| 505 | 8 | |a 2.3.2 Seven Cosmic Principles2.3.3 Number over Matter; 2.4 Cosmic Harmony in Terms of the Four Mathematical Disciplines; 2.4.1 Arithmetic: Numbers Bridging the Conceptual and the Physical World; 2.4.2 Music: Harmonies as Intermediaries between the Intelligible and the Sensible Realm; 2.4.3 Geometry: Cosmic Harmony Expressed in Terms of Continuous Quantity; 2.4.4 Astronomy: The Planetary Spheres as Harmonic Forms in Motion; 2.5 A Fifteenth-Century Dynamic Interpretation of the Music of the Spheres; 2.5.1 The Harmonic Structure of the World-Soul; 2.5.2 Four Cosmic Harmonizing Powers. | |
| 505 | 8 | |a 2.5.3 A Magical-Astrological Interpretation of the Music of the Spheres2.6 Conclusion; Chapter 3 Man as a Co-Creator of His Harmonic Nature; 3.1 Introduction; 3.2 Man as a Harmonic Microcosm; 3.2.1 Man Made in the Image and Likeness of God; 3.2.2 Musical Creativity; 3.3 Contemplative Ascents; 3.3.1 The Transmigration of the Human Soul: a True and Likely Story; 3.3.2 The Soul's Journey Through the Heavenly Spheres; 3.4 A Fifteenth-Century Dynamic Interpretation of Musica Humana; 3.4.1 The Harmonic Structure of the Human Body and Soul; 3.4.2 A Scientific Model of the Sense of Hearing. | |
| 505 | 8 | |a 3.5 Music's Power to Shape and Condition the Human Body and Soul3.5.1 Music as Medicine; 3.5.2 Therapeutic Planetary Music; 3.6 Conclusion; Part 2 Francesco Patrizi (1529-1597); Chapter 4 From the Music of the Spheres to the Mathematization of Space; 4.1 Introduction; 4.2 The Reception of Ficino's Interpretation of the Notion of Pythagorean World Harmony; 4.2.1 An Elaboration of the Myth of the Prisca Theologia; 4.2.2 Critique of Ficino's Interpretation of the Harmony of the Spheres; 4.3 A Revision of the Traditional Theory of the Four Mathematical Disciplines. | |
| 505 | 8 | |a 4.3.1 Questioning the Primacy of Number4.3.2 The Universe is not Ordered by Numerical Ratios that Produce Musical Consonances; 4.3.3 A New Geometry; 4.3.4 The Harmony of the Spheres as Remedy for Astronomical Chaos; 4.4 A Sixteenth-Century Interpretation of the Harmony of the Spheres; 4.4.1 The Harmonic Structure of the World-Soul; 4.4.2 Harmonizing Powers Explaining Cosmic Motion and Dynamic Interplay; 4.4.3 A Debate with a Member of the Index of Forbidden Books on the Harmonic Design of God's Creation; 4.5 Conclusion; Chapter 5 Man's Nostalgia for a Lost Musical Paradise; 5.1 Introduction. | |
| 520 | |a In Echoes of an invisible world Jacomien Prins offers an account of the transformation of the notion of Pythagorean world harmony during the Renaissance and the role of the Italian philosophers Marsilio Ficino (1433-1499) and Francesco Patrizi (1529-1597) in redefining the relationship between cosmic order and music theory. | ||
| 546 | |a English. | ||
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| 600 | 1 | 0 | |a Patrizi, Francesco, |d 1529-1597. |0 http://id.loc.gov/authorities/names/n79148979 |
| 600 | 1 | 7 | |a Ficino, Marsilio, |d 1433-1499 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJbxxRG4dHHrd8QPPkMF8C |
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| 650 | 0 | |a Music theory |x History |y 15th century. |0 http://id.loc.gov/authorities/subjects/sh85088829 | |
| 650 | 0 | |a Music theory |x History |y 16th century. |0 http://id.loc.gov/authorities/subjects/sh85088830 | |
| 650 | 0 | |a Philosophy, Renaissance. |0 http://id.loc.gov/authorities/subjects/sh85100973 | |
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| 650 | 0 | |a Renaissance |z Italy. | |
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| 650 | 6 | |a Théorie musicale |x Histoire |y 15e siècle. | |
| 650 | 6 | |a Théorie musicale |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Philosophie de la Renaissance. | |
| 650 | 6 | |a Harmonie cosmique. | |
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Datensatz im Suchindex
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| author | Prins, Jacomien |
| author_facet | Prins, Jacomien |
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| author_sort | Prins, Jacomien |
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| callnumber-search | ML290.2 .P75 2014eb |
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| contents | Preface; List of Figures, Music Examples, and Tables; Chapter 1 Introduction; 1.1 Nature and Scope of the Book; 1.2 The Tradition of the Harmony of the Spheres; 1.3 Status Quaestionis; 1.4 Methodology; 1.5 Structure of the Book; Part 1 Marsilio Ficino (1433-1499); Chapter 2 The Universe as a Musical Creation; 2.1 Introduction; 2.2 The Timaeus as a Source of Perennial Harmonic Wisdom; 2.2.1 Prisca Theologia; 2.2.2 A Hymn to the Creator of the Cosmos; 2.3 A Divine Geometrical Method for a Philosophy of Nature; 2.3.1 The Divine Composer-Architect as First Cause of the Universe. 2.3.2 Seven Cosmic Principles2.3.3 Number over Matter; 2.4 Cosmic Harmony in Terms of the Four Mathematical Disciplines; 2.4.1 Arithmetic: Numbers Bridging the Conceptual and the Physical World; 2.4.2 Music: Harmonies as Intermediaries between the Intelligible and the Sensible Realm; 2.4.3 Geometry: Cosmic Harmony Expressed in Terms of Continuous Quantity; 2.4.4 Astronomy: The Planetary Spheres as Harmonic Forms in Motion; 2.5 A Fifteenth-Century Dynamic Interpretation of the Music of the Spheres; 2.5.1 The Harmonic Structure of the World-Soul; 2.5.2 Four Cosmic Harmonizing Powers. 2.5.3 A Magical-Astrological Interpretation of the Music of the Spheres2.6 Conclusion; Chapter 3 Man as a Co-Creator of His Harmonic Nature; 3.1 Introduction; 3.2 Man as a Harmonic Microcosm; 3.2.1 Man Made in the Image and Likeness of God; 3.2.2 Musical Creativity; 3.3 Contemplative Ascents; 3.3.1 The Transmigration of the Human Soul: a True and Likely Story; 3.3.2 The Soul's Journey Through the Heavenly Spheres; 3.4 A Fifteenth-Century Dynamic Interpretation of Musica Humana; 3.4.1 The Harmonic Structure of the Human Body and Soul; 3.4.2 A Scientific Model of the Sense of Hearing. 3.5 Music's Power to Shape and Condition the Human Body and Soul3.5.1 Music as Medicine; 3.5.2 Therapeutic Planetary Music; 3.6 Conclusion; Part 2 Francesco Patrizi (1529-1597); Chapter 4 From the Music of the Spheres to the Mathematization of Space; 4.1 Introduction; 4.2 The Reception of Ficino's Interpretation of the Notion of Pythagorean World Harmony; 4.2.1 An Elaboration of the Myth of the Prisca Theologia; 4.2.2 Critique of Ficino's Interpretation of the Harmony of the Spheres; 4.3 A Revision of the Traditional Theory of the Four Mathematical Disciplines. 4.3.1 Questioning the Primacy of Number4.3.2 The Universe is not Ordered by Numerical Ratios that Produce Musical Consonances; 4.3.3 A New Geometry; 4.3.4 The Harmony of the Spheres as Remedy for Astronomical Chaos; 4.4 A Sixteenth-Century Interpretation of the Harmony of the Spheres; 4.4.1 The Harmonic Structure of the World-Soul; 4.4.2 Harmonizing Powers Explaining Cosmic Motion and Dynamic Interplay; 4.4.3 A Debate with a Member of the Index of Forbidden Books on the Harmonic Design of God's Creation; 4.5 Conclusion; Chapter 5 Man's Nostalgia for a Lost Musical Paradise; 5.1 Introduction. |
| ctrlnum | (OCoLC)897378878 |
| dewey-full | 781.092245 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.092245 |
| dewey-search | 781.092245 |
| dewey-sort | 3781.092245 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1400-1599 fast |
| era_facet | 1400-1599 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP |
| geographic_facet | Italy |
| id | ZDB-4-EBA-ocn897378878 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:21Z |
| institution | BVB |
| isbn | 9789004281769 9004281762 |
| language | English |
| oclc_num | 897378878 |
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| series | Brill's studies in intellectual history ; |
| series2 | Brill studies in intellectual history ; |
| spelling | Prins, Jacomien, author. Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / by Jacomien Prins. Leiden ; Boston : Brill, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Brill studies in intellectual history ; volume 234 Includes bibliographical references and index. Print version record. Preface; List of Figures, Music Examples, and Tables; Chapter 1 Introduction; 1.1 Nature and Scope of the Book; 1.2 The Tradition of the Harmony of the Spheres; 1.3 Status Quaestionis; 1.4 Methodology; 1.5 Structure of the Book; Part 1 Marsilio Ficino (1433-1499); Chapter 2 The Universe as a Musical Creation; 2.1 Introduction; 2.2 The Timaeus as a Source of Perennial Harmonic Wisdom; 2.2.1 Prisca Theologia; 2.2.2 A Hymn to the Creator of the Cosmos; 2.3 A Divine Geometrical Method for a Philosophy of Nature; 2.3.1 The Divine Composer-Architect as First Cause of the Universe. 2.3.2 Seven Cosmic Principles2.3.3 Number over Matter; 2.4 Cosmic Harmony in Terms of the Four Mathematical Disciplines; 2.4.1 Arithmetic: Numbers Bridging the Conceptual and the Physical World; 2.4.2 Music: Harmonies as Intermediaries between the Intelligible and the Sensible Realm; 2.4.3 Geometry: Cosmic Harmony Expressed in Terms of Continuous Quantity; 2.4.4 Astronomy: The Planetary Spheres as Harmonic Forms in Motion; 2.5 A Fifteenth-Century Dynamic Interpretation of the Music of the Spheres; 2.5.1 The Harmonic Structure of the World-Soul; 2.5.2 Four Cosmic Harmonizing Powers. 2.5.3 A Magical-Astrological Interpretation of the Music of the Spheres2.6 Conclusion; Chapter 3 Man as a Co-Creator of His Harmonic Nature; 3.1 Introduction; 3.2 Man as a Harmonic Microcosm; 3.2.1 Man Made in the Image and Likeness of God; 3.2.2 Musical Creativity; 3.3 Contemplative Ascents; 3.3.1 The Transmigration of the Human Soul: a True and Likely Story; 3.3.2 The Soul's Journey Through the Heavenly Spheres; 3.4 A Fifteenth-Century Dynamic Interpretation of Musica Humana; 3.4.1 The Harmonic Structure of the Human Body and Soul; 3.4.2 A Scientific Model of the Sense of Hearing. 3.5 Music's Power to Shape and Condition the Human Body and Soul3.5.1 Music as Medicine; 3.5.2 Therapeutic Planetary Music; 3.6 Conclusion; Part 2 Francesco Patrizi (1529-1597); Chapter 4 From the Music of the Spheres to the Mathematization of Space; 4.1 Introduction; 4.2 The Reception of Ficino's Interpretation of the Notion of Pythagorean World Harmony; 4.2.1 An Elaboration of the Myth of the Prisca Theologia; 4.2.2 Critique of Ficino's Interpretation of the Harmony of the Spheres; 4.3 A Revision of the Traditional Theory of the Four Mathematical Disciplines. 4.3.1 Questioning the Primacy of Number4.3.2 The Universe is not Ordered by Numerical Ratios that Produce Musical Consonances; 4.3.3 A New Geometry; 4.3.4 The Harmony of the Spheres as Remedy for Astronomical Chaos; 4.4 A Sixteenth-Century Interpretation of the Harmony of the Spheres; 4.4.1 The Harmonic Structure of the World-Soul; 4.4.2 Harmonizing Powers Explaining Cosmic Motion and Dynamic Interplay; 4.4.3 A Debate with a Member of the Index of Forbidden Books on the Harmonic Design of God's Creation; 4.5 Conclusion; Chapter 5 Man's Nostalgia for a Lost Musical Paradise; 5.1 Introduction. In Echoes of an invisible world Jacomien Prins offers an account of the transformation of the notion of Pythagorean world harmony during the Renaissance and the role of the Italian philosophers Marsilio Ficino (1433-1499) and Francesco Patrizi (1529-1597) in redefining the relationship between cosmic order and music theory. English. Ficino, Marsilio, 1433-1499. http://id.loc.gov/authorities/names/n50001263 Patrizi, Francesco, 1529-1597. http://id.loc.gov/authorities/names/n79148979 Ficino, Marsilio, 1433-1499 fast https://id.oclc.org/worldcat/entity/E39PBJbxxRG4dHHrd8QPPkMF8C Patrizi, Francesco, 1529-1597 fast https://id.oclc.org/worldcat/entity/E39PBJk93MTQ3GgkqgbYyFqvpP Music theory History 15th century. http://id.loc.gov/authorities/subjects/sh85088829 Music theory History 16th century. http://id.loc.gov/authorities/subjects/sh85088830 Philosophy, Renaissance. http://id.loc.gov/authorities/subjects/sh85100973 Harmony of the spheres. http://id.loc.gov/authorities/subjects/sh85058969 Renaissance Italy. Humanism Italy. Théorie musicale Histoire 15e siècle. Théorie musicale Histoire 16e siècle. Philosophie de la Renaissance. Harmonie cosmique. Renaissance Italie. Humanisme Italie. MUSIC Instruction & Study Theory. bisacsh Harmony of the spheres fast Humanism fast Music theory fast Philosophy, Renaissance fast Renaissance fast Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP 1400-1599 fast History fast has work: Echoes of an invisible world (Text) https://id.oclc.org/worldcat/entity/E39PCFB68YKTf8QGPJ73vVQxrC https://id.oclc.org/worldcat/ontology/hasWork Print version: Prins, Jacomien. Echoes of an invisible world 9789004274372 (DLC) 2014030594 (OCoLC)889167222 Brill's studies in intellectual history ; volume 234. http://id.loc.gov/authorities/names/n86747150 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=919140 Volltext |
| spellingShingle | Prins, Jacomien Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / Brill's studies in intellectual history ; Preface; List of Figures, Music Examples, and Tables; Chapter 1 Introduction; 1.1 Nature and Scope of the Book; 1.2 The Tradition of the Harmony of the Spheres; 1.3 Status Quaestionis; 1.4 Methodology; 1.5 Structure of the Book; Part 1 Marsilio Ficino (1433-1499); Chapter 2 The Universe as a Musical Creation; 2.1 Introduction; 2.2 The Timaeus as a Source of Perennial Harmonic Wisdom; 2.2.1 Prisca Theologia; 2.2.2 A Hymn to the Creator of the Cosmos; 2.3 A Divine Geometrical Method for a Philosophy of Nature; 2.3.1 The Divine Composer-Architect as First Cause of the Universe. 2.3.2 Seven Cosmic Principles2.3.3 Number over Matter; 2.4 Cosmic Harmony in Terms of the Four Mathematical Disciplines; 2.4.1 Arithmetic: Numbers Bridging the Conceptual and the Physical World; 2.4.2 Music: Harmonies as Intermediaries between the Intelligible and the Sensible Realm; 2.4.3 Geometry: Cosmic Harmony Expressed in Terms of Continuous Quantity; 2.4.4 Astronomy: The Planetary Spheres as Harmonic Forms in Motion; 2.5 A Fifteenth-Century Dynamic Interpretation of the Music of the Spheres; 2.5.1 The Harmonic Structure of the World-Soul; 2.5.2 Four Cosmic Harmonizing Powers. 2.5.3 A Magical-Astrological Interpretation of the Music of the Spheres2.6 Conclusion; Chapter 3 Man as a Co-Creator of His Harmonic Nature; 3.1 Introduction; 3.2 Man as a Harmonic Microcosm; 3.2.1 Man Made in the Image and Likeness of God; 3.2.2 Musical Creativity; 3.3 Contemplative Ascents; 3.3.1 The Transmigration of the Human Soul: a True and Likely Story; 3.3.2 The Soul's Journey Through the Heavenly Spheres; 3.4 A Fifteenth-Century Dynamic Interpretation of Musica Humana; 3.4.1 The Harmonic Structure of the Human Body and Soul; 3.4.2 A Scientific Model of the Sense of Hearing. 3.5 Music's Power to Shape and Condition the Human Body and Soul3.5.1 Music as Medicine; 3.5.2 Therapeutic Planetary Music; 3.6 Conclusion; Part 2 Francesco Patrizi (1529-1597); Chapter 4 From the Music of the Spheres to the Mathematization of Space; 4.1 Introduction; 4.2 The Reception of Ficino's Interpretation of the Notion of Pythagorean World Harmony; 4.2.1 An Elaboration of the Myth of the Prisca Theologia; 4.2.2 Critique of Ficino's Interpretation of the Harmony of the Spheres; 4.3 A Revision of the Traditional Theory of the Four Mathematical Disciplines. 4.3.1 Questioning the Primacy of Number4.3.2 The Universe is not Ordered by Numerical Ratios that Produce Musical Consonances; 4.3.3 A New Geometry; 4.3.4 The Harmony of the Spheres as Remedy for Astronomical Chaos; 4.4 A Sixteenth-Century Interpretation of the Harmony of the Spheres; 4.4.1 The Harmonic Structure of the World-Soul; 4.4.2 Harmonizing Powers Explaining Cosmic Motion and Dynamic Interplay; 4.4.3 A Debate with a Member of the Index of Forbidden Books on the Harmonic Design of God's Creation; 4.5 Conclusion; Chapter 5 Man's Nostalgia for a Lost Musical Paradise; 5.1 Introduction. Ficino, Marsilio, 1433-1499. http://id.loc.gov/authorities/names/n50001263 Patrizi, Francesco, 1529-1597. http://id.loc.gov/authorities/names/n79148979 Ficino, Marsilio, 1433-1499 fast https://id.oclc.org/worldcat/entity/E39PBJbxxRG4dHHrd8QPPkMF8C Patrizi, Francesco, 1529-1597 fast https://id.oclc.org/worldcat/entity/E39PBJk93MTQ3GgkqgbYyFqvpP Music theory History 15th century. http://id.loc.gov/authorities/subjects/sh85088829 Music theory History 16th century. http://id.loc.gov/authorities/subjects/sh85088830 Philosophy, Renaissance. http://id.loc.gov/authorities/subjects/sh85100973 Harmony of the spheres. http://id.loc.gov/authorities/subjects/sh85058969 Renaissance Italy. Humanism Italy. Théorie musicale Histoire 15e siècle. Théorie musicale Histoire 16e siècle. Philosophie de la Renaissance. Harmonie cosmique. Renaissance Italie. Humanisme Italie. MUSIC Instruction & Study Theory. bisacsh Harmony of the spheres fast Humanism fast Music theory fast Philosophy, Renaissance fast Renaissance fast |
| subject_GND | http://id.loc.gov/authorities/names/n50001263 http://id.loc.gov/authorities/names/n79148979 http://id.loc.gov/authorities/subjects/sh85088829 http://id.loc.gov/authorities/subjects/sh85088830 http://id.loc.gov/authorities/subjects/sh85100973 http://id.loc.gov/authorities/subjects/sh85058969 |
| title | Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / |
| title_auth | Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / |
| title_exact_search | Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / |
| title_full | Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / by Jacomien Prins. |
| title_fullStr | Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / by Jacomien Prins. |
| title_full_unstemmed | Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / by Jacomien Prins. |
| title_short | Echoes of an invisible world : |
| title_sort | echoes of an invisible world marsilio ficino and francesco patrizi on cosmic order and music theory |
| title_sub | Marsilio Ficino and Francesco Patrizi on cosmic order and music theory / |
| topic | Ficino, Marsilio, 1433-1499. http://id.loc.gov/authorities/names/n50001263 Patrizi, Francesco, 1529-1597. http://id.loc.gov/authorities/names/n79148979 Ficino, Marsilio, 1433-1499 fast https://id.oclc.org/worldcat/entity/E39PBJbxxRG4dHHrd8QPPkMF8C Patrizi, Francesco, 1529-1597 fast https://id.oclc.org/worldcat/entity/E39PBJk93MTQ3GgkqgbYyFqvpP Music theory History 15th century. http://id.loc.gov/authorities/subjects/sh85088829 Music theory History 16th century. http://id.loc.gov/authorities/subjects/sh85088830 Philosophy, Renaissance. http://id.loc.gov/authorities/subjects/sh85100973 Harmony of the spheres. http://id.loc.gov/authorities/subjects/sh85058969 Renaissance Italy. Humanism Italy. Théorie musicale Histoire 15e siècle. Théorie musicale Histoire 16e siècle. Philosophie de la Renaissance. Harmonie cosmique. Renaissance Italie. Humanisme Italie. MUSIC Instruction & Study Theory. bisacsh Harmony of the spheres fast Humanism fast Music theory fast Philosophy, Renaissance fast Renaissance fast |
| topic_facet | Ficino, Marsilio, 1433-1499. Patrizi, Francesco, 1529-1597. Ficino, Marsilio, 1433-1499 Patrizi, Francesco, 1529-1597 Music theory History 15th century. Music theory History 16th century. Philosophy, Renaissance. Harmony of the spheres. Renaissance Italy. Humanism Italy. Théorie musicale Histoire 15e siècle. Théorie musicale Histoire 16e siècle. Philosophie de la Renaissance. Harmonie cosmique. Renaissance Italie. Humanisme Italie. MUSIC Instruction & Study Theory. Harmony of the spheres Humanism Music theory Philosophy, Renaissance Renaissance Italy History |
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