Collaborative creative thought and practice in music /:
Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of cr...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey ; Burlington, Vt. :
Ashgate,
[2014]
|
| Schriftenreihe: | SEMPRE studies in the psychology of music.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781472415851 147241585X 9781472415868 1472415868 9781315572635 131557263X 1317164431 9781317164432 |
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| 245 | 0 | 0 | |a Collaborative creative thought and practice in music / |c edited by Margaret S. Barrett. |
| 264 | 1 | |a Farnham, Surrey ; |a Burlington, Vt. : |b Ashgate, |c [2014] | |
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| 490 | 1 | |a SEMPRE studies in the psychology of music | |
| 504 | |a Includes bibliographical references and index. | ||
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| 520 | |a Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the. | ||
| 505 | 0 | |a Cover; Contents; List of Figures and Tables; List of Music Examples; Notes on Contributors; Series Editors' Preface; Acknowledgements; Part I Introduction; 1 Collaborative Creativity and Creative Collaboration; Part II Collaborative Creativity in Compositional Thought and Practice; 2 The Scattering of Light; 3 No Stone Unturned: Mapping Composer-Performer Collaboration ; 4 Learning to Collaborate in Code; 5 Collaborating Across Musical Style Boundaries; 6 We Are All Musical ; 7 Rimsky-Korsakov and Musorgsky: A Posthumous Collaboration? | |
| 505 | 8 | |a Part III Collaborative Creativity as Boundary Crossing8 Creative Collaborative Thought and Puzzle Canons in Renaissance Music ; 9 The Spirit of Chinese Creativity in Twenty-first-century Cantonese Culture ; 10 An Historical Perspective on Creative Collaboration; 11 Collaboration in Duo Piano Performance -- 'Piano Spheres'; 12 Creative Collaboration in Generating an Affective Contemporary Production ; 13 Collaborative Re-creation; Part IV Emergent Creativity in Collaborative Thought and Practice ; 14 Supporting Collaboration in Changing Cultural Landscapes | |
| 505 | 8 | |a 15 Thorns and Joys in Creative Collaboration16 Towards Pedagogies of Creative Collaboration; 17 'Literacy Through Music' -- A Multidisciplinary and Multilayered Creative Collaboration; Part V Postlude; 18 Musical Performance as Collaborative Practice; Index | |
| 546 | |a English. | ||
| 650 | 0 | |a Composition (Music) |x Psychological aspects. | |
| 650 | 0 | |a Creation (Literary, artistic, etc.) |x Social aspects. | |
| 650 | 0 | |a Creative thinking |x Social aspects. | |
| 650 | 6 | |a Composition (Musique) |x Aspect psychologique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Creative thinking |x Social aspects |2 fast | |
| 700 | 1 | |a Barrett, Margaret S. |1 https://id.oclc.org/worldcat/entity/E39PCjHkr8688v9DhGjvCyrkTb |0 http://id.loc.gov/authorities/names/n2009031783 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn894171065 |
|---|---|
| _version_ | 1816882292270825473 |
| adam_text | |
| any_adam_object | |
| author2 | Barrett, Margaret S. |
| author2_role | |
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| author_GND | http://id.loc.gov/authorities/names/n2009031783 |
| author_facet | Barrett, Margaret S. |
| author_sort | Barrett, Margaret S. |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3838 |
| callnumber-raw | ML3838 .C646 2014eb |
| callnumber-search | ML3838 .C646 2014eb |
| callnumber-sort | ML 43838 C646 42014EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover; Contents; List of Figures and Tables; List of Music Examples; Notes on Contributors; Series Editors' Preface; Acknowledgements; Part I Introduction; 1 Collaborative Creativity and Creative Collaboration; Part II Collaborative Creativity in Compositional Thought and Practice; 2 The Scattering of Light; 3 No Stone Unturned: Mapping Composer-Performer Collaboration ; 4 Learning to Collaborate in Code; 5 Collaborating Across Musical Style Boundaries; 6 We Are All Musical ; 7 Rimsky-Korsakov and Musorgsky: A Posthumous Collaboration? Part III Collaborative Creativity as Boundary Crossing8 Creative Collaborative Thought and Puzzle Canons in Renaissance Music ; 9 The Spirit of Chinese Creativity in Twenty-first-century Cantonese Culture ; 10 An Historical Perspective on Creative Collaboration; 11 Collaboration in Duo Piano Performance -- 'Piano Spheres'; 12 Creative Collaboration in Generating an Affective Contemporary Production ; 13 Collaborative Re-creation; Part IV Emergent Creativity in Collaborative Thought and Practice ; 14 Supporting Collaboration in Changing Cultural Landscapes 15 Thorns and Joys in Creative Collaboration16 Towards Pedagogies of Creative Collaboration; 17 'Literacy Through Music' -- A Multidisciplinary and Multilayered Creative Collaboration; Part V Postlude; 18 Musical Performance as Collaborative Practice; Index |
| ctrlnum | (OCoLC)894171065 |
| dewey-full | 781.3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.3 |
| dewey-search | 781.3 |
| dewey-sort | 3781.3 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn894171065 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:17Z |
| institution | BVB |
| isbn | 9781472415851 147241585X 9781472415868 1472415868 9781315572635 131557263X 1317164431 9781317164432 |
| language | English |
| oclc_num | 894171065 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Ashgate, |
| record_format | marc |
| series | SEMPRE studies in the psychology of music. |
| series2 | SEMPRE studies in the psychology of music |
| spelling | Collaborative creative thought and practice in music / edited by Margaret S. Barrett. Farnham, Surrey ; Burlington, Vt. : Ashgate, [2014] ©2014 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier SEMPRE studies in the psychology of music Includes bibliographical references and index. Online resource; title from PDF title page (EBSCO, viewed February 6, 2015). Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the. Cover; Contents; List of Figures and Tables; List of Music Examples; Notes on Contributors; Series Editors' Preface; Acknowledgements; Part I Introduction; 1 Collaborative Creativity and Creative Collaboration; Part II Collaborative Creativity in Compositional Thought and Practice; 2 The Scattering of Light; 3 No Stone Unturned: Mapping Composer-Performer Collaboration ; 4 Learning to Collaborate in Code; 5 Collaborating Across Musical Style Boundaries; 6 We Are All Musical ; 7 Rimsky-Korsakov and Musorgsky: A Posthumous Collaboration? Part III Collaborative Creativity as Boundary Crossing8 Creative Collaborative Thought and Puzzle Canons in Renaissance Music ; 9 The Spirit of Chinese Creativity in Twenty-first-century Cantonese Culture ; 10 An Historical Perspective on Creative Collaboration; 11 Collaboration in Duo Piano Performance -- 'Piano Spheres'; 12 Creative Collaboration in Generating an Affective Contemporary Production ; 13 Collaborative Re-creation; Part IV Emergent Creativity in Collaborative Thought and Practice ; 14 Supporting Collaboration in Changing Cultural Landscapes 15 Thorns and Joys in Creative Collaboration16 Towards Pedagogies of Creative Collaboration; 17 'Literacy Through Music' -- A Multidisciplinary and Multilayered Creative Collaboration; Part V Postlude; 18 Musical Performance as Collaborative Practice; Index English. Composition (Music) Psychological aspects. Creation (Literary, artistic, etc.) Social aspects. Creative thinking Social aspects. Composition (Musique) Aspect psychologique. MUSIC Instruction & Study Theory. bisacsh Creative thinking Social aspects fast Barrett, Margaret S. https://id.oclc.org/worldcat/entity/E39PCjHkr8688v9DhGjvCyrkTb http://id.loc.gov/authorities/names/n2009031783 has work: Collaborative creative thought and practice in music (Text) https://id.oclc.org/worldcat/entity/E39PCGXXwxQHb6GjF4bgdF7tjC https://id.oclc.org/worldcat/ontology/hasWork Print version: Barrett, Margaret S. Collaborative Creative Thought and Practice in Music. Farnham : Ashgate Publishing Ltd, ©2014 9781472415844 SEMPRE studies in the psychology of music. http://id.loc.gov/authorities/names/no2009046018 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=841466 Volltext |
| spellingShingle | Collaborative creative thought and practice in music / SEMPRE studies in the psychology of music. Cover; Contents; List of Figures and Tables; List of Music Examples; Notes on Contributors; Series Editors' Preface; Acknowledgements; Part I Introduction; 1 Collaborative Creativity and Creative Collaboration; Part II Collaborative Creativity in Compositional Thought and Practice; 2 The Scattering of Light; 3 No Stone Unturned: Mapping Composer-Performer Collaboration ; 4 Learning to Collaborate in Code; 5 Collaborating Across Musical Style Boundaries; 6 We Are All Musical ; 7 Rimsky-Korsakov and Musorgsky: A Posthumous Collaboration? Part III Collaborative Creativity as Boundary Crossing8 Creative Collaborative Thought and Puzzle Canons in Renaissance Music ; 9 The Spirit of Chinese Creativity in Twenty-first-century Cantonese Culture ; 10 An Historical Perspective on Creative Collaboration; 11 Collaboration in Duo Piano Performance -- 'Piano Spheres'; 12 Creative Collaboration in Generating an Affective Contemporary Production ; 13 Collaborative Re-creation; Part IV Emergent Creativity in Collaborative Thought and Practice ; 14 Supporting Collaboration in Changing Cultural Landscapes 15 Thorns and Joys in Creative Collaboration16 Towards Pedagogies of Creative Collaboration; 17 'Literacy Through Music' -- A Multidisciplinary and Multilayered Creative Collaboration; Part V Postlude; 18 Musical Performance as Collaborative Practice; Index Composition (Music) Psychological aspects. Creation (Literary, artistic, etc.) Social aspects. Creative thinking Social aspects. Composition (Musique) Aspect psychologique. MUSIC Instruction & Study Theory. bisacsh Creative thinking Social aspects fast |
| title | Collaborative creative thought and practice in music / |
| title_auth | Collaborative creative thought and practice in music / |
| title_exact_search | Collaborative creative thought and practice in music / |
| title_full | Collaborative creative thought and practice in music / edited by Margaret S. Barrett. |
| title_fullStr | Collaborative creative thought and practice in music / edited by Margaret S. Barrett. |
| title_full_unstemmed | Collaborative creative thought and practice in music / edited by Margaret S. Barrett. |
| title_short | Collaborative creative thought and practice in music / |
| title_sort | collaborative creative thought and practice in music |
| topic | Composition (Music) Psychological aspects. Creation (Literary, artistic, etc.) Social aspects. Creative thinking Social aspects. Composition (Musique) Aspect psychologique. MUSIC Instruction & Study Theory. bisacsh Creative thinking Social aspects fast |
| topic_facet | Composition (Music) Psychological aspects. Creation (Literary, artistic, etc.) Social aspects. Creative thinking Social aspects. Composition (Musique) Aspect psychologique. MUSIC Instruction & Study Theory. Creative thinking Social aspects |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=841466 |
| work_keys_str_mv | AT barrettmargarets collaborativecreativethoughtandpracticeinmusic |