Great Shakespeareans.: Set I, parts I-IV /
The second set of volumes in the eighteen-volume series "Great Shakespeareans", covering the work of nineteen key figures who influenced the global understanding of Shakespeare
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Continuum,
[2010]
|
| Schriftenreihe: | Great Shakespeareans.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The second set of volumes in the eighteen-volume series "Great Shakespeareans", covering the work of nineteen key figures who influenced the global understanding of Shakespeare |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781441184481 1441184481 |
Internformat
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| 245 | 0 | 0 | |a Great Shakespeareans. |n Set I, parts I-IV / |c edited by Claude Rawson, Peter Holland, Roger Paulin and Adrian Poole. |
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| 520 | |a The second set of volumes in the eighteen-volume series "Great Shakespeareans", covering the work of nineteen key figures who influenced the global understanding of Shakespeare | ||
| 505 | 0 | |a HalfTitle -- Series -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Series Editors' Preface -- Notes on Contributors -- Part I Dryden, Pope, Johnson, Malone Edited by Claude Rawson -- Acknowledgements -- Introduction -- 1 John Dryden -- Conversations about Shakespeare -- Cycles and Subcycles -- The Rules and the Unities -- Stage and Page -- The Nature of 'Nature' -- Dryden's Constituency -- Conclusion -- 2 Alexander Pope -- A Page, a Grave -- Labour and elegance in Pope's editing -- Pope's editorial rationale -- Pope's editorial practice -- The editor as verse thinker -- 3 Samuel Johnson -- The 'Preface to Shakespeare' -- 4 Edmond Malone -- Editing the Text: Textual Criticism -- Textual Editing: Interpretation and Explication -- The Dates and Order of Shakespeare's Plays -- The Life of Shakespeare -- Malone's Account of the English Stage -- Shakespearean Forgeries -- Conclusion -- Notes -- Select Bibliography -- Part II Garrick, Kemble, Siddons, Kean Edited by Peter Holland -- Introduction -- 5 David Garrick -- Statues -- Collecting Books -- Editor and Commentator -- Examining the Actor -- Playing Macbeth -- Editing Macbeth -- Authentic Macbeth -- Contexts for change: Garrick the actor -- Contexts for change: the Shakespeare revival -- Plays problematic and triumphant -- Fairies and comedy -- 1769: Garrick, Shakespeare and cultural tourism -- 6 John Philip Kemble -- The Memory of Kemble -- Becoming 'Great John Kemble': Kemble and the Gothic -- Becoming 'King John': Kemble and the Crowd -- Ending as an Old Roman: Kemble and the Classical -- 7 Sarah Siddons -- I -- II -- III -- IV -- V -- VI -- 8 Edmund Kean -- Provincial Playing -- 26 January 1814: Shylock -- Romantic Shakespeare -- Richard III -- Othello -- Other Shakespearean Roles -- Non-Shakespearean Roles -- A Coda -- Notes -- Select Bibliography. | |
| 505 | 8 | |a Part III Voltaire, Goethe, Schlegel, Coleridge Edited by Roger Paulin -- Introduction -- 9 Voltaire -- Voltaire's Shakespearean Criticism: A Chronological Approach -- Voltaire's Criticism of Shakespeare: Ambivalence and Paradox -- The Resonance and Afterlife of Voltaire's Shakespeare Criticism -- Victor Hugo, the Anti-Voltaire -- 10 Johann Wolfgang Goethe -- Introduction -- The Young Goethe -- Contemporary Criticism of Götz -- Goethe and the Weimar Theatre -- Goethe's Production of Romeo and Juliet 1811-12 -- Goethe's Later Views on Shakespeare -- Conclusion -- 11 August Wilhelm Schlegel -- Section A The Reception of Shakespeare in Germany 1682-1785 -- Introduction -- Shakespeare in the Age of Enlightenment -- Wieland's Shakespeare Translation -- Shakespeare and the Sturm und Drang -- Eschenburg's Translation -- Section B August Wilhelm Schlegel and the Romantic Shakespeare -- Schlegel's Beginnings -- Schlegel's Essays for Schiller's Die Horen (1795-7) -- The Wilhelm Meister Essay -- The Romeo and Juliet Essay -- Schlegel's Shakespeare Translation -- The Vienna Lectures on Dramatic Art and Literature (1808) -- 12 Samuel Taylor Coleridge -- The Stage and Dramatic Illusion -- Coleridge and Eighteenth-century Criticism -- Coleridge, Germany and Schlegel -- Psychology and Character Criticism -- Coleridge, Shakespeare and Politics -- Coleridge's Critical Method -- Coleridge's Development as a Critic of Shakespeare -- Notes -- Select Bibliography -- Part IV Lamb, Hazlitt, Keats Edited by Adrian Poole -- Introduction -- 13 Charles Lamb -- Mrs. Siddons in the 'Salutation and Cat' -- Early Shakespearean Appropriations: Falstaff's Letters and John Woodvil -- Theatrical Encounters -- Specimens of English Dramatic Poets Who Lived about the Time of Shakspeare -- Tales from Shakespear -- 14 William Hazlitt -- Early Career -- Hazlitt and Kean -- Coleridge and Lamb. | |
| 505 | 8 | |a Models of Genius -- Magnum Opus -- The English Canon -- Familiar Style -- Hazlitt, Keats and Shakespeare -- 15 John Keats -- Keats's Reading of and Response to Shakespeare: Chronology and Context -- Antony and Cleopatra -- Notes -- Select Bibliography -- Index. | |
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| contents | HalfTitle -- Series -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Series Editors' Preface -- Notes on Contributors -- Part I Dryden, Pope, Johnson, Malone Edited by Claude Rawson -- Acknowledgements -- Introduction -- 1 John Dryden -- Conversations about Shakespeare -- Cycles and Subcycles -- The Rules and the Unities -- Stage and Page -- The Nature of 'Nature' -- Dryden's Constituency -- Conclusion -- 2 Alexander Pope -- A Page, a Grave -- Labour and elegance in Pope's editing -- Pope's editorial rationale -- Pope's editorial practice -- The editor as verse thinker -- 3 Samuel Johnson -- The 'Preface to Shakespeare' -- 4 Edmond Malone -- Editing the Text: Textual Criticism -- Textual Editing: Interpretation and Explication -- The Dates and Order of Shakespeare's Plays -- The Life of Shakespeare -- Malone's Account of the English Stage -- Shakespearean Forgeries -- Conclusion -- Notes -- Select Bibliography -- Part II Garrick, Kemble, Siddons, Kean Edited by Peter Holland -- Introduction -- 5 David Garrick -- Statues -- Collecting Books -- Editor and Commentator -- Examining the Actor -- Playing Macbeth -- Editing Macbeth -- Authentic Macbeth -- Contexts for change: Garrick the actor -- Contexts for change: the Shakespeare revival -- Plays problematic and triumphant -- Fairies and comedy -- 1769: Garrick, Shakespeare and cultural tourism -- 6 John Philip Kemble -- The Memory of Kemble -- Becoming 'Great John Kemble': Kemble and the Gothic -- Becoming 'King John': Kemble and the Crowd -- Ending as an Old Roman: Kemble and the Classical -- 7 Sarah Siddons -- I -- II -- III -- IV -- V -- VI -- 8 Edmund Kean -- Provincial Playing -- 26 January 1814: Shylock -- Romantic Shakespeare -- Richard III -- Othello -- Other Shakespearean Roles -- Non-Shakespearean Roles -- A Coda -- Notes -- Select Bibliography. Part III Voltaire, Goethe, Schlegel, Coleridge Edited by Roger Paulin -- Introduction -- 9 Voltaire -- Voltaire's Shakespearean Criticism: A Chronological Approach -- Voltaire's Criticism of Shakespeare: Ambivalence and Paradox -- The Resonance and Afterlife of Voltaire's Shakespeare Criticism -- Victor Hugo, the Anti-Voltaire -- 10 Johann Wolfgang Goethe -- Introduction -- The Young Goethe -- Contemporary Criticism of Götz -- Goethe and the Weimar Theatre -- Goethe's Production of Romeo and Juliet 1811-12 -- Goethe's Later Views on Shakespeare -- Conclusion -- 11 August Wilhelm Schlegel -- Section A The Reception of Shakespeare in Germany 1682-1785 -- Introduction -- Shakespeare in the Age of Enlightenment -- Wieland's Shakespeare Translation -- Shakespeare and the Sturm und Drang -- Eschenburg's Translation -- Section B August Wilhelm Schlegel and the Romantic Shakespeare -- Schlegel's Beginnings -- Schlegel's Essays for Schiller's Die Horen (1795-7) -- The Wilhelm Meister Essay -- The Romeo and Juliet Essay -- Schlegel's Shakespeare Translation -- The Vienna Lectures on Dramatic Art and Literature (1808) -- 12 Samuel Taylor Coleridge -- The Stage and Dramatic Illusion -- Coleridge and Eighteenth-century Criticism -- Coleridge, Germany and Schlegel -- Psychology and Character Criticism -- Coleridge, Shakespeare and Politics -- Coleridge's Critical Method -- Coleridge's Development as a Critic of Shakespeare -- Notes -- Select Bibliography -- Part IV Lamb, Hazlitt, Keats Edited by Adrian Poole -- Introduction -- 13 Charles Lamb -- Mrs. Siddons in the 'Salutation and Cat' -- Early Shakespearean Appropriations: Falstaff's Letters and John Woodvil -- Theatrical Encounters -- Specimens of English Dramatic Poets Who Lived about the Time of Shakspeare -- Tales from Shakespear -- 14 William Hazlitt -- Early Career -- Hazlitt and Kean -- Coleridge and Lamb. Models of Genius -- Magnum Opus -- The English Canon -- Familiar Style -- Hazlitt, Keats and Shakespeare -- 15 John Keats -- Keats's Reading of and Response to Shakespeare: Chronology and Context -- Antony and Cleopatra -- Notes -- Select Bibliography -- Index. |
| ctrlnum | (OCoLC)893331621 |
| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.33 |
| dewey-search | 822.33 |
| dewey-sort | 3822.33 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn893331621 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:16Z |
| institution | BVB |
| isbn | 9781441184481 1441184481 |
| language | English |
| oclc_num | 893331621 |
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| series | Great Shakespeareans. |
| series2 | Great Shakespeareans |
| spelling | Great Shakespeareans. Set I, parts I-IV / edited by Claude Rawson, Peter Holland, Roger Paulin and Adrian Poole. London : Continuum, [2010] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Great Shakespeareans Includes bibliographical references and index. Print version record. The second set of volumes in the eighteen-volume series "Great Shakespeareans", covering the work of nineteen key figures who influenced the global understanding of Shakespeare HalfTitle -- Series -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Series Editors' Preface -- Notes on Contributors -- Part I Dryden, Pope, Johnson, Malone Edited by Claude Rawson -- Acknowledgements -- Introduction -- 1 John Dryden -- Conversations about Shakespeare -- Cycles and Subcycles -- The Rules and the Unities -- Stage and Page -- The Nature of 'Nature' -- Dryden's Constituency -- Conclusion -- 2 Alexander Pope -- A Page, a Grave -- Labour and elegance in Pope's editing -- Pope's editorial rationale -- Pope's editorial practice -- The editor as verse thinker -- 3 Samuel Johnson -- The 'Preface to Shakespeare' -- 4 Edmond Malone -- Editing the Text: Textual Criticism -- Textual Editing: Interpretation and Explication -- The Dates and Order of Shakespeare's Plays -- The Life of Shakespeare -- Malone's Account of the English Stage -- Shakespearean Forgeries -- Conclusion -- Notes -- Select Bibliography -- Part II Garrick, Kemble, Siddons, Kean Edited by Peter Holland -- Introduction -- 5 David Garrick -- Statues -- Collecting Books -- Editor and Commentator -- Examining the Actor -- Playing Macbeth -- Editing Macbeth -- Authentic Macbeth -- Contexts for change: Garrick the actor -- Contexts for change: the Shakespeare revival -- Plays problematic and triumphant -- Fairies and comedy -- 1769: Garrick, Shakespeare and cultural tourism -- 6 John Philip Kemble -- The Memory of Kemble -- Becoming 'Great John Kemble': Kemble and the Gothic -- Becoming 'King John': Kemble and the Crowd -- Ending as an Old Roman: Kemble and the Classical -- 7 Sarah Siddons -- I -- II -- III -- IV -- V -- VI -- 8 Edmund Kean -- Provincial Playing -- 26 January 1814: Shylock -- Romantic Shakespeare -- Richard III -- Othello -- Other Shakespearean Roles -- Non-Shakespearean Roles -- A Coda -- Notes -- Select Bibliography. Part III Voltaire, Goethe, Schlegel, Coleridge Edited by Roger Paulin -- Introduction -- 9 Voltaire -- Voltaire's Shakespearean Criticism: A Chronological Approach -- Voltaire's Criticism of Shakespeare: Ambivalence and Paradox -- The Resonance and Afterlife of Voltaire's Shakespeare Criticism -- Victor Hugo, the Anti-Voltaire -- 10 Johann Wolfgang Goethe -- Introduction -- The Young Goethe -- Contemporary Criticism of Götz -- Goethe and the Weimar Theatre -- Goethe's Production of Romeo and Juliet 1811-12 -- Goethe's Later Views on Shakespeare -- Conclusion -- 11 August Wilhelm Schlegel -- Section A The Reception of Shakespeare in Germany 1682-1785 -- Introduction -- Shakespeare in the Age of Enlightenment -- Wieland's Shakespeare Translation -- Shakespeare and the Sturm und Drang -- Eschenburg's Translation -- Section B August Wilhelm Schlegel and the Romantic Shakespeare -- Schlegel's Beginnings -- Schlegel's Essays for Schiller's Die Horen (1795-7) -- The Wilhelm Meister Essay -- The Romeo and Juliet Essay -- Schlegel's Shakespeare Translation -- The Vienna Lectures on Dramatic Art and Literature (1808) -- 12 Samuel Taylor Coleridge -- The Stage and Dramatic Illusion -- Coleridge and Eighteenth-century Criticism -- Coleridge, Germany and Schlegel -- Psychology and Character Criticism -- Coleridge, Shakespeare and Politics -- Coleridge's Critical Method -- Coleridge's Development as a Critic of Shakespeare -- Notes -- Select Bibliography -- Part IV Lamb, Hazlitt, Keats Edited by Adrian Poole -- Introduction -- 13 Charles Lamb -- Mrs. Siddons in the 'Salutation and Cat' -- Early Shakespearean Appropriations: Falstaff's Letters and John Woodvil -- Theatrical Encounters -- Specimens of English Dramatic Poets Who Lived about the Time of Shakspeare -- Tales from Shakespear -- 14 William Hazlitt -- Early Career -- Hazlitt and Kean -- Coleridge and Lamb. Models of Genius -- Magnum Opus -- The English Canon -- Familiar Style -- Hazlitt, Keats and Shakespeare -- 15 John Keats -- Keats's Reading of and Response to Shakespeare: Chronology and Context -- Antony and Cleopatra -- Notes -- Select Bibliography -- Index. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd DRAMA English, Irish, Scottish, Welsh. bisacsh DRAMA Shakespeare. bisacsh Criticism, interpretation, etc. fast Rawson, Claude Julien, editor. http://id.loc.gov/authorities/names/n50054040 Holland, Peter, 1951- editor. https://id.oclc.org/worldcat/entity/E39PBJhX8p4Mk7VqQp33RbH3cP Paulin, Roger, editor. http://id.loc.gov/authorities/names/n84153027 Poole, Adrian, editor. http://id.loc.gov/authorities/names/n86068721 has work: Great Shakespeareans Set I, parts I (Text) https://id.oclc.org/worldcat/entity/E39PCGdRmY6CyfpWJ78bTjq3V3 https://id.oclc.org/worldcat/ontology/hasWork Great Shakespeareans. http://id.loc.gov/authorities/names/no2010119391 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=842507 Volltext |
| spellingShingle | Great Shakespeareans. Great Shakespeareans. HalfTitle -- Series -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Series Editors' Preface -- Notes on Contributors -- Part I Dryden, Pope, Johnson, Malone Edited by Claude Rawson -- Acknowledgements -- Introduction -- 1 John Dryden -- Conversations about Shakespeare -- Cycles and Subcycles -- The Rules and the Unities -- Stage and Page -- The Nature of 'Nature' -- Dryden's Constituency -- Conclusion -- 2 Alexander Pope -- A Page, a Grave -- Labour and elegance in Pope's editing -- Pope's editorial rationale -- Pope's editorial practice -- The editor as verse thinker -- 3 Samuel Johnson -- The 'Preface to Shakespeare' -- 4 Edmond Malone -- Editing the Text: Textual Criticism -- Textual Editing: Interpretation and Explication -- The Dates and Order of Shakespeare's Plays -- The Life of Shakespeare -- Malone's Account of the English Stage -- Shakespearean Forgeries -- Conclusion -- Notes -- Select Bibliography -- Part II Garrick, Kemble, Siddons, Kean Edited by Peter Holland -- Introduction -- 5 David Garrick -- Statues -- Collecting Books -- Editor and Commentator -- Examining the Actor -- Playing Macbeth -- Editing Macbeth -- Authentic Macbeth -- Contexts for change: Garrick the actor -- Contexts for change: the Shakespeare revival -- Plays problematic and triumphant -- Fairies and comedy -- 1769: Garrick, Shakespeare and cultural tourism -- 6 John Philip Kemble -- The Memory of Kemble -- Becoming 'Great John Kemble': Kemble and the Gothic -- Becoming 'King John': Kemble and the Crowd -- Ending as an Old Roman: Kemble and the Classical -- 7 Sarah Siddons -- I -- II -- III -- IV -- V -- VI -- 8 Edmund Kean -- Provincial Playing -- 26 January 1814: Shylock -- Romantic Shakespeare -- Richard III -- Othello -- Other Shakespearean Roles -- Non-Shakespearean Roles -- A Coda -- Notes -- Select Bibliography. Part III Voltaire, Goethe, Schlegel, Coleridge Edited by Roger Paulin -- Introduction -- 9 Voltaire -- Voltaire's Shakespearean Criticism: A Chronological Approach -- Voltaire's Criticism of Shakespeare: Ambivalence and Paradox -- The Resonance and Afterlife of Voltaire's Shakespeare Criticism -- Victor Hugo, the Anti-Voltaire -- 10 Johann Wolfgang Goethe -- Introduction -- The Young Goethe -- Contemporary Criticism of Götz -- Goethe and the Weimar Theatre -- Goethe's Production of Romeo and Juliet 1811-12 -- Goethe's Later Views on Shakespeare -- Conclusion -- 11 August Wilhelm Schlegel -- Section A The Reception of Shakespeare in Germany 1682-1785 -- Introduction -- Shakespeare in the Age of Enlightenment -- Wieland's Shakespeare Translation -- Shakespeare and the Sturm und Drang -- Eschenburg's Translation -- Section B August Wilhelm Schlegel and the Romantic Shakespeare -- Schlegel's Beginnings -- Schlegel's Essays for Schiller's Die Horen (1795-7) -- The Wilhelm Meister Essay -- The Romeo and Juliet Essay -- Schlegel's Shakespeare Translation -- The Vienna Lectures on Dramatic Art and Literature (1808) -- 12 Samuel Taylor Coleridge -- The Stage and Dramatic Illusion -- Coleridge and Eighteenth-century Criticism -- Coleridge, Germany and Schlegel -- Psychology and Character Criticism -- Coleridge, Shakespeare and Politics -- Coleridge's Critical Method -- Coleridge's Development as a Critic of Shakespeare -- Notes -- Select Bibliography -- Part IV Lamb, Hazlitt, Keats Edited by Adrian Poole -- Introduction -- 13 Charles Lamb -- Mrs. Siddons in the 'Salutation and Cat' -- Early Shakespearean Appropriations: Falstaff's Letters and John Woodvil -- Theatrical Encounters -- Specimens of English Dramatic Poets Who Lived about the Time of Shakspeare -- Tales from Shakespear -- 14 William Hazlitt -- Early Career -- Hazlitt and Kean -- Coleridge and Lamb. Models of Genius -- Magnum Opus -- The English Canon -- Familiar Style -- Hazlitt, Keats and Shakespeare -- 15 John Keats -- Keats's Reading of and Response to Shakespeare: Chronology and Context -- Antony and Cleopatra -- Notes -- Select Bibliography -- Index. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd DRAMA English, Irish, Scottish, Welsh. bisacsh DRAMA Shakespeare. bisacsh |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120926 |
| title | Great Shakespeareans. |
| title_auth | Great Shakespeareans. |
| title_exact_search | Great Shakespeareans. |
| title_full | Great Shakespeareans. Set I, parts I-IV / edited by Claude Rawson, Peter Holland, Roger Paulin and Adrian Poole. |
| title_fullStr | Great Shakespeareans. Set I, parts I-IV / edited by Claude Rawson, Peter Holland, Roger Paulin and Adrian Poole. |
| title_full_unstemmed | Great Shakespeareans. Set I, parts I-IV / edited by Claude Rawson, Peter Holland, Roger Paulin and Adrian Poole. |
| title_short | Great Shakespeareans. |
| title_sort | great shakespeareans |
| topic | Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd DRAMA English, Irish, Scottish, Welsh. bisacsh DRAMA Shakespeare. bisacsh |
| topic_facet | Shakespeare, William, 1564-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 DRAMA English, Irish, Scottish, Welsh. DRAMA Shakespeare. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=842507 |
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