Deleuze and Film :: a Feminist Introduction.
In the first book-length introduction to Deleuze''s work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze''s books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on D...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Bloomsbury Publishing,
2012.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In the first book-length introduction to Deleuze''s work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze''s books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze''s books on Cinema, Rizzo''s work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a ''cinematic assemblage'', the book focuses on affective and intensive. |
| Beschreibung: | 1 online resource (209 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781441155627 1441155627 |
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| 505 | 0 | |a Title Page; Copyright Page; Contents; Acknowledgements; Introduction; From Lacan to lacuna; From the cinematic apparatus to cinematic assemblages; Towards a feminist approach to the film-viewer assemblage; The films; 1: The cinematic apparatus and the transcendental subject; section 1: the cinematic apparatus; section 2: the transcendental subject; section 3: Deleuzian possibilities; 2: Re-thinking representation: New lines of thought in feminist philosophy; Section 1: Plato's Cave; Section 2: The body becoming; 3: Cinematic assemblages: An ethological approach to film viewing. | |
| 505 | 8 | |a Section 1: The assemblageKey terms in the cinematic assemblage; Section 2: The cinematic assemblage and the Cinema books; 4: The slasher film: A Deleuzian feminist analysis; Section 1: Carol Clover and the modern horror genre; Section 2: Affective perception: An ethological approach; Section 3: The film-viewer and affective perception; 5: The Alien series: Alien-becomings, human-becomings; Section 1: On screen transformations; Section 2: The film-viewer assemblage; 6: The molecular poetics of the assemblage: Before Night Falls; Section 1: Life as molecular, individuality as haeccaity. | |
| 505 | 8 | |a Section 2: Vitality affects and attunement behaviourSection 3: The time-image and molecular sexuality; Conclusion: A feminist cinematic assemblage; The question of representation; Image 0f thought; Notes; Bibliography; Index. | |
| 520 | |a In the first book-length introduction to Deleuze''s work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze''s books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze''s books on Cinema, Rizzo''s work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a ''cinematic assemblage'', the book focuses on affective and intensive. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 600 | 1 | 0 | |a Deleuze, Gilles, |d 1925-1995 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Deleuze, Gilles, |d 1925-1995 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtRKRmp8W3B73TxP6Dcyd |
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| 650 | 6 | |a Féminisme et cinéma. | |
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| 650 | 7 | |a Feminist film criticism |2 fast | |
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| contents | Title Page; Copyright Page; Contents; Acknowledgements; Introduction; From Lacan to lacuna; From the cinematic apparatus to cinematic assemblages; Towards a feminist approach to the film-viewer assemblage; The films; 1: The cinematic apparatus and the transcendental subject; section 1: the cinematic apparatus; section 2: the transcendental subject; section 3: Deleuzian possibilities; 2: Re-thinking representation: New lines of thought in feminist philosophy; Section 1: Plato's Cave; Section 2: The body becoming; 3: Cinematic assemblages: An ethological approach to film viewing. Section 1: The assemblageKey terms in the cinematic assemblage; Section 2: The cinematic assemblage and the Cinema books; 4: The slasher film: A Deleuzian feminist analysis; Section 1: Carol Clover and the modern horror genre; Section 2: Affective perception: An ethological approach; Section 3: The film-viewer and affective perception; 5: The Alien series: Alien-becomings, human-becomings; Section 1: On screen transformations; Section 2: The film-viewer assemblage; 6: The molecular poetics of the assemblage: Before Night Falls; Section 1: Life as molecular, individuality as haeccaity. Section 2: Vitality affects and attunement behaviourSection 3: The time-image and molecular sexuality; Conclusion: A feminist cinematic assemblage; The question of representation; Image 0f thought; Notes; Bibliography; Index. |
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| dewey-sort | 3791.43 46522 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| spelling | Rizzo, Teresa. Deleuze and Film : a Feminist Introduction. London : Bloomsbury Publishing, 2012. 1 online resource (209 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Title Page; Copyright Page; Contents; Acknowledgements; Introduction; From Lacan to lacuna; From the cinematic apparatus to cinematic assemblages; Towards a feminist approach to the film-viewer assemblage; The films; 1: The cinematic apparatus and the transcendental subject; section 1: the cinematic apparatus; section 2: the transcendental subject; section 3: Deleuzian possibilities; 2: Re-thinking representation: New lines of thought in feminist philosophy; Section 1: Plato's Cave; Section 2: The body becoming; 3: Cinematic assemblages: An ethological approach to film viewing. Section 1: The assemblageKey terms in the cinematic assemblage; Section 2: The cinematic assemblage and the Cinema books; 4: The slasher film: A Deleuzian feminist analysis; Section 1: Carol Clover and the modern horror genre; Section 2: Affective perception: An ethological approach; Section 3: The film-viewer and affective perception; 5: The Alien series: Alien-becomings, human-becomings; Section 1: On screen transformations; Section 2: The film-viewer assemblage; 6: The molecular poetics of the assemblage: Before Night Falls; Section 1: Life as molecular, individuality as haeccaity. Section 2: Vitality affects and attunement behaviourSection 3: The time-image and molecular sexuality; Conclusion: A feminist cinematic assemblage; The question of representation; Image 0f thought; Notes; Bibliography; Index. In the first book-length introduction to Deleuze''s work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze''s books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze''s books on Cinema, Rizzo''s work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a ''cinematic assemblage'', the book focuses on affective and intensive. Includes bibliographical references and index. Deleuze, Gilles, 1925-1995 Criticism and interpretation. Deleuze, Gilles, 1925-1995 fast https://id.oclc.org/worldcat/entity/E39PBJtRKRmp8W3B73TxP6Dcyd Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Feminist film criticism. http://id.loc.gov/authorities/subjects/sh90004315 Motion pictures Philosophy. Féminisme et cinéma. Critique cinématographique féministe. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Feminism and motion pictures fast Feminist film criticism fast Motion pictures Philosophy fast Criticism, interpretation, etc. fast Print version: Rizzo, Teresa. Deleuze and Film : A Feminist Introduction. London : Bloomsbury Publishing, ©2012 9781441113405 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=838030 Volltext |
| spellingShingle | Rizzo, Teresa Deleuze and Film : a Feminist Introduction. Title Page; Copyright Page; Contents; Acknowledgements; Introduction; From Lacan to lacuna; From the cinematic apparatus to cinematic assemblages; Towards a feminist approach to the film-viewer assemblage; The films; 1: The cinematic apparatus and the transcendental subject; section 1: the cinematic apparatus; section 2: the transcendental subject; section 3: Deleuzian possibilities; 2: Re-thinking representation: New lines of thought in feminist philosophy; Section 1: Plato's Cave; Section 2: The body becoming; 3: Cinematic assemblages: An ethological approach to film viewing. Section 1: The assemblageKey terms in the cinematic assemblage; Section 2: The cinematic assemblage and the Cinema books; 4: The slasher film: A Deleuzian feminist analysis; Section 1: Carol Clover and the modern horror genre; Section 2: Affective perception: An ethological approach; Section 3: The film-viewer and affective perception; 5: The Alien series: Alien-becomings, human-becomings; Section 1: On screen transformations; Section 2: The film-viewer assemblage; 6: The molecular poetics of the assemblage: Before Night Falls; Section 1: Life as molecular, individuality as haeccaity. Section 2: Vitality affects and attunement behaviourSection 3: The time-image and molecular sexuality; Conclusion: A feminist cinematic assemblage; The question of representation; Image 0f thought; Notes; Bibliography; Index. Deleuze, Gilles, 1925-1995 Criticism and interpretation. Deleuze, Gilles, 1925-1995 fast https://id.oclc.org/worldcat/entity/E39PBJtRKRmp8W3B73TxP6Dcyd Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Feminist film criticism. http://id.loc.gov/authorities/subjects/sh90004315 Motion pictures Philosophy. Féminisme et cinéma. Critique cinématographique féministe. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Feminism and motion pictures fast Feminist film criticism fast Motion pictures Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85047748 http://id.loc.gov/authorities/subjects/sh90004315 |
| title | Deleuze and Film : a Feminist Introduction. |
| title_auth | Deleuze and Film : a Feminist Introduction. |
| title_exact_search | Deleuze and Film : a Feminist Introduction. |
| title_full | Deleuze and Film : a Feminist Introduction. |
| title_fullStr | Deleuze and Film : a Feminist Introduction. |
| title_full_unstemmed | Deleuze and Film : a Feminist Introduction. |
| title_short | Deleuze and Film : |
| title_sort | deleuze and film a feminist introduction |
| title_sub | a Feminist Introduction. |
| topic | Deleuze, Gilles, 1925-1995 Criticism and interpretation. Deleuze, Gilles, 1925-1995 fast https://id.oclc.org/worldcat/entity/E39PBJtRKRmp8W3B73TxP6Dcyd Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Feminist film criticism. http://id.loc.gov/authorities/subjects/sh90004315 Motion pictures Philosophy. Féminisme et cinéma. Critique cinématographique féministe. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Feminism and motion pictures fast Feminist film criticism fast Motion pictures Philosophy fast |
| topic_facet | Deleuze, Gilles, 1925-1995 Criticism and interpretation. Deleuze, Gilles, 1925-1995 Feminism and motion pictures. Feminist film criticism. Motion pictures Philosophy. Féminisme et cinéma. Critique cinématographique féministe. Cinéma Philosophie. PERFORMING ARTS Reference. Feminism and motion pictures Feminist film criticism Motion pictures Philosophy Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=838030 |
| work_keys_str_mv | AT rizzoteresa deleuzeandfilmafeministintroduction |