Subcultures, popular music and social change /:
Style-based subcultures, scenes and tribes have pulsated through the history of social, economic and political change. From 1940s zoot-suiters and hepcats; through 1950s rock 'n' rollers, beatniks and Teddy boys; 1960s surfers, rudeboys, mods, hippies and bikers; 1970s skinheads, soul boys...
Gespeichert in:
Körperschaft: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
[2014]
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Style-based subcultures, scenes and tribes have pulsated through the history of social, economic and political change. From 1940s zoot-suiters and hepcats; through 1950s rock 'n' rollers, beatniks and Teddy boys; 1960s surfers, rudeboys, mods, hippies and bikers; 1970s skinheads, soul boys, rastas, glam rockers, funksters and punks; on to the heavy metal, hip-hop, casual, goth, rave, hipster and clubber styles of the 1980s, 90s, noughties and beyond; distinctive blends of fashion and music ha ... |
Beschreibung: | 1 online resource (330 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781443867375 1443867373 |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
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245 | 0 | 0 | |a Subcultures, popular music and social change / |c edited by the Subcultures Network. |
264 | 1 | |a Newcastle upon Tyne : |b Cambridge Scholars Publishing, |c [2014] | |
264 | 4 | |c ©2014 | |
300 | |a 1 online resource (330 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
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347 | |a data file | ||
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Acknowledgements; preface; contributors; 1. subcultures, popularmusicand social change; i.theorizing subculturesand popularmusic; 2. subcultural theory in france:amissed rendez-vous?; 3. "it'swhere you come fromthatmakes youwho you are"; 4. youth culture and the internet; ii.the construction and expressionof subcultural identities; 5. "a harmonizing whole"?music, mass observationand the interwar public house; 6. neo-burlesque; 7. ambitious outsiders; 8. subcultural entrance practicesin uk punk culture, 1976-2001; 9. staring at the rudeboys. | |
505 | 8 | |a Iii.subcultures, global flowsand local contexts10. the stax/volt revue and soulmusic fandom in 1960s britain; 11. 1968 underground; 12. "the lad is always right"; 13. an exploration of deviance, power and resistancewithin contemporary cuba; afterwordafter shock; index. | |
520 | |a Style-based subcultures, scenes and tribes have pulsated through the history of social, economic and political change. From 1940s zoot-suiters and hepcats; through 1950s rock 'n' rollers, beatniks and Teddy boys; 1960s surfers, rudeboys, mods, hippies and bikers; 1970s skinheads, soul boys, rastas, glam rockers, funksters and punks; on to the heavy metal, hip-hop, casual, goth, rave, hipster and clubber styles of the 1980s, 90s, noughties and beyond; distinctive blends of fashion and music ha ... | ||
650 | 0 | |a Subculture |v Congresses. | |
650 | 0 | |a Popular music |x Social aspects |v Congresses. | |
650 | 0 | |a Rock music |x Social aspects |v Congresses. | |
650 | 0 | |a Counterculture |v Congresses. | |
650 | 6 | |a Subculture |v Congrès. | |
650 | 6 | |a Musique populaire |x Aspect social |v Congrès. | |
650 | 6 | |a Rock (Musique) |x Aspect social |v Congrès. | |
650 | 6 | |a Contre-culture |v Congrès. | |
650 | 7 | |a Cultural studies. |2 bicssc | |
650 | 7 | |a Media studies. |2 bicssc | |
650 | 7 | |a Sociology. |2 bicssc | |
650 | 7 | |a POLITICAL SCIENCE |x Public Policy |x Cultural Policy. |2 bisacsh | |
650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
650 | 7 | |a SOCIAL SCIENCE |x Popular Culture. |2 bisacsh | |
650 | 7 | |a Counterculture |2 fast | |
650 | 7 | |a Popular music |x Social aspects |2 fast | |
650 | 7 | |a Rock music |x Social aspects |2 fast | |
650 | 7 | |a Subculture |2 fast | |
655 | 7 | |a Conference papers and proceedings |2 fast | |
710 | 2 | |a Subcultures Network, |e editor. |0 http://id.loc.gov/authorities/names/nb2014021667 | |
776 | 0 | 8 | |i Print version: |t Subcultures |z 1443859451 |w (OCoLC)889999258 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=849518 |3 Volltext |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn892511788 |
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adam_text | |
any_adam_object | |
author_corporate | Subcultures Network |
author_corporate_role | edt |
author_facet | Subcultures Network |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | H - Social Science |
callnumber-label | HM646 |
callnumber-raw | HM646 |
callnumber-search | HM646 |
callnumber-sort | HM 3646 |
callnumber-subject | HM - Sociology |
collection | ZDB-4-EBA |
contents | Acknowledgements; preface; contributors; 1. subcultures, popularmusicand social change; i.theorizing subculturesand popularmusic; 2. subcultural theory in france:amissed rendez-vous?; 3. "it'swhere you come fromthatmakes youwho you are"; 4. youth culture and the internet; ii.the construction and expressionof subcultural identities; 5. "a harmonizing whole"?music, mass observationand the interwar public house; 6. neo-burlesque; 7. ambitious outsiders; 8. subcultural entrance practicesin uk punk culture, 1976-2001; 9. staring at the rudeboys. Iii.subcultures, global flowsand local contexts10. the stax/volt revue and soulmusic fandom in 1960s britain; 11. 1968 underground; 12. "the lad is always right"; 13. an exploration of deviance, power and resistancewithin contemporary cuba; afterwordafter shock; index. |
ctrlnum | (OCoLC)892511788 |
dewey-full | 306/.1 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 306 - Culture and institutions |
dewey-raw | 306/.1 |
dewey-search | 306/.1 |
dewey-sort | 3306 11 |
dewey-tens | 300 - Social sciences |
discipline | Soziologie |
format | Electronic eBook |
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id | ZDB-4-EBA-ocn892511788 |
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institution_GND | http://id.loc.gov/authorities/names/nb2014021667 |
isbn | 9781443867375 1443867373 |
language | English |
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psigel | ZDB-4-EBA |
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publisher | Cambridge Scholars Publishing, |
record_format | marc |
spelling | Subcultures, popular music and social change / edited by the Subcultures Network. Newcastle upon Tyne : Cambridge Scholars Publishing, [2014] ©2014 1 online resource (330 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references and index. Print version record. Acknowledgements; preface; contributors; 1. subcultures, popularmusicand social change; i.theorizing subculturesand popularmusic; 2. subcultural theory in france:amissed rendez-vous?; 3. "it'swhere you come fromthatmakes youwho you are"; 4. youth culture and the internet; ii.the construction and expressionof subcultural identities; 5. "a harmonizing whole"?music, mass observationand the interwar public house; 6. neo-burlesque; 7. ambitious outsiders; 8. subcultural entrance practicesin uk punk culture, 1976-2001; 9. staring at the rudeboys. Iii.subcultures, global flowsand local contexts10. the stax/volt revue and soulmusic fandom in 1960s britain; 11. 1968 underground; 12. "the lad is always right"; 13. an exploration of deviance, power and resistancewithin contemporary cuba; afterwordafter shock; index. Style-based subcultures, scenes and tribes have pulsated through the history of social, economic and political change. From 1940s zoot-suiters and hepcats; through 1950s rock 'n' rollers, beatniks and Teddy boys; 1960s surfers, rudeboys, mods, hippies and bikers; 1970s skinheads, soul boys, rastas, glam rockers, funksters and punks; on to the heavy metal, hip-hop, casual, goth, rave, hipster and clubber styles of the 1980s, 90s, noughties and beyond; distinctive blends of fashion and music ha ... Subculture Congresses. Popular music Social aspects Congresses. Rock music Social aspects Congresses. Counterculture Congresses. Subculture Congrès. Musique populaire Aspect social Congrès. Rock (Musique) Aspect social Congrès. Contre-culture Congrès. Cultural studies. bicssc Media studies. bicssc Sociology. bicssc POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Counterculture fast Popular music Social aspects fast Rock music Social aspects fast Subculture fast Conference papers and proceedings fast Subcultures Network, editor. http://id.loc.gov/authorities/names/nb2014021667 Print version: Subcultures 1443859451 (OCoLC)889999258 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=849518 Volltext |
spellingShingle | Subcultures, popular music and social change / Acknowledgements; preface; contributors; 1. subcultures, popularmusicand social change; i.theorizing subculturesand popularmusic; 2. subcultural theory in france:amissed rendez-vous?; 3. "it'swhere you come fromthatmakes youwho you are"; 4. youth culture and the internet; ii.the construction and expressionof subcultural identities; 5. "a harmonizing whole"?music, mass observationand the interwar public house; 6. neo-burlesque; 7. ambitious outsiders; 8. subcultural entrance practicesin uk punk culture, 1976-2001; 9. staring at the rudeboys. Iii.subcultures, global flowsand local contexts10. the stax/volt revue and soulmusic fandom in 1960s britain; 11. 1968 underground; 12. "the lad is always right"; 13. an exploration of deviance, power and resistancewithin contemporary cuba; afterwordafter shock; index. Subculture Congresses. Popular music Social aspects Congresses. Rock music Social aspects Congresses. Counterculture Congresses. Subculture Congrès. Musique populaire Aspect social Congrès. Rock (Musique) Aspect social Congrès. Contre-culture Congrès. Cultural studies. bicssc Media studies. bicssc Sociology. bicssc POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Counterculture fast Popular music Social aspects fast Rock music Social aspects fast Subculture fast |
title | Subcultures, popular music and social change / |
title_auth | Subcultures, popular music and social change / |
title_exact_search | Subcultures, popular music and social change / |
title_full | Subcultures, popular music and social change / edited by the Subcultures Network. |
title_fullStr | Subcultures, popular music and social change / edited by the Subcultures Network. |
title_full_unstemmed | Subcultures, popular music and social change / edited by the Subcultures Network. |
title_short | Subcultures, popular music and social change / |
title_sort | subcultures popular music and social change |
topic | Subculture Congresses. Popular music Social aspects Congresses. Rock music Social aspects Congresses. Counterculture Congresses. Subculture Congrès. Musique populaire Aspect social Congrès. Rock (Musique) Aspect social Congrès. Contre-culture Congrès. Cultural studies. bicssc Media studies. bicssc Sociology. bicssc POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Counterculture fast Popular music Social aspects fast Rock music Social aspects fast Subculture fast |
topic_facet | Subculture Congresses. Popular music Social aspects Congresses. Rock music Social aspects Congresses. Counterculture Congresses. Subculture Congrès. Musique populaire Aspect social Congrès. Rock (Musique) Aspect social Congrès. Contre-culture Congrès. Cultural studies. Media studies. Sociology. POLITICAL SCIENCE Public Policy Cultural Policy. SOCIAL SCIENCE Anthropology Cultural. SOCIAL SCIENCE Popular Culture. Counterculture Popular music Social aspects Rock music Social aspects Subculture Conference papers and proceedings |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=849518 |
work_keys_str_mv | AT subculturesnetwork subculturespopularmusicandsocialchange |