Verfügbarkeit: After the silents :

After the silents :: Hollywood film music in the early sound era, 1926-1934 /

Viewing more than two hundred films from the American film industry's early sound era (1926-1934), Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's development. Slowik follows filmmakers' shifting combinations of sound and image, recapturi...

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Bibliographische Detailangaben
1. Verfasser:	Slowik, Michael (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	New York : Columbia University Press, [2014]
Schriftenreihe:	Film and culture.
Schlagworte:	Motion picture music > United States > History and criticism. Film, Musique de > États-Unis > Histoire et critique. MUSIC > Instruction & Study > Theory. Motion picture music United States Criticism, interpretation, etc.
Online-Zugang:	Volltext
Zusammenfassung:	Viewing more than two hundred films from the American film industry's early sound era (1926-1934), Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's development. Slowik follows filmmakers' shifting combinations of sound and image, recapturing the volatility of this era and the variety of film music strategies that were tested, abandoned, and kept. He explores early film music experiments and accompaniment practices in opera, melodrama, musicals, radio, and silent films and discusses the impact of synchronized dialogue. He concludes with a reassessment of King Kong (1933) and its groundbreaking approach to film music, challenging the film's place and importance in the timeline of sound achievement.
Beschreibung:	1 online resource
Bibliographie:	Includes bibliographical references and index.
ISBN:	9780231535502 0231535503

Internformat

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520			\|a Viewing more than two hundred films from the American film industry's early sound era (1926-1934), Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's development. Slowik follows filmmakers' shifting combinations of sound and image, recapturing the volatility of this era and the variety of film music strategies that were tested, abandoned, and kept. He explores early film music experiments and accompaniment practices in opera, melodrama, musicals, radio, and silent films and discusses the impact of synchronized dialogue. He concludes with a reassessment of King Kong (1933) and its groundbreaking approach to film music, challenging the film's place and importance in the timeline of sound achievement.
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contents	Introduction -- a wide array of choices: musical influences in the 1920s -- Music in early synchronized and part-talking films, 1926-1929 -- Toward a sparse music style: music in the 100 percent talkie, 1928-1931 -- Interlude: the Hollywood musical, 1929-1932 -- Music and other worlds: the Hollywood film score, 1931-1933 -- Reassessing King Kong; or, the Hollywood film score, 1933-1934 -- Conclusion.
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spelling	Slowik, Michael, author. After the silents : Hollywood film music in the early sound era, 1926-1934 / Michael Slowik. New York : Columbia University Press, [2014] ©2014 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier PDF text file Film and culture Includes bibliographical references and index. Introduction -- a wide array of choices: musical influences in the 1920s -- Music in early synchronized and part-talking films, 1926-1929 -- Toward a sparse music style: music in the 100 percent talkie, 1928-1931 -- Interlude: the Hollywood musical, 1929-1932 -- Music and other worlds: the Hollywood film score, 1931-1933 -- Reassessing King Kong; or, the Hollywood film score, 1933-1934 -- Conclusion. Online resource; title from PDF title page (EBSCO, viewed November 26, 2014). Viewing more than two hundred films from the American film industry's early sound era (1926-1934), Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's development. Slowik follows filmmakers' shifting combinations of sound and image, recapturing the volatility of this era and the variety of film music strategies that were tested, abandoned, and kept. He explores early film music experiments and accompaniment practices in opera, melodrama, musicals, radio, and silent films and discusses the impact of synchronized dialogue. He concludes with a reassessment of King Kong (1933) and its groundbreaking approach to film music, challenging the film's place and importance in the timeline of sound achievement. In English. Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Motion picture music fast United States fast Criticism, interpretation, etc. fast has work: After the silents (Text) https://id.oclc.org/worldcat/entity/E39PCGTTK8fGDk7jmxQx4RCXv3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Slowik, Michael. After the silents. New York : Columbia University Press, [2014] 9780231165822 (DLC) 2014009771 (OCoLC)880349761 Film and culture. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=853669 Volltext
spellingShingle	Slowik, Michael After the silents : Hollywood film music in the early sound era, 1926-1934 / Film and culture. Introduction -- a wide array of choices: musical influences in the 1920s -- Music in early synchronized and part-talking films, 1926-1929 -- Toward a sparse music style: music in the 100 percent talkie, 1928-1931 -- Interlude: the Hollywood musical, 1929-1932 -- Music and other worlds: the Hollywood film score, 1931-1933 -- Reassessing King Kong; or, the Hollywood film score, 1933-1934 -- Conclusion. Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Motion picture music fast
title	After the silents : Hollywood film music in the early sound era, 1926-1934 /
title_auth	After the silents : Hollywood film music in the early sound era, 1926-1934 /
title_exact_search	After the silents : Hollywood film music in the early sound era, 1926-1934 /
title_full	After the silents : Hollywood film music in the early sound era, 1926-1934 / Michael Slowik.
title_fullStr	After the silents : Hollywood film music in the early sound era, 1926-1934 / Michael Slowik.
title_full_unstemmed	After the silents : Hollywood film music in the early sound era, 1926-1934 / Michael Slowik.
title_short	After the silents :
title_sort	after the silents hollywood film music in the early sound era 1926 1934
title_sub	Hollywood film music in the early sound era, 1926-1934 /
topic	Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Motion picture music fast
topic_facet	Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. MUSIC Instruction & Study Theory. Motion picture music United States Criticism, interpretation, etc.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=853669
work_keys_str_mv	AT slowikmichael afterthesilentshollywoodfilmmusicintheearlysoundera19261934

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