Schoenberg's twelve-tone music :: symmetry and the musical idea /
Jack Boss presents detailed analyses of Arnold Schoenberg''s twelve-tone pieces, bringing the composer''s ''musical idea'' - problem, elaboration, solution - to life.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York :
Cambridge University Press,
2014.
|
| Schriftenreihe: | Music since 1900.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Jack Boss presents detailed analyses of Arnold Schoenberg''s twelve-tone pieces, bringing the composer''s ''musical idea'' - problem, elaboration, solution - to life. "Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer." -- |
| Beschreibung: | 1 online resource : music |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781139871075 1139871072 9781107110786 1107110785 1139699245 9781139699242 1139862294 9781139862295 1139863215 9781139863216 1139861077 9781139861076 1107624924 9781107624924 1139868926 9781139868921 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn891740303 | ||
| 003 | OCoLC | ||
| 005 | 20240705115654.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 141001s2014 enkg ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d OCLCO |d YDXCP |d EBLCP |d CAMBR |d IDEBK |d E7B |d OCLCQ |d HEBIS |d OCLCO |d OCLCA |d UAB |d CNCGM |d OCLCQ |d INT |d OCLCQ |d OCLCO |d YOU |d AU@ |d UKAHL |d OCLCQ |d OCLCO |d OCL |d OCLCQ |d VLY |d LUN |d K6U |d OCLCQ |d OCLCO |d UCW |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d OCLCQ | ||
| 019 | |a 891445808 |a 1162429066 |a 1167648664 |a 1241853478 |a 1242481714 | ||
| 020 | |a 9781139871075 |q (electronic bk.) | ||
| 020 | |a 1139871072 |q (electronic bk.) | ||
| 020 | |a 9781107110786 |q (electronic bk.) | ||
| 020 | |a 1107110785 |q (electronic bk.) | ||
| 020 | |a 1139699245 | ||
| 020 | |a 9781139699242 | ||
| 020 | |a 1139862294 | ||
| 020 | |a 9781139862295 | ||
| 020 | |a 1139863215 | ||
| 020 | |a 9781139863216 | ||
| 020 | |a 1139861077 | ||
| 020 | |a 9781139861076 | ||
| 020 | |a 1107624924 | ||
| 020 | |a 9781107624924 | ||
| 020 | |a 1139868926 | ||
| 020 | |a 9781139868921 | ||
| 020 | |z 9781107046863 | ||
| 020 | |z 1107046866 | ||
| 020 | |z 9781139865340 | ||
| 020 | |z 113986534X | ||
| 035 | |a (OCoLC)891740303 |z (OCoLC)891445808 |z (OCoLC)1162429066 |z (OCoLC)1167648664 |z (OCoLC)1241853478 |z (OCoLC)1242481714 | ||
| 050 | 4 | |a ML410.S283 |b B67 2014eb | |
| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 082 | 7 | |a 781.2/68092 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Boss, Jack Forrest. |0 http://id.loc.gov/authorities/names/nr93013547 | |
| 245 | 1 | 0 | |a Schoenberg's twelve-tone music : |b symmetry and the musical idea / |c Jack Boss. |
| 264 | 1 | |a Cambridge, United Kingdom ; |a New York : |b Cambridge University Press, |c 2014. | |
| 300 | |a 1 online resource : |b music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Music since 1900 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Musical idea and symmetrical ideal -- |t Suite for Piano Op. 25 : varieties of Idea in Schoenberg's earliest twelve-tone music -- |t Woodwind Quintet Op. 26 : the twelve-tone Idea reanimates a large musical form -- |t Three Satires Op. 28, No. 3 : The earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context -- |t Piano Piece Op. 33a : The "symmetrical ideal" conflicts with and is reconciled to row order -- |t Fourth String Quartet Op. 37, movement I : two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form -- |t Moses und Aron : an incomplete musical idea represents an unresolved conflict between using word and image to communicate God -- |t String Trio Op. 45 : a musical idea and a near-death experience are expressed as a conflict between alternative row forms. |
| 520 | |a Jack Boss presents detailed analyses of Arnold Schoenberg''s twelve-tone pieces, bringing the composer''s ''musical idea'' - problem, elaboration, solution - to life. | ||
| 520 | |a "Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer." -- |c Provided by the publisher. | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Schoenberg, Arnold, |d 1874-1951 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Schoenberg, Arnold, |d 1874-1951 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3 |
| 600 | 1 | 7 | |a Schönberg, Arnold |d 1874-1951 |2 gnd |
| 650 | 0 | |a Twelve-tone system. |0 http://id.loc.gov/authorities/subjects/sh85139017 | |
| 650 | 6 | |a Dodécaphonisme. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Twelve-tone system |2 fast | |
| 650 | 7 | |a Zwölftontechnik |2 gnd |0 http://d-nb.info/gnd/4191359-0 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Schoenberg's twelve-tone music (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGD6JgYgHrJy3d6bDtf7wP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Boss, Jack Forrest. |t Schoenberg's twelve-tone music |z 9781107046863 |w (DLC) 2014026790 |w (OCoLC)864788522 |
| 830 | 0 | |a Music since 1900. |0 http://id.loc.gov/authorities/names/no2011071702 | |
| 856 | 1 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696287 |3 Volltext | |
| 856 | 1 | |l CBO01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696287 |3 Volltext | |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH33351623 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH26766954 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1650959 | ||
| 938 | |a ebrary |b EBRY |n ebr10940524 | ||
| 938 | |a EBSCOhost |b EBSC |n 696287 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis29888887 | ||
| 938 | |a YBP Library Services |b YANK |n 12090961 | ||
| 938 | |a YBP Library Services |b YANK |n 12092598 | ||
| 938 | |a YBP Library Services |b YANK |n 12115170 | ||
| 938 | |a YBP Library Services |b YANK |n 12307694 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn891740303 |
|---|---|
| _version_ | 1813903663064678400 |
| adam_text | |
| any_adam_object | |
| author | Boss, Jack Forrest |
| author_GND | http://id.loc.gov/authorities/names/nr93013547 |
| author_facet | Boss, Jack Forrest |
| author_role | |
| author_sort | Boss, Jack Forrest |
| author_variant | j f b jf jfb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.S283 B67 2014eb |
| callnumber-search | ML410.S283 B67 2014eb |
| callnumber-sort | ML 3410 S283 B67 42014EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Musical idea and symmetrical ideal -- Suite for Piano Op. 25 : varieties of Idea in Schoenberg's earliest twelve-tone music -- Woodwind Quintet Op. 26 : the twelve-tone Idea reanimates a large musical form -- Three Satires Op. 28, No. 3 : The earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context -- Piano Piece Op. 33a : The "symmetrical ideal" conflicts with and is reconciled to row order -- Fourth String Quartet Op. 37, movement I : two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form -- Moses und Aron : an incomplete musical idea represents an unresolved conflict between using word and image to communicate God -- String Trio Op. 45 : a musical idea and a near-death experience are expressed as a conflict between alternative row forms. |
| ctrlnum | (OCoLC)891740303 |
| dewey-full | 781.2/68092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.2/68092 |
| dewey-search | 781.2/68092 |
| dewey-sort | 3781.2 568092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05709cam a2200877 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn891740303</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20240705115654.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">141001s2014 enkg ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YDXCP</subfield><subfield code="d">EBLCP</subfield><subfield code="d">CAMBR</subfield><subfield code="d">IDEBK</subfield><subfield code="d">E7B</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">HEBIS</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCA</subfield><subfield code="d">UAB</subfield><subfield code="d">CNCGM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YOU</subfield><subfield code="d">AU@</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VLY</subfield><subfield code="d">LUN</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">UCW</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">891445808</subfield><subfield code="a">1162429066</subfield><subfield code="a">1167648664</subfield><subfield code="a">1241853478</subfield><subfield code="a">1242481714</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139871075</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139871072</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107110786</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1107110785</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139699245</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139699242</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139862294</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139862295</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139863215</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139863216</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139861077</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139861076</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1107624924</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107624924</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1139868926</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139868921</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781107046863</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1107046866</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781139865340</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">113986534X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)891740303</subfield><subfield code="z">(OCoLC)891445808</subfield><subfield code="z">(OCoLC)1162429066</subfield><subfield code="z">(OCoLC)1167648664</subfield><subfield code="z">(OCoLC)1241853478</subfield><subfield code="z">(OCoLC)1242481714</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML410.S283</subfield><subfield code="b">B67 2014eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.2/68092</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Boss, Jack Forrest.</subfield><subfield code="0">http://id.loc.gov/authorities/names/nr93013547</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Schoenberg's twelve-tone music :</subfield><subfield code="b">symmetry and the musical idea /</subfield><subfield code="c">Jack Boss.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom ;</subfield><subfield code="a">New York :</subfield><subfield code="b">Cambridge University Press,</subfield><subfield code="c">2014.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource :</subfield><subfield code="b">music</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Music since 1900</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Musical idea and symmetrical ideal --</subfield><subfield code="t">Suite for Piano Op. 25 : varieties of Idea in Schoenberg's earliest twelve-tone music --</subfield><subfield code="t">Woodwind Quintet Op. 26 : the twelve-tone Idea reanimates a large musical form --</subfield><subfield code="t">Three Satires Op. 28, No. 3 : The earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context --</subfield><subfield code="t">Piano Piece Op. 33a : The "symmetrical ideal" conflicts with and is reconciled to row order --</subfield><subfield code="t">Fourth String Quartet Op. 37, movement I : two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form --</subfield><subfield code="t">Moses und Aron : an incomplete musical idea represents an unresolved conflict between using word and image to communicate God --</subfield><subfield code="t">String Trio Op. 45 : a musical idea and a near-death experience are expressed as a conflict between alternative row forms.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Jack Boss presents detailed analyses of Arnold Schoenberg''s twelve-tone pieces, bringing the composer''s ''musical idea'' - problem, elaboration, solution - to life.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer." --</subfield><subfield code="c">Provided by the publisher.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Schoenberg, Arnold,</subfield><subfield code="d">1874-1951</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Schoenberg, Arnold,</subfield><subfield code="d">1874-1951</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Schönberg, Arnold</subfield><subfield code="d">1874-1951</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Twelve-tone system.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85139017</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Dodécaphonisme.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Instruction & Study</subfield><subfield code="x">Theory.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Twelve-tone system</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Zwölftontechnik</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4191359-0</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Schoenberg's twelve-tone music (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGD6JgYgHrJy3d6bDtf7wP</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Boss, Jack Forrest.</subfield><subfield code="t">Schoenberg's twelve-tone music</subfield><subfield code="z">9781107046863</subfield><subfield code="w">(DLC) 2014026790</subfield><subfield code="w">(OCoLC)864788522</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Music since 1900.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2011071702</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696287</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">CBO01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696287</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH33351623</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH26766954</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL1650959</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10940524</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">696287</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis29888887</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12090961</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12092598</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12115170</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12307694</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn891740303 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T16:22:15Z |
| institution | BVB |
| isbn | 9781139871075 1139871072 9781107110786 1107110785 1139699245 9781139699242 1139862294 9781139862295 1139863215 9781139863216 1139861077 9781139861076 1107624924 9781107624924 1139868926 9781139868921 |
| language | English |
| oclc_num | 891740303 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource : music |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Cambridge University Press, |
| record_format | marc |
| series | Music since 1900. |
| series2 | Music since 1900 |
| spelling | Boss, Jack Forrest. http://id.loc.gov/authorities/names/nr93013547 Schoenberg's twelve-tone music : symmetry and the musical idea / Jack Boss. Cambridge, United Kingdom ; New York : Cambridge University Press, 2014. 1 online resource : music text txt rdacontent computer c rdamedia online resource cr rdacarrier Music since 1900 Includes bibliographical references and index. Print version record. Musical idea and symmetrical ideal -- Suite for Piano Op. 25 : varieties of Idea in Schoenberg's earliest twelve-tone music -- Woodwind Quintet Op. 26 : the twelve-tone Idea reanimates a large musical form -- Three Satires Op. 28, No. 3 : The earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context -- Piano Piece Op. 33a : The "symmetrical ideal" conflicts with and is reconciled to row order -- Fourth String Quartet Op. 37, movement I : two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form -- Moses und Aron : an incomplete musical idea represents an unresolved conflict between using word and image to communicate God -- String Trio Op. 45 : a musical idea and a near-death experience are expressed as a conflict between alternative row forms. Jack Boss presents detailed analyses of Arnold Schoenberg''s twelve-tone pieces, bringing the composer''s ''musical idea'' - problem, elaboration, solution - to life. "Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer." -- Provided by the publisher. English. Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 fast https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3 Schönberg, Arnold 1874-1951 gnd Twelve-tone system. http://id.loc.gov/authorities/subjects/sh85139017 Dodécaphonisme. MUSIC Instruction & Study Theory. bisacsh Twelve-tone system fast Zwölftontechnik gnd http://d-nb.info/gnd/4191359-0 Criticism, interpretation, etc. fast has work: Schoenberg's twelve-tone music (Text) https://id.oclc.org/worldcat/entity/E39PCGD6JgYgHrJy3d6bDtf7wP https://id.oclc.org/worldcat/ontology/hasWork Print version: Boss, Jack Forrest. Schoenberg's twelve-tone music 9781107046863 (DLC) 2014026790 (OCoLC)864788522 Music since 1900. http://id.loc.gov/authorities/names/no2011071702 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696287 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696287 Volltext |
| spellingShingle | Boss, Jack Forrest Schoenberg's twelve-tone music : symmetry and the musical idea / Music since 1900. Musical idea and symmetrical ideal -- Suite for Piano Op. 25 : varieties of Idea in Schoenberg's earliest twelve-tone music -- Woodwind Quintet Op. 26 : the twelve-tone Idea reanimates a large musical form -- Three Satires Op. 28, No. 3 : The earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context -- Piano Piece Op. 33a : The "symmetrical ideal" conflicts with and is reconciled to row order -- Fourth String Quartet Op. 37, movement I : two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form -- Moses und Aron : an incomplete musical idea represents an unresolved conflict between using word and image to communicate God -- String Trio Op. 45 : a musical idea and a near-death experience are expressed as a conflict between alternative row forms. Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 fast https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3 Schönberg, Arnold 1874-1951 gnd Twelve-tone system. http://id.loc.gov/authorities/subjects/sh85139017 Dodécaphonisme. MUSIC Instruction & Study Theory. bisacsh Twelve-tone system fast Zwölftontechnik gnd http://d-nb.info/gnd/4191359-0 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85139017 http://d-nb.info/gnd/4191359-0 |
| title | Schoenberg's twelve-tone music : symmetry and the musical idea / |
| title_alt | Musical idea and symmetrical ideal -- Suite for Piano Op. 25 : varieties of Idea in Schoenberg's earliest twelve-tone music -- Woodwind Quintet Op. 26 : the twelve-tone Idea reanimates a large musical form -- Three Satires Op. 28, No. 3 : The earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context -- Piano Piece Op. 33a : The "symmetrical ideal" conflicts with and is reconciled to row order -- Fourth String Quartet Op. 37, movement I : two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form -- Moses und Aron : an incomplete musical idea represents an unresolved conflict between using word and image to communicate God -- String Trio Op. 45 : a musical idea and a near-death experience are expressed as a conflict between alternative row forms. |
| title_auth | Schoenberg's twelve-tone music : symmetry and the musical idea / |
| title_exact_search | Schoenberg's twelve-tone music : symmetry and the musical idea / |
| title_full | Schoenberg's twelve-tone music : symmetry and the musical idea / Jack Boss. |
| title_fullStr | Schoenberg's twelve-tone music : symmetry and the musical idea / Jack Boss. |
| title_full_unstemmed | Schoenberg's twelve-tone music : symmetry and the musical idea / Jack Boss. |
| title_short | Schoenberg's twelve-tone music : |
| title_sort | schoenberg s twelve tone music symmetry and the musical idea |
| title_sub | symmetry and the musical idea / |
| topic | Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 fast https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3 Schönberg, Arnold 1874-1951 gnd Twelve-tone system. http://id.loc.gov/authorities/subjects/sh85139017 Dodécaphonisme. MUSIC Instruction & Study Theory. bisacsh Twelve-tone system fast Zwölftontechnik gnd http://d-nb.info/gnd/4191359-0 |
| topic_facet | Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 Schönberg, Arnold 1874-1951 Twelve-tone system. Dodécaphonisme. MUSIC Instruction & Study Theory. Twelve-tone system Zwölftontechnik Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696287 |
| work_keys_str_mv | AT bossjackforrest schoenbergstwelvetonemusicsymmetryandthemusicalidea |