Art and Rhetoric in Roman Culture.:
Demonstrates the central significance of rhetoric in ancient responses to and receptions of Roman art.
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge :
Cambridge University Press,
2014.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Demonstrates the central significance of rhetoric in ancient responses to and receptions of Roman art. |
| Beschreibung: | 1 online resource (528 pages) |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9781316007785 1316007782 1322176485 9781322176482 9780511732317 0511732317 9781107000711 1107000718 9781316003282 1316003280 9781316005545 1316005542 |
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| 245 | 1 | 0 | |a Art and Rhetoric in Roman Culture. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2014. | ||
| 300 | |a 1 online resource (528 pages) | ||
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| 505 | 0 | |a Cover; Half-title; Title page; Copyright information; Table of contents; List of figures; Contributors; Preface; Introduction; PartI Architecture and Public Space; 1 On the Sublime in architecture; 2 Sublime histories, exceptional viewers: Trajan's Column and its visibility; 3 Corpore enormi: The Rhetoric of Physical Appearance in Suetonius and Imperial Portrait Statuary; Lenin''s corpse, Caligula''s body; Suetonius'' descriptions of the ruler''s appearance; The rhetoric of appearance in imperial portrait statuary; Ēthos; Pathos; Logos; Suetonius and portrait statuary. | |
| 505 | 8 | |a 4 Beauty and the Roman female portraitPart II The Domestic Realm; 5 The Casa del Menandro in Pompeii: Rhetoric and the Topology of Roman Wall Painting; Introduction; Rhetoric and Roman wall painting; The Casa del Menandro (Regio I 10.4); Layers of paint; Ala (4); Room (11); Room (15); Room (19); Mythological connections: from topography to topology; Wall painting and rhetoric: a topology; 6 Agamemnon''s grief: On the Limits of Expression in Roman Rhetoric and Painting; Zeuxis'' Helen and the ethics of invention; Painting as practice: medium, ornament and technique. | |
| 505 | 8 | |a Timanthes'' sacrifice of Iphigenia 1: style and decorTimanthes'' sacrifice of Iphigenia 2: the limits of expression; Part III The Funerary; 7 Rhetoric and art in third-century ad Rome; Sarcophagi; Persephone sarcophagi; Endymion and Selene; Amazonomachy; Changing message, changing rhetoric; Ekphrasis; Conclusion; 8 Poems in Stone: Reading Mythological Sarcophagi through Statius' Consolations; Grief and commemoration in Statius'' Silvae; Statius'' uses of myth; Simile; Exemplification; Mourning and tragic death on Roman mythological sarcophagi; Projections into the mythological realm. | |
| 505 | 8 | |a Conclusions9 The funerary altar of Pedana and the rhetoric of unreachability; Show and not tell; The power of empty rhetoric; Falling on deaf ears; Memories are made of this; 10 Rational, passionate and appetitive: The Psychology of Rhetoric and the Transformation of Visual Culture from non-Christian to Christian Sarcophagi in the Roman World; Sarcophagi: panegyrical and appetitive; Christian sarcophagi: changes in rhetorical argument; Conclusions; Part IV Rhetoric and the Visual; 11 The ordo of rhetoric and the rhetoric of order; Beginning: understanding the ''order of Homer'' | |
| 505 | 8 | |a Middle: knowing epic backwards?End: the orderings of memory; 12 Coda: The Rhetoric of Roman Painting within the History of Culture: A Global Interpretation; What is the significance of Roman painting for the history of Western art?; The contrasting roles of theatre in Greece and in Rome: the mixture of differences and their tragic or comic effect as a spectacle of society; The historicity of artistic forms; The descriptive account of the so-called four styles of Roman painting and the questions it raises; What is the rhetoric of art?; The place of painting in the structural table of arts. | |
| 504 | |a Includes bibliographical references. | ||
| 520 | |a Demonstrates the central significance of rhetoric in ancient responses to and receptions of Roman art. | ||
| 650 | 0 | |a Art, Roman. |0 http://id.loc.gov/authorities/subjects/sh85007869 | |
| 650 | 0 | |a Communication in art. |0 http://id.loc.gov/authorities/subjects/sh85029052 | |
| 650 | 0 | |a Rhetoric, Ancient. |0 http://id.loc.gov/authorities/subjects/sh85113634 | |
| 650 | 6 | |a Art romain. | |
| 650 | 6 | |a Communication dans l'art. | |
| 650 | 6 | |a Rhétorique ancienne. | |
| 650 | 7 | |a HISTORY |x General. |2 bisacsh | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Art, Roman |2 fast | |
| 650 | 7 | |a Communication in art |2 fast | |
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| 650 | 7 | |a Kunst |2 gnd | |
| 650 | 7 | |a Rhetorik |2 gnd | |
| 650 | 7 | |a Ästhetik |2 gnd | |
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| 700 | 1 | |a Meyer, Michel. | |
| 776 | 0 | 8 | |i Print version: |a Elsner, Jas. |t Art and Rhetoric in Roman Culture. |d Cambridge : Cambridge University Press, ©2014 |z 9781107000711 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn891445942 |
|---|---|
| _version_ | 1816882288441425920 |
| adam_text | |
| any_adam_object | |
| author | Elsner, Jas |
| author2 | Meyer, Michel |
| author2_role | |
| author2_variant | m m mm |
| author_facet | Elsner, Jas Meyer, Michel |
| author_role | |
| author_sort | Elsner, Jas |
| author_variant | j e je |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N5763 |
| callnumber-raw | N5763 .A78 2014 |
| callnumber-search | N5763 .A78 2014 |
| callnumber-sort | N 45763 A78 42014 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Cover; Half-title; Title page; Copyright information; Table of contents; List of figures; Contributors; Preface; Introduction; PartI Architecture and Public Space; 1 On the Sublime in architecture; 2 Sublime histories, exceptional viewers: Trajan's Column and its visibility; 3 Corpore enormi: The Rhetoric of Physical Appearance in Suetonius and Imperial Portrait Statuary; Lenin''s corpse, Caligula''s body; Suetonius'' descriptions of the ruler''s appearance; The rhetoric of appearance in imperial portrait statuary; Ēthos; Pathos; Logos; Suetonius and portrait statuary. 4 Beauty and the Roman female portraitPart II The Domestic Realm; 5 The Casa del Menandro in Pompeii: Rhetoric and the Topology of Roman Wall Painting; Introduction; Rhetoric and Roman wall painting; The Casa del Menandro (Regio I 10.4); Layers of paint; Ala (4); Room (11); Room (15); Room (19); Mythological connections: from topography to topology; Wall painting and rhetoric: a topology; 6 Agamemnon''s grief: On the Limits of Expression in Roman Rhetoric and Painting; Zeuxis'' Helen and the ethics of invention; Painting as practice: medium, ornament and technique. Timanthes'' sacrifice of Iphigenia 1: style and decorTimanthes'' sacrifice of Iphigenia 2: the limits of expression; Part III The Funerary; 7 Rhetoric and art in third-century ad Rome; Sarcophagi; Persephone sarcophagi; Endymion and Selene; Amazonomachy; Changing message, changing rhetoric; Ekphrasis; Conclusion; 8 Poems in Stone: Reading Mythological Sarcophagi through Statius' Consolations; Grief and commemoration in Statius'' Silvae; Statius'' uses of myth; Simile; Exemplification; Mourning and tragic death on Roman mythological sarcophagi; Projections into the mythological realm. Conclusions9 The funerary altar of Pedana and the rhetoric of unreachability; Show and not tell; The power of empty rhetoric; Falling on deaf ears; Memories are made of this; 10 Rational, passionate and appetitive: The Psychology of Rhetoric and the Transformation of Visual Culture from non-Christian to Christian Sarcophagi in the Roman World; Sarcophagi: panegyrical and appetitive; Christian sarcophagi: changes in rhetorical argument; Conclusions; Part IV Rhetoric and the Visual; 11 The ordo of rhetoric and the rhetoric of order; Beginning: understanding the ''order of Homer'' Middle: knowing epic backwards?End: the orderings of memory; 12 Coda: The Rhetoric of Roman Painting within the History of Culture: A Global Interpretation; What is the significance of Roman painting for the history of Western art?; The contrasting roles of theatre in Greece and in Rome: the mixture of differences and their tragic or comic effect as a spectacle of society; The historicity of artistic forms; The descriptive account of the so-called four styles of Roman painting and the questions it raises; What is the rhetoric of art?; The place of painting in the structural table of arts. |
| ctrlnum | (OCoLC)891445942 |
| dewey-full | 709.37 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.37 |
| dewey-search | 709.37 |
| dewey-sort | 3709.37 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| geographic | Römisches Reich gnd |
| geographic_facet | Römisches Reich |
| id | ZDB-4-EBA-ocn891445942 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:14Z |
| institution | BVB |
| isbn | 9781316007785 1316007782 1322176485 9781322176482 9780511732317 0511732317 9781107000711 1107000718 9781316003282 1316003280 9781316005545 1316005542 |
| language | English |
| oclc_num | 891445942 |
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| physical | 1 online resource (528 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
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| publisher | Cambridge University Press, |
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| spelling | Elsner, Jas. Art and Rhetoric in Roman Culture. Cambridge : Cambridge University Press, 2014. 1 online resource (528 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Cover; Half-title; Title page; Copyright information; Table of contents; List of figures; Contributors; Preface; Introduction; PartI Architecture and Public Space; 1 On the Sublime in architecture; 2 Sublime histories, exceptional viewers: Trajan's Column and its visibility; 3 Corpore enormi: The Rhetoric of Physical Appearance in Suetonius and Imperial Portrait Statuary; Lenin''s corpse, Caligula''s body; Suetonius'' descriptions of the ruler''s appearance; The rhetoric of appearance in imperial portrait statuary; Ēthos; Pathos; Logos; Suetonius and portrait statuary. 4 Beauty and the Roman female portraitPart II The Domestic Realm; 5 The Casa del Menandro in Pompeii: Rhetoric and the Topology of Roman Wall Painting; Introduction; Rhetoric and Roman wall painting; The Casa del Menandro (Regio I 10.4); Layers of paint; Ala (4); Room (11); Room (15); Room (19); Mythological connections: from topography to topology; Wall painting and rhetoric: a topology; 6 Agamemnon''s grief: On the Limits of Expression in Roman Rhetoric and Painting; Zeuxis'' Helen and the ethics of invention; Painting as practice: medium, ornament and technique. Timanthes'' sacrifice of Iphigenia 1: style and decorTimanthes'' sacrifice of Iphigenia 2: the limits of expression; Part III The Funerary; 7 Rhetoric and art in third-century ad Rome; Sarcophagi; Persephone sarcophagi; Endymion and Selene; Amazonomachy; Changing message, changing rhetoric; Ekphrasis; Conclusion; 8 Poems in Stone: Reading Mythological Sarcophagi through Statius' Consolations; Grief and commemoration in Statius'' Silvae; Statius'' uses of myth; Simile; Exemplification; Mourning and tragic death on Roman mythological sarcophagi; Projections into the mythological realm. Conclusions9 The funerary altar of Pedana and the rhetoric of unreachability; Show and not tell; The power of empty rhetoric; Falling on deaf ears; Memories are made of this; 10 Rational, passionate and appetitive: The Psychology of Rhetoric and the Transformation of Visual Culture from non-Christian to Christian Sarcophagi in the Roman World; Sarcophagi: panegyrical and appetitive; Christian sarcophagi: changes in rhetorical argument; Conclusions; Part IV Rhetoric and the Visual; 11 The ordo of rhetoric and the rhetoric of order; Beginning: understanding the ''order of Homer'' Middle: knowing epic backwards?End: the orderings of memory; 12 Coda: The Rhetoric of Roman Painting within the History of Culture: A Global Interpretation; What is the significance of Roman painting for the history of Western art?; The contrasting roles of theatre in Greece and in Rome: the mixture of differences and their tragic or comic effect as a spectacle of society; The historicity of artistic forms; The descriptive account of the so-called four styles of Roman painting and the questions it raises; What is the rhetoric of art?; The place of painting in the structural table of arts. Includes bibliographical references. Demonstrates the central significance of rhetoric in ancient responses to and receptions of Roman art. Art, Roman. http://id.loc.gov/authorities/subjects/sh85007869 Communication in art. http://id.loc.gov/authorities/subjects/sh85029052 Rhetoric, Ancient. http://id.loc.gov/authorities/subjects/sh85113634 Art romain. Communication dans l'art. Rhétorique ancienne. HISTORY General. bisacsh ART History General. bisacsh Art, Roman fast Communication in art fast Rhetoric, Ancient fast Kunst gnd Rhetorik gnd Ästhetik gnd Römisches Reich gnd Retorica. gtt (NL-LeOCL)078649978 Meyer, Michel. Print version: Elsner, Jas. Art and Rhetoric in Roman Culture. Cambridge : Cambridge University Press, ©2014 9781107000711 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=838759 Volltext |
| spellingShingle | Elsner, Jas Art and Rhetoric in Roman Culture. Cover; Half-title; Title page; Copyright information; Table of contents; List of figures; Contributors; Preface; Introduction; PartI Architecture and Public Space; 1 On the Sublime in architecture; 2 Sublime histories, exceptional viewers: Trajan's Column and its visibility; 3 Corpore enormi: The Rhetoric of Physical Appearance in Suetonius and Imperial Portrait Statuary; Lenin''s corpse, Caligula''s body; Suetonius'' descriptions of the ruler''s appearance; The rhetoric of appearance in imperial portrait statuary; Ēthos; Pathos; Logos; Suetonius and portrait statuary. 4 Beauty and the Roman female portraitPart II The Domestic Realm; 5 The Casa del Menandro in Pompeii: Rhetoric and the Topology of Roman Wall Painting; Introduction; Rhetoric and Roman wall painting; The Casa del Menandro (Regio I 10.4); Layers of paint; Ala (4); Room (11); Room (15); Room (19); Mythological connections: from topography to topology; Wall painting and rhetoric: a topology; 6 Agamemnon''s grief: On the Limits of Expression in Roman Rhetoric and Painting; Zeuxis'' Helen and the ethics of invention; Painting as practice: medium, ornament and technique. Timanthes'' sacrifice of Iphigenia 1: style and decorTimanthes'' sacrifice of Iphigenia 2: the limits of expression; Part III The Funerary; 7 Rhetoric and art in third-century ad Rome; Sarcophagi; Persephone sarcophagi; Endymion and Selene; Amazonomachy; Changing message, changing rhetoric; Ekphrasis; Conclusion; 8 Poems in Stone: Reading Mythological Sarcophagi through Statius' Consolations; Grief and commemoration in Statius'' Silvae; Statius'' uses of myth; Simile; Exemplification; Mourning and tragic death on Roman mythological sarcophagi; Projections into the mythological realm. Conclusions9 The funerary altar of Pedana and the rhetoric of unreachability; Show and not tell; The power of empty rhetoric; Falling on deaf ears; Memories are made of this; 10 Rational, passionate and appetitive: The Psychology of Rhetoric and the Transformation of Visual Culture from non-Christian to Christian Sarcophagi in the Roman World; Sarcophagi: panegyrical and appetitive; Christian sarcophagi: changes in rhetorical argument; Conclusions; Part IV Rhetoric and the Visual; 11 The ordo of rhetoric and the rhetoric of order; Beginning: understanding the ''order of Homer'' Middle: knowing epic backwards?End: the orderings of memory; 12 Coda: The Rhetoric of Roman Painting within the History of Culture: A Global Interpretation; What is the significance of Roman painting for the history of Western art?; The contrasting roles of theatre in Greece and in Rome: the mixture of differences and their tragic or comic effect as a spectacle of society; The historicity of artistic forms; The descriptive account of the so-called four styles of Roman painting and the questions it raises; What is the rhetoric of art?; The place of painting in the structural table of arts. Art, Roman. http://id.loc.gov/authorities/subjects/sh85007869 Communication in art. http://id.loc.gov/authorities/subjects/sh85029052 Rhetoric, Ancient. http://id.loc.gov/authorities/subjects/sh85113634 Art romain. Communication dans l'art. Rhétorique ancienne. HISTORY General. bisacsh ART History General. bisacsh Art, Roman fast Communication in art fast Rhetoric, Ancient fast Kunst gnd Rhetorik gnd Ästhetik gnd Retorica. gtt (NL-LeOCL)078649978 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007869 http://id.loc.gov/authorities/subjects/sh85029052 http://id.loc.gov/authorities/subjects/sh85113634 (NL-LeOCL)078649978 |
| title | Art and Rhetoric in Roman Culture. |
| title_auth | Art and Rhetoric in Roman Culture. |
| title_exact_search | Art and Rhetoric in Roman Culture. |
| title_full | Art and Rhetoric in Roman Culture. |
| title_fullStr | Art and Rhetoric in Roman Culture. |
| title_full_unstemmed | Art and Rhetoric in Roman Culture. |
| title_short | Art and Rhetoric in Roman Culture. |
| title_sort | art and rhetoric in roman culture |
| topic | Art, Roman. http://id.loc.gov/authorities/subjects/sh85007869 Communication in art. http://id.loc.gov/authorities/subjects/sh85029052 Rhetoric, Ancient. http://id.loc.gov/authorities/subjects/sh85113634 Art romain. Communication dans l'art. Rhétorique ancienne. HISTORY General. bisacsh ART History General. bisacsh Art, Roman fast Communication in art fast Rhetoric, Ancient fast Kunst gnd Rhetorik gnd Ästhetik gnd Retorica. gtt (NL-LeOCL)078649978 |
| topic_facet | Art, Roman. Communication in art. Rhetoric, Ancient. Art romain. Communication dans l'art. Rhétorique ancienne. HISTORY General. ART History General. Art, Roman Communication in art Rhetoric, Ancient Kunst Rhetorik Ästhetik Römisches Reich Retorica. |
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| work_keys_str_mv | AT elsnerjas artandrhetoricinromanculture AT meyermichel artandrhetoricinromanculture |