Film manifestos and global cinema cultures :: a critical anthology /
"Film Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic mani...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley ; London :
University of California Press,
[2014]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Film Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European "waves" and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme '95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture."--Publisher info. |
| Beschreibung: | 1 online resource (xxi, 651 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520957411 0520957415 130649849X 9781306498494 |
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| 100 | 1 | |a MacKenzie, Scott, |d 1967- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjF8kq9PWqKRyfPRQVchgX |0 http://id.loc.gov/authorities/names/n00035850 | |
| 245 | 1 | 0 | |a Film manifestos and global cinema cultures : |b a critical anthology / |c Scott MacKenzie. |
| 264 | 1 | |a Berkeley ; |a London : |b University of California Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (xxi, 651 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Film Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European "waves" and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme '95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture."--Publisher info. | ||
| 505 | 0 | |a Cover; FILM MANIFESTOS AND GLOBAL CINEMA CULTURES; Title; Copyright; CONTENTS; Acknowledgments; Introduction. "An Invention without a Future"; 1. THE AVANT-GARDE(S); The Futurist Cinema (Italy, 1916); Lenin Decree (USSR, 1919); The ABCs of Cinema (France, 1917-1921); WE: Variant of a Manifesto (USSR, 1922); The Method of Making Workers' Films (USSR, 1925); Constructivism in the Cinema (USSR, 1928); Preface: Un chien Andalou (France, 1928); Manifesto of the Surrealists Concerning L'Age d'or (France, 1930); Manifesto on "Que Viva Mexico" (USA, 1933); Spirit of Truth (France, 1933). | |
| 505 | 8 | |a An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934)Light*Form*Movement*Sound (USA, 1935); Prolegomena for All Future Cinema (France, 1952); No More Flat Feet! (France, 1952); The Lettristes Disavow the Insulters of Chaplin (France, 1952); The Only Dynamic Art (USA, 1953); A Statement of Principles (USA, 1961); The First Statement of the New American Cinema Group (USA, 1961); Foundation for the Invention and Creation of Absurd Movies (USA, 1962); From Metaphors on Vision (USA, 1963); Kuchar 8mm Film Manifesto (USA, 1964). | |
| 505 | 8 | |a Film Andepandan [Independents] Manifesto (Japan, 1964)Discontinuous Films (Canada, 1967); Hand-Made Films Manifesto (Australia, 1968); Cinema Manifesto (Australia, 1971); For a Metahistory of Film: Commonplace Notes and Hypotheses (USA, 1971); Elements of the Void (Greece, 1972); Small Gauge Manifesto (USA, 1980); Cinema of Transgression Manifesto (USA, 1985); Modern, All Too Modern (USA, 1988); Open Letter to the Experimental Film Congress: Let's Set the Record Straight (Canada, 1989); Anti-100 Years of Cinema Manifesto (USA, 1996); The Decalogue (Czech Republic, 1999). | |
| 505 | 8 | |a Your Film Farm Manifesto on Process Cinema (Canada, 2012)2. NATIONAL AND TRANSNATIONAL CINEMAS; From "The Glass Eye" (Italy, 1933); The Archers' Manifesto (UK, 1942); What Is Wrong with Indian Films? (India, 1948); Buñuel the Poet (Mexico, 1951); French Cinema Is Over (France, 1952); Some Ideas on the Cinema (Italy, 1953); A Certain Tendency in French Cinema (France, 1954); Salamanca Manifesto & Conclusions of the Congress of Salamanca (Spain, 1955); Free Cinema Manifestos (UK, 1956-1959); The Oberhausen Manifesto (West Germany, 1962); Untitled [Oberhausen 1965] (West Germany, 1965). | |
| 505 | 8 | |a The Mannheim Declaration (West Germany, 1967)Sitges Manifesto (Spain, 1967); How to Make a Canadian Film (Canada, 1967); How to Not Make a Canadian Film (Canada, 1967); From "The Estates General of the French Cinema, May 1968" (France, 1968); Manifesto of the New Cinema Movement (India, 1968); What Is to Be Done? (France, 1970); The Winnipeg Manifesto (Canada, 1974); Hamburg Declaration of German Filmmakers (West Germany, 1979); Manifesto I (Denmark, 1984); Manifesto II (Denmark, 1987); Manifesto III: I Confess! (Denmark, 1990); The Cinema We Need (Canada, 1985). | |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 653 | |a american film. | ||
| 653 | |a australian film. | ||
| 653 | |a avant garde. | ||
| 653 | |a canadian film. | ||
| 653 | |a cinema. | ||
| 653 | |a colonialism. | ||
| 653 | |a cultural studies. | ||
| 653 | |a culture. | ||
| 653 | |a european filmmakers. | ||
| 653 | |a film and digital media. | ||
| 653 | |a film archives. | ||
| 653 | |a film culture. | ||
| 653 | |a film manifestos. | ||
| 653 | |a film studies. | ||
| 653 | |a film. | ||
| 653 | |a filmmaking. | ||
| 653 | |a films from the soviet union. | ||
| 653 | |a french film. | ||
| 653 | |a gender and women studies. | ||
| 653 | |a global cinema. | ||
| 653 | |a global film. | ||
| 653 | |a global history of cinema. | ||
| 653 | |a hollywood. | ||
| 653 | |a international cinema. | ||
| 653 | |a italian film. | ||
| 653 | |a japanese film. | ||
| 653 | |a latin america third cinema. | ||
| 653 | |a motion picture production code. | ||
| 653 | |a national cinema. | ||
| 653 | |a pornography. | ||
| 653 | |a radical film. | ||
| 653 | |a russian film. | ||
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| author | MacKenzie, Scott, 1967- |
| author_GND | http://id.loc.gov/authorities/names/n00035850 |
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| contents | Cover; FILM MANIFESTOS AND GLOBAL CINEMA CULTURES; Title; Copyright; CONTENTS; Acknowledgments; Introduction. "An Invention without a Future"; 1. THE AVANT-GARDE(S); The Futurist Cinema (Italy, 1916); Lenin Decree (USSR, 1919); The ABCs of Cinema (France, 1917-1921); WE: Variant of a Manifesto (USSR, 1922); The Method of Making Workers' Films (USSR, 1925); Constructivism in the Cinema (USSR, 1928); Preface: Un chien Andalou (France, 1928); Manifesto of the Surrealists Concerning L'Age d'or (France, 1930); Manifesto on "Que Viva Mexico" (USA, 1933); Spirit of Truth (France, 1933). An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934)Light*Form*Movement*Sound (USA, 1935); Prolegomena for All Future Cinema (France, 1952); No More Flat Feet! (France, 1952); The Lettristes Disavow the Insulters of Chaplin (France, 1952); The Only Dynamic Art (USA, 1953); A Statement of Principles (USA, 1961); The First Statement of the New American Cinema Group (USA, 1961); Foundation for the Invention and Creation of Absurd Movies (USA, 1962); From Metaphors on Vision (USA, 1963); Kuchar 8mm Film Manifesto (USA, 1964). Film Andepandan [Independents] Manifesto (Japan, 1964)Discontinuous Films (Canada, 1967); Hand-Made Films Manifesto (Australia, 1968); Cinema Manifesto (Australia, 1971); For a Metahistory of Film: Commonplace Notes and Hypotheses (USA, 1971); Elements of the Void (Greece, 1972); Small Gauge Manifesto (USA, 1980); Cinema of Transgression Manifesto (USA, 1985); Modern, All Too Modern (USA, 1988); Open Letter to the Experimental Film Congress: Let's Set the Record Straight (Canada, 1989); Anti-100 Years of Cinema Manifesto (USA, 1996); The Decalogue (Czech Republic, 1999). Your Film Farm Manifesto on Process Cinema (Canada, 2012)2. NATIONAL AND TRANSNATIONAL CINEMAS; From "The Glass Eye" (Italy, 1933); The Archers' Manifesto (UK, 1942); What Is Wrong with Indian Films? (India, 1948); Buñuel the Poet (Mexico, 1951); French Cinema Is Over (France, 1952); Some Ideas on the Cinema (Italy, 1953); A Certain Tendency in French Cinema (France, 1954); Salamanca Manifesto & Conclusions of the Congress of Salamanca (Spain, 1955); Free Cinema Manifestos (UK, 1956-1959); The Oberhausen Manifesto (West Germany, 1962); Untitled [Oberhausen 1965] (West Germany, 1965). The Mannheim Declaration (West Germany, 1967)Sitges Manifesto (Spain, 1967); How to Make a Canadian Film (Canada, 1967); How to Not Make a Canadian Film (Canada, 1967); From "The Estates General of the French Cinema, May 1968" (France, 1968); Manifesto of the New Cinema Movement (India, 1968); What Is to Be Done? (France, 1970); The Winnipeg Manifesto (Canada, 1974); Hamburg Declaration of German Filmmakers (West Germany, 1979); Manifesto I (Denmark, 1984); Manifesto II (Denmark, 1987); Manifesto III: I Confess! (Denmark, 1990); The Cinema We Need (Canada, 1985). |
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code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Film Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. 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Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture."--Publisher info.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; FILM MANIFESTOS AND GLOBAL CINEMA CULTURES; Title; Copyright; CONTENTS; Acknowledgments; Introduction. "An Invention without a Future"; 1. THE AVANT-GARDE(S); The Futurist Cinema (Italy, 1916); Lenin Decree (USSR, 1919); The ABCs of Cinema (France, 1917-1921); WE: Variant of a Manifesto (USSR, 1922); The Method of Making Workers' Films (USSR, 1925); Constructivism in the Cinema (USSR, 1928); Preface: Un chien Andalou (France, 1928); Manifesto of the Surrealists Concerning L'Age d'or (France, 1930); Manifesto on "Que Viva Mexico" (USA, 1933); Spirit of Truth (France, 1933).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934)Light*Form*Movement*Sound (USA, 1935); Prolegomena for All Future Cinema (France, 1952); No More Flat Feet! (France, 1952); The Lettristes Disavow the Insulters of Chaplin (France, 1952); The Only Dynamic Art (USA, 1953); A Statement of Principles (USA, 1961); The First Statement of the New American Cinema Group (USA, 1961); Foundation for the Invention and Creation of Absurd Movies (USA, 1962); From Metaphors on Vision (USA, 1963); Kuchar 8mm Film Manifesto (USA, 1964).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Film Andepandan [Independents] Manifesto (Japan, 1964)Discontinuous Films (Canada, 1967); Hand-Made Films Manifesto (Australia, 1968); Cinema Manifesto (Australia, 1971); For a Metahistory of Film: Commonplace Notes and Hypotheses (USA, 1971); Elements of the Void (Greece, 1972); Small Gauge Manifesto (USA, 1980); Cinema of Transgression Manifesto (USA, 1985); Modern, All Too Modern (USA, 1988); Open Letter to the Experimental Film Congress: Let's Set the Record Straight (Canada, 1989); Anti-100 Years of Cinema Manifesto (USA, 1996); The Decalogue (Czech Republic, 1999).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Your Film Farm Manifesto on Process Cinema (Canada, 2012)2. NATIONAL AND TRANSNATIONAL CINEMAS; From "The Glass Eye" (Italy, 1933); The Archers' Manifesto (UK, 1942); What Is Wrong with Indian Films? (India, 1948); Buñuel the Poet (Mexico, 1951); French Cinema Is Over (France, 1952); Some Ideas on the Cinema (Italy, 1953); A Certain Tendency in French Cinema (France, 1954); Salamanca Manifesto & Conclusions of the Congress of Salamanca (Spain, 1955); Free Cinema Manifestos (UK, 1956-1959); The Oberhausen Manifesto (West Germany, 1962); Untitled [Oberhausen 1965] (West Germany, 1965).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Mannheim Declaration (West Germany, 1967)Sitges Manifesto (Spain, 1967); How to Make a Canadian Film (Canada, 1967); How to Not Make a Canadian Film (Canada, 1967); From "The Estates General of the French Cinema, May 1968" (France, 1968); Manifesto of the New Cinema Movement (India, 1968); What Is to Be Done? (France, 1970); The Winnipeg Manifesto (Canada, 1974); Hamburg Declaration of German Filmmakers (West Germany, 1979); Manifesto I (Denmark, 1984); Manifesto II (Denmark, 1987); Manifesto III: I Confess! 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| id | ZDB-4-EBA-ocn891394389 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:13Z |
| institution | BVB |
| isbn | 9780520957411 0520957415 130649849X 9781306498494 |
| language | English |
| oclc_num | 891394389 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxi, 651 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | University of California Press, |
| record_format | marc |
| spelling | MacKenzie, Scott, 1967- author. https://id.oclc.org/worldcat/entity/E39PCjF8kq9PWqKRyfPRQVchgX http://id.loc.gov/authorities/names/n00035850 Film manifestos and global cinema cultures : a critical anthology / Scott MacKenzie. Berkeley ; London : University of California Press, [2014] ©2014 1 online resource (xxi, 651 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "Film Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European "waves" and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme '95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture."--Publisher info. Cover; FILM MANIFESTOS AND GLOBAL CINEMA CULTURES; Title; Copyright; CONTENTS; Acknowledgments; Introduction. "An Invention without a Future"; 1. THE AVANT-GARDE(S); The Futurist Cinema (Italy, 1916); Lenin Decree (USSR, 1919); The ABCs of Cinema (France, 1917-1921); WE: Variant of a Manifesto (USSR, 1922); The Method of Making Workers' Films (USSR, 1925); Constructivism in the Cinema (USSR, 1928); Preface: Un chien Andalou (France, 1928); Manifesto of the Surrealists Concerning L'Age d'or (France, 1930); Manifesto on "Que Viva Mexico" (USA, 1933); Spirit of Truth (France, 1933). An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934)Light*Form*Movement*Sound (USA, 1935); Prolegomena for All Future Cinema (France, 1952); No More Flat Feet! (France, 1952); The Lettristes Disavow the Insulters of Chaplin (France, 1952); The Only Dynamic Art (USA, 1953); A Statement of Principles (USA, 1961); The First Statement of the New American Cinema Group (USA, 1961); Foundation for the Invention and Creation of Absurd Movies (USA, 1962); From Metaphors on Vision (USA, 1963); Kuchar 8mm Film Manifesto (USA, 1964). Film Andepandan [Independents] Manifesto (Japan, 1964)Discontinuous Films (Canada, 1967); Hand-Made Films Manifesto (Australia, 1968); Cinema Manifesto (Australia, 1971); For a Metahistory of Film: Commonplace Notes and Hypotheses (USA, 1971); Elements of the Void (Greece, 1972); Small Gauge Manifesto (USA, 1980); Cinema of Transgression Manifesto (USA, 1985); Modern, All Too Modern (USA, 1988); Open Letter to the Experimental Film Congress: Let's Set the Record Straight (Canada, 1989); Anti-100 Years of Cinema Manifesto (USA, 1996); The Decalogue (Czech Republic, 1999). Your Film Farm Manifesto on Process Cinema (Canada, 2012)2. NATIONAL AND TRANSNATIONAL CINEMAS; From "The Glass Eye" (Italy, 1933); The Archers' Manifesto (UK, 1942); What Is Wrong with Indian Films? (India, 1948); Buñuel the Poet (Mexico, 1951); French Cinema Is Over (France, 1952); Some Ideas on the Cinema (Italy, 1953); A Certain Tendency in French Cinema (France, 1954); Salamanca Manifesto & Conclusions of the Congress of Salamanca (Spain, 1955); Free Cinema Manifestos (UK, 1956-1959); The Oberhausen Manifesto (West Germany, 1962); Untitled [Oberhausen 1965] (West Germany, 1965). The Mannheim Declaration (West Germany, 1967)Sitges Manifesto (Spain, 1967); How to Make a Canadian Film (Canada, 1967); How to Not Make a Canadian Film (Canada, 1967); From "The Estates General of the French Cinema, May 1968" (France, 1968); Manifesto of the New Cinema Movement (India, 1968); What Is to Be Done? (France, 1970); The Winnipeg Manifesto (Canada, 1974); Hamburg Declaration of German Filmmakers (West Germany, 1979); Manifesto I (Denmark, 1984); Manifesto II (Denmark, 1987); Manifesto III: I Confess! (Denmark, 1990); The Cinema We Need (Canada, 1985). Print version record. Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast american film. australian film. avant garde. canadian film. cinema. colonialism. cultural studies. culture. european filmmakers. film and digital media. film archives. film culture. film manifestos. film studies. film. filmmaking. films from the soviet union. french film. gender and women studies. global cinema. global film. global history of cinema. hollywood. international cinema. italian film. japanese film. latin america third cinema. motion picture production code. national cinema. pornography. radical film. russian film. has work: Film manifestos and global cinema cultures (Text) https://id.oclc.org/worldcat/entity/E39PCH6VbH7FBQKb33mmghHHmd https://id.oclc.org/worldcat/ontology/hasWork Print version: MacKenzie, Scott. Film manifestos and global cinema cultures : a critical anthology. Berkeley : University of California Press, [2014] 9780520276741 (DLC) 10846223 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=714224 Volltext |
| spellingShingle | MacKenzie, Scott, 1967- Film manifestos and global cinema cultures : a critical anthology / Cover; FILM MANIFESTOS AND GLOBAL CINEMA CULTURES; Title; Copyright; CONTENTS; Acknowledgments; Introduction. "An Invention without a Future"; 1. THE AVANT-GARDE(S); The Futurist Cinema (Italy, 1916); Lenin Decree (USSR, 1919); The ABCs of Cinema (France, 1917-1921); WE: Variant of a Manifesto (USSR, 1922); The Method of Making Workers' Films (USSR, 1925); Constructivism in the Cinema (USSR, 1928); Preface: Un chien Andalou (France, 1928); Manifesto of the Surrealists Concerning L'Age d'or (France, 1930); Manifesto on "Que Viva Mexico" (USA, 1933); Spirit of Truth (France, 1933). An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934)Light*Form*Movement*Sound (USA, 1935); Prolegomena for All Future Cinema (France, 1952); No More Flat Feet! (France, 1952); The Lettristes Disavow the Insulters of Chaplin (France, 1952); The Only Dynamic Art (USA, 1953); A Statement of Principles (USA, 1961); The First Statement of the New American Cinema Group (USA, 1961); Foundation for the Invention and Creation of Absurd Movies (USA, 1962); From Metaphors on Vision (USA, 1963); Kuchar 8mm Film Manifesto (USA, 1964). Film Andepandan [Independents] Manifesto (Japan, 1964)Discontinuous Films (Canada, 1967); Hand-Made Films Manifesto (Australia, 1968); Cinema Manifesto (Australia, 1971); For a Metahistory of Film: Commonplace Notes and Hypotheses (USA, 1971); Elements of the Void (Greece, 1972); Small Gauge Manifesto (USA, 1980); Cinema of Transgression Manifesto (USA, 1985); Modern, All Too Modern (USA, 1988); Open Letter to the Experimental Film Congress: Let's Set the Record Straight (Canada, 1989); Anti-100 Years of Cinema Manifesto (USA, 1996); The Decalogue (Czech Republic, 1999). Your Film Farm Manifesto on Process Cinema (Canada, 2012)2. NATIONAL AND TRANSNATIONAL CINEMAS; From "The Glass Eye" (Italy, 1933); The Archers' Manifesto (UK, 1942); What Is Wrong with Indian Films? (India, 1948); Buñuel the Poet (Mexico, 1951); French Cinema Is Over (France, 1952); Some Ideas on the Cinema (Italy, 1953); A Certain Tendency in French Cinema (France, 1954); Salamanca Manifesto & Conclusions of the Congress of Salamanca (Spain, 1955); Free Cinema Manifestos (UK, 1956-1959); The Oberhausen Manifesto (West Germany, 1962); Untitled [Oberhausen 1965] (West Germany, 1965). The Mannheim Declaration (West Germany, 1967)Sitges Manifesto (Spain, 1967); How to Make a Canadian Film (Canada, 1967); How to Not Make a Canadian Film (Canada, 1967); From "The Estates General of the French Cinema, May 1968" (France, 1968); Manifesto of the New Cinema Movement (India, 1968); What Is to Be Done? (France, 1970); The Winnipeg Manifesto (Canada, 1974); Hamburg Declaration of German Filmmakers (West Germany, 1979); Manifesto I (Denmark, 1984); Manifesto II (Denmark, 1987); Manifesto III: I Confess! (Denmark, 1990); The Cinema We Need (Canada, 1985). Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast |
| title | Film manifestos and global cinema cultures : a critical anthology / |
| title_auth | Film manifestos and global cinema cultures : a critical anthology / |
| title_exact_search | Film manifestos and global cinema cultures : a critical anthology / |
| title_full | Film manifestos and global cinema cultures : a critical anthology / Scott MacKenzie. |
| title_fullStr | Film manifestos and global cinema cultures : a critical anthology / Scott MacKenzie. |
| title_full_unstemmed | Film manifestos and global cinema cultures : a critical anthology / Scott MacKenzie. |
| title_short | Film manifestos and global cinema cultures : |
| title_sort | film manifestos and global cinema cultures a critical anthology |
| title_sub | a critical anthology / |
| topic | Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast |
| topic_facet | Motion pictures Philosophy. Cinéma Philosophie. PERFORMING ARTS Reference. Motion pictures Philosophy |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=714224 |
| work_keys_str_mv | AT mackenziescott filmmanifestosandglobalcinemaculturesacriticalanthology |