Verfügbarkeit: Breaking time's arrow :

Breaking time's arrow :: experiment and expression in the music of Charles Ives /

Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives'...

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Bibliographische Detailangaben
1. Verfasser:	McDonald, Matthew (Matthew James) (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Bloomington, Ind. : Indiana University Press, 2014.
Schriftenreihe:	Musical meaning and interpretation.
Schlagworte:	Ives, Charles, > 1874-1954 > Criticism and interpretation. Ives, Charles, > 1874-1954 Ives, Charles > 1874-1954 MUSIC > Genres & Styles > Classical. MUSIC > Reference. MUSIC > Individual Composer & Musician. Criticism, interpretation, etc.
Online-Zugang:	Volltext
Zusammenfassung:	Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives's compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer's eclectic and complex style.
Beschreibung:	1 online resource
Bibliographie:	Includes bibliographical references (pages 179-185) and index.
ISBN:	9780253012760 0253012767

Internformat

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504			\|a Includes bibliographical references (pages 179-185) and index.
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588	0		\|a Print version record.
520			\|a Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives's compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer's eclectic and complex style.
542			\|n All rights reserved.
546			\|a English.
600	1	0	\|a Ives, Charles, \|d 1874-1954 \|x Criticism and interpretation.
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contents	God/man : I come to thee and Psalm 14 -- Community/individual : Sonata no. 1 for piano and String quartet no. 2 -- Intuition/expression : "Nov. 2, 1920" and "Grantchester" -- Elements of narrative : The unanswered question -- Ives and the now : "The things our fathers loved" -- Cumulative composition : Ives's Emerson music.
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id	ZDB-4-EBA-ocn890531167
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indexdate	2024-11-27T13:26:12Z
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series	Musical meaning and interpretation.
series2	Musical meaning and interpretation
spelling	McDonald, Matthew (Matthew James), author. https://id.oclc.org/worldcat/entity/E39PCjxDwMdy7tHMpWCC9ghDVP http://id.loc.gov/authorities/names/no2014042001 Breaking time's arrow : experiment and expression in the music of Charles Ives / Matthew McDonald. Bloomington, Ind. : Indiana University Press, 2014. ©2014 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Musical meaning and interpretation Includes bibliographical references (pages 179-185) and index. God/man : I come to thee and Psalm 14 -- Community/individual : Sonata no. 1 for piano and String quartet no. 2 -- Intuition/expression : "Nov. 2, 1920" and "Grantchester" -- Elements of narrative : The unanswered question -- Ives and the now : "The things our fathers loved" -- Cumulative composition : Ives's Emerson music. Print version record. Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives's compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer's eclectic and complex style. All rights reserved. English. Ives, Charles, 1874-1954 Criticism and interpretation. Ives, Charles, 1874-1954 fast https://id.oclc.org/worldcat/entity/E39PBJtCFvMJFCDqrg8BcQjt8C Ives, Charles 1874-1954 gnd MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC Individual Composer & Musician. bisacsh Criticism, interpretation, etc. fast has work: Breaking time's arrow (Text) https://id.oclc.org/worldcat/entity/E39PCH6g4DT98t6wdt6Kcxr7wP https://id.oclc.org/worldcat/ontology/hasWork Print version: McDonald, Matthew (Matthew James). Breaking time's arrow. Bloomington ; Indianapolis : Indiana University Press, [2014] 9780253012739 (DLC) 2014012350 (OCoLC)852457678 Musical meaning and interpretation. http://id.loc.gov/authorities/names/n2004068861 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=854486 Volltext
spellingShingle	McDonald, Matthew (Matthew James) Breaking time's arrow : experiment and expression in the music of Charles Ives / Musical meaning and interpretation. God/man : I come to thee and Psalm 14 -- Community/individual : Sonata no. 1 for piano and String quartet no. 2 -- Intuition/expression : "Nov. 2, 1920" and "Grantchester" -- Elements of narrative : The unanswered question -- Ives and the now : "The things our fathers loved" -- Cumulative composition : Ives's Emerson music. Ives, Charles, 1874-1954 Criticism and interpretation. Ives, Charles, 1874-1954 fast https://id.oclc.org/worldcat/entity/E39PBJtCFvMJFCDqrg8BcQjt8C Ives, Charles 1874-1954 gnd MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC Individual Composer & Musician. bisacsh
title	Breaking time's arrow : experiment and expression in the music of Charles Ives /
title_auth	Breaking time's arrow : experiment and expression in the music of Charles Ives /
title_exact_search	Breaking time's arrow : experiment and expression in the music of Charles Ives /
title_full	Breaking time's arrow : experiment and expression in the music of Charles Ives / Matthew McDonald.
title_fullStr	Breaking time's arrow : experiment and expression in the music of Charles Ives / Matthew McDonald.
title_full_unstemmed	Breaking time's arrow : experiment and expression in the music of Charles Ives / Matthew McDonald.
title_short	Breaking time's arrow :
title_sort	breaking time s arrow experiment and expression in the music of charles ives
title_sub	experiment and expression in the music of Charles Ives /
topic	Ives, Charles, 1874-1954 Criticism and interpretation. Ives, Charles, 1874-1954 fast https://id.oclc.org/worldcat/entity/E39PBJtCFvMJFCDqrg8BcQjt8C Ives, Charles 1874-1954 gnd MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh MUSIC Individual Composer & Musician. bisacsh
topic_facet	Ives, Charles, 1874-1954 Criticism and interpretation. Ives, Charles, 1874-1954 Ives, Charles 1874-1954 MUSIC Genres & Styles Classical. MUSIC Reference. MUSIC Individual Composer & Musician. Criticism, interpretation, etc.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=854486
work_keys_str_mv	AT mcdonaldmatthew breakingtimesarrowexperimentandexpressioninthemusicofcharlesives

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