Shakespeare and the medieval world /:
Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Co...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Arden Shakespeare,
2010.
|
| Schriftenreihe: | Arden critical companions.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. |
| Beschreibung: | 1 online resource (xii, 272 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 257-263) and index. |
| ISBN: | 9781408138984 1408138980 9781472555243 1472555244 |
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| 245 | 1 | 0 | |a Shakespeare and the medieval world / |c Helen Cooper. |
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| 300 | |a 1 online resource (xii, 272 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 257-263) and index. | ||
| 505 | 0 | |a Chapter One: Shakespeare's Medieval World; Remembered worlds; Continuities; The shape of life; The shape of death; The world of language; Chapter Two: Total Theatre; Remembering the religious drama; Shakespeare and the cycle plays; Chapter Three: Staging the Unstageable; Presenting the play; Immaterial beings; Imagining place; Time; Chapter Four: The Little World of Man; Language and personification; Man and the universe; Moral interludes and dramatic structure; Dumbshows, emblems and allegorical actionThree types: king, shepherd and fool; Chapter Five: The World of Fortune; The falls of great men; Tragedies from the medieval world; Chapter Six: Romance, Women and the Providential World; Heroines, inheritance and happy endings; Beyond the natural; The last plays; Pericles; Chapter Seven: Shakespeare's Chaucer; A Midsummer Night's Dream; A note on Bottom and the ass; Troilus and Cressida; The Two Noble Kinsmen. | |
| 520 | |a Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. | ||
| 588 | 0 | |a Print version record. | |
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| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Knowledge |x Middle Ages. |
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| 600 | 1 | 7 | |a Shakespeare, William |x Geschichte. |2 idsbb |
| 600 | 1 | 7 | |a Shakespeare, William. |2 swd |
| 650 | 0 | |a English literature |y Middle English, 1100-1500 |x Medieval influences. | |
| 650 | 0 | |a Middle Ages in literature. |0 http://id.loc.gov/authorities/subjects/sh85085006 | |
| 650 | 0 | |a Civilization, Medieval, in literature. |0 http://id.loc.gov/authorities/subjects/sh94003778 | |
| 650 | 6 | |a Littérature anglaise |y 1100-1500 (Moyen anglais) |x Influence médiévale. | |
| 650 | 6 | |a Moyen Âge dans la littérature. | |
| 650 | 6 | |a Civilisation médiévale dans la littérature. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Civilization, Medieval, in literature |2 fast | |
| 650 | 7 | |a Middle Ages |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Cooper, Helen, 1947- |t Shakespeare and the medieval world |z 9781904271789 |w (DLC) 2012358182 |w (OCoLC)507420784 |
| 830 | 0 | |a Arden critical companions. |0 http://id.loc.gov/authorities/names/no2003117769 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn890146619 |
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| _version_ | 1829095009405632512 |
| adam_text | |
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| author | Cooper, Helen, 1947- |
| author_GND | http://id.loc.gov/authorities/names/n97081135 |
| author_facet | Cooper, Helen, 1947- |
| author_role | |
| author_sort | Cooper, Helen, 1947- |
| author_variant | h c hc |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
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| callnumber-raw | PR3069.M47 C66 2010eb |
| callnumber-search | PR3069.M47 C66 2010eb |
| callnumber-sort | PR 43069 M47 C66 42010EB |
| callnumber-subject | PR - English Literature |
| classification_rvk | HI 3385 HI 3323 |
| collection | ZDB-4-EBA |
| contents | Chapter One: Shakespeare's Medieval World; Remembered worlds; Continuities; The shape of life; The shape of death; The world of language; Chapter Two: Total Theatre; Remembering the religious drama; Shakespeare and the cycle plays; Chapter Three: Staging the Unstageable; Presenting the play; Immaterial beings; Imagining place; Time; Chapter Four: The Little World of Man; Language and personification; Man and the universe; Moral interludes and dramatic structure; Dumbshows, emblems and allegorical actionThree types: king, shepherd and fool; Chapter Five: The World of Fortune; The falls of great men; Tragedies from the medieval world; Chapter Six: Romance, Women and the Providential World; Heroines, inheritance and happy endings; Beyond the natural; The last plays; Pericles; Chapter Seven: Shakespeare's Chaucer; A Midsummer Night's Dream; A note on Bottom and the ass; Troilus and Cressida; The Two Noble Kinsmen. |
| ctrlnum | (OCoLC)890146619 |
| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.33 |
| dewey-search | 822.33 |
| dewey-sort | 3822.33 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1100-1500 fast |
| era_facet | 1100-1500 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn890146619 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:42:12Z |
| institution | BVB |
| isbn | 9781408138984 1408138980 9781472555243 1472555244 |
| language | English |
| oclc_num | 890146619 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 272 pages) : illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Arden Shakespeare, |
| record_format | marc |
| series | Arden critical companions. |
| series2 | The Arden critical companions |
| spelling | Cooper, Helen, 1947- https://id.oclc.org/worldcat/entity/E39PBJw94cVb6HQfdwkjKgDH4q http://id.loc.gov/authorities/names/n97081135 Shakespeare and the medieval world / Helen Cooper. London : Arden Shakespeare, 2010. 1 online resource (xii, 272 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier The Arden critical companions Includes bibliographical references (pages 257-263) and index. Chapter One: Shakespeare's Medieval World; Remembered worlds; Continuities; The shape of life; The shape of death; The world of language; Chapter Two: Total Theatre; Remembering the religious drama; Shakespeare and the cycle plays; Chapter Three: Staging the Unstageable; Presenting the play; Immaterial beings; Imagining place; Time; Chapter Four: The Little World of Man; Language and personification; Man and the universe; Moral interludes and dramatic structure; Dumbshows, emblems and allegorical actionThree types: king, shepherd and fool; Chapter Five: The World of Fortune; The falls of great men; Tragedies from the medieval world; Chapter Six: Romance, Women and the Providential World; Heroines, inheritance and happy endings; Beyond the natural; The last plays; Pericles; Chapter Seven: Shakespeare's Chaucer; A Midsummer Night's Dream; A note on Bottom and the ass; Troilus and Cressida; The Two Noble Kinsmen. Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. Print version record. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Knowledge Middle Ages. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd Shakespeare, William Quellen und Vorbilder. idsbb Shakespeare, William Geschichte. idsbb Shakespeare, William. swd English literature Middle English, 1100-1500 Medieval influences. Middle Ages in literature. http://id.loc.gov/authorities/subjects/sh85085006 Civilization, Medieval, in literature. http://id.loc.gov/authorities/subjects/sh94003778 Littérature anglaise 1100-1500 (Moyen anglais) Influence médiévale. Moyen Âge dans la littérature. Civilisation médiévale dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh Civilization, Medieval, in literature fast Middle Ages fast Middle Ages in literature fast Mittelalter gnd http://d-nb.info/gnd/4129108-6 Middeleeuwen. gtt 1100-1500 fast Criticism, interpretation, etc. fast has work: Shakespeare and the medieval world (Text) https://id.oclc.org/worldcat/entity/E39PCGBmXKG7rpvTXGPFfY3PcP https://id.oclc.org/worldcat/ontology/hasWork Print version: Cooper, Helen, 1947- Shakespeare and the medieval world 9781904271789 (DLC) 2012358182 (OCoLC)507420784 Arden critical companions. http://id.loc.gov/authorities/names/no2003117769 |
| spellingShingle | Cooper, Helen, 1947- Shakespeare and the medieval world / Arden critical companions. Chapter One: Shakespeare's Medieval World; Remembered worlds; Continuities; The shape of life; The shape of death; The world of language; Chapter Two: Total Theatre; Remembering the religious drama; Shakespeare and the cycle plays; Chapter Three: Staging the Unstageable; Presenting the play; Immaterial beings; Imagining place; Time; Chapter Four: The Little World of Man; Language and personification; Man and the universe; Moral interludes and dramatic structure; Dumbshows, emblems and allegorical actionThree types: king, shepherd and fool; Chapter Five: The World of Fortune; The falls of great men; Tragedies from the medieval world; Chapter Six: Romance, Women and the Providential World; Heroines, inheritance and happy endings; Beyond the natural; The last plays; Pericles; Chapter Seven: Shakespeare's Chaucer; A Midsummer Night's Dream; A note on Bottom and the ass; Troilus and Cressida; The Two Noble Kinsmen. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Knowledge Middle Ages. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd Shakespeare, William Quellen und Vorbilder. idsbb Shakespeare, William Geschichte. idsbb Shakespeare, William. swd English literature Middle English, 1100-1500 Medieval influences. Middle Ages in literature. http://id.loc.gov/authorities/subjects/sh85085006 Civilization, Medieval, in literature. http://id.loc.gov/authorities/subjects/sh94003778 Littérature anglaise 1100-1500 (Moyen anglais) Influence médiévale. Moyen Âge dans la littérature. Civilisation médiévale dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh Civilization, Medieval, in literature fast Middle Ages fast Middle Ages in literature fast Mittelalter gnd http://d-nb.info/gnd/4129108-6 Middeleeuwen. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120926 http://id.loc.gov/authorities/subjects/sh85085006 http://id.loc.gov/authorities/subjects/sh94003778 http://d-nb.info/gnd/4129108-6 |
| title | Shakespeare and the medieval world / |
| title_auth | Shakespeare and the medieval world / |
| title_exact_search | Shakespeare and the medieval world / |
| title_full | Shakespeare and the medieval world / Helen Cooper. |
| title_fullStr | Shakespeare and the medieval world / Helen Cooper. |
| title_full_unstemmed | Shakespeare and the medieval world / Helen Cooper. |
| title_short | Shakespeare and the medieval world / |
| title_sort | shakespeare and the medieval world |
| topic | Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Shakespeare, William, 1564-1616 Knowledge Middle Ages. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd Shakespeare, William Quellen und Vorbilder. idsbb Shakespeare, William Geschichte. idsbb Shakespeare, William. swd English literature Middle English, 1100-1500 Medieval influences. Middle Ages in literature. http://id.loc.gov/authorities/subjects/sh85085006 Civilization, Medieval, in literature. http://id.loc.gov/authorities/subjects/sh94003778 Littérature anglaise 1100-1500 (Moyen anglais) Influence médiévale. Moyen Âge dans la littérature. Civilisation médiévale dans la littérature. DRAMA English, Irish, Scottish, Welsh. bisacsh Civilization, Medieval, in literature fast Middle Ages fast Middle Ages in literature fast Mittelalter gnd http://d-nb.info/gnd/4129108-6 Middeleeuwen. gtt |
| topic_facet | Shakespeare, William, 1564-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 Knowledge Middle Ages. Shakespeare, William, 1564-1616 Shakespeare, William 1564-1616 Shakespeare, William Quellen und Vorbilder. Shakespeare, William Geschichte. Shakespeare, William. English literature Middle English, 1100-1500 Medieval influences. Middle Ages in literature. Civilization, Medieval, in literature. Littérature anglaise 1100-1500 (Moyen anglais) Influence médiévale. Moyen Âge dans la littérature. Civilisation médiévale dans la littérature. DRAMA English, Irish, Scottish, Welsh. Civilization, Medieval, in literature Middle Ages Middle Ages in literature Mittelalter Middeleeuwen. Criticism, interpretation, etc. |
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