Art history and fetishism abroad :: global shiftings in media and methods /
By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bielefeld :
Transcript Verlag,
[2014]
|
Schriftenreihe: | Image (Transcript (Firm)) ;
Volume 54. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called "fetishes" take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods |
Beschreibung: | 1 online resource (324 pages) : illustrations (some color) |
Bibliographie: | Includes bibliographical references. |
ISBN: | 9781322079257 1322079250 9783839424117 3839424119 |
Internformat
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245 | 0 | 0 | |a Art history and fetishism abroad : |b global shiftings in media and methods / |c Gabriele Genge, Angela Stercken (eds.). |
264 | 1 | |a Bielefeld : |b Transcript Verlag, |c [2014] | |
264 | 4 | |c ©2014 | |
300 | |a 1 online resource (324 pages) : |b illustrations (some color) | ||
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337 | |a computer |b c |2 rdamedia | ||
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490 | 1 | |a Image ; |v Volume 54 | |
504 | |a Includes bibliographical references. | ||
520 | |a By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called "fetishes" take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods | ||
505 | 0 | |6 880-01 |a Cover Art History and Fetishism Abroad. Global Shiftings in Media and Methods; Content; Preface; Being Abroad -- an Introduction; Phenomenologies; Survival of Images? Fetish and the Concept of the Image between West Africa and Europe; Speared Heads. Portraits as Things in 20th-Century Sculpture; Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obidi? Aba: Time Will Tell; Production of Knowledge; Currency Affairs. Photography and Productivity. | |
505 | 8 | |a Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art"[Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic; On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects; Under the Influence of Things; Bocio. From nothingness to Liminality and Minimality; Encounters with Masks: Counter-Primitivism in 20th-Century Black Art; Fetishising Modernity: Bricolage Revisited; Fixing Shadows: Photography Beyond the Indexical; Politics of Identity. | |
505 | 8 | |a Incorporations of the Other -- Exotic Objects, Tropicalism, and AnthropophagyThe Court in Dakar. Political Aesthetics in the Post-Colony; Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China; Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality; Biographical Notes. | |
588 | 0 | |a Print version record. | |
546 | |a English. | ||
650 | 0 | |a Fetishism in art. |0 http://id.loc.gov/authorities/subjects/sh97000901 | |
650 | 4 | |a Visual Arts |x General. | |
650 | 4 | |a Visual Arts. | |
650 | 4 | |a Art, Architecture & Applied Arts. | |
650 | 6 | |a Fétichisme dans l'art. | |
650 | 7 | |a ART |x History |x General. |2 bisacsh | |
650 | 7 | |a ART / History / General |2 bisacsh | |
650 | 7 | |a Fetishism in art |2 fast | |
700 | 1 | |a Genge, Gabriele, |e editor. |0 http://id.loc.gov/authorities/names/no2001051110 | |
700 | 1 | |a Stercken, Angela, |e editor. |0 http://id.loc.gov/authorities/names/n98099423 | |
758 | |i has work: |a Art history and fetishism abroad (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFqGbrFDjQhdJHDgRg3Hhb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |t Art history and fetishism abroad. |d Bielefeld : Transcript Verlag, ©2014 |z 9783837624113 |w (OCoLC)863195569 |
830 | 0 | |a Image (Transcript (Firm)) ; |v Volume 54. |0 http://id.loc.gov/authorities/names/no2011077749 | |
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880 | 0 | 0 | |6 505-01/(S |t Frontmatter -- |t Content -- |t Preface -- |t Being Abroad -- an Introduction / |r Genge, Gabriele ; Stercken, Angela -- |t Survival of ImagesFetish and the Concept of the Image between West Africa and Europe / |r Genge, Gabriele -- |t Speared Heads. Portraits as Things in 20th-Century Sculpture / |r Körner, Hans -- |t Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obide ε Aba : Time Will Tell / |r Okoye, Ikem Stanley -- |t Currency Affairs. Photography and Productivity / |r Meincke, Kerstin -- |t Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art" / |r Ogbechie, Sylvester Okwunodu -- |t [Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic / |r Stercken, Angela -- |t On a PedestalOn the Problem of the Sculptural as a Category of Perception for Islamic Objects / |r Troelenberg, Eva-Maria -- |t Bocio. From Nothingness to Liminality and Minimality / |r Adandé, Joseph C.E. -- |t Encounters with Masks: Counter-Primitivism in 20 / |r Kravagna, Christian -- |t Fetishising Modernity: Bricolage Revisited / |r Picton, John -- |t Fixing Shadows: Photography Beyond the Indexical / |r Reinhardt, Thomas -- |t Incorporations of the Other -- Exotic Objects, Tropicalism, and Anthropophagy / |r Karentzos, Alexandra -- |t Monumentality and Transnationality: The Fascination with Gigantic D ing Bronze Vessels in Modern China / |r Tseng, Lillian Lan-ying -- |t Why have there been no Great ForgeriesCollectors, Artifacts, and the Question of Originality / |r Ulz, Melanie -- |t Biographical Notes. |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn890000518 |
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adam_text | |
any_adam_object | |
author2 | Genge, Gabriele Stercken, Angela |
author2_role | edt edt |
author2_variant | g g gg a s as |
author_GND | http://id.loc.gov/authorities/names/no2001051110 http://id.loc.gov/authorities/names/n98099423 |
author_facet | Genge, Gabriele Stercken, Angela |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | N8217 |
callnumber-raw | N8217.F43 A78x 2014 |
callnumber-search | N8217.F43 A78x 2014 |
callnumber-sort | N 48217 F43 A78 X 42014 |
callnumber-subject | N - Visual Arts |
collection | ZDB-4-EBA |
contents | Cover Art History and Fetishism Abroad. Global Shiftings in Media and Methods; Content; Preface; Being Abroad -- an Introduction; Phenomenologies; Survival of Images? Fetish and the Concept of the Image between West Africa and Europe; Speared Heads. Portraits as Things in 20th-Century Sculpture; Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obidi? Aba: Time Will Tell; Production of Knowledge; Currency Affairs. Photography and Productivity. Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art"[Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic; On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects; Under the Influence of Things; Bocio. From nothingness to Liminality and Minimality; Encounters with Masks: Counter-Primitivism in 20th-Century Black Art; Fetishising Modernity: Bricolage Revisited; Fixing Shadows: Photography Beyond the Indexical; Politics of Identity. Incorporations of the Other -- Exotic Objects, Tropicalism, and AnthropophagyThe Court in Dakar. Political Aesthetics in the Post-Colony; Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China; Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality; Biographical Notes. |
ctrlnum | (OCoLC)890000518 |
dewey-full | 709.6 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.6 |
dewey-search | 709.6 |
dewey-sort | 3709.6 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
format | Electronic eBook |
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" ind2=" "><subfield code="a">Includes bibliographical references.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. 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Portraits as Things in 20th-Century Sculpture; Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obidi? Aba: Time Will Tell; Production of Knowledge; Currency Affairs. Photography and Productivity.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art"[Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic; On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects; Under the Influence of Things; Bocio. From nothingness to Liminality and Minimality; Encounters with Masks: Counter-Primitivism in 20th-Century Black Art; Fetishising Modernity: Bricolage Revisited; Fixing Shadows: Photography Beyond the Indexical; Politics of Identity.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Incorporations of the Other -- Exotic Objects, Tropicalism, and AnthropophagyThe Court in Dakar. Political Aesthetics in the Post-Colony; Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China; Why Have There Been No Great Forgeries? 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id | ZDB-4-EBA-ocn890000518 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:26:11Z |
institution | BVB |
isbn | 9781322079257 1322079250 9783839424117 3839424119 |
language | English |
oclc_num | 890000518 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (324 pages) : illustrations (some color) |
psigel | ZDB-4-EBA |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Transcript Verlag, |
record_format | marc |
series | Image (Transcript (Firm)) ; |
series2 | Image ; |
spelling | Art history and fetishism abroad : global shiftings in media and methods / Gabriele Genge, Angela Stercken (eds.). Bielefeld : Transcript Verlag, [2014] ©2014 1 online resource (324 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Image ; Volume 54 Includes bibliographical references. By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called "fetishes" take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods 880-01 Cover Art History and Fetishism Abroad. Global Shiftings in Media and Methods; Content; Preface; Being Abroad -- an Introduction; Phenomenologies; Survival of Images? Fetish and the Concept of the Image between West Africa and Europe; Speared Heads. Portraits as Things in 20th-Century Sculpture; Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obidi? Aba: Time Will Tell; Production of Knowledge; Currency Affairs. Photography and Productivity. Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art"[Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic; On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects; Under the Influence of Things; Bocio. From nothingness to Liminality and Minimality; Encounters with Masks: Counter-Primitivism in 20th-Century Black Art; Fetishising Modernity: Bricolage Revisited; Fixing Shadows: Photography Beyond the Indexical; Politics of Identity. Incorporations of the Other -- Exotic Objects, Tropicalism, and AnthropophagyThe Court in Dakar. Political Aesthetics in the Post-Colony; Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China; Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality; Biographical Notes. Print version record. English. Fetishism in art. http://id.loc.gov/authorities/subjects/sh97000901 Visual Arts General. Visual Arts. Art, Architecture & Applied Arts. Fétichisme dans l'art. ART History General. bisacsh ART / History / General bisacsh Fetishism in art fast Genge, Gabriele, editor. http://id.loc.gov/authorities/names/no2001051110 Stercken, Angela, editor. http://id.loc.gov/authorities/names/n98099423 has work: Art history and fetishism abroad (Text) https://id.oclc.org/worldcat/entity/E39PCFqGbrFDjQhdJHDgRg3Hhb https://id.oclc.org/worldcat/ontology/hasWork Print version: Art history and fetishism abroad. Bielefeld : Transcript Verlag, ©2014 9783837624113 (OCoLC)863195569 Image (Transcript (Firm)) ; Volume 54. http://id.loc.gov/authorities/names/no2011077749 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=993760 Volltext 505-01/(S Frontmatter -- Content -- Preface -- Being Abroad -- an Introduction / Genge, Gabriele ; Stercken, Angela -- Survival of ImagesFetish and the Concept of the Image between West Africa and Europe / Genge, Gabriele -- Speared Heads. Portraits as Things in 20th-Century Sculpture / Körner, Hans -- Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obide ε Aba : Time Will Tell / Okoye, Ikem Stanley -- Currency Affairs. Photography and Productivity / Meincke, Kerstin -- Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art" / Ogbechie, Sylvester Okwunodu -- [Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic / Stercken, Angela -- On a PedestalOn the Problem of the Sculptural as a Category of Perception for Islamic Objects / Troelenberg, Eva-Maria -- Bocio. From Nothingness to Liminality and Minimality / Adandé, Joseph C.E. -- Encounters with Masks: Counter-Primitivism in 20 / Kravagna, Christian -- Fetishising Modernity: Bricolage Revisited / Picton, John -- Fixing Shadows: Photography Beyond the Indexical / Reinhardt, Thomas -- Incorporations of the Other -- Exotic Objects, Tropicalism, and Anthropophagy / Karentzos, Alexandra -- Monumentality and Transnationality: The Fascination with Gigantic D ing Bronze Vessels in Modern China / Tseng, Lillian Lan-ying -- Why have there been no Great ForgeriesCollectors, Artifacts, and the Question of Originality / Ulz, Melanie -- Biographical Notes. |
spellingShingle | Art history and fetishism abroad : global shiftings in media and methods / Image (Transcript (Firm)) ; Cover Art History and Fetishism Abroad. Global Shiftings in Media and Methods; Content; Preface; Being Abroad -- an Introduction; Phenomenologies; Survival of Images? Fetish and the Concept of the Image between West Africa and Europe; Speared Heads. Portraits as Things in 20th-Century Sculpture; Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obidi? Aba: Time Will Tell; Production of Knowledge; Currency Affairs. Photography and Productivity. Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art"[Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic; On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects; Under the Influence of Things; Bocio. From nothingness to Liminality and Minimality; Encounters with Masks: Counter-Primitivism in 20th-Century Black Art; Fetishising Modernity: Bricolage Revisited; Fixing Shadows: Photography Beyond the Indexical; Politics of Identity. Incorporations of the Other -- Exotic Objects, Tropicalism, and AnthropophagyThe Court in Dakar. Political Aesthetics in the Post-Colony; Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China; Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality; Biographical Notes. Fetishism in art. http://id.loc.gov/authorities/subjects/sh97000901 Visual Arts General. Visual Arts. Art, Architecture & Applied Arts. Fétichisme dans l'art. ART History General. bisacsh ART / History / General bisacsh Fetishism in art fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh97000901 |
title | Art history and fetishism abroad : global shiftings in media and methods / |
title_auth | Art history and fetishism abroad : global shiftings in media and methods / |
title_exact_search | Art history and fetishism abroad : global shiftings in media and methods / |
title_full | Art history and fetishism abroad : global shiftings in media and methods / Gabriele Genge, Angela Stercken (eds.). |
title_fullStr | Art history and fetishism abroad : global shiftings in media and methods / Gabriele Genge, Angela Stercken (eds.). |
title_full_unstemmed | Art history and fetishism abroad : global shiftings in media and methods / Gabriele Genge, Angela Stercken (eds.). |
title_short | Art history and fetishism abroad : |
title_sort | art history and fetishism abroad global shiftings in media and methods |
title_sub | global shiftings in media and methods / |
topic | Fetishism in art. http://id.loc.gov/authorities/subjects/sh97000901 Visual Arts General. Visual Arts. Art, Architecture & Applied Arts. Fétichisme dans l'art. ART History General. bisacsh ART / History / General bisacsh Fetishism in art fast |
topic_facet | Fetishism in art. Visual Arts General. Visual Arts. Art, Architecture & Applied Arts. Fétichisme dans l'art. ART History General. ART / History / General Fetishism in art |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=993760 |
work_keys_str_mv | AT gengegabriele arthistoryandfetishismabroadglobalshiftingsinmediaandmethods AT sterckenangela arthistoryandfetishismabroadglobalshiftingsinmediaandmethods |