Cinema and evil :: moral complexities and the "dangerous" film /
"Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK :
Cambridge Scholars Publishing,
2013
|
| Schriftenreihe: | EBSCO Academic Collection
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body of thought -- philosophical or theological -- which has deliberated on the topic of evil over the centuries. Cinema and Evil: Moral Responsibility and the "Dangerous" Film addresses these films. It explores the legacy of evil from Manicheanism to Arendt, assessing the alternative definitions offered by philosophers, theologians and writers per se, on its problematic status."--Publisher website |
| Beschreibung: | 1 online resource (xi, 217 pages) |
| Bibliographie: | Includes bibliographical references (pages 201-214). Filmography: pages 215-217. |
| ISBN: | 1443865583 9781443865586 9781322056890 1322056897 |
| Zugangseinschränkungen: | Legal Deposit; |
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| 520 | |a "Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body of thought -- philosophical or theological -- which has deliberated on the topic of evil over the centuries. Cinema and Evil: Moral Responsibility and the "Dangerous" Film addresses these films. It explores the legacy of evil from Manicheanism to Arendt, assessing the alternative definitions offered by philosophers, theologians and writers per se, on its problematic status."--Publisher website | ||
| 504 | |a Includes bibliographical references (pages 201-214). | ||
| 504 | |a Filmography: pages 215-217. | ||
| 505 | 0 | |a 'Trying to see darkness' : a genealogy of evil from Manicheanism to Bataille -- The 'Discourse on evil' in Fritz Lang's M (1931) and Orson Welles's Touch of evil (1958) -- Pasolini and the remnants of neorealism : towards an immeasurable evil -- 'Strike dear mistress and cure his heart' : evil and the law in Liliana Cavani's The night porter (1974) -- 'Barbarism begins at home' : Augustinian evil in Haneke's Benny's video (1992) -- Doli incapax? : re-evaluating evil and its origins in Michael Haneke's Caché (2005) -- Seeing and failing to see again : on the evil of Michael Haneke's The white ribbon (2009) -- Conclusion : the "dangerous" film. | |
| 588 | 0 | |a Print version record | |
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| 650 | 0 | |a Good and evil in motion pictures. | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a Film: styles & genres. |2 bicssc | |
| 650 | 7 | |a Ethics & moral philosophy. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Good and evil in motion pictures |2 fast | |
| 650 | 7 | |a Filmhistoria. |2 sao | |
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| 758 | |i has work: |a Cinema and evil (Text) |1 https://id.oclc.org/worldcat/entity/E39PD3xXc3tJktDpPRbwBK9v73 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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Datensatz im Suchindex
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| _version_ | 1816882285621805056 |
| adam_text | |
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| author | Waldron, Dara |
| author_facet | Waldron, Dara |
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| contents | 'Trying to see darkness' : a genealogy of evil from Manicheanism to Bataille -- The 'Discourse on evil' in Fritz Lang's M (1931) and Orson Welles's Touch of evil (1958) -- Pasolini and the remnants of neorealism : towards an immeasurable evil -- 'Strike dear mistress and cure his heart' : evil and the law in Liliana Cavani's The night porter (1974) -- 'Barbarism begins at home' : Augustinian evil in Haneke's Benny's video (1992) -- Doli incapax? : re-evaluating evil and its origins in Michael Haneke's Caché (2005) -- Seeing and failing to see again : on the evil of Michael Haneke's The white ribbon (2009) -- Conclusion : the "dangerous" film. |
| ctrlnum | (OCoLC)889931218 |
| dewey-full | 791.43653 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43653 |
| dewey-search | 791.43653 |
| dewey-sort | 3791.43653 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:11Z |
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| isbn | 1443865583 9781443865586 9781322056890 1322056897 |
| language | English |
| oclc_num | 889931218 |
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| record_format | marc |
| series2 | EBSCO Academic Collection |
| spelling | Waldron, Dara, author. Cinema and evil : moral complexities and the "dangerous" film / by Dara Waldron Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2013 ©2013 1 online resource (xi, 217 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file EBSCO Academic Collection "Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body of thought -- philosophical or theological -- which has deliberated on the topic of evil over the centuries. Cinema and Evil: Moral Responsibility and the "Dangerous" Film addresses these films. It explores the legacy of evil from Manicheanism to Arendt, assessing the alternative definitions offered by philosophers, theologians and writers per se, on its problematic status."--Publisher website Includes bibliographical references (pages 201-214). Filmography: pages 215-217. 'Trying to see darkness' : a genealogy of evil from Manicheanism to Bataille -- The 'Discourse on evil' in Fritz Lang's M (1931) and Orson Welles's Touch of evil (1958) -- Pasolini and the remnants of neorealism : towards an immeasurable evil -- 'Strike dear mistress and cure his heart' : evil and the law in Liliana Cavani's The night porter (1974) -- 'Barbarism begins at home' : Augustinian evil in Haneke's Benny's video (1992) -- Doli incapax? : re-evaluating evil and its origins in Michael Haneke's Caché (2005) -- Seeing and failing to see again : on the evil of Michael Haneke's The white ribbon (2009) -- Conclusion : the "dangerous" film. Print version record Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK). WlAbNL Good and evil in motion pictures. Films, cinema. bicssc Film: styles & genres. bicssc Ethics & moral philosophy. bicssc PERFORMING ARTS Reference. bisacsh Good and evil in motion pictures fast Filmhistoria. sao Filmteori. sfit Onska på film. sfit has work: Cinema and evil (Text) https://id.oclc.org/worldcat/entity/E39PD3xXc3tJktDpPRbwBK9v73 https://id.oclc.org/worldcat/ontology/hasWork Print version: Waldron, Dara. Cinema and evil. Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2013 9781443843423 (DLC) 2012545826 (OCoLC)822667066 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=827561 Volltext |
| spellingShingle | Waldron, Dara Cinema and evil : moral complexities and the "dangerous" film / 'Trying to see darkness' : a genealogy of evil from Manicheanism to Bataille -- The 'Discourse on evil' in Fritz Lang's M (1931) and Orson Welles's Touch of evil (1958) -- Pasolini and the remnants of neorealism : towards an immeasurable evil -- 'Strike dear mistress and cure his heart' : evil and the law in Liliana Cavani's The night porter (1974) -- 'Barbarism begins at home' : Augustinian evil in Haneke's Benny's video (1992) -- Doli incapax? : re-evaluating evil and its origins in Michael Haneke's Caché (2005) -- Seeing and failing to see again : on the evil of Michael Haneke's The white ribbon (2009) -- Conclusion : the "dangerous" film. Good and evil in motion pictures. Films, cinema. bicssc Film: styles & genres. bicssc Ethics & moral philosophy. bicssc PERFORMING ARTS Reference. bisacsh Good and evil in motion pictures fast Filmhistoria. sao Filmteori. sfit Onska på film. sfit |
| title | Cinema and evil : moral complexities and the "dangerous" film / |
| title_auth | Cinema and evil : moral complexities and the "dangerous" film / |
| title_exact_search | Cinema and evil : moral complexities and the "dangerous" film / |
| title_full | Cinema and evil : moral complexities and the "dangerous" film / by Dara Waldron |
| title_fullStr | Cinema and evil : moral complexities and the "dangerous" film / by Dara Waldron |
| title_full_unstemmed | Cinema and evil : moral complexities and the "dangerous" film / by Dara Waldron |
| title_short | Cinema and evil : |
| title_sort | cinema and evil moral complexities and the dangerous film |
| title_sub | moral complexities and the "dangerous" film / |
| topic | Good and evil in motion pictures. Films, cinema. bicssc Film: styles & genres. bicssc Ethics & moral philosophy. bicssc PERFORMING ARTS Reference. bisacsh Good and evil in motion pictures fast Filmhistoria. sao Filmteori. sfit Onska på film. sfit |
| topic_facet | Good and evil in motion pictures. Films, cinema. Film: styles & genres. Ethics & moral philosophy. PERFORMING ARTS Reference. Good and evil in motion pictures Filmhistoria. Filmteori. Onska på film. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=827561 |
| work_keys_str_mv | AT waldrondara cinemaandevilmoralcomplexitiesandthedangerousfilm |