Musik - Raum - Technik :: zur Entwicklung und Anwendung der graphischen Programmierumgebung "Max" /
MAX - a graphical programming environment for music and multimedia - enjoys the status of being a lingua franca of practice-oriented musical, artistic, and media institutions after two decades of development and impact. This book provides a comprehensive culture-historical survey within which the so...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | German |
| Veröffentlicht: |
Bielefeld :
Transcript,
2014.
|
| Schriftenreihe: | Musik und Klangkultur.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | MAX - a graphical programming environment for music and multimedia - enjoys the status of being a lingua franca of practice-oriented musical, artistic, and media institutions after two decades of development and impact. This book provides a comprehensive culture-historical survey within which the software appears as a product of a specific space of action in the aesthetic practice, retroactively evoking unprecedented production structures. This causes shifts in the extensive interactions between technological and artistic production at the center of the analysis. |
| Beschreibung: | Originally presented as the author's thesis (doctoral - Hildesheim) under the title: Bang Means Do It! Die graphische Programmierumgebung für Musik und Multimedia MAX als Raumprodukt zur ... |
| Beschreibung: | 1 online resource (234 pages) : 27 illustrations |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9783839425275 3839425271 |
Internformat
MARC
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| 245 | 1 | 0 | |a Musik - Raum - Technik : |b zur Entwicklung und Anwendung der graphischen Programmierumgebung "Max" / |c Steffen Scholl. |
| 264 | 1 | |a Bielefeld : |b Transcript, |c 2014. | |
| 300 | |a 1 online resource (234 pages) : |b 27 illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Musik und Klangkultur | |
| 500 | |a Originally presented as the author's thesis (doctoral - Hildesheim) under the title: Bang Means Do It! Die graphische Programmierumgebung für Musik und Multimedia MAX als Raumprodukt zur ... | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | 0 | |t Einleitung : Musik (machen) als Organisation von Raum -- |t Am I sitting in a room? -- |t Lebe deinen Raum! -- |t Fabricando fabricamur : Feedback-Schleifen der Produktion -- |t My space : Max-Raum -- |t Maximalism 1 : Max als in-formiertes Raumprodukt -- |t Raum im Raum im Raum : L'IRCAM et le Système 4X -- |t The Family : 1985-1994 -- |t La Version non graphique -- |t The Patcher -- |t Opcode-Max -- |t IMW/ISPW-Max, Max/FTS und jMax -- |t The Community : 1990-2010 -- |t Pure Data : Public Domain -- |t MSP : Max Signal Processing -- |t Re : (maxmspd) Re: Re: Re: Mox-mailing-lists -- |t www.maxobjects.com/libraries/rtc-lib -- |t GEM, Nato.0+55 und Jitter -- |t Max for Live -- |t Exkurs a) Max als Musikinstrument? -- |t Exkurs b) Max als Notationssystem? -- |t Maxlmalism 2 : Max als in-formlerender Raumrepräsentant -- |t Max und Moritz : A program that does nothing? -- |t Live-elektronischer Interaktionsraum -- |t Pluton- Philippe Manoury -- |t Live-Coding : TOPLAP, Blank Pages -- |t Gestikulierter Raum -- |t The Master of Space : David Rokeby -- |t Capture : Kasper T. Toeplitz -- |t Netzwerk -- |t Global Visual Music Project : Miller Puckette, Vibeke S0rensen, Rand Steiger -- |t Quintet.net : Georg Hajdu -- |t Hyperraum -- |t Lexikon Sonate : Karlheinz Essl -- |t Variations for the World Wide Web : Seionshin Yamagishi, Kohij Setoh, Randall Packer, Noriko Matsumoto -- |t Schluss : Max for Life -- |g Literatur. |
| 588 | 0 | |a Print version record. | |
| 520 | |a MAX - a graphical programming environment for music and multimedia - enjoys the status of being a lingua franca of practice-oriented musical, artistic, and media institutions after two decades of development and impact. This book provides a comprehensive culture-historical survey within which the software appears as a product of a specific space of action in the aesthetic practice, retroactively evoking unprecedented production structures. This causes shifts in the extensive interactions between technological and artistic production at the center of the analysis. | ||
| 630 | 0 | 0 | |a Max (Computer file : Cycling '74) |x History. |
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| 630 | 0 | 7 | |a Pure Data (Computer file) |2 fast |
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| 650 | 0 | |a Music |x Software |x History. | |
| 650 | 0 | |a Composition (Music) |x Interactive multimedia. | |
| 650 | 0 | |a Computer sound processing |x History. | |
| 650 | 0 | |a Music and technology |x History. | |
| 650 | 0 | |a Space and time in music. |0 http://id.loc.gov/authorities/subjects/sh97005503 | |
| 650 | 6 | |a Composition (Musique) |x Multimédias interactifs. | |
| 650 | 6 | |a Son |x Traitement par ordinateur |x Histoire. | |
| 650 | 6 | |a Musique et technologie |x Histoire. | |
| 650 | 6 | |a Espace et temps dans la musique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Composition (Music) |2 fast | |
| 650 | 7 | |a Computer sound processing |2 fast | |
| 650 | 7 | |a Music and technology |2 fast | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn889814112 |
|---|---|
| _version_ | 1829095008825769984 |
| adam_text | |
| any_adam_object | |
| author | Scholl, Steffen |
| author_facet | Scholl, Steffen |
| author_role | |
| author_sort | Scholl, Steffen |
| author_variant | s s ss |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML74 |
| callnumber-raw | ML74.4 .M39 S36 2014 |
| callnumber-search | ML74.4 .M39 S36 2014 |
| callnumber-sort | ML 274.4 M39 S36 42014 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | ST 325 |
| collection | ZDB-4-EBA |
| contents | Einleitung : Musik (machen) als Organisation von Raum -- Am I sitting in a room? -- Lebe deinen Raum! -- Fabricando fabricamur : Feedback-Schleifen der Produktion -- My space : Max-Raum -- Maximalism 1 : Max als in-formiertes Raumprodukt -- Raum im Raum im Raum : L'IRCAM et le Système 4X -- The Family : 1985-1994 -- La Version non graphique -- The Patcher -- Opcode-Max -- IMW/ISPW-Max, Max/FTS und jMax -- The Community : 1990-2010 -- Pure Data : Public Domain -- MSP : Max Signal Processing -- Re : (maxmspd) Re: Re: Re: Mox-mailing-lists -- www.maxobjects.com/libraries/rtc-lib -- GEM, Nato.0+55 und Jitter -- Max for Live -- Exkurs a) Max als Musikinstrument? -- Exkurs b) Max als Notationssystem? -- Maxlmalism 2 : Max als in-formlerender Raumrepräsentant -- Max und Moritz : A program that does nothing? -- Live-elektronischer Interaktionsraum -- Pluton- Philippe Manoury -- Live-Coding : TOPLAP, Blank Pages -- Gestikulierter Raum -- The Master of Space : David Rokeby -- Capture : Kasper T. Toeplitz -- Netzwerk -- Global Visual Music Project : Miller Puckette, Vibeke S0rensen, Rand Steiger -- Quintet.net : Georg Hajdu -- Hyperraum -- Lexikon Sonate : Karlheinz Essl -- Variations for the World Wide Web : Seionshin Yamagishi, Kohij Setoh, Randall Packer, Noriko Matsumoto -- Schluss : Max for Life -- |
| ctrlnum | (OCoLC)889814112 |
| dewey-full | 780.28553 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.28553 |
| dewey-search | 780.28553 |
| dewey-sort | 3780.28553 |
| dewey-tens | 780 - Music |
| discipline | Informatik Musikwissenschaft |
| format | Electronic eBook |
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| genre | Electronic books. History fast Interactive multimedia fast |
| genre_facet | Electronic books. History Interactive multimedia |
| id | ZDB-4-EBA-ocn889814112 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:42:12Z |
| institution | BVB |
| isbn | 9783839425275 3839425271 |
| language | German |
| oclc_num | 889814112 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (234 pages) : 27 illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Transcript, |
| record_format | marc |
| series | Musik und Klangkultur. |
| series2 | Musik und Klangkultur |
| spelling | Scholl, Steffen. Musik - Raum - Technik : zur Entwicklung und Anwendung der graphischen Programmierumgebung "Max" / Steffen Scholl. Bielefeld : Transcript, 2014. 1 online resource (234 pages) : 27 illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Musik und Klangkultur Originally presented as the author's thesis (doctoral - Hildesheim) under the title: Bang Means Do It! Die graphische Programmierumgebung für Musik und Multimedia MAX als Raumprodukt zur ... Includes bibliographical references. Einleitung : Musik (machen) als Organisation von Raum -- Am I sitting in a room? -- Lebe deinen Raum! -- Fabricando fabricamur : Feedback-Schleifen der Produktion -- My space : Max-Raum -- Maximalism 1 : Max als in-formiertes Raumprodukt -- Raum im Raum im Raum : L'IRCAM et le Système 4X -- The Family : 1985-1994 -- La Version non graphique -- The Patcher -- Opcode-Max -- IMW/ISPW-Max, Max/FTS und jMax -- The Community : 1990-2010 -- Pure Data : Public Domain -- MSP : Max Signal Processing -- Re : (maxmspd) Re: Re: Re: Mox-mailing-lists -- www.maxobjects.com/libraries/rtc-lib -- GEM, Nato.0+55 und Jitter -- Max for Live -- Exkurs a) Max als Musikinstrument? -- Exkurs b) Max als Notationssystem? -- Maxlmalism 2 : Max als in-formlerender Raumrepräsentant -- Max und Moritz : A program that does nothing? -- Live-elektronischer Interaktionsraum -- Pluton- Philippe Manoury -- Live-Coding : TOPLAP, Blank Pages -- Gestikulierter Raum -- The Master of Space : David Rokeby -- Capture : Kasper T. Toeplitz -- Netzwerk -- Global Visual Music Project : Miller Puckette, Vibeke S0rensen, Rand Steiger -- Quintet.net : Georg Hajdu -- Hyperraum -- Lexikon Sonate : Karlheinz Essl -- Variations for the World Wide Web : Seionshin Yamagishi, Kohij Setoh, Randall Packer, Noriko Matsumoto -- Schluss : Max for Life -- Literatur. Print version record. MAX - a graphical programming environment for music and multimedia - enjoys the status of being a lingua franca of practice-oriented musical, artistic, and media institutions after two decades of development and impact. This book provides a comprehensive culture-historical survey within which the software appears as a product of a specific space of action in the aesthetic practice, retroactively evoking unprecedented production structures. This causes shifts in the extensive interactions between technological and artistic production at the center of the analysis. Max (Computer file : Cycling '74) History. Pure Data (Computer file) History. Max (Computer file : Cycling '74) fast Pure Data (Computer file) fast Raum gnd http://d-nb.info/gnd/1061812227 Smith, Glen gnd http://d-nb.info/gnd/1252720823 Music Software History. Composition (Music) Interactive multimedia. Computer sound processing History. Music and technology History. Space and time in music. http://id.loc.gov/authorities/subjects/sh97005503 Composition (Musique) Multimédias interactifs. Son Traitement par ordinateur Histoire. Musique et technologie Histoire. Espace et temps dans la musique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Composition (Music) fast Computer sound processing fast Music and technology fast Music Software fast Space and time in music fast Musik gnd Technik gnd Electronic books. History fast Interactive multimedia fast has work: Musik - Raum - Technik (Text) https://id.oclc.org/worldcat/entity/E39PD3hwX8ytPBj83cM8FtyVvd https://id.oclc.org/worldcat/ontology/hasWork Print version: Scholl, Steffen. Musik - Raum - Technik 9783837625271 (OCoLC)869209199 Musik und Klangkultur. http://id.loc.gov/authorities/names/no2014103779 |
| spellingShingle | Scholl, Steffen Musik - Raum - Technik : zur Entwicklung und Anwendung der graphischen Programmierumgebung "Max" / Musik und Klangkultur. Einleitung : Musik (machen) als Organisation von Raum -- Am I sitting in a room? -- Lebe deinen Raum! -- Fabricando fabricamur : Feedback-Schleifen der Produktion -- My space : Max-Raum -- Maximalism 1 : Max als in-formiertes Raumprodukt -- Raum im Raum im Raum : L'IRCAM et le Système 4X -- The Family : 1985-1994 -- La Version non graphique -- The Patcher -- Opcode-Max -- IMW/ISPW-Max, Max/FTS und jMax -- The Community : 1990-2010 -- Pure Data : Public Domain -- MSP : Max Signal Processing -- Re : (maxmspd) Re: Re: Re: Mox-mailing-lists -- www.maxobjects.com/libraries/rtc-lib -- GEM, Nato.0+55 und Jitter -- Max for Live -- Exkurs a) Max als Musikinstrument? -- Exkurs b) Max als Notationssystem? -- Maxlmalism 2 : Max als in-formlerender Raumrepräsentant -- Max und Moritz : A program that does nothing? -- Live-elektronischer Interaktionsraum -- Pluton- Philippe Manoury -- Live-Coding : TOPLAP, Blank Pages -- Gestikulierter Raum -- The Master of Space : David Rokeby -- Capture : Kasper T. Toeplitz -- Netzwerk -- Global Visual Music Project : Miller Puckette, Vibeke S0rensen, Rand Steiger -- Quintet.net : Georg Hajdu -- Hyperraum -- Lexikon Sonate : Karlheinz Essl -- Variations for the World Wide Web : Seionshin Yamagishi, Kohij Setoh, Randall Packer, Noriko Matsumoto -- Schluss : Max for Life -- Max (Computer file : Cycling '74) History. Pure Data (Computer file) History. Max (Computer file : Cycling '74) fast Pure Data (Computer file) fast Raum gnd http://d-nb.info/gnd/1061812227 Smith, Glen gnd http://d-nb.info/gnd/1252720823 Music Software History. Composition (Music) Interactive multimedia. Computer sound processing History. Music and technology History. Space and time in music. http://id.loc.gov/authorities/subjects/sh97005503 Composition (Musique) Multimédias interactifs. Son Traitement par ordinateur Histoire. Musique et technologie Histoire. Espace et temps dans la musique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Composition (Music) fast Computer sound processing fast Music and technology fast Music Software fast Space and time in music fast Musik gnd Technik gnd |
| subject_GND | http://d-nb.info/gnd/1061812227 http://d-nb.info/gnd/1252720823 http://id.loc.gov/authorities/subjects/sh97005503 |
| title | Musik - Raum - Technik : zur Entwicklung und Anwendung der graphischen Programmierumgebung "Max" / |
| title_alt | Einleitung : Musik (machen) als Organisation von Raum -- Am I sitting in a room? -- Lebe deinen Raum! -- Fabricando fabricamur : Feedback-Schleifen der Produktion -- My space : Max-Raum -- Maximalism 1 : Max als in-formiertes Raumprodukt -- Raum im Raum im Raum : L'IRCAM et le Système 4X -- The Family : 1985-1994 -- La Version non graphique -- The Patcher -- Opcode-Max -- IMW/ISPW-Max, Max/FTS und jMax -- The Community : 1990-2010 -- Pure Data : Public Domain -- MSP : Max Signal Processing -- Re : (maxmspd) Re: Re: Re: Mox-mailing-lists -- www.maxobjects.com/libraries/rtc-lib -- GEM, Nato.0+55 und Jitter -- Max for Live -- Exkurs a) Max als Musikinstrument? -- Exkurs b) Max als Notationssystem? -- Maxlmalism 2 : Max als in-formlerender Raumrepräsentant -- Max und Moritz : A program that does nothing? -- Live-elektronischer Interaktionsraum -- Pluton- Philippe Manoury -- Live-Coding : TOPLAP, Blank Pages -- Gestikulierter Raum -- The Master of Space : David Rokeby -- Capture : Kasper T. Toeplitz -- Netzwerk -- Global Visual Music Project : Miller Puckette, Vibeke S0rensen, Rand Steiger -- Quintet.net : Georg Hajdu -- Hyperraum -- Lexikon Sonate : Karlheinz Essl -- Variations for the World Wide Web : Seionshin Yamagishi, Kohij Setoh, Randall Packer, Noriko Matsumoto -- Schluss : Max for Life -- |
| title_auth | Musik - Raum - Technik : zur Entwicklung und Anwendung der graphischen Programmierumgebung "Max" / |
| title_exact_search | Musik - Raum - Technik : zur Entwicklung und Anwendung der graphischen Programmierumgebung "Max" / |
| title_full | Musik - Raum - Technik : zur Entwicklung und Anwendung der graphischen Programmierumgebung "Max" / Steffen Scholl. |
| title_fullStr | Musik - Raum - Technik : zur Entwicklung und Anwendung der graphischen Programmierumgebung "Max" / Steffen Scholl. |
| title_full_unstemmed | Musik - Raum - Technik : zur Entwicklung und Anwendung der graphischen Programmierumgebung "Max" / Steffen Scholl. |
| title_short | Musik - Raum - Technik : |
| title_sort | musik raum technik zur entwicklung und anwendung der graphischen programmierumgebung max |
| title_sub | zur Entwicklung und Anwendung der graphischen Programmierumgebung "Max" / |
| topic | Max (Computer file : Cycling '74) History. Pure Data (Computer file) History. Max (Computer file : Cycling '74) fast Pure Data (Computer file) fast Raum gnd http://d-nb.info/gnd/1061812227 Smith, Glen gnd http://d-nb.info/gnd/1252720823 Music Software History. Composition (Music) Interactive multimedia. Computer sound processing History. Music and technology History. Space and time in music. http://id.loc.gov/authorities/subjects/sh97005503 Composition (Musique) Multimédias interactifs. Son Traitement par ordinateur Histoire. Musique et technologie Histoire. Espace et temps dans la musique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Composition (Music) fast Computer sound processing fast Music and technology fast Music Software fast Space and time in music fast Musik gnd Technik gnd |
| topic_facet | Max (Computer file : Cycling '74) History. Pure Data (Computer file) History. Max (Computer file : Cycling '74) Pure Data (Computer file) Raum Smith, Glen Music Software History. Composition (Music) Interactive multimedia. Computer sound processing History. Music and technology History. Space and time in music. Composition (Musique) Multimédias interactifs. Son Traitement par ordinateur Histoire. Musique et technologie Histoire. Espace et temps dans la musique. MUSIC Genres & Styles Classical. MUSIC Reference. Composition (Music) Computer sound processing Music and technology Music Software Space and time in music Musik Technik Electronic books. History Interactive multimedia |
| work_keys_str_mv | AT schollsteffen musikraumtechnikzurentwicklungundanwendungdergraphischenprogrammierumgebungmax |