Brahms in the home and the concert hall :: between private and public performance /
"Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explore...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom :
Cambridge University Press,
2014.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms's public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making"-- |
| Beschreibung: | 1 online resource (xxvii, 395 pages) : illustrations, music |
| Bibliographie: | Includes bibliographical references (pages 366-383) and index. |
| ISBN: | 9781316073131 1316073130 9781107337404 1107337402 9781316077863 1316077861 9781322176864 1322176868 |
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| 300 | |a 1 online resource (xxvii, 395 pages) : |b illustrations, music | ||
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| 504 | |a Includes bibliographical references (pages 366-383) and index. | ||
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| 520 | |a "Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms's public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making"-- |c Provided by publisher | ||
| 505 | 0 | 0 | |t Brahms in the home: An introduction / |r Katy Hamilton and Natasha Loges -- |t The Joachim Quartet concerts at the Berlin Singakademie: Mendelssohnian Geselligkeit in Wilhelmine Germany / |r Robert W. Eshbach -- |t Domesticity in Brahms's string sextets, opp. 18 and 36 / |r Marie Sumner Lott -- |t Where was the home of Brahms's piano works? / |r Katrin Eich -- |t Main and shadowy existence(s): Works and arrangements in the oeuvre of Johannes Brahms / |r Michael Struck -- |t Brahms arranges his symphonies / |r Robert Pascall -- |t At the piano with Joseph and Johannes: Joachim's overtures in Brahms's circle / |r Valerie Woodring Goertzen -- |t Brahms and his arrangers / |r Helen Paskins, with Katy Hamilton and Natasha Loges -- |t Brahms in the Wittgenstein homes: A memoir and letters / |r Styra Avins -- |t The construction of gender and mores in Brahms's Mädchenlieder / |r Heather Platt -- |t Music inside the home and outside the box: Brahms's vocal quartets in context / |r Katy Hamilton -- |t The limits of the lied: Brahms's Magelone-Romanzen Op. 33 / |r Natasha Loges -- |t Being (like) Brahms: Emulation and ideology in late nineteenth-century Hausmusik / |r Markus Böggemann -- |t The cultural dialectics of chamber music: Adorno and the visual-acoustic imaginary of Bildung / |r Richard Leppert. |
| 600 | 1 | 0 | |a Brahms, Johannes, |d 1833-1897 |x Criticism and interpretation. |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn889813146 |
|---|---|
| _version_ | 1816882285299892224 |
| adam_text | |
| any_adam_object | |
| author2 | Hamilton, Katy, 1982- Loges, Natasha |
| author2_role | edt edt |
| author2_variant | k h kh n l nl |
| author_GND | http://id.loc.gov/authorities/names/n2014010423 |
| author_additional | Katy Hamilton and Natasha Loges -- Robert W. Eshbach -- Marie Sumner Lott -- Katrin Eich -- Michael Struck -- Robert Pascall -- Valerie Woodring Goertzen -- Helen Paskins, with Katy Hamilton and Natasha Loges -- Styra Avins -- Heather Platt -- Katy Hamilton -- Natasha Loges -- Markus Böggemann -- Richard Leppert. |
| author_facet | Hamilton, Katy, 1982- Loges, Natasha |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.B8 B685 2014eb |
| callnumber-search | ML410.B8 B685 2014eb |
| callnumber-sort | ML 3410 B8 B685 42014EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Brahms in the home: An introduction / The Joachim Quartet concerts at the Berlin Singakademie: Mendelssohnian Geselligkeit in Wilhelmine Germany / Domesticity in Brahms's string sextets, opp. 18 and 36 / Where was the home of Brahms's piano works? / Main and shadowy existence(s): Works and arrangements in the oeuvre of Johannes Brahms / Brahms arranges his symphonies / At the piano with Joseph and Johannes: Joachim's overtures in Brahms's circle / Brahms and his arrangers / Brahms in the Wittgenstein homes: A memoir and letters / The construction of gender and mores in Brahms's Mädchenlieder / Music inside the home and outside the box: Brahms's vocal quartets in context / The limits of the lied: Brahms's Magelone-Romanzen Op. 33 / Being (like) Brahms: Emulation and ideology in late nineteenth-century Hausmusik / The cultural dialectics of chamber music: Adorno and the visual-acoustic imaginary of Bildung / |
| ctrlnum | (OCoLC)889813146 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1800-1899 fast |
| era_facet | 1800-1899 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd |
| geographic_facet | Germany |
| id | ZDB-4-EBA-ocn889813146 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:11Z |
| institution | BVB |
| isbn | 9781316073131 1316073130 9781107337404 1107337402 9781316077863 1316077861 9781322176864 1322176868 |
| language | English |
| oclc_num | 889813146 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxvii, 395 pages) : illustrations, music |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Cambridge University Press, |
| record_format | marc |
| spelling | Brahms in the home and the concert hall : between private and public performance / edited by Katy Hamilton and Natasha Loges. Cambridge, United Kingdom : Cambridge University Press, 2014. 1 online resource (xxvii, 395 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 366-383) and index. Online resource; title from e-book title screen (Cambridge Books Online, viewed April 10, 2015). "Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms's public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making"-- Provided by publisher Brahms in the home: An introduction / Katy Hamilton and Natasha Loges -- The Joachim Quartet concerts at the Berlin Singakademie: Mendelssohnian Geselligkeit in Wilhelmine Germany / Robert W. Eshbach -- Domesticity in Brahms's string sextets, opp. 18 and 36 / Marie Sumner Lott -- Where was the home of Brahms's piano works? / Katrin Eich -- Main and shadowy existence(s): Works and arrangements in the oeuvre of Johannes Brahms / Michael Struck -- Brahms arranges his symphonies / Robert Pascall -- At the piano with Joseph and Johannes: Joachim's overtures in Brahms's circle / Valerie Woodring Goertzen -- Brahms and his arrangers / Helen Paskins, with Katy Hamilton and Natasha Loges -- Brahms in the Wittgenstein homes: A memoir and letters / Styra Avins -- The construction of gender and mores in Brahms's Mädchenlieder / Heather Platt -- Music inside the home and outside the box: Brahms's vocal quartets in context / Katy Hamilton -- The limits of the lied: Brahms's Magelone-Romanzen Op. 33 / Natasha Loges -- Being (like) Brahms: Emulation and ideology in late nineteenth-century Hausmusik / Markus Böggemann -- The cultural dialectics of chamber music: Adorno and the visual-acoustic imaginary of Bildung / Richard Leppert. Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 fast https://id.oclc.org/worldcat/entity/E39PBJjxvY6gCJmXY8WmgHVQv3 Music Germany 19th century History and criticism. MUSIC General. bisacsh MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Germany fast https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd 1800-1899 fast Criticism, interpretation, etc. fast Hamilton, Katy, 1982- editor. https://id.oclc.org/worldcat/entity/E39PBJqfMqKx446Y4mRchmdxXd http://id.loc.gov/authorities/names/n2014010423 Loges, Natasha, editor. Print version: Brahms in the home and the concert hall 9781107042704 (DLC) 2014007602 (OCoLC)872562096 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=818036 Volltext |
| spellingShingle | Brahms in the home and the concert hall : between private and public performance / Brahms in the home: An introduction / The Joachim Quartet concerts at the Berlin Singakademie: Mendelssohnian Geselligkeit in Wilhelmine Germany / Domesticity in Brahms's string sextets, opp. 18 and 36 / Where was the home of Brahms's piano works? / Main and shadowy existence(s): Works and arrangements in the oeuvre of Johannes Brahms / Brahms arranges his symphonies / At the piano with Joseph and Johannes: Joachim's overtures in Brahms's circle / Brahms and his arrangers / Brahms in the Wittgenstein homes: A memoir and letters / The construction of gender and mores in Brahms's Mädchenlieder / Music inside the home and outside the box: Brahms's vocal quartets in context / The limits of the lied: Brahms's Magelone-Romanzen Op. 33 / Being (like) Brahms: Emulation and ideology in late nineteenth-century Hausmusik / The cultural dialectics of chamber music: Adorno and the visual-acoustic imaginary of Bildung / Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 fast https://id.oclc.org/worldcat/entity/E39PBJjxvY6gCJmXY8WmgHVQv3 Music Germany 19th century History and criticism. MUSIC General. bisacsh MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast |
| title | Brahms in the home and the concert hall : between private and public performance / |
| title_alt | Brahms in the home: An introduction / The Joachim Quartet concerts at the Berlin Singakademie: Mendelssohnian Geselligkeit in Wilhelmine Germany / Domesticity in Brahms's string sextets, opp. 18 and 36 / Where was the home of Brahms's piano works? / Main and shadowy existence(s): Works and arrangements in the oeuvre of Johannes Brahms / Brahms arranges his symphonies / At the piano with Joseph and Johannes: Joachim's overtures in Brahms's circle / Brahms and his arrangers / Brahms in the Wittgenstein homes: A memoir and letters / The construction of gender and mores in Brahms's Mädchenlieder / Music inside the home and outside the box: Brahms's vocal quartets in context / The limits of the lied: Brahms's Magelone-Romanzen Op. 33 / Being (like) Brahms: Emulation and ideology in late nineteenth-century Hausmusik / The cultural dialectics of chamber music: Adorno and the visual-acoustic imaginary of Bildung / |
| title_auth | Brahms in the home and the concert hall : between private and public performance / |
| title_exact_search | Brahms in the home and the concert hall : between private and public performance / |
| title_full | Brahms in the home and the concert hall : between private and public performance / edited by Katy Hamilton and Natasha Loges. |
| title_fullStr | Brahms in the home and the concert hall : between private and public performance / edited by Katy Hamilton and Natasha Loges. |
| title_full_unstemmed | Brahms in the home and the concert hall : between private and public performance / edited by Katy Hamilton and Natasha Loges. |
| title_short | Brahms in the home and the concert hall : |
| title_sort | brahms in the home and the concert hall between private and public performance |
| title_sub | between private and public performance / |
| topic | Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 fast https://id.oclc.org/worldcat/entity/E39PBJjxvY6gCJmXY8WmgHVQv3 Music Germany 19th century History and criticism. MUSIC General. bisacsh MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast |
| topic_facet | Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 Music Germany 19th century History and criticism. MUSIC General. MUSIC Genres & Styles Classical. MUSIC Reference. Music Germany Criticism, interpretation, etc. |
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