The emergence of film culture :: knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 /
"Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly t...
Gespeichert in:
Weitere Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York :
Berghahn,
2014.
|
Schriftenreihe: | Film Europa.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today."-- |
Beschreibung: | 1 online resource (viii, 380 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781782384243 1782384243 |
Internformat
MARC
LEADER | 00000cam a2200000 a 4500 | ||
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245 | 0 | 4 | |a The emergence of film culture : |b knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / |c edited by Malte Hagener. |
260 | |a New York : |b Berghahn, |c 2014. | ||
300 | |a 1 online resource (viii, 380 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Film Europa: German cinema in an international context | |
588 | 0 | |a PDF. | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction : the emergence of film culture / Malte Hagener -- Policing race: postcolonial critique, censorship and regulatory responses to the cinema in Weimar film culture / Tobias Nagl -- The visible woman in and against Béla Balázs / Erica Carter -- Encounters in darkened rooms: alternative programming of the Dutch Filmliga, 1927-31 / Tom Gunning -- When was Soviet cinema born? the institutionalization of Soviet film studies and the problems of periodization / Natalie Ryabchikova -- Eastern avatars: Russian influence on European avant-gardes / Ian Christie -- Early Yugoslav ciné-amateurism: cinéphilia and the institutionalization of film culture in the Kingdom of Yugoslavia during the interwar period / Greg de Cuir, Jr -- Soviet-Italian cinematic exchanges: transnational film education in the 1930s / Masha Salazkina -- The avant-garde, education and marketing: the making of non-theatrical film culture in interwar Switzerland / Yvonne Zimmermann -- Interwar film culture in Sweden: avant-garde transactions in the emergent welfare state / Lars Gustaf Andersson -- Building the institution: Luigi Chiarini and Italian film culture in the 1930s / Francesco Pitassio and Simone Venturini -- A new art for a new society? the emergence and development of film schools in Europe / Duncan Petrie -- Institutions of film culture: festivals and archives as network nodes / Malte Hagener -- The German Reich Film Archive in an international context / Rolf Aurich. | |
520 | |a "Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today."-- |c Provided by publisher | ||
650 | 0 | |a Experimental films |z Europe |x History and criticism. | |
650 | 0 | |a Motion pictures |z Europe |x History |y 20th century. | |
650 | 6 | |a Cinéma |z Europe |x Histoire |y 20e siècle. | |
650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
650 | 7 | |a Experimental films |2 fast | |
650 | 7 | |a Motion pictures |2 fast | |
651 | 7 | |a Europe |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq | |
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655 | 7 | |a History |2 fast | |
700 | 1 | |a Hagener, Malte, |d 1971- |e editor. |0 http://id.loc.gov/authorities/names/nb99150700 | |
776 | 0 | 8 | |i Print version: |a Hagener, Malte. |t Emergence of Film Culture, The : Knowledge Production, Institution Building, and the Fate of the Avant-garde in Europe, 1919-1945. |d New York, NY : Berghahn Books, ©2014 |
830 | 0 | |a Film Europa. |0 http://id.loc.gov/authorities/names/no2005046361 | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn889674396 |
---|---|
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adam_text | |
any_adam_object | |
author2 | Hagener, Malte, 1971- |
author2_role | edt |
author2_variant | m h mh |
author_GND | http://id.loc.gov/authorities/names/nb99150700 |
author_facet | Hagener, Malte, 1971- |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.E96 E44 2014 |
callnumber-search | PN1995.9.E96 E44 2014 |
callnumber-sort | PN 41995.9 E96 E44 42014 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 44906 |
collection | ZDB-4-EBA |
contents | Introduction : the emergence of film culture / Malte Hagener -- Policing race: postcolonial critique, censorship and regulatory responses to the cinema in Weimar film culture / Tobias Nagl -- The visible woman in and against Béla Balázs / Erica Carter -- Encounters in darkened rooms: alternative programming of the Dutch Filmliga, 1927-31 / Tom Gunning -- When was Soviet cinema born? the institutionalization of Soviet film studies and the problems of periodization / Natalie Ryabchikova -- Eastern avatars: Russian influence on European avant-gardes / Ian Christie -- Early Yugoslav ciné-amateurism: cinéphilia and the institutionalization of film culture in the Kingdom of Yugoslavia during the interwar period / Greg de Cuir, Jr -- Soviet-Italian cinematic exchanges: transnational film education in the 1930s / Masha Salazkina -- The avant-garde, education and marketing: the making of non-theatrical film culture in interwar Switzerland / Yvonne Zimmermann -- Interwar film culture in Sweden: avant-garde transactions in the emergent welfare state / Lars Gustaf Andersson -- Building the institution: Luigi Chiarini and Italian film culture in the 1930s / Francesco Pitassio and Simone Venturini -- A new art for a new society? the emergence and development of film schools in Europe / Duncan Petrie -- Institutions of film culture: festivals and archives as network nodes / Malte Hagener -- The German Reich Film Archive in an international context / Rolf Aurich. |
ctrlnum | (OCoLC)889674396 |
dewey-full | 791.43 791.4361109409041 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43 791.4361109409041 |
dewey-search | 791.43 791.4361109409041 |
dewey-sort | 3791.43 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast History fast |
genre_facet | Criticism, interpretation, etc. History |
geographic | Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq |
geographic_facet | Europe |
id | ZDB-4-EBA-ocn889674396 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:26:11Z |
institution | BVB |
isbn | 9781782384243 1782384243 |
language | English |
oclc_num | 889674396 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (viii, 380 pages) |
psigel | ZDB-4-EBA |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Berghahn, |
record_format | marc |
series | Film Europa. |
series2 | Film Europa: German cinema in an international context |
spelling | The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / edited by Malte Hagener. New York : Berghahn, 2014. 1 online resource (viii, 380 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Film Europa: German cinema in an international context PDF. Includes bibliographical references and index. Introduction : the emergence of film culture / Malte Hagener -- Policing race: postcolonial critique, censorship and regulatory responses to the cinema in Weimar film culture / Tobias Nagl -- The visible woman in and against Béla Balázs / Erica Carter -- Encounters in darkened rooms: alternative programming of the Dutch Filmliga, 1927-31 / Tom Gunning -- When was Soviet cinema born? the institutionalization of Soviet film studies and the problems of periodization / Natalie Ryabchikova -- Eastern avatars: Russian influence on European avant-gardes / Ian Christie -- Early Yugoslav ciné-amateurism: cinéphilia and the institutionalization of film culture in the Kingdom of Yugoslavia during the interwar period / Greg de Cuir, Jr -- Soviet-Italian cinematic exchanges: transnational film education in the 1930s / Masha Salazkina -- The avant-garde, education and marketing: the making of non-theatrical film culture in interwar Switzerland / Yvonne Zimmermann -- Interwar film culture in Sweden: avant-garde transactions in the emergent welfare state / Lars Gustaf Andersson -- Building the institution: Luigi Chiarini and Italian film culture in the 1930s / Francesco Pitassio and Simone Venturini -- A new art for a new society? the emergence and development of film schools in Europe / Duncan Petrie -- Institutions of film culture: festivals and archives as network nodes / Malte Hagener -- The German Reich Film Archive in an international context / Rolf Aurich. "Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today."-- Provided by publisher Experimental films Europe History and criticism. Motion pictures Europe History 20th century. Cinéma Europe Histoire 20e siècle. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Experimental films fast Motion pictures fast Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq 1900-1999 fast Criticism, interpretation, etc. fast History fast Hagener, Malte, 1971- editor. http://id.loc.gov/authorities/names/nb99150700 Print version: Hagener, Malte. Emergence of Film Culture, The : Knowledge Production, Institution Building, and the Fate of the Avant-garde in Europe, 1919-1945. New York, NY : Berghahn Books, ©2014 Film Europa. http://id.loc.gov/authorities/names/no2005046361 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=795151 Volltext |
spellingShingle | The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / Film Europa. Introduction : the emergence of film culture / Malte Hagener -- Policing race: postcolonial critique, censorship and regulatory responses to the cinema in Weimar film culture / Tobias Nagl -- The visible woman in and against Béla Balázs / Erica Carter -- Encounters in darkened rooms: alternative programming of the Dutch Filmliga, 1927-31 / Tom Gunning -- When was Soviet cinema born? the institutionalization of Soviet film studies and the problems of periodization / Natalie Ryabchikova -- Eastern avatars: Russian influence on European avant-gardes / Ian Christie -- Early Yugoslav ciné-amateurism: cinéphilia and the institutionalization of film culture in the Kingdom of Yugoslavia during the interwar period / Greg de Cuir, Jr -- Soviet-Italian cinematic exchanges: transnational film education in the 1930s / Masha Salazkina -- The avant-garde, education and marketing: the making of non-theatrical film culture in interwar Switzerland / Yvonne Zimmermann -- Interwar film culture in Sweden: avant-garde transactions in the emergent welfare state / Lars Gustaf Andersson -- Building the institution: Luigi Chiarini and Italian film culture in the 1930s / Francesco Pitassio and Simone Venturini -- A new art for a new society? the emergence and development of film schools in Europe / Duncan Petrie -- Institutions of film culture: festivals and archives as network nodes / Malte Hagener -- The German Reich Film Archive in an international context / Rolf Aurich. Experimental films Europe History and criticism. Motion pictures Europe History 20th century. Cinéma Europe Histoire 20e siècle. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Experimental films fast Motion pictures fast |
title | The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / |
title_auth | The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / |
title_exact_search | The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / |
title_full | The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / edited by Malte Hagener. |
title_fullStr | The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / edited by Malte Hagener. |
title_full_unstemmed | The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / edited by Malte Hagener. |
title_short | The emergence of film culture : |
title_sort | emergence of film culture knowledge production institution building and the fate of the avant garde in europe 1919 1945 |
title_sub | knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / |
topic | Experimental films Europe History and criticism. Motion pictures Europe History 20th century. Cinéma Europe Histoire 20e siècle. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Experimental films fast Motion pictures fast |
topic_facet | Experimental films Europe History and criticism. Motion pictures Europe History 20th century. Cinéma Europe Histoire 20e siècle. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Experimental films Motion pictures Europe Criticism, interpretation, etc. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=795151 |
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