Tchaikovsky and his world /:
Tchaikovsky has long intrigued music-lovers as a figure who straddles many borders--between East and West, nationalism and cosmopolitanism, tradition and innovation, tenderness and bombast, masculine and feminine. In this book, through consideration of his music and biography, scholars from several...
Gespeichert in:
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, New Jersey :
Princeton University Press,
[1998]
|
Schriftenreihe: | Bard Music Festival series.
Princeton paperbacks. |
Schlagworte: | |
Online-Zugang: | DE-862 DE-863 |
Zusammenfassung: | Tchaikovsky has long intrigued music-lovers as a figure who straddles many borders--between East and West, nationalism and cosmopolitanism, tradition and innovation, tenderness and bombast, masculine and feminine. In this book, through consideration of his music and biography, scholars from several disciplines explore the many sides of Tchaikovsky. The volume presents for the first time in English some of Tchaikovsky's own writings about music, as well as three influential articles, previously available only in German, from the 1993 Tübingen conference commemorating the centennial of Tchaikovsky's death. Tchaikovsky's distinguished biographer, Alexander Poznansky, reveals new findings from his most recent archival explorations in Kiln, Tchaikovsky's home. Poznansky makes accessible for the first time the full text of perviously censored letters, clarifying issues about the composer's life that until now have remained mere conjecture. Leon Botstein examines the world of realist art that was so influential in Tchaikovsky's day, while Janet Kennedy describes how interpretations of Tchaikovsky's ballet Sleeping Beauty act as a barometer of the aesthetic and even political climate of several generations. Natalia Minibayeva elucidates the First Orchestral Suite as a workshop for Tchaikovsky's composition of large-scale works, including symphony, opera, and ballet, while Susanne Dammann discusses the problematic Fourth Symphony as a work perfectly poised between East and West. Arkadii Klimovitsky considers Tchaikovsky's role as a link between Russia's Golden and Silver Ages. The extensive interaction between music and literature in this period forms the basis for Rosamund Bartlett's essay on creative parallels between Tchaikovsky and Chekhov. Richard Wortman describes the political climate at the end of Tchaikovsky's life, including Alexander III's mania for re-creating seventeenth-century Russian culture. Caryl Emerson, Kadja Gronke, and Leslie Kearney examine a number of issues raised by Tchaikovsky's operas. Marina Kostalevsky translates Nikolai Kashkin's 1899 review of Tchaikovsky's controversial opera Orleanskaia Deva (The Maid of Orleans). The book concludes with examples of theoretical writing by Tchaikovsky and Rimsky-Korsakov, authors of Russia's first two systematic books on music theory. Lyle Neff translates and provides commentary on compositional issues that Tchaikovsky discusses in personal correspondence, as well as Rimsky-Korsakov's analysis of his own opera Snegurochka (The Snow Maiden). Tchaikovsky and His World will change how we understand the life, works, and intellectual milieu of one of the most important and beloved composers of the nineteenth century. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
Beschreibung: | 1 online resource (383 pages) : illustrations |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781400864881 1400864887 |
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505 | 0 | 0 | |t Preface -- |t Tchaikovsky: A Life Reconsidered / |r Poznansky, Alexander -- |t Unknown Tchaikovsky: A Reconstruction of Previously Censored Letters to His Brothers (1875-1879) / |r Poznansky, Alexander -- |t Music as the Language of Psychological Realism: Tchaikovsky and Russian Art / |r Botstein, Leon -- |t Line of Succession: Three Productions of Tchaikovsky's Sleeping Beauty / |r Kennedy, Janet E. -- |t Per Aspera Ad Astra: Symphonic Tradition in Tchaikovsky's First Suite for Orchestra / |r Minibayeva, Natalia -- |t An Examination of Problem History in Tchaikovsky's Fourth Symphony / |r Dammann, Susanne -- |t Tchaikovsky's Tatiana / |r Emerson, Caryl -- |t Review of The Maid of Orleans [1899] -- |t Tchaikovsky Androgyne: The Maid of Orleans / |r Kearney, Leslie -- |t The Coronation of Alexander III / |r Wortman, Richard -- |t Tchaikovsky, Chekhov, and the Russian Elegy / |r Bartlett, Rosamund -- |t Tchaikovsky and the Russian "Silver Age" / |r Klimovitsky, Arkadii -- |t A Documentary Glance at Tchaikovsky and Rimsky-Korsakov as Music Theorists -- |t Index -- |t List of Contributors. |
520 | |a Tchaikovsky has long intrigued music-lovers as a figure who straddles many borders--between East and West, nationalism and cosmopolitanism, tradition and innovation, tenderness and bombast, masculine and feminine. In this book, through consideration of his music and biography, scholars from several disciplines explore the many sides of Tchaikovsky. The volume presents for the first time in English some of Tchaikovsky's own writings about music, as well as three influential articles, previously available only in German, from the 1993 Tübingen conference commemorating the centennial of Tchaikovsky's death. Tchaikovsky's distinguished biographer, Alexander Poznansky, reveals new findings from his most recent archival explorations in Kiln, Tchaikovsky's home. Poznansky makes accessible for the first time the full text of perviously censored letters, clarifying issues about the composer's life that until now have remained mere conjecture. Leon Botstein examines the world of realist art that was so influential in Tchaikovsky's day, while Janet Kennedy describes how interpretations of Tchaikovsky's ballet Sleeping Beauty act as a barometer of the aesthetic and even political climate of several generations. Natalia Minibayeva elucidates the First Orchestral Suite as a workshop for Tchaikovsky's composition of large-scale works, including symphony, opera, and ballet, while Susanne Dammann discusses the problematic Fourth Symphony as a work perfectly poised between East and West. Arkadii Klimovitsky considers Tchaikovsky's role as a link between Russia's Golden and Silver Ages. The extensive interaction between music and literature in this period forms the basis for Rosamund Bartlett's essay on creative parallels between Tchaikovsky and Chekhov. Richard Wortman describes the political climate at the end of Tchaikovsky's life, including Alexander III's mania for re-creating seventeenth-century Russian culture. | ||
520 | |a Caryl Emerson, Kadja Gronke, and Leslie Kearney examine a number of issues raised by Tchaikovsky's operas. Marina Kostalevsky translates Nikolai Kashkin's 1899 review of Tchaikovsky's controversial opera Orleanskaia Deva (The Maid of Orleans). The book concludes with examples of theoretical writing by Tchaikovsky and Rimsky-Korsakov, authors of Russia's first two systematic books on music theory. Lyle Neff translates and provides commentary on compositional issues that Tchaikovsky discusses in personal correspondence, as well as Rimsky-Korsakov's analysis of his own opera Snegurochka (The Snow Maiden). Tchaikovsky and His World will change how we understand the life, works, and intellectual milieu of one of the most important and beloved composers of the nineteenth century. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
600 | 1 | 0 | |a Tchaikovsky, Peter Ilich, |d 1840-1893 |x Criticism and interpretation. |
600 | 1 | 1 | |a Tchaikovsky, Peter Ilich, |d 1840-1893 |x Criticism and interpretation. |
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DE-BY-FWS_katkey | ZDB-4-EBA-ocn889254740 |
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adam_text | |
any_adam_object | |
author2 | Kearney, Leslie |
author2_role | edt |
author2_variant | l k lk |
author_additional | Poznansky, Alexander -- Botstein, Leon -- Kennedy, Janet E. -- Minibayeva, Natalia -- Dammann, Susanne -- Emerson, Caryl -- Kearney, Leslie -- Wortman, Richard -- Bartlett, Rosamund -- Klimovitsky, Arkadii -- |
author_facet | Kearney, Leslie |
building | Verbundindex |
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callnumber-first | M - Music |
callnumber-label | ML410 |
callnumber-raw | ML410.C4 T36 1998eb |
callnumber-search | ML410.C4 T36 1998eb |
callnumber-sort | ML 3410 C4 T36 41998EB |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | Preface -- Tchaikovsky: A Life Reconsidered / Unknown Tchaikovsky: A Reconstruction of Previously Censored Letters to His Brothers (1875-1879) / Music as the Language of Psychological Realism: Tchaikovsky and Russian Art / Line of Succession: Three Productions of Tchaikovsky's Sleeping Beauty / Per Aspera Ad Astra: Symphonic Tradition in Tchaikovsky's First Suite for Orchestra / An Examination of Problem History in Tchaikovsky's Fourth Symphony / Tchaikovsky's Tatiana / Review of The Maid of Orleans [1899] -- Tchaikovsky Androgyne: The Maid of Orleans / The Coronation of Alexander III / Tchaikovsky, Chekhov, and the Russian Elegy / Tchaikovsky and the Russian "Silver Age" / A Documentary Glance at Tchaikovsky and Rimsky-Korsakov as Music Theorists -- Index -- List of Contributors. |
ctrlnum | (OCoLC)889254740 |
dewey-full | 780/.92 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780/.92 |
dewey-search | 780/.92 |
dewey-sort | 3780 292 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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In this book, through consideration of his music and biography, scholars from several disciplines explore the many sides of Tchaikovsky. The volume presents for the first time in English some of Tchaikovsky's own writings about music, as well as three influential articles, previously available only in German, from the 1993 Tübingen conference commemorating the centennial of Tchaikovsky's death. Tchaikovsky's distinguished biographer, Alexander Poznansky, reveals new findings from his most recent archival explorations in Kiln, Tchaikovsky's home. Poznansky makes accessible for the first time the full text of perviously censored letters, clarifying issues about the composer's life that until now have remained mere conjecture. Leon Botstein examines the world of realist art that was so influential in Tchaikovsky's day, while Janet Kennedy describes how interpretations of Tchaikovsky's ballet Sleeping Beauty act as a barometer of the aesthetic and even political climate of several generations. Natalia Minibayeva elucidates the First Orchestral Suite as a workshop for Tchaikovsky's composition of large-scale works, including symphony, opera, and ballet, while Susanne Dammann discusses the problematic Fourth Symphony as a work perfectly poised between East and West. Arkadii Klimovitsky considers Tchaikovsky's role as a link between Russia's Golden and Silver Ages. The extensive interaction between music and literature in this period forms the basis for Rosamund Bartlett's essay on creative parallels between Tchaikovsky and Chekhov. Richard Wortman describes the political climate at the end of Tchaikovsky's life, including Alexander III's mania for re-creating seventeenth-century Russian culture.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Caryl Emerson, Kadja Gronke, and Leslie Kearney examine a number of issues raised by Tchaikovsky's operas. Marina Kostalevsky translates Nikolai Kashkin's 1899 review of Tchaikovsky's controversial opera Orleanskaia Deva (The Maid of Orleans). The book concludes with examples of theoretical writing by Tchaikovsky and Rimsky-Korsakov, authors of Russia's first two systematic books on music theory. Lyle Neff translates and provides commentary on compositional issues that Tchaikovsky discusses in personal correspondence, as well as Rimsky-Korsakov's analysis of his own opera Snegurochka (The Snow Maiden). Tchaikovsky and His World will change how we understand the life, works, and intellectual milieu of one of the most important and beloved composers of the nineteenth century. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. 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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn889254740 |
illustrated | Illustrated |
indexdate | 2025-04-11T08:42:10Z |
institution | BVB |
isbn | 9781400864881 1400864887 |
language | English |
oclc_num | 889254740 |
open_access_boolean | |
owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
physical | 1 online resource (383 pages) : illustrations |
psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
publishDate | 1998 |
publishDateSearch | 1998 |
publishDateSort | 1998 |
publisher | Princeton University Press, |
record_format | marc |
series | Bard Music Festival series. Princeton paperbacks. |
series2 | The Bard Music Festival series Princeton paperbacks Princeton legacy library |
spelling | Tchaikovsky and his world / edited by Leslie Kearney. Princeton, New Jersey : Princeton University Press, [1998] ©1998 1 online resource (383 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier The Bard Music Festival series Princeton paperbacks Princeton legacy library Includes bibliographical references and index. Print version record. Preface -- Tchaikovsky: A Life Reconsidered / Poznansky, Alexander -- Unknown Tchaikovsky: A Reconstruction of Previously Censored Letters to His Brothers (1875-1879) / Poznansky, Alexander -- Music as the Language of Psychological Realism: Tchaikovsky and Russian Art / Botstein, Leon -- Line of Succession: Three Productions of Tchaikovsky's Sleeping Beauty / Kennedy, Janet E. -- Per Aspera Ad Astra: Symphonic Tradition in Tchaikovsky's First Suite for Orchestra / Minibayeva, Natalia -- An Examination of Problem History in Tchaikovsky's Fourth Symphony / Dammann, Susanne -- Tchaikovsky's Tatiana / Emerson, Caryl -- Review of The Maid of Orleans [1899] -- Tchaikovsky Androgyne: The Maid of Orleans / Kearney, Leslie -- The Coronation of Alexander III / Wortman, Richard -- Tchaikovsky, Chekhov, and the Russian Elegy / Bartlett, Rosamund -- Tchaikovsky and the Russian "Silver Age" / Klimovitsky, Arkadii -- A Documentary Glance at Tchaikovsky and Rimsky-Korsakov as Music Theorists -- Index -- List of Contributors. Tchaikovsky has long intrigued music-lovers as a figure who straddles many borders--between East and West, nationalism and cosmopolitanism, tradition and innovation, tenderness and bombast, masculine and feminine. In this book, through consideration of his music and biography, scholars from several disciplines explore the many sides of Tchaikovsky. The volume presents for the first time in English some of Tchaikovsky's own writings about music, as well as three influential articles, previously available only in German, from the 1993 Tübingen conference commemorating the centennial of Tchaikovsky's death. Tchaikovsky's distinguished biographer, Alexander Poznansky, reveals new findings from his most recent archival explorations in Kiln, Tchaikovsky's home. Poznansky makes accessible for the first time the full text of perviously censored letters, clarifying issues about the composer's life that until now have remained mere conjecture. Leon Botstein examines the world of realist art that was so influential in Tchaikovsky's day, while Janet Kennedy describes how interpretations of Tchaikovsky's ballet Sleeping Beauty act as a barometer of the aesthetic and even political climate of several generations. Natalia Minibayeva elucidates the First Orchestral Suite as a workshop for Tchaikovsky's composition of large-scale works, including symphony, opera, and ballet, while Susanne Dammann discusses the problematic Fourth Symphony as a work perfectly poised between East and West. Arkadii Klimovitsky considers Tchaikovsky's role as a link between Russia's Golden and Silver Ages. The extensive interaction between music and literature in this period forms the basis for Rosamund Bartlett's essay on creative parallels between Tchaikovsky and Chekhov. Richard Wortman describes the political climate at the end of Tchaikovsky's life, including Alexander III's mania for re-creating seventeenth-century Russian culture. Caryl Emerson, Kadja Gronke, and Leslie Kearney examine a number of issues raised by Tchaikovsky's operas. Marina Kostalevsky translates Nikolai Kashkin's 1899 review of Tchaikovsky's controversial opera Orleanskaia Deva (The Maid of Orleans). The book concludes with examples of theoretical writing by Tchaikovsky and Rimsky-Korsakov, authors of Russia's first two systematic books on music theory. Lyle Neff translates and provides commentary on compositional issues that Tchaikovsky discusses in personal correspondence, as well as Rimsky-Korsakov's analysis of his own opera Snegurochka (The Snow Maiden). Tchaikovsky and His World will change how we understand the life, works, and intellectual milieu of one of the most important and beloved composers of the nineteenth century. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Tchaikovsky, Peter Ilich, 1840-1893 Criticism and interpretation. Tchaikovsky, Peter Ilich, 1840-1893 fast https://id.oclc.org/worldcat/entity/E39PBJy8wXMBthrqc4mkKtJhpP MUSIC History & Criticism. bisacsh MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Criticism, interpretation, etc. fast Kearney, Leslie, editor. Print version: Tchaikovsky and his world. Princeton, New Jersey : Princeton University Press, [1998] xiii, 369 pages ; 24 cm. The Bard Music Festival series 9780691602639 (DLC) 10898942 Bard Music Festival series. http://id.loc.gov/authorities/names/n95060516 Princeton paperbacks. http://id.loc.gov/authorities/names/n42036524 |
spellingShingle | Tchaikovsky and his world / Bard Music Festival series. Princeton paperbacks. Preface -- Tchaikovsky: A Life Reconsidered / Unknown Tchaikovsky: A Reconstruction of Previously Censored Letters to His Brothers (1875-1879) / Music as the Language of Psychological Realism: Tchaikovsky and Russian Art / Line of Succession: Three Productions of Tchaikovsky's Sleeping Beauty / Per Aspera Ad Astra: Symphonic Tradition in Tchaikovsky's First Suite for Orchestra / An Examination of Problem History in Tchaikovsky's Fourth Symphony / Tchaikovsky's Tatiana / Review of The Maid of Orleans [1899] -- Tchaikovsky Androgyne: The Maid of Orleans / The Coronation of Alexander III / Tchaikovsky, Chekhov, and the Russian Elegy / Tchaikovsky and the Russian "Silver Age" / A Documentary Glance at Tchaikovsky and Rimsky-Korsakov as Music Theorists -- Index -- List of Contributors. Tchaikovsky, Peter Ilich, 1840-1893 Criticism and interpretation. Tchaikovsky, Peter Ilich, 1840-1893 fast https://id.oclc.org/worldcat/entity/E39PBJy8wXMBthrqc4mkKtJhpP MUSIC History & Criticism. bisacsh MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh |
title | Tchaikovsky and his world / |
title_alt | Preface -- Tchaikovsky: A Life Reconsidered / Unknown Tchaikovsky: A Reconstruction of Previously Censored Letters to His Brothers (1875-1879) / Music as the Language of Psychological Realism: Tchaikovsky and Russian Art / Line of Succession: Three Productions of Tchaikovsky's Sleeping Beauty / Per Aspera Ad Astra: Symphonic Tradition in Tchaikovsky's First Suite for Orchestra / An Examination of Problem History in Tchaikovsky's Fourth Symphony / Tchaikovsky's Tatiana / Review of The Maid of Orleans [1899] -- Tchaikovsky Androgyne: The Maid of Orleans / The Coronation of Alexander III / Tchaikovsky, Chekhov, and the Russian Elegy / Tchaikovsky and the Russian "Silver Age" / A Documentary Glance at Tchaikovsky and Rimsky-Korsakov as Music Theorists -- Index -- List of Contributors. |
title_auth | Tchaikovsky and his world / |
title_exact_search | Tchaikovsky and his world / |
title_full | Tchaikovsky and his world / edited by Leslie Kearney. |
title_fullStr | Tchaikovsky and his world / edited by Leslie Kearney. |
title_full_unstemmed | Tchaikovsky and his world / edited by Leslie Kearney. |
title_short | Tchaikovsky and his world / |
title_sort | tchaikovsky and his world |
topic | Tchaikovsky, Peter Ilich, 1840-1893 Criticism and interpretation. Tchaikovsky, Peter Ilich, 1840-1893 fast https://id.oclc.org/worldcat/entity/E39PBJy8wXMBthrqc4mkKtJhpP MUSIC History & Criticism. bisacsh MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh |
topic_facet | Tchaikovsky, Peter Ilich, 1840-1893 Criticism and interpretation. Tchaikovsky, Peter Ilich, 1840-1893 MUSIC History & Criticism. MUSIC Genres & Styles Classical. MUSIC Reference. Criticism, interpretation, etc. |
work_keys_str_mv | AT kearneyleslie tchaikovskyandhisworld |