Divine decadence :: fascism, female spectacle, and the makings of Sally Bowles /
As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--A measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Origina...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, New Jersey :
Princeton University Press,
[1992]
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| Schriftenreihe: | Princeton legacy library.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--A measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, "Sally" has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of the same name, and Joe Masteroff's stage musical and Bob Fosse's Academy Award-winning musical film, both entitled Cabaret. Linda Mizejewski shows how each successive repetition of the tale of the showgirl and the male writer/scholar has linked the young man's fascination with Sally more closely to the fascination of fascism. In every version, political difference is read as sexual difference, fascism is disavowed as secretly female or homosexual, and the hero eventually renounces both Sally and the corruption of the coming regime. Mizejewski argues, however, that the historical and political aspects of this story are too specific--and too frightening--to explain in purely psychoanalytic terms. Instead, Divine Decadence examines how each text engages particular cultural issues and anxieties of its era, from postwar "Momism" to the Vietnam War. Sally Bowles as the symbol of "wild Weimar" or Nazi eroticism represents "history" from within the grid of many other controversial discourses, including changing theories of fascism, the story of Camp, vicissitudes of male homosexual representations and discourses, and the relationships of these issues to images of female sexuality. To Mizejewski, the Sally Bowles adaptations end up duplicating the fascist politics they strain to condemn, reproducing the homophobia, misogyny, fascination for spectacle, and emphasis of sexual difference that characterized German fascism. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | 1 online resource (274 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 243-252) and index. |
| ISBN: | 9781400863006 1400863007 9780691023465 0691023468 9780691078960 0691078963 0691608784 9780691608785 |
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| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t LIST OF ILLUSTRATIONS AND CREDITS -- |t ACKNOWLEDGMENTS -- |t Chapter One. FANTASIES, FASCISM, FEMALE SPECTACLE -- |t CHAPTER TWO. "Good Heter Stuff": Isherwood, Sally Bowles, and the Vision of Camp -- |t CHAPTER THREE. The Cold War against Mummy: Van Druten's I Am a Camera -- |t CHAPTER FOUR. Sally, Lola, and Painful Pleasures: The First On-Screen Sally Bowles -- |t CHAPTER FIVE. (Nazi) Life Is a Cabaret: Sally Bowles and Broadway Musical -- |t CHAPTER SIX. "Doesn't My Body Drive You Wild with Desire?": Fosse's Cabaret -- |t EPILOGUE -- |t BIBLIOGRAPHY -- |t INDEX. |
| 520 | |a As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--A measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, "Sally" has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of the same name, and Joe Masteroff's stage musical and Bob Fosse's Academy Award-winning musical film, both entitled Cabaret. Linda Mizejewski shows how each successive repetition of the tale of the showgirl and the male writer/scholar has linked the young man's fascination with Sally more closely to the fascination of fascism. In every version, political difference is read as sexual difference, fascism is disavowed as secretly female or homosexual, and the hero eventually renounces both Sally and the corruption of the coming regime. Mizejewski argues, however, that the historical and political aspects of this story are too specific--and too frightening--to explain in purely psychoanalytic terms. Instead, Divine Decadence examines how each text engages particular cultural issues and anxieties of its era, from postwar "Momism" to the Vietnam War. Sally Bowles as the symbol of "wild Weimar" or Nazi eroticism represents "history" from within the grid of many other controversial discourses, including changing theories of fascism, the story of Camp, vicissitudes of male homosexual representations and discourses, and the relationships of these issues to images of female sexuality. To Mizejewski, the Sally Bowles adaptations end up duplicating the fascist politics they strain to condemn, reproducing the homophobia, misogyny, fascination for spectacle, and emphasis of sexual difference that characterized German fascism. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Isherwood, Christopher, |d 1904-1986 |x Characters |x Sally Bowles. |
| 600 | 1 | 0 | |a Isherwood, Christopher, |d 1904-1986. |t Goodbye to Berlin. |
| 600 | 1 | 0 | |a Isherwood, Christopher, |d 1904-1986 |v Adaptations. |
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| 650 | 0 | |a Decadence in literature. |0 http://id.loc.gov/authorities/subjects/sh85036157 | |
| 650 | 0 | |a Fascism and literature. |0 http://id.loc.gov/authorities/subjects/sh85047366 | |
| 650 | 0 | |a Women in literature. |0 http://id.loc.gov/authorities/subjects/sh85147587 | |
| 651 | 0 | |a Berlin (Germany) |x In literature. | |
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| 650 | 6 | |a Décadence dans la littérature. | |
| 650 | 6 | |a Fascisme et littérature. | |
| 650 | 6 | |a Femmes dans la littérature. | |
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| 776 | 0 | 8 | |i Print version: |a Mizejewski, Linda. |t Divine decadence : fascism, female spectacle, and the makings of Sally Bowles. |d Princeton, New Jersey : Princeton University Press, [1992] |h xii, 261 pages ; 24 cm |z 9780691608785 |w (DLC) 10898866 |
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| author | Mizejewski, Linda |
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| contents | Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS AND CREDITS -- ACKNOWLEDGMENTS -- Chapter One. FANTASIES, FASCISM, FEMALE SPECTACLE -- CHAPTER TWO. "Good Heter Stuff": Isherwood, Sally Bowles, and the Vision of Camp -- CHAPTER THREE. The Cold War against Mummy: Van Druten's I Am a Camera -- CHAPTER FOUR. Sally, Lola, and Painful Pleasures: The First On-Screen Sally Bowles -- CHAPTER FIVE. (Nazi) Life Is a Cabaret: Sally Bowles and Broadway Musical -- CHAPTER SIX. "Doesn't My Body Drive You Wild with Desire?": Fosse's Cabaret -- EPILOGUE -- BIBLIOGRAPHY -- INDEX. |
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| discipline | Anglistik / Amerikanistik |
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FANTASIES, FASCISM, FEMALE SPECTACLE --</subfield><subfield code="t">CHAPTER TWO. "Good Heter Stuff": Isherwood, Sally Bowles, and the Vision of Camp --</subfield><subfield code="t">CHAPTER THREE. The Cold War against Mummy: Van Druten's I Am a Camera --</subfield><subfield code="t">CHAPTER FOUR. Sally, Lola, and Painful Pleasures: The First On-Screen Sally Bowles --</subfield><subfield code="t">CHAPTER FIVE. (Nazi) Life Is a Cabaret: Sally Bowles and Broadway Musical --</subfield><subfield code="t">CHAPTER SIX. "Doesn't My Body Drive You Wild with Desire?": Fosse's Cabaret --</subfield><subfield code="t">EPILOGUE --</subfield><subfield code="t">BIBLIOGRAPHY --</subfield><subfield code="t">INDEX.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--A measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, "Sally" has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of the same name, and Joe Masteroff's stage musical and Bob Fosse's Academy Award-winning musical film, both entitled Cabaret. Linda Mizejewski shows how each successive repetition of the tale of the showgirl and the male writer/scholar has linked the young man's fascination with Sally more closely to the fascination of fascism. In every version, political difference is read as sexual difference, fascism is disavowed as secretly female or homosexual, and the hero eventually renounces both Sally and the corruption of the coming regime. Mizejewski argues, however, that the historical and political aspects of this story are too specific--and too frightening--to explain in purely psychoanalytic terms. Instead, Divine Decadence examines how each text engages particular cultural issues and anxieties of its era, from postwar "Momism" to the Vietnam War. Sally Bowles as the symbol of "wild Weimar" or Nazi eroticism represents "history" from within the grid of many other controversial discourses, including changing theories of fascism, the story of Camp, vicissitudes of male homosexual representations and discourses, and the relationships of these issues to images of female sexuality. To Mizejewski, the Sally Bowles adaptations end up duplicating the fascist politics they strain to condemn, reproducing the homophobia, misogyny, fascination for spectacle, and emphasis of sexual difference that characterized German fascism. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. 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| genre | Adaptations fast |
| genre_facet | Adaptations |
| geographic | Berlin (Germany) In literature. Germany Berlin fast |
| geographic_facet | Berlin (Germany) In literature. Germany Berlin |
| id | ZDB-4-EBA-ocn889252659 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:09Z |
| institution | BVB |
| isbn | 9781400863006 1400863007 9780691023465 0691023468 9780691078960 0691078963 0691608784 9780691608785 |
| language | English |
| oclc_num | 889252659 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (274 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 1992 |
| publishDateSearch | 1992 |
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| publisher | Princeton University Press, |
| record_format | marc |
| series | Princeton legacy library. |
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| spelling | Mizejewski, Linda, author. http://id.loc.gov/authorities/names/n92025582 Divine decadence : fascism, female spectacle, and the makings of Sally Bowles / Linda Mizejewski. Princeton, New Jersey : Princeton University Press, [1992] ©1992 1 online resource (274 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Princeton Legacy Library Includes bibliographical references (pages 243-252) and index. Print version record. Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS AND CREDITS -- ACKNOWLEDGMENTS -- Chapter One. FANTASIES, FASCISM, FEMALE SPECTACLE -- CHAPTER TWO. "Good Heter Stuff": Isherwood, Sally Bowles, and the Vision of Camp -- CHAPTER THREE. The Cold War against Mummy: Van Druten's I Am a Camera -- CHAPTER FOUR. Sally, Lola, and Painful Pleasures: The First On-Screen Sally Bowles -- CHAPTER FIVE. (Nazi) Life Is a Cabaret: Sally Bowles and Broadway Musical -- CHAPTER SIX. "Doesn't My Body Drive You Wild with Desire?": Fosse's Cabaret -- EPILOGUE -- BIBLIOGRAPHY -- INDEX. As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--A measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, "Sally" has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of the same name, and Joe Masteroff's stage musical and Bob Fosse's Academy Award-winning musical film, both entitled Cabaret. Linda Mizejewski shows how each successive repetition of the tale of the showgirl and the male writer/scholar has linked the young man's fascination with Sally more closely to the fascination of fascism. In every version, political difference is read as sexual difference, fascism is disavowed as secretly female or homosexual, and the hero eventually renounces both Sally and the corruption of the coming regime. Mizejewski argues, however, that the historical and political aspects of this story are too specific--and too frightening--to explain in purely psychoanalytic terms. Instead, Divine Decadence examines how each text engages particular cultural issues and anxieties of its era, from postwar "Momism" to the Vietnam War. Sally Bowles as the symbol of "wild Weimar" or Nazi eroticism represents "history" from within the grid of many other controversial discourses, including changing theories of fascism, the story of Camp, vicissitudes of male homosexual representations and discourses, and the relationships of these issues to images of female sexuality. To Mizejewski, the Sally Bowles adaptations end up duplicating the fascist politics they strain to condemn, reproducing the homophobia, misogyny, fascination for spectacle, and emphasis of sexual difference that characterized German fascism. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 English. Isherwood, Christopher, 1904-1986 Characters Sally Bowles. Isherwood, Christopher, 1904-1986. Goodbye to Berlin. Isherwood, Christopher, 1904-1986 Adaptations. Isherwood, Christopher, 1904-1986 fast https://id.oclc.org/worldcat/entity/E39PBJfWYPtDWf3qMPy89KTbVC Goodbye to Berlin (Isherwood, Christopher) fast Bowles, Sally (Fictitious character) http://id.loc.gov/authorities/subjects/sh92001342 Decadence in literature. http://id.loc.gov/authorities/subjects/sh85036157 Fascism and literature. http://id.loc.gov/authorities/subjects/sh85047366 Women in literature. http://id.loc.gov/authorities/subjects/sh85147587 Berlin (Germany) In literature. Regression (Civilization) in literature. http://id.loc.gov/authorities/subjects/sh94008479 Décadence dans la littérature. Fascisme et littérature. Femmes dans la littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Regression (Civilization) in literature fast Bowles, Sally (Fictitious character) fast Decadence in literature fast Fascism and literature fast Literature fast Women in literature fast Germany Berlin fast Adaptations fast has work: Divine decadence (Text) https://id.oclc.org/worldcat/entity/E39PCGPdyGycHG6kjyppPwbtVd https://id.oclc.org/worldcat/ontology/hasWork Print version: Mizejewski, Linda. Divine decadence : fascism, female spectacle, and the makings of Sally Bowles. Princeton, New Jersey : Princeton University Press, [1992] xii, 261 pages ; 24 cm 9780691608785 (DLC) 10898866 Princeton legacy library. http://id.loc.gov/authorities/names/no2014116408 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=790766 Volltext |
| spellingShingle | Mizejewski, Linda Divine decadence : fascism, female spectacle, and the makings of Sally Bowles / Princeton legacy library. Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS AND CREDITS -- ACKNOWLEDGMENTS -- Chapter One. FANTASIES, FASCISM, FEMALE SPECTACLE -- CHAPTER TWO. "Good Heter Stuff": Isherwood, Sally Bowles, and the Vision of Camp -- CHAPTER THREE. The Cold War against Mummy: Van Druten's I Am a Camera -- CHAPTER FOUR. Sally, Lola, and Painful Pleasures: The First On-Screen Sally Bowles -- CHAPTER FIVE. (Nazi) Life Is a Cabaret: Sally Bowles and Broadway Musical -- CHAPTER SIX. "Doesn't My Body Drive You Wild with Desire?": Fosse's Cabaret -- EPILOGUE -- BIBLIOGRAPHY -- INDEX. Isherwood, Christopher, 1904-1986 Characters Sally Bowles. Isherwood, Christopher, 1904-1986. Goodbye to Berlin. Isherwood, Christopher, 1904-1986 Adaptations. Isherwood, Christopher, 1904-1986 fast https://id.oclc.org/worldcat/entity/E39PBJfWYPtDWf3qMPy89KTbVC Goodbye to Berlin (Isherwood, Christopher) fast Bowles, Sally (Fictitious character) http://id.loc.gov/authorities/subjects/sh92001342 Decadence in literature. http://id.loc.gov/authorities/subjects/sh85036157 Fascism and literature. http://id.loc.gov/authorities/subjects/sh85047366 Women in literature. http://id.loc.gov/authorities/subjects/sh85147587 Regression (Civilization) in literature. http://id.loc.gov/authorities/subjects/sh94008479 Décadence dans la littérature. Fascisme et littérature. Femmes dans la littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Regression (Civilization) in literature fast Bowles, Sally (Fictitious character) fast Decadence in literature fast Fascism and literature fast Literature fast Women in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh92001342 http://id.loc.gov/authorities/subjects/sh85036157 http://id.loc.gov/authorities/subjects/sh85047366 http://id.loc.gov/authorities/subjects/sh85147587 http://id.loc.gov/authorities/subjects/sh94008479 |
| title | Divine decadence : fascism, female spectacle, and the makings of Sally Bowles / |
| title_alt | Frontmatter -- CONTENTS -- LIST OF ILLUSTRATIONS AND CREDITS -- ACKNOWLEDGMENTS -- Chapter One. FANTASIES, FASCISM, FEMALE SPECTACLE -- CHAPTER TWO. "Good Heter Stuff": Isherwood, Sally Bowles, and the Vision of Camp -- CHAPTER THREE. The Cold War against Mummy: Van Druten's I Am a Camera -- CHAPTER FOUR. Sally, Lola, and Painful Pleasures: The First On-Screen Sally Bowles -- CHAPTER FIVE. (Nazi) Life Is a Cabaret: Sally Bowles and Broadway Musical -- CHAPTER SIX. "Doesn't My Body Drive You Wild with Desire?": Fosse's Cabaret -- EPILOGUE -- BIBLIOGRAPHY -- INDEX. |
| title_auth | Divine decadence : fascism, female spectacle, and the makings of Sally Bowles / |
| title_exact_search | Divine decadence : fascism, female spectacle, and the makings of Sally Bowles / |
| title_full | Divine decadence : fascism, female spectacle, and the makings of Sally Bowles / Linda Mizejewski. |
| title_fullStr | Divine decadence : fascism, female spectacle, and the makings of Sally Bowles / Linda Mizejewski. |
| title_full_unstemmed | Divine decadence : fascism, female spectacle, and the makings of Sally Bowles / Linda Mizejewski. |
| title_short | Divine decadence : |
| title_sort | divine decadence fascism female spectacle and the makings of sally bowles |
| title_sub | fascism, female spectacle, and the makings of Sally Bowles / |
| topic | Isherwood, Christopher, 1904-1986 Characters Sally Bowles. Isherwood, Christopher, 1904-1986. Goodbye to Berlin. Isherwood, Christopher, 1904-1986 Adaptations. Isherwood, Christopher, 1904-1986 fast https://id.oclc.org/worldcat/entity/E39PBJfWYPtDWf3qMPy89KTbVC Goodbye to Berlin (Isherwood, Christopher) fast Bowles, Sally (Fictitious character) http://id.loc.gov/authorities/subjects/sh92001342 Decadence in literature. http://id.loc.gov/authorities/subjects/sh85036157 Fascism and literature. http://id.loc.gov/authorities/subjects/sh85047366 Women in literature. http://id.loc.gov/authorities/subjects/sh85147587 Regression (Civilization) in literature. http://id.loc.gov/authorities/subjects/sh94008479 Décadence dans la littérature. Fascisme et littérature. Femmes dans la littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Regression (Civilization) in literature fast Bowles, Sally (Fictitious character) fast Decadence in literature fast Fascism and literature fast Literature fast Women in literature fast |
| topic_facet | Isherwood, Christopher, 1904-1986 Characters Sally Bowles. Isherwood, Christopher, 1904-1986. Goodbye to Berlin. Isherwood, Christopher, 1904-1986 Adaptations. Isherwood, Christopher, 1904-1986 Goodbye to Berlin (Isherwood, Christopher) Bowles, Sally (Fictitious character) Decadence in literature. Fascism and literature. Women in literature. Berlin (Germany) In literature. Regression (Civilization) in literature. Décadence dans la littérature. Fascisme et littérature. Femmes dans la littérature. LITERARY CRITICISM European English, Irish, Scottish, Welsh. PERFORMING ARTS Film & Video History & Criticism. Regression (Civilization) in literature Decadence in literature Fascism and literature Literature Women in literature Germany Berlin Adaptations |
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| work_keys_str_mv | AT mizejewskilinda divinedecadencefascismfemalespectacleandthemakingsofsallybowles |