The science and art of Renaissance music /:
As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, cove...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Princeton, New Jersey :
Princeton University Press,
[1998]
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| Zusammenfassung: | As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music.In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones.Originally published in 1998.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| Beschreibung: | Collection of previously published essays. |
| Beschreibung: | 1 online resource (408 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781400864713 1400864712 |
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| 245 | 1 | 4 | |a The science and art of Renaissance music / |c James Haar ; edited by Paul Corneilson. |
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| 264 | 4 | |c ©1998 | |
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t PREFACE -- |t EDITOR'S PREFACE -- |t BIBLIOGRAPHICAL ABBREVIATIONS -- |t MUSIC IN SIXTEENTH-CENTURY SOCIETY -- |t CHAPTER ONE. A Sixteenth-Century Attempt at Music Criticism -- |t CHAPTER TWO. The Courtier as Musician: Castiglione's View of the Science and Art of Music -- |t CHAPTER THREE. Cosimo Bartoli on Music -- |t ASPECTS OF RENAISSANCE MUSIC THEORY -- |t CHAPTER FOUR. The Frontispiece of Gafori's Practica Musieae (1496) -- |t CHAPTER FIVE. False Relations and Chromaticism in Sixteenth-Century Music -- |t CHAPTER SIX. Zarlino's Definition of Fugue and Imitation -- |t CHAPTER SEVEN. Lessons in Theory from a Sixteenth-Century Composer -- |t CHAPTER EIGHT. Josquin as Interpreted by a Mid-Sixteenth-Century German Musician -- |t ON THE ITALIAN MADRIGAL -- |t CHAPTER NINE. The "Note Nere" Madrigal -- |t CHAPTER TEN. The "Madrigale Arioso": A Mid-Century Development in the Cinquecento Madrigal -- |t CHAPTER ELEVEN. Giovanthomaso Cimello as Madrigalist -- |t ANTONFRANCESCO DONI : WRITER ,ACADEMICIAN , AND MUSICIAN -- |t CHAPTER TWELVE. Notes on the Dialogo della Musica of Antonfrancesco Doni -- |t CHAPTER THIRTEEN. A Gift of Madrigals to Cosimo I: The Ms. Florence, Bibl. Naz. Centrale, Magi. XIX, 130 -- |t CHAPTER FOURTEEN. The Libraria of Antonfrancesco Doni -- |t RENAISSANCE MUSIC IN NINETEENTH -- CENTURY EYES -- |t CHAPTER FIFTEEN. Berlioz and the "First Opera" -- |t CHAPTER SIXTEEN. Music of the Renaissance as Viewed by the Romantics -- |t INDEX OF NAMES |
| 520 | |a As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music.In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones.Originally published in 1998.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
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| 776 | 0 | 8 | |i Print version: |a Haar, James. |t Science and art of Renaissance music. |d Princeton, New Jersey : Princeton University Press, [1998] |h xiv, 389 pages ; 24 cm. |k Princeton legacy library |z 9780691608402 |w (DLC) 10898928 |
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| contents | Frontmatter -- Contents -- PREFACE -- EDITOR'S PREFACE -- BIBLIOGRAPHICAL ABBREVIATIONS -- MUSIC IN SIXTEENTH-CENTURY SOCIETY -- CHAPTER ONE. A Sixteenth-Century Attempt at Music Criticism -- CHAPTER TWO. The Courtier as Musician: Castiglione's View of the Science and Art of Music -- CHAPTER THREE. Cosimo Bartoli on Music -- ASPECTS OF RENAISSANCE MUSIC THEORY -- CHAPTER FOUR. The Frontispiece of Gafori's Practica Musieae (1496) -- CHAPTER FIVE. False Relations and Chromaticism in Sixteenth-Century Music -- CHAPTER SIX. Zarlino's Definition of Fugue and Imitation -- CHAPTER SEVEN. Lessons in Theory from a Sixteenth-Century Composer -- CHAPTER EIGHT. Josquin as Interpreted by a Mid-Sixteenth-Century German Musician -- ON THE ITALIAN MADRIGAL -- CHAPTER NINE. The "Note Nere" Madrigal -- CHAPTER TEN. The "Madrigale Arioso": A Mid-Century Development in the Cinquecento Madrigal -- CHAPTER ELEVEN. Giovanthomaso Cimello as Madrigalist -- ANTONFRANCESCO DONI : WRITER ,ACADEMICIAN , AND MUSICIAN -- CHAPTER TWELVE. Notes on the Dialogo della Musica of Antonfrancesco Doni -- CHAPTER THIRTEEN. A Gift of Madrigals to Cosimo I: The Ms. Florence, Bibl. Naz. Centrale, Magi. XIX, 130 -- CHAPTER FOURTEEN. The Libraria of Antonfrancesco Doni -- RENAISSANCE MUSIC IN NINETEENTH -- CENTURY EYES -- CHAPTER FIFTEEN. Berlioz and the "First Opera" -- CHAPTER SIXTEEN. Music of the Renaissance as Viewed by the Romantics -- INDEX OF NAMES |
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| discipline | Musikwissenschaft |
| era | 1500-1599 fast |
| era_facet | 1500-1599 |
| format | Electronic eBook |
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Music of the Renaissance as Viewed by the Romantics --</subfield><subfield code="t">INDEX OF NAMES</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music.In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones.Originally published in 1998.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| id | ZDB-4-EBA-ocn889252406 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:09Z |
| institution | BVB |
| isbn | 9781400864713 1400864712 |
| language | English |
| oclc_num | 889252406 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (408 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 1998 |
| publishDateSearch | 1998 |
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| publisher | Princeton University Press, |
| record_format | marc |
| series2 | Princeton legacy library |
| spelling | Haar, James, author. The science and art of Renaissance music / James Haar ; edited by Paul Corneilson. Princeton, New Jersey : Princeton University Press, [1998] ©1998 1 online resource (408 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Princeton legacy library Collection of previously published essays. Includes bibliographical references and index. Print version record. Frontmatter -- Contents -- PREFACE -- EDITOR'S PREFACE -- BIBLIOGRAPHICAL ABBREVIATIONS -- MUSIC IN SIXTEENTH-CENTURY SOCIETY -- CHAPTER ONE. A Sixteenth-Century Attempt at Music Criticism -- CHAPTER TWO. The Courtier as Musician: Castiglione's View of the Science and Art of Music -- CHAPTER THREE. Cosimo Bartoli on Music -- ASPECTS OF RENAISSANCE MUSIC THEORY -- CHAPTER FOUR. The Frontispiece of Gafori's Practica Musieae (1496) -- CHAPTER FIVE. False Relations and Chromaticism in Sixteenth-Century Music -- CHAPTER SIX. Zarlino's Definition of Fugue and Imitation -- CHAPTER SEVEN. Lessons in Theory from a Sixteenth-Century Composer -- CHAPTER EIGHT. Josquin as Interpreted by a Mid-Sixteenth-Century German Musician -- ON THE ITALIAN MADRIGAL -- CHAPTER NINE. The "Note Nere" Madrigal -- CHAPTER TEN. The "Madrigale Arioso": A Mid-Century Development in the Cinquecento Madrigal -- CHAPTER ELEVEN. Giovanthomaso Cimello as Madrigalist -- ANTONFRANCESCO DONI : WRITER ,ACADEMICIAN , AND MUSICIAN -- CHAPTER TWELVE. Notes on the Dialogo della Musica of Antonfrancesco Doni -- CHAPTER THIRTEEN. A Gift of Madrigals to Cosimo I: The Ms. Florence, Bibl. Naz. Centrale, Magi. XIX, 130 -- CHAPTER FOURTEEN. The Libraria of Antonfrancesco Doni -- RENAISSANCE MUSIC IN NINETEENTH -- CENTURY EYES -- CHAPTER FIFTEEN. Berlioz and the "First Opera" -- CHAPTER SIXTEEN. Music of the Renaissance as Viewed by the Romantics -- INDEX OF NAMES As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music.In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones.Originally published in 1998.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Music 16th century History and criticism. Music theory History 16th century. http://id.loc.gov/authorities/subjects/sh85088830 Musique 16e siècle Histoire et critique. Théorie musicale Histoire 16e siècle. MUSIC History & Criticism. bisacsh MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Music theory fast 1500-1599 fast Criticism, interpretation, etc. fast History fast Corneilson, Paul E. (Paul Edward), editor. https://id.oclc.org/worldcat/entity/E39PCjM4WP9KrMYMHQMJR7JdQq http://id.loc.gov/authorities/names/no95024690 has work: The science and art of Renaissance music (Text) https://id.oclc.org/worldcat/entity/E39PCGDgWHDc6jJ9K3vdQkWhpP https://id.oclc.org/worldcat/ontology/hasWork Print version: Haar, James. Science and art of Renaissance music. Princeton, New Jersey : Princeton University Press, [1998] xiv, 389 pages ; 24 cm. Princeton legacy library 9780691608402 (DLC) 10898928 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=790802 Volltext |
| spellingShingle | Haar, James The science and art of Renaissance music / Frontmatter -- Contents -- PREFACE -- EDITOR'S PREFACE -- BIBLIOGRAPHICAL ABBREVIATIONS -- MUSIC IN SIXTEENTH-CENTURY SOCIETY -- CHAPTER ONE. A Sixteenth-Century Attempt at Music Criticism -- CHAPTER TWO. The Courtier as Musician: Castiglione's View of the Science and Art of Music -- CHAPTER THREE. Cosimo Bartoli on Music -- ASPECTS OF RENAISSANCE MUSIC THEORY -- CHAPTER FOUR. The Frontispiece of Gafori's Practica Musieae (1496) -- CHAPTER FIVE. False Relations and Chromaticism in Sixteenth-Century Music -- CHAPTER SIX. Zarlino's Definition of Fugue and Imitation -- CHAPTER SEVEN. Lessons in Theory from a Sixteenth-Century Composer -- CHAPTER EIGHT. Josquin as Interpreted by a Mid-Sixteenth-Century German Musician -- ON THE ITALIAN MADRIGAL -- CHAPTER NINE. The "Note Nere" Madrigal -- CHAPTER TEN. The "Madrigale Arioso": A Mid-Century Development in the Cinquecento Madrigal -- CHAPTER ELEVEN. Giovanthomaso Cimello as Madrigalist -- ANTONFRANCESCO DONI : WRITER ,ACADEMICIAN , AND MUSICIAN -- CHAPTER TWELVE. Notes on the Dialogo della Musica of Antonfrancesco Doni -- CHAPTER THIRTEEN. A Gift of Madrigals to Cosimo I: The Ms. Florence, Bibl. Naz. Centrale, Magi. XIX, 130 -- CHAPTER FOURTEEN. The Libraria of Antonfrancesco Doni -- RENAISSANCE MUSIC IN NINETEENTH -- CENTURY EYES -- CHAPTER FIFTEEN. Berlioz and the "First Opera" -- CHAPTER SIXTEEN. Music of the Renaissance as Viewed by the Romantics -- INDEX OF NAMES Music 16th century History and criticism. Music theory History 16th century. http://id.loc.gov/authorities/subjects/sh85088830 Musique 16e siècle Histoire et critique. Théorie musicale Histoire 16e siècle. MUSIC History & Criticism. bisacsh MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Music theory fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088830 |
| title | The science and art of Renaissance music / |
| title_alt | Frontmatter -- Contents -- PREFACE -- EDITOR'S PREFACE -- BIBLIOGRAPHICAL ABBREVIATIONS -- MUSIC IN SIXTEENTH-CENTURY SOCIETY -- CHAPTER ONE. A Sixteenth-Century Attempt at Music Criticism -- CHAPTER TWO. The Courtier as Musician: Castiglione's View of the Science and Art of Music -- CHAPTER THREE. Cosimo Bartoli on Music -- ASPECTS OF RENAISSANCE MUSIC THEORY -- CHAPTER FOUR. The Frontispiece of Gafori's Practica Musieae (1496) -- CHAPTER FIVE. False Relations and Chromaticism in Sixteenth-Century Music -- CHAPTER SIX. Zarlino's Definition of Fugue and Imitation -- CHAPTER SEVEN. Lessons in Theory from a Sixteenth-Century Composer -- CHAPTER EIGHT. Josquin as Interpreted by a Mid-Sixteenth-Century German Musician -- ON THE ITALIAN MADRIGAL -- CHAPTER NINE. The "Note Nere" Madrigal -- CHAPTER TEN. The "Madrigale Arioso": A Mid-Century Development in the Cinquecento Madrigal -- CHAPTER ELEVEN. Giovanthomaso Cimello as Madrigalist -- ANTONFRANCESCO DONI : WRITER ,ACADEMICIAN , AND MUSICIAN -- CHAPTER TWELVE. Notes on the Dialogo della Musica of Antonfrancesco Doni -- CHAPTER THIRTEEN. A Gift of Madrigals to Cosimo I: The Ms. Florence, Bibl. Naz. Centrale, Magi. XIX, 130 -- CHAPTER FOURTEEN. The Libraria of Antonfrancesco Doni -- RENAISSANCE MUSIC IN NINETEENTH -- CENTURY EYES -- CHAPTER FIFTEEN. Berlioz and the "First Opera" -- CHAPTER SIXTEEN. Music of the Renaissance as Viewed by the Romantics -- INDEX OF NAMES |
| title_auth | The science and art of Renaissance music / |
| title_exact_search | The science and art of Renaissance music / |
| title_full | The science and art of Renaissance music / James Haar ; edited by Paul Corneilson. |
| title_fullStr | The science and art of Renaissance music / James Haar ; edited by Paul Corneilson. |
| title_full_unstemmed | The science and art of Renaissance music / James Haar ; edited by Paul Corneilson. |
| title_short | The science and art of Renaissance music / |
| title_sort | science and art of renaissance music |
| topic | Music 16th century History and criticism. Music theory History 16th century. http://id.loc.gov/authorities/subjects/sh85088830 Musique 16e siècle Histoire et critique. Théorie musicale Histoire 16e siècle. MUSIC History & Criticism. bisacsh MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music fast Music theory fast |
| topic_facet | Music 16th century History and criticism. Music theory History 16th century. Musique 16e siècle Histoire et critique. Théorie musicale Histoire 16e siècle. MUSIC History & Criticism. MUSIC Genres & Styles Classical. MUSIC Reference. Music Music theory Criticism, interpretation, etc. History |
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