The "Galitzin" quartets of Beethoven :: opp. 127, 132, 130 /
This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the comp...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Princeton, New Jersey :
Princeton University Press,
[1995]
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| Schriftenreihe: | Princeton legacy library.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K.L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized. Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | 1 online resource (293 pages) : illustrations, music |
| Bibliographie: | Includes bibliographical references (pages 273-281) and index. |
| ISBN: | 9781400864201 1400864208 1306984378 9781306984379 |
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| 245 | 1 | 4 | |a The "Galitzin" quartets of Beethoven : |b opp. 127, 132, 130 / |c Daniel K.L. Chua. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [1995] | |
| 264 | 4 | |c ©1995 | |
| 300 | |a 1 online resource (293 pages) : |b illustrations, music | ||
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| 505 | 0 | |a Introduction -- Motifs, counterpoint, and form : the Quartet in E ♭ major, op. 127 -- Unity and disunity : the first movement of the Quartet in A minor, op. 132 -- Rhythm, time, and space : the last four movements of Op. 132 -- Cadences and closure : the middle movements of op. 130 -- Doubles and parallels : the first movement of op. 130 and the Grosse Fuge, op. 133 -- Conclusion. | |
| 520 | |a This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K.L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized. Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
| 546 | |a In English. | ||
| 600 | 1 | 0 | |a Beethoven, Ludwig van, |d 1770-1827. |t Quartets, |m violins (2), viola, cello. |0 http://id.loc.gov/authorities/names/n79107742 |
| 600 | 1 | 1 | |a Beethoven, Ludwig van, |d 1770-1827. |t Quartets, |m violins (2), viola, cello. |
| 630 | 0 | 7 | |a Quartets (Beethoven, Ludwig van) |2 fast |
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| 776 | 0 | 8 | |i Print version: |a Chua, Daniel K.L. |t Galitzin" quartets of Beethoven : opp. 127, 132, 130. |d Princeton, New Jersey : Princeton University Press, [1995] |h 286 pages ; 25 cm |z 9780691607931 |w (DLC) 10898834 |
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| author | Chua, Daniel K. L., 1966- |
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| contents | Introduction -- Motifs, counterpoint, and form : the Quartet in E ♭ major, op. 127 -- Unity and disunity : the first movement of the Quartet in A minor, op. 132 -- Rhythm, time, and space : the last four movements of Op. 132 -- Cadences and closure : the middle movements of op. 130 -- Doubles and parallels : the first movement of op. 130 and the Grosse Fuge, op. 133 -- Conclusion. |
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| dewey-ones | 785 - Ensembles with one instrument per part |
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| dewey-search | 785/.7194/092 |
| dewey-sort | 3785 47194 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:26:09Z |
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| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (293 pages) : illustrations, music |
| psigel | ZDB-4-EBA |
| publishDate | 1995 |
| publishDateSearch | 1995 |
| publishDateSort | 1995 |
| publisher | Princeton University Press, |
| record_format | marc |
| series | Princeton legacy library. |
| series2 | Princeton Legacy Library |
| spelling | Chua, Daniel K. L., 1966- author. https://id.oclc.org/worldcat/entity/E39PCjwhywrQxDfRvcwx3qF83P http://id.loc.gov/authorities/names/n95028115 The "Galitzin" quartets of Beethoven : opp. 127, 132, 130 / Daniel K.L. Chua. Princeton, New Jersey : Princeton University Press, [1995] ©1995 1 online resource (293 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Princeton Legacy Library Includes bibliographical references (pages 273-281) and index. Print version record. Introduction -- Motifs, counterpoint, and form : the Quartet in E ♭ major, op. 127 -- Unity and disunity : the first movement of the Quartet in A minor, op. 132 -- Rhythm, time, and space : the last four movements of Op. 132 -- Cadences and closure : the middle movements of op. 130 -- Doubles and parallels : the first movement of op. 130 and the Grosse Fuge, op. 133 -- Conclusion. This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K.L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized. Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English. Beethoven, Ludwig van, 1770-1827. Quartets, violins (2), viola, cello. http://id.loc.gov/authorities/names/n79107742 Beethoven, Ludwig van, 1770-1827. Quartets, violins (2), viola, cello. Quartets (Beethoven, Ludwig van) fast String quartets Analysis, appreciation. Quatuors à cordes Analyse et appréciation. MUSIC Genres & Styles Classical. bisacsh MUSIC Genres & Styles Chamber. bisacsh String quartets Analysis, appreciation fast Print version: Chua, Daniel K.L. Galitzin" quartets of Beethoven : opp. 127, 132, 130. Princeton, New Jersey : Princeton University Press, [1995] 286 pages ; 25 cm 9780691607931 (DLC) 10898834 Princeton legacy library. http://id.loc.gov/authorities/names/no2014116408 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=790851 Volltext |
| spellingShingle | Chua, Daniel K. L., 1966- The "Galitzin" quartets of Beethoven : opp. 127, 132, 130 / Princeton legacy library. Introduction -- Motifs, counterpoint, and form : the Quartet in E ♭ major, op. 127 -- Unity and disunity : the first movement of the Quartet in A minor, op. 132 -- Rhythm, time, and space : the last four movements of Op. 132 -- Cadences and closure : the middle movements of op. 130 -- Doubles and parallels : the first movement of op. 130 and the Grosse Fuge, op. 133 -- Conclusion. Beethoven, Ludwig van, 1770-1827. Quartets, violins (2), viola, cello. http://id.loc.gov/authorities/names/n79107742 Beethoven, Ludwig van, 1770-1827. Quartets, violins (2), viola, cello. Quartets (Beethoven, Ludwig van) fast String quartets Analysis, appreciation. Quatuors à cordes Analyse et appréciation. MUSIC Genres & Styles Classical. bisacsh MUSIC Genres & Styles Chamber. bisacsh String quartets Analysis, appreciation fast |
| subject_GND | http://id.loc.gov/authorities/names/n79107742 |
| title | The "Galitzin" quartets of Beethoven : opp. 127, 132, 130 / |
| title_auth | The "Galitzin" quartets of Beethoven : opp. 127, 132, 130 / |
| title_exact_search | The "Galitzin" quartets of Beethoven : opp. 127, 132, 130 / |
| title_full | The "Galitzin" quartets of Beethoven : opp. 127, 132, 130 / Daniel K.L. Chua. |
| title_fullStr | The "Galitzin" quartets of Beethoven : opp. 127, 132, 130 / Daniel K.L. Chua. |
| title_full_unstemmed | The "Galitzin" quartets of Beethoven : opp. 127, 132, 130 / Daniel K.L. Chua. |
| title_short | The "Galitzin" quartets of Beethoven : |
| title_sort | galitzin quartets of beethoven opp 127 132 130 |
| title_sub | opp. 127, 132, 130 / |
| topic | Beethoven, Ludwig van, 1770-1827. Quartets, violins (2), viola, cello. http://id.loc.gov/authorities/names/n79107742 Beethoven, Ludwig van, 1770-1827. Quartets, violins (2), viola, cello. Quartets (Beethoven, Ludwig van) fast String quartets Analysis, appreciation. Quatuors à cordes Analyse et appréciation. MUSIC Genres & Styles Classical. bisacsh MUSIC Genres & Styles Chamber. bisacsh String quartets Analysis, appreciation fast |
| topic_facet | Beethoven, Ludwig van, 1770-1827. Quartets, violins (2), viola, cello. Quartets (Beethoven, Ludwig van) String quartets Analysis, appreciation. Quatuors à cordes Analyse et appréciation. MUSIC Genres & Styles Classical. MUSIC Genres & Styles Chamber. String quartets Analysis, appreciation |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=790851 |
| work_keys_str_mv | AT chuadanielkl thegalitzinquartetsofbeethovenopp127132130 AT chuadanielkl galitzinquartetsofbeethovenopp127132130 |