Prehistoric future :: Max Ernst and the return of painting between the wars /
One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automat...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Paderborn, Germany ; Chicago, Illinois :
Wilhelm Fink Verlag : University of Chicago Press,
2004.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automatism, Freudian psychoanalysis, the concept of history as trauma-to examine how Ernst's construction of collage departs from other modern artists. Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had for. |
Beschreibung: | Includes index. |
Beschreibung: | 1 online resource (260 pages) |
ISBN: | 9780226029313 022602931X |
Internformat
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245 | 1 | 0 | |a Prehistoric future : |b Max Ernst and the return of painting between the wars / |c Ralph Ubl ; translated by Elizabeth Tucker. |
264 | 1 | |a Paderborn, Germany ; |a Chicago, Illinois : |b Wilhelm Fink Verlag : |b University of Chicago Press, |c 2004. | |
264 | 4 | |c ©2003 | |
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505 | 0 | |a Preface; Introduction; Chapter 1 -- From Dada to Surrealism: The Ghost Story of Mimesis; Chapter 2 -- Natural History in Service to the Surrealist Revolution; Plates; Chapter 3 -- Max Ernst and Freud; Chapter 4 -- Prehistory and Modern History: The Return of the First World War; Excursus: The Earth: A Formal History of a Theme; Chapter 5 -- Prehistory and Modern History: Europe after the Rain, 1933; Afterword: Walter Benjamin and Max Ernst; Notes; Index. | |
520 | |a One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automatism, Freudian psychoanalysis, the concept of history as trauma-to examine how Ernst's construction of collage departs from other modern artists. Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had for. | ||
600 | 1 | 0 | |a Ernst, Max, |d 1891-1976 |x Criticism and interpretation. |
600 | 1 | 0 | |a Ernst, Max, |d 1891-1976 |x Influence. |
600 | 1 | 7 | |a Ernst, Max, |d 1891-1976 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJccc3vpQwmqQ9ggD4X68C |
650 | 0 | |a Painting, Modern |y 20th century |x History. |0 http://id.loc.gov/authorities/subjects/sh85096802 | |
650 | 6 | |a Peinture |y 20e siècle |x Histoire. | |
650 | 7 | |a ART |x History |x General. |2 bisacsh | |
650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
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648 | 7 | |a 1900-1999 |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
655 | 7 | |a History |2 fast | |
700 | 1 | |a Tucker, Elizabeth. | |
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776 | 0 | 8 | |i Print version: |t Prehistoric future : Max Ernst and the return of painting between the wars. |d Paderborn, Germany ; Chicago, Illinois : Wilhelm Fink Verlag : University of Chicago Press, 2004, ©2003 |h viii, 260 pages |z 9780226823720 |
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adam_text | |
any_adam_object | |
author | Ubl, Ralph |
author2 | Tucker, Elizabeth |
author2_role | |
author2_variant | e t et |
author_facet | Ubl, Ralph Tucker, Elizabeth |
author_role | |
author_sort | Ubl, Ralph |
author_variant | r u ru |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | N6888 |
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contents | Preface; Introduction; Chapter 1 -- From Dada to Surrealism: The Ghost Story of Mimesis; Chapter 2 -- Natural History in Service to the Surrealist Revolution; Plates; Chapter 3 -- Max Ernst and Freud; Chapter 4 -- Prehistory and Modern History: The Return of the First World War; Excursus: The Earth: A Formal History of a Theme; Chapter 5 -- Prehistory and Modern History: Europe after the Rain, 1933; Afterword: Walter Benjamin and Max Ernst; Notes; Index. |
ctrlnum | (OCoLC)884543218 |
dewey-full | 709.2 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.2 |
dewey-search | 709.2 |
dewey-sort | 3709.2 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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indexdate | 2024-11-27T13:26:06Z |
institution | BVB |
isbn | 9780226029313 022602931X |
language | English |
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spelling | Ubl, Ralph. Prehistoric future : Max Ernst and the return of painting between the wars / Ralph Ubl ; translated by Elizabeth Tucker. Paderborn, Germany ; Chicago, Illinois : Wilhelm Fink Verlag : University of Chicago Press, 2004. ©2003 1 online resource (260 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes index. Online resource; title from PDF title page (ebrary, viewed December 25, 2013). Preface; Introduction; Chapter 1 -- From Dada to Surrealism: The Ghost Story of Mimesis; Chapter 2 -- Natural History in Service to the Surrealist Revolution; Plates; Chapter 3 -- Max Ernst and Freud; Chapter 4 -- Prehistory and Modern History: The Return of the First World War; Excursus: The Earth: A Formal History of a Theme; Chapter 5 -- Prehistory and Modern History: Europe after the Rain, 1933; Afterword: Walter Benjamin and Max Ernst; Notes; Index. One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automatism, Freudian psychoanalysis, the concept of history as trauma-to examine how Ernst's construction of collage departs from other modern artists. Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had for. Ernst, Max, 1891-1976 Criticism and interpretation. Ernst, Max, 1891-1976 Influence. Ernst, Max, 1891-1976 fast https://id.oclc.org/worldcat/entity/E39PBJccc3vpQwmqQ9ggD4X68C Painting, Modern 20th century History. http://id.loc.gov/authorities/subjects/sh85096802 Peinture 20e siècle Histoire. ART History General. bisacsh Influence (Literary, artistic, etc.) fast Painting, Modern fast 1900-1999 fast Criticism, interpretation, etc. fast History fast Tucker, Elizabeth. has work: Prehistoric future (Text) https://id.oclc.org/worldcat/entity/E39PCGkRb4xF4jR6wFH3BBYHG3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Prehistoric future : Max Ernst and the return of painting between the wars. Paderborn, Germany ; Chicago, Illinois : Wilhelm Fink Verlag : University of Chicago Press, 2004, ©2003 viii, 260 pages 9780226823720 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=577514 Volltext |
spellingShingle | Ubl, Ralph Prehistoric future : Max Ernst and the return of painting between the wars / Preface; Introduction; Chapter 1 -- From Dada to Surrealism: The Ghost Story of Mimesis; Chapter 2 -- Natural History in Service to the Surrealist Revolution; Plates; Chapter 3 -- Max Ernst and Freud; Chapter 4 -- Prehistory and Modern History: The Return of the First World War; Excursus: The Earth: A Formal History of a Theme; Chapter 5 -- Prehistory and Modern History: Europe after the Rain, 1933; Afterword: Walter Benjamin and Max Ernst; Notes; Index. Ernst, Max, 1891-1976 Criticism and interpretation. Ernst, Max, 1891-1976 Influence. Ernst, Max, 1891-1976 fast https://id.oclc.org/worldcat/entity/E39PBJccc3vpQwmqQ9ggD4X68C Painting, Modern 20th century History. http://id.loc.gov/authorities/subjects/sh85096802 Peinture 20e siècle Histoire. ART History General. bisacsh Influence (Literary, artistic, etc.) fast Painting, Modern fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85096802 |
title | Prehistoric future : Max Ernst and the return of painting between the wars / |
title_auth | Prehistoric future : Max Ernst and the return of painting between the wars / |
title_exact_search | Prehistoric future : Max Ernst and the return of painting between the wars / |
title_full | Prehistoric future : Max Ernst and the return of painting between the wars / Ralph Ubl ; translated by Elizabeth Tucker. |
title_fullStr | Prehistoric future : Max Ernst and the return of painting between the wars / Ralph Ubl ; translated by Elizabeth Tucker. |
title_full_unstemmed | Prehistoric future : Max Ernst and the return of painting between the wars / Ralph Ubl ; translated by Elizabeth Tucker. |
title_short | Prehistoric future : |
title_sort | prehistoric future max ernst and the return of painting between the wars |
title_sub | Max Ernst and the return of painting between the wars / |
topic | Ernst, Max, 1891-1976 Criticism and interpretation. Ernst, Max, 1891-1976 Influence. Ernst, Max, 1891-1976 fast https://id.oclc.org/worldcat/entity/E39PBJccc3vpQwmqQ9ggD4X68C Painting, Modern 20th century History. http://id.loc.gov/authorities/subjects/sh85096802 Peinture 20e siècle Histoire. ART History General. bisacsh Influence (Literary, artistic, etc.) fast Painting, Modern fast |
topic_facet | Ernst, Max, 1891-1976 Criticism and interpretation. Ernst, Max, 1891-1976 Influence. Ernst, Max, 1891-1976 Painting, Modern 20th century History. Peinture 20e siècle Histoire. ART History General. Influence (Literary, artistic, etc.) Painting, Modern Criticism, interpretation, etc. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=577514 |
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