Stravinsky and the Russian period :: sound and legacy of a musical idiom /
Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noc...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York :
Cambridge University Press,
2012.
|
| Schriftenreihe: | Music since 1900.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T.W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music. |
| Beschreibung: | 1 online resource (x, 324 pages) : illustrations, music |
| Bibliographie: | Includes bibliographical references (pages 304-311) and index. |
| ISBN: | 9781316154625 1316154629 9781139108102 1139108107 9781316153871 1316153878 9781316153628 1316153622 9781107543621 1107543622 |
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| 505 | 0 | |a Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics. | |
| 520 | |a Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T.W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music. | ||
| 588 | 0 | |a Print version record. | |
| 600 | 1 | 0 | |a Stravinsky, Igor, |d 1882-1971 |x Criticism and interpretation. |
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| author | Van den Toorn, Pieter C., 1938- |
| author2 | McGinness, John |
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| contents | Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics. |
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| discipline | Musikwissenschaft |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn884280344 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:06Z |
| institution | BVB |
| isbn | 9781316154625 1316154629 9781139108102 1139108107 9781316153871 1316153878 9781316153628 1316153622 9781107543621 1107543622 |
| language | English |
| oclc_num | 884280344 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (x, 324 pages) : illustrations, music |
| psigel | ZDB-4-EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Cambridge University Press, |
| record_format | marc |
| series | Music since 1900. |
| series2 | Music since 1900 |
| spelling | Van den Toorn, Pieter C., 1938- https://id.oclc.org/worldcat/entity/E39PBJpPyBtqYK8phT66Kjvrbd http://id.loc.gov/authorities/names/n82022719 Stravinsky and the Russian period : sound and legacy of a musical idiom / Pieter C. van den Toorn, John McGinness. Cambridge ; New York : Cambridge University Press, 2012. 1 online resource (x, 324 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier Music since 1900 Includes bibliographical references (pages 304-311) and index. Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics. Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T.W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music. Print version record. Stravinsky, Igor, 1882-1971 Criticism and interpretation. Stravinsky, Igor, 1882-1971 fast https://id.oclc.org/worldcat/entity/E39PBJy4hD69hhXQ7f8WGkpMfq Stravinsky, Igor 1882-1971 gnd MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Criticism, interpretation, etc. fast McGinness, John. has work: Stravinsky and the Russian period (Text) https://id.oclc.org/worldcat/entity/E39PCGXmcwGKTKhwMJdr6G3c8y https://id.oclc.org/worldcat/ontology/hasWork Print version: Van den Toorn, Pieter C., 1938- Stravinsky and the Russian period 9781107021006 (DLC) 2011049747 (OCoLC)768480318 Music since 1900. http://id.loc.gov/authorities/names/no2011071702 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=815148 Volltext |
| spellingShingle | Van den Toorn, Pieter C., 1938- Stravinsky and the Russian period : sound and legacy of a musical idiom / Music since 1900. Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics. Stravinsky, Igor, 1882-1971 Criticism and interpretation. Stravinsky, Igor, 1882-1971 fast https://id.oclc.org/worldcat/entity/E39PBJy4hD69hhXQ7f8WGkpMfq Stravinsky, Igor 1882-1971 gnd MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh |
| title | Stravinsky and the Russian period : sound and legacy of a musical idiom / |
| title_auth | Stravinsky and the Russian period : sound and legacy of a musical idiom / |
| title_exact_search | Stravinsky and the Russian period : sound and legacy of a musical idiom / |
| title_full | Stravinsky and the Russian period : sound and legacy of a musical idiom / Pieter C. van den Toorn, John McGinness. |
| title_fullStr | Stravinsky and the Russian period : sound and legacy of a musical idiom / Pieter C. van den Toorn, John McGinness. |
| title_full_unstemmed | Stravinsky and the Russian period : sound and legacy of a musical idiom / Pieter C. van den Toorn, John McGinness. |
| title_short | Stravinsky and the Russian period : |
| title_sort | stravinsky and the russian period sound and legacy of a musical idiom |
| title_sub | sound and legacy of a musical idiom / |
| topic | Stravinsky, Igor, 1882-1971 Criticism and interpretation. Stravinsky, Igor, 1882-1971 fast https://id.oclc.org/worldcat/entity/E39PBJy4hD69hhXQ7f8WGkpMfq Stravinsky, Igor 1882-1971 gnd MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh |
| topic_facet | Stravinsky, Igor, 1882-1971 Criticism and interpretation. Stravinsky, Igor, 1882-1971 Stravinsky, Igor 1882-1971 MUSIC Genres & Styles Classical. MUSIC Reference. Criticism, interpretation, etc. |
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