Southern women novelists and the Civil War :: trauma and collective memory in the American literary tradition since 1861 /
During and after the Civil War, southern women played a critical role in shaping the South's evolving collective memory by penning journals and diaries, historical accounts, memoirs, and literary interpretations of the war. While a few of these writings--most notably Mary Chesnut's diaries...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Knoxville :
The University of Tennessee Press,
[2014]
|
| Ausgabe: | First edition. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | During and after the Civil War, southern women played a critical role in shaping the South's evolving collective memory by penning journals and diaries, historical accounts, memoirs, and literary interpretations of the war. While a few of these writings--most notably Mary Chesnut's diaries and Margaret Mitchell's novel, Gone with the Wind--have been studied in depth by numerous scholars, until now there has been no comprehensive examination of Civil War novels by southern women. In this welcome study, Sharon Talley explores works by fifteen such writers, illuminating the role that southern women played in fashioning cultural identity in the region. Beginning with Augusta Jane Evans's Macaria and Sallie Rochester Ford's Raids and Romance of Morgan and His Men, which were published as the war still raged, Talley offers a chronological consideration of the novels with informative introductions for each time period. She examines Reconstruction works by Marion Harland, Mary Ann Cruse, and Rebecca Harding Davis, novels of the "Redeemed" South and the turn of the century by Mary Noailles Murfree, Ellen Glasgow, and Mary Johnston, and narratives by Evelyn Scott, Margaret Mitchell, and Caroline Gordon from the Modern period that spanned the two World Wars. Analysis of Margaret Walker's Jubilee (1966), the first critically acclaimed Civil War novel by an African American woman of the South, as well as other post--World War II works by Kaye Gibbons, Josephine Humphreys, and Alice Randall, offers a fitting conclusion to Talley's study by addressing the inaccuracies in the romantic myth of the Old South that Gone with the Wind most famously engraved on the nation's consciousness. Informed by feminist, poststructural, and cultural studies theory, Talley's close readings of these various novels ultimately refute the notion of a monolithic interpretation of the Civil War, presenting instead unique and diverse approaches to balancing "fact" and "fiction" in the long period of artistic production concerning this singular traumatic event in American history. Sharon Talley, professor of English at Texas A & M University--Corpus Christi, is the author of Ambrose Bierce and the Dance of Death and Student Companion to Herman Melville. Her articles have appeared in American Imago, Journal of Men's Studies, and Nineteenth-Century Prose |
| Beschreibung: | 1 online resource (xxii, 432 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781621900849 1621900843 1306964210 9781306964210 |
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| 245 | 1 | 0 | |a Southern women novelists and the Civil War : |b trauma and collective memory in the American literary tradition since 1861 / |c Sharon Talley. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Knoxville : |b The University of Tennessee Press, |c [2014] | |
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| 505 | 0 | |a Augusta Jane Evans's Macaria; or, altars of sacrifice -- Sallie Rochester Ford's Raids and romance of Morgan and his men -- Marion Harland's Sunnybank -- Mary Ann Cruse's Cameron Hall: a story of the Civil War -- Rebecca Harding Davis's Waiting for the verdict -- Mary Noailles Murfree's Where the battle was fought and The storm centre -- Ellen Glasgow's The battle-ground -- Mary Johnston's The long roll and Cease firing -- Evelyn Scott's The wave -- Margaret Mitchell's Gone with the wind -- Caroline Gordon's None shall look back -- Margaret Walker's Jubilee -- Kaye Gibbons' On the occasion of my last afternoon -- Josephine Humphreys's Nowhere else on Earth -- Alice Randall's The wind done gone. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a During and after the Civil War, southern women played a critical role in shaping the South's evolving collective memory by penning journals and diaries, historical accounts, memoirs, and literary interpretations of the war. While a few of these writings--most notably Mary Chesnut's diaries and Margaret Mitchell's novel, Gone with the Wind--have been studied in depth by numerous scholars, until now there has been no comprehensive examination of Civil War novels by southern women. In this welcome study, Sharon Talley explores works by fifteen such writers, illuminating the role that southern women played in fashioning cultural identity in the region. Beginning with Augusta Jane Evans's Macaria and Sallie Rochester Ford's Raids and Romance of Morgan and His Men, which were published as the war still raged, Talley offers a chronological consideration of the novels with informative introductions for each time period. She examines Reconstruction works by Marion Harland, Mary Ann Cruse, and Rebecca Harding Davis, novels of the "Redeemed" South and the turn of the century by Mary Noailles Murfree, Ellen Glasgow, and Mary Johnston, and narratives by Evelyn Scott, Margaret Mitchell, and Caroline Gordon from the Modern period that spanned the two World Wars. Analysis of Margaret Walker's Jubilee (1966), the first critically acclaimed Civil War novel by an African American woman of the South, as well as other post--World War II works by Kaye Gibbons, Josephine Humphreys, and Alice Randall, offers a fitting conclusion to Talley's study by addressing the inaccuracies in the romantic myth of the Old South that Gone with the Wind most famously engraved on the nation's consciousness. Informed by feminist, poststructural, and cultural studies theory, Talley's close readings of these various novels ultimately refute the notion of a monolithic interpretation of the Civil War, presenting instead unique and diverse approaches to balancing "fact" and "fiction" in the long period of artistic production concerning this singular traumatic event in American history. Sharon Talley, professor of English at Texas A & M University--Corpus Christi, is the author of Ambrose Bierce and the Dance of Death and Student Companion to Herman Melville. Her articles have appeared in American Imago, Journal of Men's Studies, and Nineteenth-Century Prose | ||
| 651 | 0 | |a United States |x History |y Civil War, 1861-1865 |x Literature and the war. |0 http://id.loc.gov/authorities/subjects/sh85140245 | |
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| contents | Augusta Jane Evans's Macaria; or, altars of sacrifice -- Sallie Rochester Ford's Raids and romance of Morgan and his men -- Marion Harland's Sunnybank -- Mary Ann Cruse's Cameron Hall: a story of the Civil War -- Rebecca Harding Davis's Waiting for the verdict -- Mary Noailles Murfree's Where the battle was fought and The storm centre -- Ellen Glasgow's The battle-ground -- Mary Johnston's The long roll and Cease firing -- Evelyn Scott's The wave -- Margaret Mitchell's Gone with the wind -- Caroline Gordon's None shall look back -- Margaret Walker's Jubilee -- Kaye Gibbons' On the occasion of my last afternoon -- Josephine Humphreys's Nowhere else on Earth -- Alice Randall's The wind done gone. |
| ctrlnum | (OCoLC)883632341 |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 813 - American fiction in English |
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| dewey-search | 813.009/358737 |
| dewey-sort | 3813.009 6358737 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| edition | First edition. |
| era | 1800-1999 fast |
| era_facet | 1800-1999 |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | United States History Civil War, 1861-1865 Literature and the war. http://id.loc.gov/authorities/subjects/sh85140245 United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States History Civil War, 1861-1865 Literature and the war. United States |
| id | ZDB-4-EBA-ocn883632341 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:05Z |
| institution | BVB |
| isbn | 9781621900849 1621900843 1306964210 9781306964210 |
| language | English |
| oclc_num | 883632341 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxii, 432 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | The University of Tennessee Press, |
| record_format | marc |
| spelling | Talley, Sharon, 1952- author. https://id.oclc.org/worldcat/entity/E39PCjxMK4WcYcqrGMBFhDCQpX http://id.loc.gov/authorities/names/n2006073809 Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861 / Sharon Talley. First edition. Knoxville : The University of Tennessee Press, [2014] ©2014 1 online resource (xxii, 432 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Augusta Jane Evans's Macaria; or, altars of sacrifice -- Sallie Rochester Ford's Raids and romance of Morgan and his men -- Marion Harland's Sunnybank -- Mary Ann Cruse's Cameron Hall: a story of the Civil War -- Rebecca Harding Davis's Waiting for the verdict -- Mary Noailles Murfree's Where the battle was fought and The storm centre -- Ellen Glasgow's The battle-ground -- Mary Johnston's The long roll and Cease firing -- Evelyn Scott's The wave -- Margaret Mitchell's Gone with the wind -- Caroline Gordon's None shall look back -- Margaret Walker's Jubilee -- Kaye Gibbons' On the occasion of my last afternoon -- Josephine Humphreys's Nowhere else on Earth -- Alice Randall's The wind done gone. Print version record. During and after the Civil War, southern women played a critical role in shaping the South's evolving collective memory by penning journals and diaries, historical accounts, memoirs, and literary interpretations of the war. While a few of these writings--most notably Mary Chesnut's diaries and Margaret Mitchell's novel, Gone with the Wind--have been studied in depth by numerous scholars, until now there has been no comprehensive examination of Civil War novels by southern women. In this welcome study, Sharon Talley explores works by fifteen such writers, illuminating the role that southern women played in fashioning cultural identity in the region. Beginning with Augusta Jane Evans's Macaria and Sallie Rochester Ford's Raids and Romance of Morgan and His Men, which were published as the war still raged, Talley offers a chronological consideration of the novels with informative introductions for each time period. She examines Reconstruction works by Marion Harland, Mary Ann Cruse, and Rebecca Harding Davis, novels of the "Redeemed" South and the turn of the century by Mary Noailles Murfree, Ellen Glasgow, and Mary Johnston, and narratives by Evelyn Scott, Margaret Mitchell, and Caroline Gordon from the Modern period that spanned the two World Wars. Analysis of Margaret Walker's Jubilee (1966), the first critically acclaimed Civil War novel by an African American woman of the South, as well as other post--World War II works by Kaye Gibbons, Josephine Humphreys, and Alice Randall, offers a fitting conclusion to Talley's study by addressing the inaccuracies in the romantic myth of the Old South that Gone with the Wind most famously engraved on the nation's consciousness. Informed by feminist, poststructural, and cultural studies theory, Talley's close readings of these various novels ultimately refute the notion of a monolithic interpretation of the Civil War, presenting instead unique and diverse approaches to balancing "fact" and "fiction" in the long period of artistic production concerning this singular traumatic event in American history. Sharon Talley, professor of English at Texas A & M University--Corpus Christi, is the author of Ambrose Bierce and the Dance of Death and Student Companion to Herman Melville. Her articles have appeared in American Imago, Journal of Men's Studies, and Nineteenth-Century Prose United States History Civil War, 1861-1865 Literature and the war. http://id.loc.gov/authorities/subjects/sh85140245 American fiction Women authors History and criticism. American fiction 19th century History and criticism. American fiction 20th century History and criticism. Historical fiction, American History and criticism. War stories, American History and criticism. War and literature United States History. War in literature. http://id.loc.gov/authorities/subjects/sh85145182 Roman américain 19e siècle Histoire et critique. Roman américain 20e siècle Histoire et critique. Récits de guerre américains Histoire et critique. Guerre et littérature États-Unis Histoire. Guerre dans la littérature. LITERARY CRITICISM American General. bisacsh LITERARY COLLECTIONS General. bisacsh American fiction fast American fiction Women authors fast Historical fiction, American fast War and literature fast War in literature fast War stories, American fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq American Civil War (United States : 1861-1865) fast https://id.oclc.org/worldcat/entity/E39Qhp4vB9RxkMwD8h64CPrTGb 1800-1999 fast Criticism, interpretation, etc. fast History fast has work: Southern women novelists and the Civil War (Text) https://id.oclc.org/worldcat/entity/E39PCFYDM3v8MVFJxYRCVJxBCP https://id.oclc.org/worldcat/ontology/hasWork Print version: Talley, Sharon, 1952- Southern women novelists and the Civil War. First edition 9781621900139 (DLC) 2013039695 (OCoLC)864418198 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=809044 Volltext |
| spellingShingle | Talley, Sharon, 1952- Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861 / Augusta Jane Evans's Macaria; or, altars of sacrifice -- Sallie Rochester Ford's Raids and romance of Morgan and his men -- Marion Harland's Sunnybank -- Mary Ann Cruse's Cameron Hall: a story of the Civil War -- Rebecca Harding Davis's Waiting for the verdict -- Mary Noailles Murfree's Where the battle was fought and The storm centre -- Ellen Glasgow's The battle-ground -- Mary Johnston's The long roll and Cease firing -- Evelyn Scott's The wave -- Margaret Mitchell's Gone with the wind -- Caroline Gordon's None shall look back -- Margaret Walker's Jubilee -- Kaye Gibbons' On the occasion of my last afternoon -- Josephine Humphreys's Nowhere else on Earth -- Alice Randall's The wind done gone. American fiction Women authors History and criticism. American fiction 19th century History and criticism. American fiction 20th century History and criticism. Historical fiction, American History and criticism. War stories, American History and criticism. War and literature United States History. War in literature. http://id.loc.gov/authorities/subjects/sh85145182 Roman américain 19e siècle Histoire et critique. Roman américain 20e siècle Histoire et critique. Récits de guerre américains Histoire et critique. Guerre et littérature États-Unis Histoire. Guerre dans la littérature. LITERARY CRITICISM American General. bisacsh LITERARY COLLECTIONS General. bisacsh American fiction fast American fiction Women authors fast Historical fiction, American fast War and literature fast War in literature fast War stories, American fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85140245 http://id.loc.gov/authorities/subjects/sh85145182 |
| title | Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861 / |
| title_auth | Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861 / |
| title_exact_search | Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861 / |
| title_full | Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861 / Sharon Talley. |
| title_fullStr | Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861 / Sharon Talley. |
| title_full_unstemmed | Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861 / Sharon Talley. |
| title_short | Southern women novelists and the Civil War : |
| title_sort | southern women novelists and the civil war trauma and collective memory in the american literary tradition since 1861 |
| title_sub | trauma and collective memory in the American literary tradition since 1861 / |
| topic | American fiction Women authors History and criticism. American fiction 19th century History and criticism. American fiction 20th century History and criticism. Historical fiction, American History and criticism. War stories, American History and criticism. War and literature United States History. War in literature. http://id.loc.gov/authorities/subjects/sh85145182 Roman américain 19e siècle Histoire et critique. Roman américain 20e siècle Histoire et critique. Récits de guerre américains Histoire et critique. Guerre et littérature États-Unis Histoire. Guerre dans la littérature. LITERARY CRITICISM American General. bisacsh LITERARY COLLECTIONS General. bisacsh American fiction fast American fiction Women authors fast Historical fiction, American fast War and literature fast War in literature fast War stories, American fast |
| topic_facet | United States History Civil War, 1861-1865 Literature and the war. American fiction Women authors History and criticism. American fiction 19th century History and criticism. American fiction 20th century History and criticism. Historical fiction, American History and criticism. War stories, American History and criticism. War and literature United States History. War in literature. Roman américain 19e siècle Histoire et critique. Roman américain 20e siècle Histoire et critique. Récits de guerre américains Histoire et critique. Guerre et littérature États-Unis Histoire. Guerre dans la littérature. LITERARY CRITICISM American General. LITERARY COLLECTIONS General. American fiction American fiction Women authors Historical fiction, American War and literature War in literature War stories, American United States Criticism, interpretation, etc. History |
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