Russian Émigré Culture :: Conservatism or Evolution?.
A quarter of a century ago, glasnost opened the door for a new look at Russian émigré culture unimpeded by the sterile concepts of Cold War cultural politics. Easier access to archives and a comprehensive approach to culture as a multi-faceted phenomenon, not restricted to single phenomena or indi...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2013.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | A quarter of a century ago, glasnost opened the door for a new look at Russian émigré culture unimpeded by the sterile concepts of Cold War cultural politics. Easier access to archives and a comprehensive approach to culture as a multi-faceted phenomenon, not restricted to single phenomena or individuals, have since contributed to a better understanding of the processes within the émigré community, of its links with the lost home country, and of the interaction with the cultural life of the c ... |
| Beschreibung: | 1 online resource (353 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781443863667 1443863661 |
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| 505 | 0 | |a Table of contents; preface; "my love, forgive me this apostasy"; section 1; the participation of russianpre-revolutionary diplomatsin the cultural life of the russianemigration; [what is it that the emigrationengendered?] -andrey bely, viktor shklovskyand aleksey tolstoy in 'russian berlin'1921-1923; un enfant prodige; section 2; what is artistic form?munich -- moscow 1900-1925; el lissitzky, his beat the whiteswith the red wedgeand their jewish inspirations; russian émigré artists in serbia(1920-1950); identity-shock; section 3. | |
| 505 | 8 | |a Russian collective identity in exileand music in berlin 1917-1933russian music institutions in berlinin the 1920s; "slavic charm and the soulof tolstoy"; stravinsky's svadebka (1917-1923)as the quintessence of the techniqueof "building blocks"; eurasianism in perspective; musical modernism in the mirrorof the myaskovsky-prokof'evcorrespondence; vanka the housekeeperby nikolay tcherepninand lady macbethby dmitry shostakovich; "i have no country, i have no place"; contemporary émigré composers; abstracts; contributors; index. | |
| 520 | |a A quarter of a century ago, glasnost opened the door for a new look at Russian émigré culture unimpeded by the sterile concepts of Cold War cultural politics. Easier access to archives and a comprehensive approach to culture as a multi-faceted phenomenon, not restricted to single phenomena or individuals, have since contributed to a better understanding of the processes within the émigré community, of its links with the lost home country, and of the interaction with the cultural life of the c ... | ||
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| 546 | |a English. | ||
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| 650 | 0 | |a Russians |z Foreign countries. |0 http://id.loc.gov/authorities/subjects/sh2023001953 | |
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| 650 | 6 | |a Russes |z Pays étrangers. | |
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| 700 | 1 | |a Marti, Roland. | |
| 700 | 1 | |a Flamm, Christoph. | |
| 776 | 0 | 8 | |i Print version: |a Keazor, Henry. |t Russian Émigré Culture : Conservatism or Evolution? |d Newcastle upon Tyne : Cambridge Scholars Publishing, ©2013 |z 9781443851527 |
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| contents | Table of contents; preface; "my love, forgive me this apostasy"; section 1; the participation of russianpre-revolutionary diplomatsin the cultural life of the russianemigration; [what is it that the emigrationengendered?] -andrey bely, viktor shklovskyand aleksey tolstoy in 'russian berlin'1921-1923; un enfant prodige; section 2; what is artistic form?munich -- moscow 1900-1925; el lissitzky, his beat the whiteswith the red wedgeand their jewish inspirations; russian émigré artists in serbia(1920-1950); identity-shock; section 3. Russian collective identity in exileand music in berlin 1917-1933russian music institutions in berlinin the 1920s; "slavic charm and the soulof tolstoy"; stravinsky's svadebka (1917-1923)as the quintessence of the techniqueof "building blocks"; eurasianism in perspective; musical modernism in the mirrorof the myaskovsky-prokof'evcorrespondence; vanka the housekeeperby nikolay tcherepninand lady macbethby dmitry shostakovich; "i have no country, i have no place"; contemporary émigré composers; abstracts; contributors; index. |
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| discipline | Soziologie |
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| spelling | Keazor, Henry. Russian Émigré Culture : Conservatism or Evolution?. Newcastle upon Tyne : Cambridge Scholars Publishing, 2013. 1 online resource (353 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Table of contents; preface; "my love, forgive me this apostasy"; section 1; the participation of russianpre-revolutionary diplomatsin the cultural life of the russianemigration; [what is it that the emigrationengendered?] -andrey bely, viktor shklovskyand aleksey tolstoy in 'russian berlin'1921-1923; un enfant prodige; section 2; what is artistic form?munich -- moscow 1900-1925; el lissitzky, his beat the whiteswith the red wedgeand their jewish inspirations; russian émigré artists in serbia(1920-1950); identity-shock; section 3. Russian collective identity in exileand music in berlin 1917-1933russian music institutions in berlinin the 1920s; "slavic charm and the soulof tolstoy"; stravinsky's svadebka (1917-1923)as the quintessence of the techniqueof "building blocks"; eurasianism in perspective; musical modernism in the mirrorof the myaskovsky-prokof'evcorrespondence; vanka the housekeeperby nikolay tcherepninand lady macbethby dmitry shostakovich; "i have no country, i have no place"; contemporary émigré composers; abstracts; contributors; index. A quarter of a century ago, glasnost opened the door for a new look at Russian émigré culture unimpeded by the sterile concepts of Cold War cultural politics. Easier access to archives and a comprehensive approach to culture as a multi-faceted phenomenon, not restricted to single phenomena or individuals, have since contributed to a better understanding of the processes within the émigré community, of its links with the lost home country, and of the interaction with the cultural life of the c ... Includes bibliographical references and index. English. Music Soviet Union History and criticism. Russians Foreign countries. http://id.loc.gov/authorities/subjects/sh2023001953 Musique URSS Histoire et critique. Russes Pays étrangers. SOCIAL SCIENCE Discrimination & Race Relations. bisacsh SOCIAL SCIENCE Minority Studies. bisacsh Music fast Russians Foreign countries fast Soviet Union fast Criticism, interpretation, etc. fast Marti, Roland. Flamm, Christoph. Print version: Keazor, Henry. Russian Émigré Culture : Conservatism or Evolution? Newcastle upon Tyne : Cambridge Scholars Publishing, ©2013 9781443851527 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=811059 Volltext |
| spellingShingle | Keazor, Henry Russian Émigré Culture : Conservatism or Evolution?. Table of contents; preface; "my love, forgive me this apostasy"; section 1; the participation of russianpre-revolutionary diplomatsin the cultural life of the russianemigration; [what is it that the emigrationengendered?] -andrey bely, viktor shklovskyand aleksey tolstoy in 'russian berlin'1921-1923; un enfant prodige; section 2; what is artistic form?munich -- moscow 1900-1925; el lissitzky, his beat the whiteswith the red wedgeand their jewish inspirations; russian émigré artists in serbia(1920-1950); identity-shock; section 3. Russian collective identity in exileand music in berlin 1917-1933russian music institutions in berlinin the 1920s; "slavic charm and the soulof tolstoy"; stravinsky's svadebka (1917-1923)as the quintessence of the techniqueof "building blocks"; eurasianism in perspective; musical modernism in the mirrorof the myaskovsky-prokof'evcorrespondence; vanka the housekeeperby nikolay tcherepninand lady macbethby dmitry shostakovich; "i have no country, i have no place"; contemporary émigré composers; abstracts; contributors; index. Music Soviet Union History and criticism. Russians Foreign countries. http://id.loc.gov/authorities/subjects/sh2023001953 Musique URSS Histoire et critique. Russes Pays étrangers. SOCIAL SCIENCE Discrimination & Race Relations. bisacsh SOCIAL SCIENCE Minority Studies. bisacsh Music fast Russians Foreign countries fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2023001953 |
| title | Russian Émigré Culture : Conservatism or Evolution?. |
| title_auth | Russian Émigré Culture : Conservatism or Evolution?. |
| title_exact_search | Russian Émigré Culture : Conservatism or Evolution?. |
| title_full | Russian Émigré Culture : Conservatism or Evolution?. |
| title_fullStr | Russian Émigré Culture : Conservatism or Evolution?. |
| title_full_unstemmed | Russian Émigré Culture : Conservatism or Evolution?. |
| title_short | Russian Émigré Culture : |
| title_sort | russian emigre culture conservatism or evolution |
| title_sub | Conservatism or Evolution?. |
| topic | Music Soviet Union History and criticism. Russians Foreign countries. http://id.loc.gov/authorities/subjects/sh2023001953 Musique URSS Histoire et critique. Russes Pays étrangers. SOCIAL SCIENCE Discrimination & Race Relations. bisacsh SOCIAL SCIENCE Minority Studies. bisacsh Music fast Russians Foreign countries fast |
| topic_facet | Music Soviet Union History and criticism. Russians Foreign countries. Musique URSS Histoire et critique. Russes Pays étrangers. SOCIAL SCIENCE Discrimination & Race Relations. SOCIAL SCIENCE Minority Studies. Music Russians Foreign countries Soviet Union Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=811059 |
| work_keys_str_mv | AT keazorhenry russianemigrecultureconservatismorevolution AT martiroland russianemigrecultureconservatismorevolution AT flammchristoph russianemigrecultureconservatismorevolution |