Schoenberg and redemption /:
Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoenberg's revo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Cambridge University Press,
2014.
|
| Schriftenreihe: | New perspectives in music history and criticism.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoenberg's revolutionary step was in part a response to Wagner's negative charges concerning the Jewish influence on German music. In 1898 and especially 1908 Schoenberg's Jewish identity came into confrontation with his commitment to Wagnerian modernism to provide an impetus to his radical innovations. While acknowledging the broader turn-of-the-century Viennese context, Brown draws special attention to continuities between Schoenberg's work and that of Viennese moral philosopher Otto Weininger, himself an ideological Wagnerian. She also considers the afterlife of the composer's ideological position when, in the late 1920s and early 1930s, the concept of redeeming German culture of its Jewish elements took a very different turn. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781139957397 1139957392 9781139048934 1139048937 |
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| 520 | |a Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoenberg's revolutionary step was in part a response to Wagner's negative charges concerning the Jewish influence on German music. In 1898 and especially 1908 Schoenberg's Jewish identity came into confrontation with his commitment to Wagnerian modernism to provide an impetus to his radical innovations. While acknowledging the broader turn-of-the-century Viennese context, Brown draws special attention to continuities between Schoenberg's work and that of Viennese moral philosopher Otto Weininger, himself an ideological Wagnerian. She also considers the afterlife of the composer's ideological position when, in the late 1920s and early 1930s, the concept of redeeming German culture of its Jewish elements took a very different turn. | ||
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| contents | Schoenberg, history, trauma? -- Schoenberg as Christ -- Otto Weininger, Richard Wagner, and musical discourse in turn-of-the-century Vienna -- Schoenberg and Wagnerian Deutschtum -- Compositional innovation and the redemption of Ahasuerus -- Woman and the symbolism of self-redemption -- Rereading Schoenberg's musical idea -- Coda : changing history into memory. |
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| id | ZDB-4-EBA-ocn883024691 |
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| indexdate | 2024-10-25T16:22:05Z |
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| language | English |
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| series | New perspectives in music history and criticism. |
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| spelling | Brown, Julie (Julie A.), 1963- author. https://id.oclc.org/worldcat/entity/E39PCjBQjxrGD8vh83WgQK8t8C Schoenberg and redemption / Julie Brown. New York : Cambridge University Press, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier New perspectives in music history and criticism Includes bibliographical references and index. Print version record. Schoenberg, history, trauma? -- Schoenberg as Christ -- Otto Weininger, Richard Wagner, and musical discourse in turn-of-the-century Vienna -- Schoenberg and Wagnerian Deutschtum -- Compositional innovation and the redemption of Ahasuerus -- Woman and the symbolism of self-redemption -- Rereading Schoenberg's musical idea -- Coda : changing history into memory. Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoenberg's revolutionary step was in part a response to Wagner's negative charges concerning the Jewish influence on German music. In 1898 and especially 1908 Schoenberg's Jewish identity came into confrontation with his commitment to Wagnerian modernism to provide an impetus to his radical innovations. While acknowledging the broader turn-of-the-century Viennese context, Brown draws special attention to continuities between Schoenberg's work and that of Viennese moral philosopher Otto Weininger, himself an ideological Wagnerian. She also considers the afterlife of the composer's ideological position when, in the late 1920s and early 1930s, the concept of redeeming German culture of its Jewish elements took a very different turn. Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 fast https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3 Redemption. http://id.loc.gov/authorities/subjects/sh85112112 Rédemption. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Redemption fast Criticism, interpretation, etc. fast has work: Schoenberg and redemption (Text) https://id.oclc.org/worldcat/entity/E39PCGmJgWHt3tJkPYjGydqMCP https://id.oclc.org/worldcat/ontology/hasWork Print version: Brown, Julie (Julie A.), 1963- Schoenberg and redemption 9780521550352 (DLC) 2013040439 (OCoLC)861554651 New perspectives in music history and criticism. http://id.loc.gov/authorities/names/n93107873 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=770181 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=770181 Volltext |
| spellingShingle | Brown, Julie (Julie A.), 1963- Schoenberg and redemption / New perspectives in music history and criticism. Schoenberg, history, trauma? -- Schoenberg as Christ -- Otto Weininger, Richard Wagner, and musical discourse in turn-of-the-century Vienna -- Schoenberg and Wagnerian Deutschtum -- Compositional innovation and the redemption of Ahasuerus -- Woman and the symbolism of self-redemption -- Rereading Schoenberg's musical idea -- Coda : changing history into memory. Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 fast https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3 Redemption. http://id.loc.gov/authorities/subjects/sh85112112 Rédemption. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Redemption fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85112112 |
| title | Schoenberg and redemption / |
| title_auth | Schoenberg and redemption / |
| title_exact_search | Schoenberg and redemption / |
| title_full | Schoenberg and redemption / Julie Brown. |
| title_fullStr | Schoenberg and redemption / Julie Brown. |
| title_full_unstemmed | Schoenberg and redemption / Julie Brown. |
| title_short | Schoenberg and redemption / |
| title_sort | schoenberg and redemption |
| topic | Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 fast https://id.oclc.org/worldcat/entity/E39PBJt8dYy6gPkKRJ3TvW4Xh3 Redemption. http://id.loc.gov/authorities/subjects/sh85112112 Rédemption. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Redemption fast |
| topic_facet | Schoenberg, Arnold, 1874-1951 Criticism and interpretation. Schoenberg, Arnold, 1874-1951 Redemption. Rédemption. MUSIC Genres & Styles Classical. MUSIC Reference. Redemption Criticism, interpretation, etc. |
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