Brahms among friends :: listening, performance, and the rhetoric of allusion /
"Brahms Among Friends identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threa...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY :
Oxford University Press,
[2014]
|
| Schriftenreihe: | AMS studies in music.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Brahms Among Friends identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threads of counterpoint and circumstance that bound Brahms to his acquaintances was the technique of allusive musical borrowing, whereby a brief passage from a familiar work was drawn into the fabric of a new composition. For the specific listeners whose habits of mind and musicianship he knew best, allusive borrowings could become rhetorically charged gestures, persuasively revising the meanings his music conveyed and the interpretive strategies it invited. Primary documents, original manuscripts, music-analytic comparison, and kinesthetic parameters experienced in the act of performance all work in tandem to support ten case studies in the interplay between Brahms's small-scale works and the women and men who encountered them before publication. Central characters include violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For these musicians and for the composer himself, Brahms's allusive music served a broad variety of emotional needs and interpersonal ends. Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: to reconstruct the mutually dependent perspectives of historically situated agents and restore forgotten features of their communicative landscapes as bases for both musical and historical scrutiny."--Provided by publisher |
| Beschreibung: | 1 online resource (viii, 389 pages) : illustration, music |
| Bibliographie: | Includes bibliographical references (pages 353-371) and index. |
| ISBN: | 9780199982653 0199982651 9780199365050 0199365059 9781306858489 1306858488 |
Internformat
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| 100 | 1 | |a Berry, Paul, |d 1977- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJtCFTRF7D3tFVkPxWDwmd |0 http://id.loc.gov/authorities/names/n2013049143 | |
| 245 | 1 | 0 | |a Brahms among friends : |b listening, performance, and the rhetoric of allusion / |c Paul Berry. |
| 264 | 1 | |a New York, NY : |b Oxford University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (viii, 389 pages) : |b illustration, music | ||
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| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a AMS studies in Music | |
| 504 | |a Includes bibliographical references (pages 353-371) and index. | ||
| 588 | 0 | |a Online resource; title from digital title page (Oxford Scholarship online, viewed September 22, 2020). | |
| 520 | |a "Brahms Among Friends identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threads of counterpoint and circumstance that bound Brahms to his acquaintances was the technique of allusive musical borrowing, whereby a brief passage from a familiar work was drawn into the fabric of a new composition. For the specific listeners whose habits of mind and musicianship he knew best, allusive borrowings could become rhetorically charged gestures, persuasively revising the meanings his music conveyed and the interpretive strategies it invited. Primary documents, original manuscripts, music-analytic comparison, and kinesthetic parameters experienced in the act of performance all work in tandem to support ten case studies in the interplay between Brahms's small-scale works and the women and men who encountered them before publication. Central characters include violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For these musicians and for the composer himself, Brahms's allusive music served a broad variety of emotional needs and interpersonal ends. Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: to reconstruct the mutually dependent perspectives of historically situated agents and restore forgotten features of their communicative landscapes as bases for both musical and historical scrutiny."--Provided by publisher | ||
| 505 | 0 | |a Occasional Lullabies. Old melodies, new identities ; Lessons in politics and innuendo -- Themes and Variations. Emulation as empathy ; Consequences of criticism -- Clara at the Keyboard. Family resemblances ; Shared nostalgia ; Grief and transformation -- Rhetorics of Closure. Forests of the heart ; Counterpoint and catharsis ; Concealment as self-restraint. | |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Brahms, Johannes, |d 1833-1897 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Brahms, Johannes, |d 1833-1897 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJjxvY6gCJmXY8WmgHVQv3 |
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| 776 | 0 | 8 | |i Print version: |a Berry, Paul, 1977- |t Brahms among friends. |d New York : Oxford University Press, [2014] |z 9780199982646 |w (DLC) 2013031618 |w (OCoLC)855362812 |
| 830 | 0 | |a AMS studies in music. |0 http://id.loc.gov/authorities/names/n2001063682 | |
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Datensatz im Suchindex
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| _version_ | 1816882275854319616 |
| adam_text | |
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| author | Berry, Paul, 1977- |
| author_GND | http://id.loc.gov/authorities/names/n2013049143 |
| author_facet | Berry, Paul, 1977- |
| author_role | aut |
| author_sort | Berry, Paul, 1977- |
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| callnumber-first | M - Music |
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| contents | Occasional Lullabies. Old melodies, new identities ; Lessons in politics and innuendo -- Themes and Variations. Emulation as empathy ; Consequences of criticism -- Clara at the Keyboard. Family resemblances ; Shared nostalgia ; Grief and transformation -- Rhetorics of Closure. Forests of the heart ; Counterpoint and catharsis ; Concealment as self-restraint. |
| ctrlnum | (OCoLC)881458234 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn881458234 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:02Z |
| institution | BVB |
| isbn | 9780199982653 0199982651 9780199365050 0199365059 9781306858489 1306858488 |
| language | English |
| oclc_num | 881458234 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 389 pages) : illustration, music |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Oxford University Press, |
| record_format | marc |
| series | AMS studies in music. |
| series2 | AMS studies in Music |
| spelling | Berry, Paul, 1977- author. https://id.oclc.org/worldcat/entity/E39PBJtCFTRF7D3tFVkPxWDwmd http://id.loc.gov/authorities/names/n2013049143 Brahms among friends : listening, performance, and the rhetoric of allusion / Paul Berry. New York, NY : Oxford University Press, [2014] ©2014 1 online resource (viii, 389 pages) : illustration, music text txt rdacontent computer c rdamedia online resource cr rdacarrier AMS studies in Music Includes bibliographical references (pages 353-371) and index. Online resource; title from digital title page (Oxford Scholarship online, viewed September 22, 2020). "Brahms Among Friends identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threads of counterpoint and circumstance that bound Brahms to his acquaintances was the technique of allusive musical borrowing, whereby a brief passage from a familiar work was drawn into the fabric of a new composition. For the specific listeners whose habits of mind and musicianship he knew best, allusive borrowings could become rhetorically charged gestures, persuasively revising the meanings his music conveyed and the interpretive strategies it invited. Primary documents, original manuscripts, music-analytic comparison, and kinesthetic parameters experienced in the act of performance all work in tandem to support ten case studies in the interplay between Brahms's small-scale works and the women and men who encountered them before publication. Central characters include violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For these musicians and for the composer himself, Brahms's allusive music served a broad variety of emotional needs and interpersonal ends. Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: to reconstruct the mutually dependent perspectives of historically situated agents and restore forgotten features of their communicative landscapes as bases for both musical and historical scrutiny."--Provided by publisher Occasional Lullabies. Old melodies, new identities ; Lessons in politics and innuendo -- Themes and Variations. Emulation as empathy ; Consequences of criticism -- Clara at the Keyboard. Family resemblances ; Shared nostalgia ; Grief and transformation -- Rhetorics of Closure. Forests of the heart ; Counterpoint and catharsis ; Concealment as self-restraint. English. Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 fast https://id.oclc.org/worldcat/entity/E39PBJjxvY6gCJmXY8WmgHVQv3 Brahms, Johannes 1833-1897 gnd Music appreciation. http://id.loc.gov/authorities/subjects/sh85088894 Musique Appréciation. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music appreciation fast Anspielung gnd http://d-nb.info/gnd/4133177-1 Freundeskreis gnd http://d-nb.info/gnd/4132270-8 Electronic books. Criticism, interpretation, etc. fast has work: Brahms among friends (Text) https://id.oclc.org/worldcat/entity/E39PCFKbtttmrXdbwQ4vH94JcP https://id.oclc.org/worldcat/ontology/hasWork Print version: Berry, Paul, 1977- Brahms among friends. New York : Oxford University Press, [2014] 9780199982646 (DLC) 2013031618 (OCoLC)855362812 AMS studies in music. http://id.loc.gov/authorities/names/n2001063682 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=790392 Volltext |
| spellingShingle | Berry, Paul, 1977- Brahms among friends : listening, performance, and the rhetoric of allusion / AMS studies in music. Occasional Lullabies. Old melodies, new identities ; Lessons in politics and innuendo -- Themes and Variations. Emulation as empathy ; Consequences of criticism -- Clara at the Keyboard. Family resemblances ; Shared nostalgia ; Grief and transformation -- Rhetorics of Closure. Forests of the heart ; Counterpoint and catharsis ; Concealment as self-restraint. Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 fast https://id.oclc.org/worldcat/entity/E39PBJjxvY6gCJmXY8WmgHVQv3 Brahms, Johannes 1833-1897 gnd Music appreciation. http://id.loc.gov/authorities/subjects/sh85088894 Musique Appréciation. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music appreciation fast Anspielung gnd http://d-nb.info/gnd/4133177-1 Freundeskreis gnd http://d-nb.info/gnd/4132270-8 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088894 http://d-nb.info/gnd/4133177-1 http://d-nb.info/gnd/4132270-8 |
| title | Brahms among friends : listening, performance, and the rhetoric of allusion / |
| title_auth | Brahms among friends : listening, performance, and the rhetoric of allusion / |
| title_exact_search | Brahms among friends : listening, performance, and the rhetoric of allusion / |
| title_full | Brahms among friends : listening, performance, and the rhetoric of allusion / Paul Berry. |
| title_fullStr | Brahms among friends : listening, performance, and the rhetoric of allusion / Paul Berry. |
| title_full_unstemmed | Brahms among friends : listening, performance, and the rhetoric of allusion / Paul Berry. |
| title_short | Brahms among friends : |
| title_sort | brahms among friends listening performance and the rhetoric of allusion |
| title_sub | listening, performance, and the rhetoric of allusion / |
| topic | Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 fast https://id.oclc.org/worldcat/entity/E39PBJjxvY6gCJmXY8WmgHVQv3 Brahms, Johannes 1833-1897 gnd Music appreciation. http://id.loc.gov/authorities/subjects/sh85088894 Musique Appréciation. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music appreciation fast Anspielung gnd http://d-nb.info/gnd/4133177-1 Freundeskreis gnd http://d-nb.info/gnd/4132270-8 |
| topic_facet | Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 Brahms, Johannes 1833-1897 Music appreciation. Musique Appréciation. MUSIC Genres & Styles Classical. MUSIC Reference. Music appreciation Anspielung Freundeskreis Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=790392 |
| work_keys_str_mv | AT berrypaul brahmsamongfriendslisteningperformanceandtherhetoricofallusion |