The secular commedia :: comic mimesis in late eighteenth-century music /
Wye Jamison Allanbrook's The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
2014.
|
| Schriftenreihe: | Ernest Bloch lecture series ;
15. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Wye Jamison Allanbrook's The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin. |
| Beschreibung: | 1 online resource (253 pages) |
| Bibliographie: | Includes bibliographical references (pages 219-230) and index. |
| ISBN: | 9780520958876 052095887X 1306859700 9781306859707 0520274075 9780520274075 |
Internformat
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| 264 | 1 | |a Berkeley : |b University of California Press, |c 2014. | |
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| 505 | 0 | |a Cover; THE SECULAR COMMEDIA; Title; Copyright; CONTENTS; List of Music Examples; Foreword; 1. Comic Flux and Comic Precision; 2. Comic Voice in the Late Mimetic Period; 3. The Comic Surface; 4. Comic Finitude and Comic Closure; Notes; Bibliography; Index. | |
| 520 | |a Wye Jamison Allanbrook's The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin. | ||
| 504 | |a Includes bibliographical references (pages 219-230) and index. | ||
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| 776 | 0 | 8 | |i Print version: |a Allanbrook, Wye Jamison. |t Secular Commedia : Comic Mimesis in Late Eighteenth-Century Music. |d Berkeley : University of California Press, ©2014 |z 9780520274075 |
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| contents | Cover; THE SECULAR COMMEDIA; Title; Copyright; CONTENTS; List of Music Examples; Foreword; 1. Comic Flux and Comic Precision; 2. Comic Voice in the Late Mimetic Period; 3. The Comic Surface; 4. Comic Finitude and Comic Closure; Notes; Bibliography; Index. |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn881417055 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:02Z |
| institution | BVB |
| isbn | 9780520958876 052095887X 1306859700 9781306859707 0520274075 9780520274075 |
| language | English |
| oclc_num | 881417055 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (253 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | University of California Press, |
| record_format | marc |
| series | Ernest Bloch lecture series ; |
| series2 | Ernest Bloch lecture series ; |
| spelling | Allanbrook, Wye Jamison, author. The secular commedia : comic mimesis in late eighteenth-century music / Wye Jamison Allanbrook ; edited by Mary Ann Smart and Richard Taruskin. Berkeley : University of California Press, 2014. 1 online resource (253 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Ernest Bloch lecture series ; 15 Print version record. Cover; THE SECULAR COMMEDIA; Title; Copyright; CONTENTS; List of Music Examples; Foreword; 1. Comic Flux and Comic Precision; 2. Comic Voice in the Late Mimetic Period; 3. The Comic Surface; 4. Comic Finitude and Comic Closure; Notes; Bibliography; Index. Wye Jamison Allanbrook's The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin. Includes bibliographical references (pages 219-230) and index. English. Mimesis in music. http://id.loc.gov/authorities/subjects/sh2014000284 Music 18th century History and criticism. http://id.loc.gov/authorities/subjects/sh89002975 Music 18th century Philosophy. Mimêsis dans la musique. Musique 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Mimesis in music fast Music fast Music Philosophy and aesthetics fast 1700-1799 fast 18th century culture. austrian composer. chamber music. classical music. classical period. concertos. cultural studies. ernest bloch lectures. franz joseph haydn. greatest classical composers of all time. haydn. historical. history of music. instrumental music. late 18th century music. mimetic association. mozart. music studies. music. musical influences. musical theorists. opera buffa. opera. operatic style. symphonies. theatre. vocal music. wolfgang amadeus mozart. Criticism, interpretation, etc. fast Smart, Mary Ann. Taruskin, Richard. has work: The secular commedia (Text) https://id.oclc.org/worldcat/entity/E39PCFFBcvTDCPffj3f6f39x6q https://id.oclc.org/worldcat/ontology/hasWork Print version: Allanbrook, Wye Jamison. Secular Commedia : Comic Mimesis in Late Eighteenth-Century Music. Berkeley : University of California Press, ©2014 9780520274075 Ernest Bloch lecture series ; 15. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=792262 Volltext |
| spellingShingle | Allanbrook, Wye Jamison The secular commedia : comic mimesis in late eighteenth-century music / Ernest Bloch lecture series ; Cover; THE SECULAR COMMEDIA; Title; Copyright; CONTENTS; List of Music Examples; Foreword; 1. Comic Flux and Comic Precision; 2. Comic Voice in the Late Mimetic Period; 3. The Comic Surface; 4. Comic Finitude and Comic Closure; Notes; Bibliography; Index. Mimesis in music. http://id.loc.gov/authorities/subjects/sh2014000284 Music 18th century History and criticism. http://id.loc.gov/authorities/subjects/sh89002975 Music 18th century Philosophy. Mimêsis dans la musique. Musique 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Mimesis in music fast Music fast Music Philosophy and aesthetics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2014000284 http://id.loc.gov/authorities/subjects/sh89002975 |
| title | The secular commedia : comic mimesis in late eighteenth-century music / |
| title_auth | The secular commedia : comic mimesis in late eighteenth-century music / |
| title_exact_search | The secular commedia : comic mimesis in late eighteenth-century music / |
| title_full | The secular commedia : comic mimesis in late eighteenth-century music / Wye Jamison Allanbrook ; edited by Mary Ann Smart and Richard Taruskin. |
| title_fullStr | The secular commedia : comic mimesis in late eighteenth-century music / Wye Jamison Allanbrook ; edited by Mary Ann Smart and Richard Taruskin. |
| title_full_unstemmed | The secular commedia : comic mimesis in late eighteenth-century music / Wye Jamison Allanbrook ; edited by Mary Ann Smart and Richard Taruskin. |
| title_short | The secular commedia : |
| title_sort | secular commedia comic mimesis in late eighteenth century music |
| title_sub | comic mimesis in late eighteenth-century music / |
| topic | Mimesis in music. http://id.loc.gov/authorities/subjects/sh2014000284 Music 18th century History and criticism. http://id.loc.gov/authorities/subjects/sh89002975 Music 18th century Philosophy. Mimêsis dans la musique. Musique 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Mimesis in music fast Music fast Music Philosophy and aesthetics fast |
| topic_facet | Mimesis in music. Music 18th century History and criticism. Music 18th century Philosophy. Mimêsis dans la musique. Musique 18e siècle Histoire et critique. MUSIC Genres & Styles Classical. MUSIC Reference. Mimesis in music Music Music Philosophy and aesthetics Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=792262 |
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